What you'll build
A small catalogue for a cabinet exhibition of three wood engravings from Gustave Doré’s Don Quixote (Paris, 1863), on a 230 × 280 mm page. The cover sets DORÉ in 88-pt Libre Bodoni on warm black, under a framed detail of the windmills plate. Each entry opens a left-hand page with a sepia catalogue number beside an italic title, the tombstone in the outer column, a lead with a three-line drop cap, and the commentary. The commentary’s first sentence cites the plate, which opens the right-hand page opposite, centred and 221 mm tall, so that plate, caption and credit line fill the text block. The last page is a checklist with a thumbnail in the first cell of each row and the page on which each plate prints.
This recipe answers
- How do I make an art catalogue: entry on the left page, plate on the facing right page?
- How do I control where a figure goes: top of page, across both columns, exactly here, or in the margin?
- How do I put pictures or icons inside table cells?
- How do I add an author line, a standfirst or a lead with a drop cap to an opener?
The short answer
// Each entry breaks to a verso and cites its plate in the commentary's first sentence; a 'top'
// float never lands on its citing page (gotcha: top-float-next-page), so it opens the recto.
const entryLevel = () => ({
level: 1, span: 'page', numberingTemplate: '{1}', // {number} in the opener: Cat. 1, 2, 3
// Restated: any headings object drops the H1 break (gotcha: headings-drop-h1-break).
breakBefore: { enabled: true, parity: 'even' },
marginBottom: pt(LEAD), advancedDesign: entryOpener(),
});
const plateType = {
id: 'plate', name: 'Cat.', shortLabel: 'Cat.', captionPrefix: 'Cat.', // 'Cat. 1. …'
numberingTemplate: '{n}', resetOn: 'never', counterFormat: 'decimal',
defaultPlacement: { position: 'top', span: 'page', align: 'center' },
};
// Under the plate (pt): a caption and a credit line at the body's leading ratio, and their gaps.
const CAPTION = { size: 8.5, gap: 6, note: 7.2, noteGap: 1.5 };
const UNDER = (CAPTION.size + CAPTION.note) * (LEAD / SIZE) + CAPTION.gap + CAPTION.noteGap;
const PLATE_H = (LINES * LEAD - UNDER) * PT; // 221.1 mm: the rest of the text block
// A float is not shrunk to fit the room left on its page (gap: float-shrink); fitFiguresToPage
// sets the smaller picture flush left. A width fraction narrows the float, and 'center' centres it.
const plate = ({ id, file, caption, altText }, [pxW, pxH]) => ({
id, typeId: 'plate', kind: 'bitmap', caption, note: CREDIT, altText,
// The print master's pixels, about 275 dpi at this size (gotcha: bitmap-print-size).
bitmap: { fileId: file, format: 'jpeg', width: pxW, height: pxH },
placement: { width: Math.min(1, ((pxW / pxH) * PLATE_H) / BLOCK_W) }, createdAt: 0, updatedAt: 0,
});
A Plate type that floats to the head of the facing recto, sized to fill it
Ingredients
- Features
- Figure placementChapters that open on a rectoCitations that place figuresCustom resource typesNumbered captionsCaption styleSource and credit linesFigures and tables as resourcesPictures in table cellsDesigned openersFull-width chapter bandDrop caps in openersText, rules and boxes in page designsPictures in page designsHeading attributesHeading stylesMirrored marginsPages on a canvas
- Also uses
- Column and a halfNumbered headingsFigures exactly herePaper colourParagraph stylesRunning heads per sectionMargin column for floatsLine breaks in titlesUnnumbered chapters
- Type
- Ibarra Real Nova, Libre Bodoni, Sofia Sans Condensed (SIL OFL 1.1)
- Assets
library-835.jpgvigil-835.jpgwindmills-835.jpgwindmills-detail-540.jpg- Cat. 1, Don Quixote in His Library (Part I, ch. I), wood engraving by Héliodore Pisan after Gustave Doré, 1863; scan from Wikimedia Commons, reduced to 835 px wide (Gustave Doré · Héliodore Pisan, public domain)
- Cat. 2, The Vigil of Arms (Part I, ch. III), wood engraving by Héliodore Pisan after Gustave Doré, 1863; scan from Wikimedia Commons, reduced to 835 px wide (Gustave Doré · Héliodore Pisan, public domain)
- Cat. 3, The Adventure of the Windmills (Part I, ch. VIII), wood engraving by Héliodore Pisan after Gustave Doré, 1863; scan from Wikimedia Commons, reduced to 835 px wide (Gustave Doré · Héliodore Pisan, public domain)
- The cover’s detail of Cat. 3: a 1,100-px square cut from the same scan and reduced to 540 px (Gustave Doré · Héliodore Pisan, public domain)
Method
#1 · The plate waits for the page opposite
The code is the short answer above. Every entry breaks to an even page, and a top float never lands on the page that cites it, so the plate cited in the commentary’s first sentence skips the verso and opens the recto facing it. Postext 1.4.1 does not shrink a float to the room left on its page, so plate() works out the float’s width from the scan’s aspect ratio and the height the text block has left after the caption and credit line. layout.fitFiguresToPage would shrink a plate too tall for the page, but 1.4.1 then sets the smaller picture flush left in a float that still spans the page. A width fraction narrows the float itself, and align: 'center' centres the plate together with its caption.
#2 · The entry’s head comes from its heading
const [KICKER, NUMERAL] = [8.5, { size: 80, y: 7 }]; // pt: labels; the numeral, y in mm
const TITLE = { size: 30, lineHeight: 1.08 }; // pt (gotcha: design-lineheight-multiple)
const HEAD_RULE = NUMERAL.y + NUMERAL.size * PT + 3; // mm: the hairline under the numeral
const LEAD_Y = HEAD_RULE + 5; // mm: the lead paragraph, with the tombstone beside it
const [LEADIN, TOMB] = [{ size: 13.5, lead: 19 }, { size: 8.5, lead: 12.5 }]; // pt
const LEAD_LINES = 5; // the longest lead: shorter ones keep the commentary on the same line
const BASE = 0.8; // 1.4.1 sets a design text's first baseline 0.8 down its line box
// em: cap heights, and Libre Bodoni's figures, which stop short of its capitals ('1': 0.716)
const [CAP_HEIGHT, FIGURE_HEIGHT] = [{ [TEXT]: 0.673, [DISPLAY]: 0.754 }, 0.716];
const inkTop = (size, lineHeight, height) => (BASE * lineHeight - height) * size; // pt to the ink
// The title's capitals level with the numeral's figures: 1.2 mm below the numeral's top.
const TITLE_Y = NUMERAL.y + (inkTop(NUMERAL.size, 1, FIGURE_HEIGHT)
- inkTop(TITLE.size, TITLE.lineHeight, CAP_HEIGHT[DISPLAY])) * PT;
// The initial's top on the first line's capitals, its foot on the third baseline.
const dropSize = (lines) => pt(((lines - 1) * LEADIN.lead + CAP_HEIGHT[TEXT] * LEADIN.size)
/ CAP_HEIGHT[DISPLAY]);
// Entries open on versos, whose outer column is on the left: the side column is at x = 0.
const head = (label, numeral) => [
text('label', label, LABEL, KICKER, 'sepia', at('container', 'top-left', 0, 0), caps(KICKER)),
text('numeral', numeral, DISPLAY, NUMERAL.size, 'sepia',
at('container', 'top-left', 0, NUMERAL.y, SIDE), { lineHeight: 1 }),
text('title', '{titleText}', DISPLAY, TITLE.size, 'ink', at('container', 'top-left', MAIN_X,
TITLE_Y, MAIN), { italic: true, lineHeight: TITLE.lineHeight }),
{ kind: 'rule', id: 'head-rule', direction: 'horizontal', thickness: pt(0.5), color: col('rule'),
placement: at('container', 'top-left', 0, HEAD_RULE, 'fill') },
];
const entryOpener = () => ({ enabled: true, minHeight: mm(LEAD_Y + LEAD_LINES * LEADIN.lead * PT),
slot: { elements: [...head('Cat.', '{number}'),
text('chapter', '{attr.chapter}', LABEL, KICKER, 'sepia',
at('container', 'top-left', MAIN_X, 0, MAIN), caps(KICKER)),
// Baseline on the lead's; \n breaks only with a paragraphIndent (gotcha: design-text-newline).
text('tombstone', '{attr.tombstone}', LABEL, TOMB.size, 'muted',
at('container', 'top-left', 0, LEAD_Y + BASE * (LEADIN.lead - TOMB.lead) * PT, SIDE - 6),
{ lineHeight: TOMB.lead / TOMB.size, paragraphIndent: pt(0.01) }),
// Drop caps exist only in design text, so the lead is an attribute (gotcha: design-text-ragged).
text('lead', '{attr.lead}', TEXT, LEADIN.size, 'ink', at('container', 'top-left', MAIN_X,
LEAD_Y, MAIN), { lineHeight: LEADIN.lead / LEADIN.size, dropCap: { lines: 3,
fontFamily: DISPLAY, fontSize: dropSize(3), color: col('sepia'), gap: mm(1.6) } }),
] } });
Each # heading carries its chapter, tombstone and lead as attributes, and the opener’s design slot draws them. The large number is the heading’s own {number} from numberingTemplate: '{1}'; with one plate to an entry it runs 1, 2, 3 in step with the plates’ Cat. counter. In 1.4.1 a drop cap exists only in design text, and design text cannot be justified, so the lead is an attribute set ragged at 13.5 pt above the justified commentary. dropSize(3) sizes the initial so that its top meets the capitals of the first line and its foot sits on the third baseline. minHeight reserves room for a five-line lead, so the commentary under the four-line lead of Cat. 3 starts on the same line as in the other entries. TITLE_Y sets the title 1.2 mm lower than the numeral, which lines its capitals up with the numeral’s figures: in Libre Bodoni the figures are 0.716 em tall and the capitals 0.754 em.
#3 · Declare the master, draw a smaller copy
// plate() sizes each plate from its master, the Commons scan at 2,400 px tall (MASTER_PX);
// the canvas draws the registered 835-px copy (the block's width on a 1,000-px page) in that box.
async function scan(file) {
const res = await fetch(asset(file));
if (!res.ok) throw new Error(`Scan not found (${res.status}): ${file}`);
return createImageBitmap(await res.blob());
}
async function loadPlates() {
const [detail, ...scans] = await Promise.all([DETAIL, ...PLATES.map((p) => p.file)].map(scan));
const resources = [checklist(PLATES), picture('cover-detail', onPaper(detail),
'Detail of Cat. 3: the knight and his horse caught on the sail.')];
for (const [i, p] of PLATES.entries()) {
registerResourceImage(p.file, onPaper(scans[i]));
resources.push(plate(p, MASTER_PX[p.id]), // and a thumbnail: its own small file and size
picture(`${p.id}-thumb`, onPaper(await resized(scans[i], THUMB_PX)), p.altText));
}
return resources;
}
Postext sizes a bitmap from the pixels it declares, at the document’s dpi, and never prints it wider than those pixels allow. plate() declares each plate’s master, the Commons scan reduced to 2,400 px tall: 1,900 × 2,400 px for Cat. 1, which could reach 322 mm at page.dpi: 150. The width fraction therefore sets the size, 221 mm tall, and at that height 2,400 px come to about 275 dpi. At the default 300 dpi the plate would stop at 161 mm wide. The canvas draws whatever picture is registered into that box, so the pen fetches the three 835-px copies in assets/, 0.97 MB against 5.8 MB for the masters. Drawn from the 2,400-px masters instead, the skies fill with moiré bands and the capture’s images grow by about 0.3 MB, past the Cookbook’s 1.4 MB limit.
#4 · A cover from a heading style
const DETAIL = 'windmills-detail-540.jpg'; // a square cut from Cat. 3, at its size on screen
const FRAME = { w: 124, y: 40, pad: 3.5 }; // mm: the picture, its top, the hairline's inset
const FRAME_X = (TRIM.w - FRAME.w) / 2;
const NAME = { size: 88, track: 8, y: 176 }; // pt, pt, mm
const centred = (id, content, family, size, color, y, more, x = 0) => text(id, content, family,
size, color, at('page', 'top', x, y, 'fill'), { align: 'center', ...more });
const coverStyle = () => ({
id: 'cover', numbered: false, header: { elements: [] }, footer: { elements: [] },
advancedDesign: { enabled: true, slot: { elements: [ // painted in this order
{ kind: 'box', id: 'night', style: { backgroundColor: col('night') },
placement: { ...at('bleed', 'top-left', 0, 0), size: { width: 'fill', height: 'fill' } } },
{ kind: 'box', id: 'frame', style: { borderColor: col('gilt'), borderWidth: pt(0.5) },
placement: { ...at('page', 'top-left', FRAME_X - FRAME.pad, FRAME.y - FRAME.pad),
size: { width: mm(FRAME.w + 2 * FRAME.pad), height: mm(FRAME.w + 2 * FRAME.pad) } } },
{ kind: 'image', id: 'detail', resourceId: 'cover-detail',
placement: at('page', 'top-left', FRAME_X, FRAME.y, FRAME.w) },
centred('kicker', '{attr.kicker}', LABEL, 8.5, 'gilt', 18, caps(8.5)),
// 1.4.1 counts the tracking after the last letter as well, so the word moves right by half.
centred('name', '{titleText}', DISPLAY, NAME.size, 'paper', NAME.y, { lineHeight: 1,
textTransform: 'uppercase', letterSpacing: pt(NAME.track) }, (NAME.track / 2) * PT),
centred('subtitle', '{attr.subtitle}', DISPLAY, 18, 'paper', NAME.y + NAME.size * PT + 4,
{ italic: true }),
centred('foot', '{attr.foot}', LABEL, 8.5, 'gilt', 250, caps(8.5)),
] } },
});
The cover is the first heading, # Doré {style="cover" …}, drawn by a style without folios. Its image element draws windmills-detail-540.jpg, registered as a resource that no paragraph cites, so it gets no number and no caption. The file is a 1,100-px square cut from the windmills scan and reduced to 540 px, its width on a 1,000-px page. Postext 1.4.1 measures design text with the tracking after the last letter as well, which would leave the centred name 4 pt left of the page’s centre line; the name moves right by half its 8-pt tracking to sit on it.
#5 · Thumbnails in the checklist’s cells
const THUMB_PX = 300; // px wide: 25 mm at 300 dpi, about the width the cell prints it
// The entries' head, label and numeral from attributes; the level gives span, break and margin.
const checklistStyle = () => ({ id: 'checklist', numbered: false,
advancedDesign: { enabled: true, slot: { elements: head('{attr.kicker}', '{attr.range}') } } });
const cell = (content, more) => ({ content, verticalAlign: 'middle', ...more });
const checklist = (plates) => ({
id: 'checklist', typeId: 'list', kind: 'table', placement: { position: 'here' },
altText: 'Checklist of the three works with thumbnails, titles, chapters and pages.',
table: { model: { headerRowCount: 1, columnWidths: [26, 9, 70, 11], rows: [
['', 'Cat.', 'Work and chapter', 'Page'].map((label, i) =>
cell(label, { isHeader: true, align: i === 3 ? 'right' : 'left' })),
...plates.map((p, i) => [
{ content: '', image: { resourceId: `${p.id}-thumb` } },
cell(String(i + 1)), cell(`*${p.caption}*. ${p.illustrates}`),
cell(String(platePage(i + 1)), { align: 'right' }),
]),
] } },
createdAt: 0, updatedAt: 0,
});
// The cover is page 1 and entry n opens page 2n, so its plate prints on page 2n + 1.
const platePage = (n) => 2 * n + 1;
const listType = { id: 'list', name: 'List', shortLabel: 'List', captionPrefix: '', // no caption
numberingTemplate: '{n}', resetOn: 'never', counterFormat: 'decimal' };
A cell’s image fits a bitmap resource to the cell’s inner width, 23 mm here. Each thumbnail is its own 300-px copy, declared at that size, rather than the 835-px plate scaled down at draw time. The table has no caption text and its type an empty caption prefix, so no caption is drawn. The checklist style sets only numbered: false and its design, and takes the page span, the break to a verso and the bottom margin from level 1.
#6 · Stop when an entry outgrows its page
const astray = doc.pages.find((pg) => pg.role !== 'opener' && !pg.floats?.length);
if (astray) { // text run past its verso, or the blank page that follows it
const error = new Error(`Page ${astray.pageLabel} holds no plate: shorten the entry before it.`);
kitFail(error); // the viewer's bar says why
throw error;
}
An entry that runs past its verso still sends its plate to the next page. The rest of its commentary then follows the plate, and a blank page keeps the next entry on a verso, so every later plate prints two pages after the page the checklist gives for it. The check stops the build at the first page that is not an opener and holds no plate, and shows that page’s number in the viewer’s bar.
The whole recipe
// ═══ Postext Cookbook · Nº 034 · Catalogue entries facing their plates ══════════════ // https://postext.dev/en/cookbook/catalogue-facing-plates // Code: MIT · Text: original (CC BY 4.0), Ormsby 1885 (PD) · Plates: Doré and Pisan, 1863 (PD) // Fonts: Ibarra Real Nova, Libre Bodoni, Sofia Sans Condensed (SIL OFL 1.1) · Needs postext ≥ 1.4.1 import { buildDocument, renderPageToCanvas, clearMeasurementCache, registerResourceImage } from 'https://esm.sh/postext'; const LANG = 'en'; // @lang: the language of the sample document ('en') const RECIPE = 'catalogue-facing-plates'; // ─── 1 · Design ───────────────────────────────────────────────────────────── const palette = { ink: '#1b1918', paper: '#faf7f1', night: '#2a2724', // text; the page and plates; the cover sepia: '#8a6a45', gilt: '#c9ad86', // the accent on paper (4.6:1) and on the night (6.9:1) rule: '#cfc6b8', muted: '#6c665e', // hairlines; tombstones, credit lines, folios }; // A linked colour carries its hex too: postext 1.4.1 reads the hex, not the palette, in design // slots and referenceColor (gotcha: palette-skips-designs). const col = (id) => ({ hex: palette[id], model: 'hex', paletteId: id }); const colorPalette = [ ...Object.entries(palette).map(([id, hex]) => ({ id, name: id, value: { hex, model: 'hex' } })), // The engine's defaults link to 'main-color': point it at the accent, so nothing prints blue. { id: 'main-color', name: 'sepia (defaults)', value: { hex: palette.sepia, model: 'hex' } }, ]; const [TEXT, DISPLAY, LABEL] = ['Ibarra Real Nova', 'Libre Bodoni', 'Sofia Sans Condensed']; const PT = 25.4 / 72; // mm per point const [SIZE, LEAD, LINES] = [11.5, 16, 41]; // body pt, leading pt; 41 lines make the text block const TRIM = { w: 230, h: 280 }; // mm: a catalogue trim const [TOP, INNER, OUTER] = [24, 20, 18]; // margins, mm const BLOCK_W = TRIM.w - INNER - OUTER; // 192 mm: the text block, and the widest plate const BLOCK_H = LINES * LEAD * PT; // 231.4 mm const [SIDE_PC, GUTTER] = [34, 7]; // the outer column: 65.3 mm for numeral and tombstone; mm const SIDE = (BLOCK_W * SIDE_PC) / 100; const MAIN_X = SIDE + GUTTER; // mm from the block's outer edge to the text column const MAIN = BLOCK_W - MAIN_X; // 119.7 mm: the measure, about 71 characters // #region answer: a Plate type that floats to the head of the facing recto, sized to fill it // Each entry breaks to a verso and cites its plate in the commentary's first sentence; a 'top' // float never lands on its citing page (gotcha: top-float-next-page), so it opens the recto. const entryLevel = () => ({ level: 1, span: 'page', numberingTemplate: '{1}', // {number} in the opener: Cat. 1, 2, 3 // Restated: any headings object drops the H1 break (gotcha: headings-drop-h1-break). breakBefore: { enabled: true, parity: 'even' }, marginBottom: pt(LEAD), advancedDesign: entryOpener(), }); const plateType = { id: 'plate', name: 'Cat.', shortLabel: 'Cat.', captionPrefix: 'Cat.', // 'Cat. 1. …' numberingTemplate: '{n}', resetOn: 'never', counterFormat: 'decimal', defaultPlacement: { position: 'top', span: 'page', align: 'center' }, }; // Under the plate (pt): a caption and a credit line at the body's leading ratio, and their gaps. const CAPTION = { size: 8.5, gap: 6, note: 7.2, noteGap: 1.5 }; const UNDER = (CAPTION.size + CAPTION.note) * (LEAD / SIZE) + CAPTION.gap + CAPTION.noteGap; const PLATE_H = (LINES * LEAD - UNDER) * PT; // 221.1 mm: the rest of the text block // A float is not shrunk to fit the room left on its page (gap: float-shrink); fitFiguresToPage // sets the smaller picture flush left. A width fraction narrows the float, and 'center' centres it. const plate = ({ id, file, caption, altText }, [pxW, pxH]) => ({ id, typeId: 'plate', kind: 'bitmap', caption, note: CREDIT, altText, // The print master's pixels, about 275 dpi at this size (gotcha: bitmap-print-size). bitmap: { fileId: file, format: 'jpeg', width: pxW, height: pxH }, placement: { width: Math.min(1, ((pxW / pxH) * PLATE_H) / BLOCK_W) }, createdAt: 0, updatedAt: 0, }); // #endregion const MASTER_PX = { library: [1900, 2400], vigil: [1921, 2400], windmills: [1923, 2400] }; const CREDIT = 'Public domain; scan from Wikimedia Commons.'; // the artists are in the tombstone // A picture drawn only in a design slot or a table cell: registered, never cited or numbered. function picture(id, image, altText) { registerResourceImage(`${id}.jpg`, image); return { id, typeId: 'plate', kind: 'bitmap', altText, createdAt: 0, updatedAt: 0, bitmap: { fileId: `${id}.jpg`, format: 'jpeg', width: image.width, height: image.height } }; } // Design-slot shorthands; text wraps instead of ending in '…' (gotcha: overflow-ellipsis-default). const at = (to, edge, x, y, width) => ({ anchor: { to, edge }, offset: { x: mm(x), y: mm(y) }, ...(width !== undefined && { size: { width: width === 'fill' ? 'fill' : mm(width) } }) }); const text = (id, content, fontFamily, size, color, placement, more = {}) => ({ kind: 'text', id, content, fontFamily, fontSize: pt(size), color: col(color), align: 'left', overflow: 'wrap', placement, ...more }); const caps = (size) => ({ fontWeight: 600, textTransform: 'uppercase', letterSpacing: pt(size * 0.2) }); // #region opener: the entry's head, a numeral and tombstone beside the title and the lead const [KICKER, NUMERAL] = [8.5, { size: 80, y: 7 }]; // pt: labels; the numeral, y in mm const TITLE = { size: 30, lineHeight: 1.08 }; // pt (gotcha: design-lineheight-multiple) const HEAD_RULE = NUMERAL.y + NUMERAL.size * PT + 3; // mm: the hairline under the numeral const LEAD_Y = HEAD_RULE + 5; // mm: the lead paragraph, with the tombstone beside it const [LEADIN, TOMB] = [{ size: 13.5, lead: 19 }, { size: 8.5, lead: 12.5 }]; // pt const LEAD_LINES = 5; // the longest lead: shorter ones keep the commentary on the same line const BASE = 0.8; // 1.4.1 sets a design text's first baseline 0.8 down its line box // em: cap heights, and Libre Bodoni's figures, which stop short of its capitals ('1': 0.716) const [CAP_HEIGHT, FIGURE_HEIGHT] = [{ [TEXT]: 0.673, [DISPLAY]: 0.754 }, 0.716]; const inkTop = (size, lineHeight, height) => (BASE * lineHeight - height) * size; // pt to the ink // The title's capitals level with the numeral's figures: 1.2 mm below the numeral's top. const TITLE_Y = NUMERAL.y + (inkTop(NUMERAL.size, 1, FIGURE_HEIGHT) - inkTop(TITLE.size, TITLE.lineHeight, CAP_HEIGHT[DISPLAY])) * PT; // The initial's top on the first line's capitals, its foot on the third baseline. const dropSize = (lines) => pt(((lines - 1) * LEADIN.lead + CAP_HEIGHT[TEXT] * LEADIN.size) / CAP_HEIGHT[DISPLAY]); // Entries open on versos, whose outer column is on the left: the side column is at x = 0. const head = (label, numeral) => [ text('label', label, LABEL, KICKER, 'sepia', at('container', 'top-left', 0, 0), caps(KICKER)), text('numeral', numeral, DISPLAY, NUMERAL.size, 'sepia', at('container', 'top-left', 0, NUMERAL.y, SIDE), { lineHeight: 1 }), text('title', '{titleText}', DISPLAY, TITLE.size, 'ink', at('container', 'top-left', MAIN_X, TITLE_Y, MAIN), { italic: true, lineHeight: TITLE.lineHeight }), { kind: 'rule', id: 'head-rule', direction: 'horizontal', thickness: pt(0.5), color: col('rule'), placement: at('container', 'top-left', 0, HEAD_RULE, 'fill') }, ]; const entryOpener = () => ({ enabled: true, minHeight: mm(LEAD_Y + LEAD_LINES * LEADIN.lead * PT), slot: { elements: [...head('Cat.', '{number}'), text('chapter', '{attr.chapter}', LABEL, KICKER, 'sepia', at('container', 'top-left', MAIN_X, 0, MAIN), caps(KICKER)), // Baseline on the lead's; \n breaks only with a paragraphIndent (gotcha: design-text-newline). text('tombstone', '{attr.tombstone}', LABEL, TOMB.size, 'muted', at('container', 'top-left', 0, LEAD_Y + BASE * (LEADIN.lead - TOMB.lead) * PT, SIDE - 6), { lineHeight: TOMB.lead / TOMB.size, paragraphIndent: pt(0.01) }), // Drop caps exist only in design text, so the lead is an attribute (gotcha: design-text-ragged). text('lead', '{attr.lead}', TEXT, LEADIN.size, 'ink', at('container', 'top-left', MAIN_X, LEAD_Y, MAIN), { lineHeight: LEADIN.lead / LEADIN.size, dropCap: { lines: 3, fontFamily: DISPLAY, fontSize: dropSize(3), color: col('sepia'), gap: mm(1.6) } }), ] } }); // #endregion // #region cover: a heading style on warm black, a framed detail of Cat. 3 and the name const DETAIL = 'windmills-detail-540.jpg'; // a square cut from Cat. 3, at its size on screen const FRAME = { w: 124, y: 40, pad: 3.5 }; // mm: the picture, its top, the hairline's inset const FRAME_X = (TRIM.w - FRAME.w) / 2; const NAME = { size: 88, track: 8, y: 176 }; // pt, pt, mm const centred = (id, content, family, size, color, y, more, x = 0) => text(id, content, family, size, color, at('page', 'top', x, y, 'fill'), { align: 'center', ...more }); const coverStyle = () => ({ id: 'cover', numbered: false, header: { elements: [] }, footer: { elements: [] }, advancedDesign: { enabled: true, slot: { elements: [ // painted in this order { kind: 'box', id: 'night', style: { backgroundColor: col('night') }, placement: { ...at('bleed', 'top-left', 0, 0), size: { width: 'fill', height: 'fill' } } }, { kind: 'box', id: 'frame', style: { borderColor: col('gilt'), borderWidth: pt(0.5) }, placement: { ...at('page', 'top-left', FRAME_X - FRAME.pad, FRAME.y - FRAME.pad), size: { width: mm(FRAME.w + 2 * FRAME.pad), height: mm(FRAME.w + 2 * FRAME.pad) } } }, { kind: 'image', id: 'detail', resourceId: 'cover-detail', placement: at('page', 'top-left', FRAME_X, FRAME.y, FRAME.w) }, centred('kicker', '{attr.kicker}', LABEL, 8.5, 'gilt', 18, caps(8.5)), // 1.4.1 counts the tracking after the last letter as well, so the word moves right by half. centred('name', '{titleText}', DISPLAY, NAME.size, 'paper', NAME.y, { lineHeight: 1, textTransform: 'uppercase', letterSpacing: pt(NAME.track) }, (NAME.track / 2) * PT), centred('subtitle', '{attr.subtitle}', DISPLAY, 18, 'paper', NAME.y + NAME.size * PT + 4, { italic: true }), centred('foot', '{attr.foot}', LABEL, 8.5, 'gilt', 250, caps(8.5)), ] } }, }); // #endregion // #region checklist: a table of the works with a thumbnail in each first cell const THUMB_PX = 300; // px wide: 25 mm at 300 dpi, about the width the cell prints it // The entries' head, label and numeral from attributes; the level gives span, break and margin. const checklistStyle = () => ({ id: 'checklist', numbered: false, advancedDesign: { enabled: true, slot: { elements: head('{attr.kicker}', '{attr.range}') } } }); const cell = (content, more) => ({ content, verticalAlign: 'middle', ...more }); const checklist = (plates) => ({ id: 'checklist', typeId: 'list', kind: 'table', placement: { position: 'here' }, altText: 'Checklist of the three works with thumbnails, titles, chapters and pages.', table: { model: { headerRowCount: 1, columnWidths: [26, 9, 70, 11], rows: [ ['', 'Cat.', 'Work and chapter', 'Page'].map((label, i) => cell(label, { isHeader: true, align: i === 3 ? 'right' : 'left' })), ...plates.map((p, i) => [ { content: '', image: { resourceId: `${p.id}-thumb` } }, cell(String(i + 1)), cell(`*${p.caption}*. ${p.illustrates}`), cell(String(platePage(i + 1)), { align: 'right' }), ]), ] } }, createdAt: 0, updatedAt: 0, }); // The cover is page 1 and entry n opens page 2n, so its plate prints on page 2n + 1. const platePage = (n) => 2 * n + 1; const listType = { id: 'list', name: 'List', shortLabel: 'List', captionPrefix: '', // no caption numberingTemplate: '{n}', resetOn: 'never', counterFormat: 'decimal' }; // #endregion const foot = (id, content, parity, edge, x, more) => text(id, content, LABEL, 7.5, 'muted', at('page', edge, x, TRIM.h - 15), { ...caps(7.5), parity, ...more }); const footer = { elements: [ // folios at the outer foot; entries (versos) add the title foot('verso-folio', '{pageNumber}', 'even', 'top-left', OUTER, { color: col('ink') }), foot('verso-title', '{title}', 'even', 'top-left', OUTER + 9), foot('recto-folio', '{pageNumber}', 'odd', 'top-right', -OUTER, { color: col('ink'), align: 'right' }), ] }; const config = () => ({ // a factory: the engine caches resolved configs per object colorPalette, resourceTypes: [plateType, listType], // A bitmap is never set wider than its declared pixels at this dpi: at 150 dpi a 1,900-px // scan may reach 322 mm, so the width fraction decides (at 300 dpi it stops at 161 mm). page: { width: mm(TRIM.w), height: mm(TRIM.h), dpi: 150, backgroundColor: col('paper'), margins: { top: mm(TOP), bottom: mm(TRIM.h - TOP - BLOCK_H), left: mm(INNER), right: mm(OUTER), mirror: true } }, // Body text never enters the outer column: the openers draw in it and the plates span it. layout: { layoutType: 'oneAndHalf', sideColumnPercent: SIDE_PC, sideColumnRole: 'floats', sideColumnSide: 'outer', gutterWidth: mm(GUTTER) }, bodyText: { fontFamily: TEXT, fontSize: pt(SIZE), lineHeight: pt(LEAD), color: col('ink'), boldColor: col('ink'), italicColor: col('ink'), referenceColor: col('sepia'), referenceBold: false, // 'Cat. 1' in the accent, regular weight firstLineIndent: mm(4.5), indentAfterHeading: false, minWordSpacing: 0.8, maxWordSpacing: 1.5, maxRuntTracking: 0, // gotcha: runt-tracking-unpainted }, headings: { fontFamily: DISPLAY, fontWeight: 400, color: col('ink'), levels: [entryLevel()] }, headingStyles: [coverStyle(), checklistStyle()], captionStyle: { fontFamily: LABEL, fontSize: pt(CAPTION.size), gap: pt(CAPTION.gap), labelColor: col('sepia'), // the label is bold by default note: { fontSize: pt(CAPTION.note), gap: pt(CAPTION.noteGap), color: col('muted') } }, tableStyle: { rules: 'horizontal', borderColor: col('rule'), borderWidth: pt(0.5), cellPadding: mm(1.8), headerBackground: col('ink'), headerColor: col('paper'), headerFontFamily: LABEL, headerFontSize: pt(8), bodyFontFamily: TEXT, bodyFontSize: pt(9.5) }, paragraphStyles: [{ id: 'colophon', fontFamily: LABEL, fontSize: pt(7.5), lineHeight: pt(11), color: col('muted'), textAlign: 'left', firstLineIndent: pt(0), marginTop: pt(LEAD) }], header: { elements: [] }, footer, }); // ─── 2 · Content ──────────────────────────────────────────────────────────── const markdown = String.raw`---Markdown sample · 43 lines · content.en.md
title: "Doré: Three Plates for Don Quixote" author: "The Print Room" --- # Doré {style="cover" kicker="The Print Room · A cabinet exhibition" subtitle="Three plates for Don Quixote, 1863" foot="Wood engravings by Héliodore Pisan after Gustave Doré"} # Don Quixote \\ in His Library {chapter="Part I · Chapter I" tombstone="Wood engraving\nHéliodore Pisan after Gustave Doré\nParis: L. Hachette et Cie, 1863, vol. I" lead="Doré opens the book with its hero wide awake. Seated upright in a carved chair, the hidalgo holds up a sword in his right hand and a book in his left, while everything he has read comes loose from the page and fills the room around him."} The plate (:ref{id="library"}, opposite) sets out the sentence in which the hidalgo loses his wits. In John Ormsby’s translation his fancy grew full of ‘enchantments, quarrels, battles, challenges, wounds, wooings, loves, agonies, and all sorts of impossible nonsense’, and Doré draws the list almost item by item. Knights ride out from behind the chair, a dragon uncoils above a shield of arms, a knight no taller than a folio stands on a book beside a giant’s severed head, and a lady in chains kneels at the fore-edge of a volume lettered AMADIS. Cervantes says the hidalgo ‘sold many an acre of tillageland to buy books of chivalry to read’, and Doré scatters them about the room: open on the table under the window, fallen open at his feet, and one propped on its edge at the lower left, beside the giant’s head. Daylight comes in at the window on the left and falls on his face and on the open page. The figures crowding the rest of the room have come out of the books, down to the two knights no taller than a hand who joust on the backs of mice among the flagstones. Doré gives these phantoms the same firm outline as the man who imagines them. In wood engraving whatever the tool cuts away prints white, so Pisan had to turn each of Doré’s greys into a pattern of strokes: close parallel cuts for the heavy curtain, finer and more open ones for the light on the wall, broken curls for the smoke of figures behind the chair. Both men signed the block, Doré in script at the lower left and Pisan in capitals at the lower right. # The Vigil \\ of Arms {chapter="Part I · Chapter III" tombstone="Wood engraving\nHéliodore Pisan after Gustave Doré\nParis: L. Hachette et Cie, 1863, vol. I" lead="The innkeeper has no chapel, so Don Quixote keeps his vigil of arms in the yard. Doré makes the scene a nocturne: the armour stands on the well-head, and the bareheaded knight lifts his lance towards a full moon breaking through cloud."} The plate (:ref{id="vigil"}, opposite) follows the text closely. The innkeeper has told his guest that armour may be watched anywhere, so Don Quixote lays his on a trough beside the well and paces up and down in front of it. In Ormsby’s translation the night closes in ‘with a light from the moon so brilliant that it might vie with his that lent it’. Doré stands the armour upright on the well-head, helmet and breastplate and gauntlets, so that it reads as a second knight facing the thin man in his shirt who will wear it. On the right the inn is a dark mass with an outside stair, and a figure watches from its landing: in the novel the guests ‘flocked to see it from a distance’. Water lies in the ruts of the yard and catches the light, and the knight’s shadow runs across it towards the viewer. Cervantes plays the vigil as farce. Two carriers come in turn to water their mules, each goes to move the armour off the trough, and each is laid out with the lance; the landlord then hurries the dubbing through before anyone else is hurt. Doré leaves all of that out and keeps the hour before it, when the knight is alone with his arms and the moon. In this sky Pisan widens his level cuts as they near the moon, until the black left between them thins to hairlines around the halo. Short flicks pick out the edges of the clouds. A dark bar of cloud crosses the disc on the left, and a few faint strokes shade the moon’s face. # The Adventure \\ of the Windmills {chapter="Part I · Chapter VIII" tombstone="Wood engraving\nHéliodore Pisan after Gustave Doré\nParis: L. Hachette et Cie, 1863, vol. I" lead="Doré passes over the charge and draws the moment after it. The turning sail has caught the lance and lifted horse and rider clear of the plain, and Rocinante’s legs thrash at the empty air below them."} The plate (:ref{id="windmills"}, opposite) illustrates the sentence in which the charge ends. As the knight drove his lance into the sail, in Ormsby’s words, ‘the wind whirled it round with such force that it shivered the lance to pieces, sweeping with it horse and rider, who went rolling over on the plain’. Doré stops before the fall. The broken lance is still caught in the canvas, and the knight hangs tangled against the sail with his shield flung out beside him. The composition is built on one diagonal. The sail runs from the top left corner towards the centre, the horse hangs from it, and the line carries on down the slope to the thistles in the foreground. Against it Doré sets the level plain of La Mancha, where Cervantes counts ‘thirty or forty windmills’ and the plate lines up a row of them along the horizon, turning in the same wind. Sancho, hatless, throws up one arm and clutches his head with the other; his hat lies on the ground and his ass waits behind him. He had warned his master, in Ormsby’s version, that ‘what we see there are not giants but windmills, and what seem to be their arms are the sails that turned by the wind make the millstone go’. Pisan cuts the sky in long even lines and the patched canvas of the sail in torn, crossing strokes. The mills on the horizon are drawn with a few lines each. # Works in \\ the Exhibition {style="checklist" kicker="Checklist" range="1–3"} All three plates come from the first volume of *L’Ingénieux Hidalgo Don Quichotte de la Manche*, in the French translation by Louis Viardot, published in two folio volumes by L. Hachette et Cie, Paris, in 1863 with 377 compositions by Gustave Doré, 120 of them full-page. Héliodore Pisan engraved the three plates on wood, and both men signed them in the block. Quotations are from John Ormsby’s English translation of 1885. ::resource{id="checklist"} :::paragraphs{style="colophon"} Set in Ibarra Real Nova, Libre Bodoni and Sofia Sans Condensed (SIL Open Font License). Commentary written for this catalogue under a CC BY 4.0 licence. The plates are in the public domain and reproduced from scans on Wikimedia Commons; the cover shows a detail of Cat. 3. Ormsby’s translation is Project Gutenberg eBook #996. :::`; // content.<lang>.md, inlined by the Cookbook // id, scan file, caption, the chapter it illustrates and alt text: one block per plate. const plateTexts = String.raw`libraryMarkdown sample · 16 lines · content.plates.en.md
library-835.jpg Don Quixote in His Library Part I, ch. I: ‘which treats of the character and pursuits of the famous gentleman Don Quixote of La Mancha’ Don Quixote sits upright in a carved chair, a book in his left hand and a sword raised in his right, surrounded by the figures of his reading: knights on horseback, a dragon, a giant’s severed head, a lady in chains and two tiny knights jousting on mice. vigil vigil-835.jpg The Vigil of Arms Part I, ch. III: ‘wherein is related the droll way in which Don Quixote had himself dubbed a knight’ A moonlit inn yard. Don Quixote, bareheaded and holding a lance and a buckler, looks up at the moon; his armour stands propped on the well-head facing him, and a figure watches from the inn’s outside stair. windmills windmills-835.jpg The Adventure of the Windmills Part I, ch. VIII: ‘the terrible and undreamt-of adventure of the windmills’ A windmill’s sail sweeps Don Quixote and Rocinante off the ground, the knight tangled against the canvas and his buckler flung out; a row of mills stands on the horizon and Sancho, hatless, throws up one arm and clutches his head beside his ass.`; const FIELDS = ['id', 'file', 'caption', 'illustrates', 'altText']; const PLATES = plateTexts.trim().split(/\n\s*\n/).map((block) => Object.fromEntries(block.split('\n').map((line, i) => [FIELDS[i], line.trim()]))); // #region art: the engravings printed on the page's paper // Multiplying by the paper colour turns the scan's white into the page's cream. function onPaper(source) { const canvas = new OffscreenCanvas(source.width, source.height); const ctx = canvas.getContext('2d'); ctx.drawImage(source, 0, 0); ctx.globalCompositeOperation = 'multiply'; ctx.fillStyle = palette.paper; ctx.fillRect(0, 0, source.width, source.height); return canvas.transferToImageBitmap(); } const resized = (scan, width) => createImageBitmap(scan, { resizeWidth: width, resizeQuality: 'high' }); // #endregion // #region scans: the plates, their thumbnails and the cover's detail, fetched from assets/ // plate() sizes each plate from its master, the Commons scan at 2,400 px tall (MASTER_PX); // the canvas draws the registered 835-px copy (the block's width on a 1,000-px page) in that box. async function scan(file) { const res = await fetch(asset(file)); if (!res.ok) throw new Error(`Scan not found (${res.status}): ${file}`); return createImageBitmap(await res.blob()); } async function loadPlates() { const [detail, ...scans] = await Promise.all([DETAIL, ...PLATES.map((p) => p.file)].map(scan)); const resources = [checklist(PLATES), picture('cover-detail', onPaper(detail), 'Detail of Cat. 3: the knight and his horse caught on the sail.')]; for (const [i, p] of PLATES.entries()) { registerResourceImage(p.file, onPaper(scans[i])); resources.push(plate(p, MASTER_PX[p.id]), // and a thumbnail: its own small file and size picture(`${p.id}-thumb`, onPaper(await resized(scans[i], THUMB_PX)), p.altText)); } return resources; } // #endregion // ─── 3 · Fonts ────────────────────────────────────────────────────────────── const FONTS = { // every face the pages use, loaded before the build (gotcha: fonts-first) 'Ibarra Real Nova': ['400', '400i'], // text, the lead, the checklist 'Libre Bodoni': ['400', '400i'], // numerals, titles, drop caps, the cover 'Sofia Sans Condensed': ['400', '600', '700'], // labels, tombstones, captions, folios }; // ─── 4 · Build & show ─────────────────────────────────────────────────────── const words = `${markdown}\n${plateTexts}\n${CREDIT}`; // their letters decide the font subsets const [, resources] = await Promise.all([loadFonts(FONTS, words), loadPlates()]); const doc = await buildWithFonts(() => buildDocument({ markdown, resources }, config()), words); // #region check: every page past an opener holds a plate, so each plate faces its entry const astray = doc.pages.find((pg) => pg.role !== 'opener' && !pg.floats?.length); if (astray) { // text run past its verso, or the blank page that follows it const error = new Error(`Page ${astray.pageLabel} holds no plate: shorten the entry before it.`); kitFail(error); // the viewer's bar says why throw error; } // #endregion showPages(doc, { title: t({ en: 'Catalogue entries facing their plates' }) });Kit · core, fonts, viewer: the same in every recipe · 235 lines
// ─── Kit ── helpers shared by every Cookbook recipe · postext.dev/cookbook ───── // ─── Kit · core v1 ── the same in every recipe · postext.dev/cookbook ───────── function mm(value) { return { value, unit: 'mm' }; } function pt(value) { return { value, unit: 'pt' }; } function em(value) { return { value, unit: 'em' }; } /** The sample language's string: t({ en: 'Figure', es: 'Figura' }). */ function t(strings) { return strings[LANG] ?? Object.values(strings)[0]; } /** A file in this recipe's assets folder, served from the Postext repo by jsDelivr. */ function asset(file) { return `https://cdn.jsdelivr.net/gh/drnachio/postext@main/cookbook/${RECIPE}/assets/${file}`; } // ─── Kit · fonts v1 ── the same in every recipe · postext.dev/cookbook ──────── // Postext measures text with the faces the browser has loaded, and caches the // widths, so every face must be ready before the first build. Faces come from // Fontsource: the same static files the PDF embeds, so screen and PDF agree. /** faces = { 'Family Name': ['400', '400i', '700'] }. `text` is the sample: * letters beyond Latin-1 (č, ł, ő…) also load the latin-ext files. With * `optional`, a face Fontsource does not ship is skipped instead of failing. * Resolves to the number of faces added. */ async function loadFonts(faces, text = '', { optional = false } = {}) { kitStatus('Loading fonts…'); const ranges = { latin: 'U+0000-00FF,U+0131,U+0152-0153,U+02BB-02BC,U+02C6,U+02DA,U+02DC,U+0304,U+0308,U+0329,' + 'U+2000-206F,U+20AC,U+2122,U+2191,U+2193,U+2212,U+2215,U+FEFF,U+FFFD', 'latin-ext': 'U+0100-02BA,U+02BD-02C5,U+02C7-02CC,U+02CE-02D7,U+02DD-02FF,U+0304,U+0308,U+0329,' + 'U+1D00-1DBF,U+1E00-1E9F,U+1EF2-1EFF,U+2020,U+20A0-20AB,U+20AD-20C0,U+2113,U+2C60-2C7F,U+A720-A7FF', }; const subsets = /[Ā-˿Ḁ-ỿ]/.test(text) ? ['latin', 'latin-ext'] : ['latin']; const jobs = []; let added = 0; for (const [family, specs] of Object.entries(faces)) { const id = fontsourceId(family); const meta = optional ? await fontsourceMeta(family) : null; for (const spec of new Set(specs)) { const weight = parseInt(spec, 10); const style = spec.endsWith('i') ? 'italic' : 'normal'; if (hasFace(family, weight, style)) continue; if (optional && !(meta?.weights.includes(weight) && meta.styles.includes(style))) continue; for (const subset of subsets) { const url = `https://cdn.jsdelivr.net/npm/@fontsource/${id}@5/files/${id}-${subset}-${weight}-${style}.woff2`; const face = new FontFace(family, `url(${url}) format('woff2')`, { weight: String(weight), style, unicodeRange: ranges[subset] }); jobs.push(face.load().then((ready) => { document.fonts.add(ready); added++; }, () => { if (subset === 'latin' && !optional) throw new Error(`Fontsource has no ${family} ${weight} ${style}`); })); } } } await Promise.all(jobs).catch((error) => { kitFail(error); throw error; }); return added; } /** Runs `build` (a buildDocument or buildBundle call) and checks the faces * the pages use. A regular face missing from FONTS is loaded with a warning; * bold and italic variants are loaded when the family ships them. Then the * measurement caches are cleared and the build runs again. */ async function buildWithFonts(build, text = '') { const tried = new Set(); for (let round = 0; round < 3; round++) { kitStatus('Laying out…'); await new Promise(requestAnimationFrame); // let the status paint first const result = await Promise.resolve().then(build).catch((error) => { kitFail(error); throw error; }); const wanted = { base: {}, variants: {} }; for (const { font, base } of [result].flat().flatMap(fontStringsOf)) { const { family, weight, style } = parseFont(font); const key = `${family}|${weight}|${style}`; if (tried.has(key) || hasFace(family, weight, style)) continue; tried.add(key); (wanted[base ? 'base' : 'variants'][family] ??= []).push(`${weight}${style === 'italic' ? 'i' : ''}`); } if (Object.keys(wanted.base).length) { console.warn(`[cookbook] FONTS does not list ${JSON.stringify(wanted.base)}: loading them.`); } const added = await loadFonts(wanted.base, text) + await loadFonts(wanted.variants, text, { optional: true }); if (added === 0) return result; clearMeasurementCache(); } throw new Error('The fonts did not settle after three builds.'); } /** Every font string of the layout. `base` marks a block's own face; its * bold, italic and bold-italic variants are listed whether or not used. */ function fontStringsOf(doc) { const found = new Map(); const walk = (node) => { if (!node || typeof node !== 'object') return; if (Array.isArray(node)) { node.forEach(walk); return; } for (const [key, value] of Object.entries(node)) { if (typeof value === 'string' && /fontString$/i.test(key)) { found.set(value, found.get(value) || key === 'fontString'); } else if (value && typeof value === 'object') walk(value); } }; walk(doc.pages); walk(doc.blocks); return [...found].map(([font, base]) => ({ font, base })); } /** '700 37.5px Open Sans' / 'italic 400 13px "Source Serif 4"' → { family, weight, style }. * A string with no weight ('95.8px Young Serif', from a design text) is 400. */ function parseFont(font) { const m = /^(?:(italic|oblique)\s+)?(?:small-caps\s+)?(?:(\d+|bold|normal)\s+)?[\d.]+px\s+(.+)$/.exec(font.trim()); if (!m) throw new Error(`Unexpected font string: ${font}`); const weight = m[2] === 'bold' ? 700 : !m[2] || m[2] === 'normal' ? 400 : Number(m[2]); return { family: m[3].replace(/^["']|["']$/g, ''), weight, style: m[1] ? 'italic' : 'normal' }; } /** True when a loaded FontFace covers exactly this family, weight and style * (document.fonts.check() is also true for families nobody declared). */ function hasFace(family, weight, style) { for (const face of document.fonts) { if (face.status !== 'loaded' || face.style !== style) continue; if (face.family.replace(/^["']|["']$/g, '') !== family) continue; const [low, high = low] = face.weight.split(' ').map(Number); if (weight >= low && weight <= high) return true; } return false; } /** Fontsource's id for a family: 'Source Serif 4' → 'source-serif-4'. */ function fontsourceId(family) { return family.toLowerCase().replace(/\s+/g, '-'); } /** The weights and styles a family ships ({ weights: [400, 700], styles: ['normal', 'italic'] }), or null. */ function fontsourceMeta(family) { fontsourceMeta.cache ??= new Map(); const id = fontsourceId(family); if (!fontsourceMeta.cache.has(id)) { fontsourceMeta.cache.set(id, fetch(`https://api.fontsource.org/v1/fonts/${id}`) .then((res) => (res.ok ? res.json() : null), () => null)); } return fontsourceMeta.cache.get(id); } // ─── Kit · viewer v1 ── the same in every recipe · postext.dev/cookbook ─────── /** Shows the pages as facing spreads on a dark desk: the first page is a * recto on its own, then verso | recto pairs, as in a bound book. Pages * are painted when they scroll near the screen. */ function showPages(docs, { title, width = 460 } = {}) { const root = viewer(title); const pages = [docs].flat().flatMap((doc) => doc.pages.map((page) => ({ doc, page, n: (doc.pageIndexOffset ?? 0) + page.index }))); const spreads = []; let verso = null; for (const p of pages) { if (p.n % 2 === 1) { if (verso) spreads.push([verso, null]); verso = p; } else { spreads.push([verso, p]); verso = null; } } if (verso) spreads.push([verso, null]); const density = Math.min(window.devicePixelRatio || 1, 2); showPages.painter?.disconnect(); const painter = new IntersectionObserver((entries) => { for (const { isIntersecting, target } of entries) { if (!isIntersecting) continue; painter.unobserve(target); const { doc, page } = target.postext; renderPageToCanvas(page, doc, target, { scale: (width * density) / page.width }); } }, { rootMargin: '800px' }); showPages.painter = painter; root.replaceChildren(...spreads.map((pair) => { const spread = document.createElement('div'); spread.className = 'pt-spread'; for (const p of pair) { const figure = document.createElement('figure'); if (p) { const label = p.page.pageLabel || String(p.n + 1); const canvas = document.createElement('canvas'); canvas.postext = p; canvas.style.aspectRatio = `${p.page.width} / ${p.page.height}`; canvas.setAttribute('role', 'img'); canvas.setAttribute('aria-label', `Page ${label}`); const folio = document.createElement('figcaption'); folio.textContent = label; figure.append(canvas, folio); painter.observe(canvas); } else figure.className = 'pt-blank'; spread.append(figure); } return spread; })); kitStatus(`${pages.length} ${pages.length === 1 ? 'page' : 'pages'}`); document.documentElement.dataset.postext = 'ready'; return pages.length; } /** The desk, the bar and the error reporting, created once. */ function viewer(title) { if (!document.getElementById('pt-kit')) { document.head.insertAdjacentHTML('beforeend', `<style id="pt-kit"> :root { color-scheme: dark; } body { margin: 0; background: #0e1014; color: #b9bcc4; font: 13px/1.45 system-ui, sans-serif; } #pt-bar { position: sticky; top: 0; z-index: 1; display: flex; flex-wrap: wrap; align-items: center; gap: 6px 16px; padding: 10px 16px; background: rgb(14 16 20 / .92); backdrop-filter: blur(6px); border-bottom: 1px solid #23262d; } #pt-bar strong { color: #f4f1ea; font-weight: 600; } #pt-actions { display: flex; gap: 12px; margin-left: auto; } #pt-actions a, #pt-actions button { color: #d8a21a; font: inherit; background: none; border: 0; padding: 0; cursor: pointer; } #pages { display: grid; justify-items: center; gap: 48px; padding: 32px 16px 72px; } .pt-spread { display: flex; } .pt-spread figure { margin: 0; width: min(460px, 44vw); } .pt-spread canvas { display: block; width: 100%; background: #fff; box-shadow: 0 1px 2px rgb(0 0 0 / .5), 0 22px 44px -16px rgb(0 0 0 / .8); } .pt-spread figure:first-child canvas { box-shadow: inset -14px 0 14px -14px rgb(0 0 0 / .18), 0 1px 2px rgb(0 0 0 / .5), 0 22px 44px -16px rgb(0 0 0 / .8); } .pt-spread figcaption { margin-top: 10px; text-align: center; font: 600 10px/1 system-ui, sans-serif; letter-spacing: .18em; text-transform: uppercase; color: #6c7079; } .pt-blank { visibility: hidden; } @media (max-width: 760px) { .pt-spread { flex-direction: column; gap: 32px; } .pt-spread figure { width: min(460px, 92vw); } .pt-blank { display: none; } } </style>`); document.body.insertAdjacentHTML('afterbegin', '<header id="pt-bar"><strong id="pt-title"></strong><span id="pt-status" role="status"></span><span id="pt-actions"></span></header>'); document.getElementById('pt-title').textContent = document.title || 'Postext'; addEventListener('error', (event) => kitFail(event.error ?? event.message)); addEventListener('unhandledrejection', (event) => kitFail(event.reason)); } if (title) document.getElementById('pt-title').textContent = title; return document.getElementById('pages') ?? document.body.appendChild(Object.assign(document.createElement('main'), { id: 'pages' })); } function kitStatus(text) { viewer(); document.getElementById('pt-status').textContent = text; } function kitFail(error) { document.documentElement.dataset.postext = 'error'; kitStatus(`Error: ${error?.message ?? error}`); } // ─── /Kit ───────────────────────────────────────────────────────────────────────
The composed script.js runs as it is: paste it into any page’s module script, or open the recipe on CodePen. Recipe folder on GitHub ↗
Variations
#Leave air under the plates
A fixed height sets every plate at 190 mm, centred, with about 31 mm of empty text block under its credit line.
-const PLATE_H = (LINES * LEAD - UNDER) * PT; // 221.1 mm: the rest of the text block
+const PLATE_H = 190; // mm: the same height for every plate, with air below#Set figures in the outer column
For figures and glosses that stack in a float-only outer column beside the paragraph that cites them, see the textbook with a margin column.
Pitfalls
Pitfall
A 'top' float never lands on its citing page
A float never goes above its own reference, so a page-wide 'top' float cited on page N opens page N+1. Cite it earlier, or use position 'auto' or 'bottom', which can take the foot of the citing page. Figure placement →
Pitfall
Bitmaps are laid out in px at the document dpi: declare print size
A bitmap resource is sized from the width and height it declares, in pixels at the document's dpi, not from the file. Declare the print-size pixels (about 300 dpi at the printed width) so the figure lands at the right size and stays sharp. Figures and tables as resources →
Pitfall
Design text is never justified, so a drop-cap lead is ragged
In postext 1.4.1 a design text element aligns left, centre or right and wraps word by word: there is no justified alignment, and hyphenate: true only splits a word too long for a whole line. The lines of a lead set beside a dropCap therefore end ragged next to justified body text. Keep the lead to the lines beside the initial and fit them by hand: with lines: 1 (a raised initial) the lead is one line, which the dropCap gap can fit flush; the paragraph goes on in the Markdown. Drop caps in openers →
Pitfall
\n in an attribute breaks lines only with paragraphIndent > 0
In a design text element, a \n written in an attribute value starts a new line only when paragraphIndent is above zero or a drop cap is set; otherwise the text stays on one line. Set paragraphIndent to a hair (0.01 pt), or use one attribute per line. Text, rules and boxes in page designs →
Pitfall
A design text's lineHeight is a multiple, never a dimension
In a design slot, a text element's lineHeight multiplies its font size (lineHeight: 1.05). In postext 1.4.1 a dimension such as pt(15) is not rejected: the opener's height measures as NaN, the room it reserves, minHeight included, is dropped without a warning and the text runs under the title. Text, rules and boxes in page designs →
Sandbox check · bitmapTooSmall
Low-resolution image
Why. A bitmap is drawn more than 1.5 times wider than its pixels, so it will look blurry in print.
Fix. Supply about 300 dpi at the printed size, and declare the bitmap's real width and height. Docs →
Credits
- Recipe
- Ignacio Ferro
- Text
- The catalogue entries, captions, tombstones and checklist · Postext Cookbook · CC BY 4.0
- Quotations from Don Quixote in John Ormsby’s English translation (1885) · Miguel de Cervantes · John Ormsby · public domain
- Images
- Cat. 1, Don Quixote in His Library (Part I, ch. I), wood engraving by Héliodore Pisan after Gustave Doré, 1863; scan from Wikimedia Commons, reduced to 835 px wide · Gustave Doré · Héliodore Pisan · public domain
- Cat. 2, The Vigil of Arms (Part I, ch. III), wood engraving by Héliodore Pisan after Gustave Doré, 1863; scan from Wikimedia Commons, reduced to 835 px wide · Gustave Doré · Héliodore Pisan · public domain
- Cat. 3, The Adventure of the Windmills (Part I, ch. VIII), wood engraving by Héliodore Pisan after Gustave Doré, 1863; scan from Wikimedia Commons, reduced to 835 px wide · Gustave Doré · Héliodore Pisan · public domain
- The cover’s detail of Cat. 3: a 1,100-px square cut from the same scan and reduced to 540 px · Gustave Doré · Héliodore Pisan · public domain
- Fonts
- Ibarra Real Nova (SIL OFL 1.1) · Libre Bodoni (SIL OFL 1.1) · Sofia Sans Condensed (SIL OFL 1.1)


