En bref
Un dépliant pour une exposition de cartes, prêt à partir chez l’imprimeur. On y voit comment ajouter de la marge au-delà du bord de la page et des repères de coupe, et enregistrer un PDF dans les couleurs des presses.
Ce que vous allez composer
La feuille de salle de Cartografías imaginarias, une exposition inventée de cartes de lieux imaginaires, telle qu’elle part chez l’imprimeur, en espagnol dans les deux éditions de cette page. Chaque page de 170 × 227 mm est posée sur une feuille plus grande de 22 mm qui porte le fond perdu et les traits de coupe. En couverture, un itinéraire orange traverse un archipel en verts étagés et sort de la coupe vers le fond perdu. À l’intérieur, quatre salles composées en Karla en drapeau s’ouvrent sous des surtitres en forme de point d’étape, et un onglet orange porte le folio jusqu’au bord extérieur ; la quatrième de couverture place un plan des salles au-dessus d’une bande de relief. Le pen exporte le fichier pour la presse, un PDF/X-4 séparé pour FOGRA51 (la condition PSO Coated v3 du couché 150 g) avec ses polices, ses signets et ses étiquettes de page, ainsi qu’une épreuve en niveaux de gris, et lance le contrôle en amont sur la mise en page avant de les proposer. Dans le fichier pour la presse, les cartes et le plan viennent de masters d’impression aux encres choisies à la main, et le texte, l’onglet et les anneaux des étapes emploient les mêmes encres grâce à une palette écrite en CMJN.
Cette recette répond à
- Comment produire un PDF prêt pour l’impression avec fond perdu, traits de coupe, signets, étiquettes de page et espace colorimétrique ?
- Comment exporter un vrai PDF dans le navigateur avec les polices incorporées ?
- Comment ajouter un filigrane, une teinte de fond ou une image décorative sur chaque page ?
La réponse courte
const BLEED = 3; // mm of artwork past the trim: the cover, the tab and the back band reach it
// Hook-up: config().page.cutLines. A mark starts markOffset outside the trim (3 mm by default)
// and never inside the bleed, and runs 5 mm (markLength). Each page grows by doc.trimOffset
// a side, bleed + offset + mark: 11 mm here.
const cutLines = { enabled: true, bleed: mm(BLEED) };
// Hook-up: config().print. PDF/X-4 for the press on FOGRA51 (PSO Coated v3, the leaflet's
// 150 g coated matte): every colour separated through the profile (the authored ones as
// written), 100 % K text overprinting, the output intent, TrimBox and BleedBox on each page.
// The 7.5 pt bold labels in forest hold in four inks on coated stock: the small-text check
// starts at 7 pt instead of 9.
const PRINT = { standard: 'pdfx4', outputProfile: 'fogra51', preflight: { smallTextSize: pt(7) } };
// Where the profiles are fetched from: postext.dev serves postext's icc/ folder at /icc/ (any
// copy of it works, and so does the npm CDN's postext/icc/).
const PROFILES = 'https://postext.dev/icc/';
// `masters` holds print-master bytes by fileId (section 2 writes them). The proof is an
// ordinary greyscale PDF: no PDF/X, which would force CMYK.
function pressPdf(doc, kind, masters) {
const press = kind === 'press';
return renderToPdf(doc, {
fontProvider: fontsourceProvider, // Fontsource's files; TrueType faces are subset
// The press file takes config().print, its profile fetched from PROFILES
// (outputProfile: the .icc bytes, to hand it over yourself).
profileBaseUrl: PROFILES,
...(press ? {} : { print: { standard: 'none' }, colorSpace: 'grayscale' }),
// renderToPdf asks for a drawing's master (svg.pdfFileId) first, then for its SVG. The
// proof answers the SVG only, which its grey conversion can reach; a master stays in CMYK.
resourceBytes: (fileId) => (press && masters.get(fileId)) || imageBytes(fileId),
}); // bookmarks (from the headings) and /PageLabels (from the folios) come by default
}
Ingrédients
- Fonctionnalités
- Fond perdu et traits de coupePDF en CMJN et en niveaux de grisOriginaux d’impression des SVGExport PDFPolices intégrées au PDFSignets PDFBandeaux à fond perdu et ongletsAncrer les éléments de maquetteImages dans les maquettes de pageTitres courants selon le rôle de la pageTitres courants par sectionStyles de titreCouvertures, pages de titre et colophonsOuvertures composéesAttributs de titreMétadonnées du documentTitres courants et foliosFigures et tableaux comme ressourcesFigure et Tableau dans votre languePalette de couleurs sémantique
- Utilise aussi
- Des citations qui placent les figuresTitres numérotésStyles de paragrapheTypes de ressource personnalisésGéométrie de sectionChapitres non numérotés
- Typographie
- Karla, Space Grotesk, Space Mono (SIL OFL 1.1)
- Ressources
- Aucune : chaque image est dessinée en code
Préparation
#1 · Choisir les couleurs écran pour leurs plaques
const palette = {
ink: '#161616', // text: a neutral grey prints on the black plate alone (K95 on FOGRA51)
muted: '#666666', // the running heads, on black alone for the same reason (K66)
forest: '#0b3d2e', // the sea, the kickers, the back band
signal: '#ff6626', // route, waypoints, tab
sage: '#9fb8a8', // high ground; small type on forest
paper: '#f4f1ea', // type on forest: reversed out, it prints no ink at all
};
// The colours authored in CMYK (%), the same builds as the print masters (section 2), so the
// type, the tab and the drawings share their inks. Without them the profile would separate
// the forest as C90 M43 Y71 K62 and the orange as C0 M70 Y90 K0, a shade off the route.
const AUTHORED = { forest: [100, 45, 80, 55], signal: [0, 60, 85, 0], sage: [40, 20, 35, 0],
paper: [0, 0, 0, 0] };
const cmyk = ([c, m, y, k]) => ({ c, m, y, k });
const value = (id) => (AUTHORED[id]
? { hex: palette[id], model: 'cmyk', cmyk: cmyk(AUTHORED[id]) }
: { hex: palette[id], model: 'hex' });
// col(id): a palette-linked colour: the hex for the screen and, where authored, its build.
const col = (id) => ({ ...value(id), paletteId: id });
const colorPalette = [
...Object.keys(palette).map((id) => ({ id, name: id, value: value(id) })),
// The engine's defaults link to 'main-color': point it at the forest, so nothing prints blue.
{ id: 'main-color', name: 'forest (defaults)', value: { hex: palette.forest, model: 'hex' } },
];
print: { standard: 'pdfx4', outputProfile: 'fogra51' } dans la configuration sépare chaque couleur à travers le profil FOGRA51 livré avec postext. Les gris neutres s’impriment sur la seule plaque noire, avec un K choisi pour que la valeur corresponde : #161616 devient K95 et le #666666 des titres courants K66, et le texte à 100 % de K est en surimpression. Le profil imprimerait la forêt en C90 M43 Y71 K62 et l’orange en C0 M70 Y90 K0, une nuance à côté de l’itinéraire des masters (étape 5) : ces deux couleurs, le vert sauge et la couleur du papier sont donc écrits en CMJN. ColorValue.cmyk porte la composition, l’hexadécimal reste pour l’écran, et chaque usage lié à la palette imprime la composition telle qu’écrite. La couleur du papier est C0 M0 Y0 K0 : le texte en réserve sur la forêt n’imprime aucune encre, et aucune plaque ne peut le décaler.
#2 · Un onglet qui résiste au massicot
const TAB = { w: 10, h: 24 }; // the tab as it will be trimmed, mm; its foot is level with the text
const tab = (parity) => {
const edge = parity === 'even' ? 'bottom-left' : 'bottom-right'; // the fore-edge
const from = (to, y) => ({ anchor: { to, edge }, offset: { y: mm(y) } });
return [
// The box hangs from the bleed frame and BLEED of its width is trimmed off, so a cut that
// lands a millimetre outside the trim still leaves orange at the edge.
{ kind: 'box', id: `tab-${parity}`, style: { backgroundColor: col('signal') },
placement: { ...from('bleed', -(FOOT + BLEED)), size: { width: mm(TAB.w + BLEED),
height: mm(TAB.h) } } },
// The folio hangs from the trim frame ('page'), so it centres on the part left after the cut.
{ kind: 'text', id: `folio-${parity}`, content: '{pageNumber}', ...label, align: 'center',
fontSize: pt(11), letterSpacing: pt(0), color: col('ink'),
placement: { ...from('page', -FOOT), size: { width: mm(TAB.w), height: mm(TAB.h) } } },
].map((element) => ({ ...element, parity, pages: 'body' })); // never on the covers
};
const head = (parity, content) => ({ kind: 'text', id: `head-${parity}`, content, ...label,
color: col('muted'), parity, pages: 'body',
placement: { anchor: { to: 'container', edge: parity === 'even' ? 'top-left' : 'top-right' },
offset: { y: mm(11) } } });
const header = { elements: [head('even', '{title}'), head('odd', '{subtitle}')] };
const footer = { elements: [...tab('even'), ...tab('odd')] };
Le bloc de l’onglet est suspendu au cadre du fond perdu et dépasse l’onglet fini de BLEED : une coupe qui tombe un millimètre hors du format laisse encore de l’orange au bord. Le folio est suspendu au cadre de la page, c’est-à-dire au format, et se centre sur les 10 mm qui restent. parity choisit les pages où paraît chaque élément et edge change avec elle pour atteindre le bord extérieur, tandis que pages: 'body' tient l’onglet et les titres courants ({title} et {subtitle} du frontmatter) à l’écart des deux couvertures, qui comptent comme des ouvertures parce que chacune commence par un titre qui s’étend sur la page ou passe à une nouvelle page. Tout élément d’en-tête ou de pied de page se répète ainsi : une image avec parity et pages pose un filigrane ou une image décorative sur chaque page ; les emplacements peignent par-dessus le texte, et une teinte placée derrière lui va dans page.backgroundColor.
#3 · Les illustrations jusqu’au fond perdu, le texte dans le format
const BAND = 44; // mm from the trim foot to the top of the back band
const onForest = { color: col('paper'), align: 'left', overflow: 'wrap' };
const art = (resourceId, edge) => ({ kind: 'image', id: resourceId, resourceId,
placement: { anchor: { to: 'bleed', edge }, size: { width: 'fill' } } }); // height: its ratio
// The map is as tall as the sheet and the cover reserves down to its foot, so the lead
// starts on page 2. span: 'page' makes the cover an opener, so furniture set to
// pages: 'body' skips it.
const cover = { id: 'cover', numbered: false, span: 'page', advancedDesign: { enabled: true,
slot: { elements: [ // paint order: the map first, the type on top
art('cubierta', 'top-left'),
{ kind: 'text', id: 'kicker', content: '{attr.kicker}', ...label, color: col('sage'),
placement: { anchor: { to: 'container', edge: 'top-left' }, offset: { y: mm(6) } } },
{ kind: 'text', id: 'title', content: '{titleText}', fontFamily: 'Space Grotesk',
fontWeight: 700, fontSize: pt(50), lineHeight: 0.98, ...onForest,
placement: { anchor: { to: '#kicker', edge: 'below' }, offset: { y: mm(4) },
size: { width: mm(132) } } },
{ kind: 'text', id: 'subtitle', content: '{subtitle}', fontFamily: 'Karla', fontSize: pt(13),
...onForest, placement: { anchor: { to: '#title', edge: 'below' }, offset: { y: mm(5) } } },
] } },
footer: { elements: [ // the cover's own foot: dates and place, over open sea
{ kind: 'text', id: 'dates', content: '{attr.fechas}', ...label, color: col('paper'),
placement: { anchor: { to: 'container', edge: 'bottom-left' }, offset: { y: mm(-15) } } },
{ kind: 'text', id: 'place', content: '{attr.lugar}', ...label, color: col('sage'),
placement: { anchor: { to: '#dates', edge: 'below' }, offset: { y: mm(1.6) } } },
] } };
const back = { id: 'back', numbered: false, breakBefore: { enabled: true, parity: 'any' },
advancedDesign: room('{attr.kicker}'),
margins: { bottom: mm(BAND + 8) }, // the text stops 8 mm above the band
footer: { elements: [
art('banda', 'bottom-left'),
{ kind: 'text', id: 'venue', content: '{attr.lugar}', fontFamily: 'Space Grotesk',
fontWeight: 700, fontSize: pt(20), ...onForest, // on the band, level with the text edge
placement: { anchor: { to: '#banda', edge: 'align-top' }, offset: { x: mm(BLEED + OUTER),
y: mm(6) } } },
{ kind: 'text', id: 'address', content: '{attr.direccion}', fontFamily: 'Karla',
fontSize: pt(10), ...onForest,
placement: { anchor: { to: '#venue', edge: 'below' }, offset: { y: mm(1.5) } } },
{ kind: 'text', id: 'when', content: '{attr.fechas}', ...label, color: col('sage'),
placement: { anchor: { to: '#address', edge: 'below' }, offset: { y: mm(4) } } },
{ kind: 'text', id: 'colophon', content: '{attr.colofon}', ...label, fontWeight: 400,
// 6.3 pt in sage would be three inks on a four-ink band: reversed to paper, it prints
// no ink and no plate can shift it (the preflight's small-text check).
fontSize: pt(6.3), letterSpacing: pt(0), textTransform: 'none', lineHeight: 1.4,
color: col('paper'), overflow: 'wrap',
placement: { anchor: { to: 'page', edge: 'bottom-left' }, offset: { x: mm(OUTER),
y: mm(-6) }, size: { width: mm(78) } } }, // 57 monospaced characters a line
] } };
cutLines ajoute de chaque côté de la page le fond perdu, le décalage des traits et le trait de 5 mm, soit 11 mm ici. Le décalage vaut 3 mm par défaut, comme ce fond perdu : les traits partent donc du bord du fond perdu et filent vers l’extérieur ; avec un fond perdu plus large, ils partiraient toujours de son bord, jamais de l’intérieur. Un élément image ancré au fond perdu avec width: 'fill' prend la largeur de ce cadre et garde ses propres proportions : la carte de couverture est dessinée en 176 × 233 mm, le format plus 3 mm par côté, si bien qu’elle atteint le bord du fond perdu où commencent les traits de coupe, tandis que le texte est suspendu au bloc de texte, bien à l’intérieur du format. La quatrième de couverture est un style de titre dont le pied de page remplace celui du document, avec une bande tirée du même générateur ancrée au pied du fond perdu et une marge de pied qui arrête le texte 8 mm au-dessus.
#4 · Des titres qui deviennent des signets
headings: {
// A designed heading keeps its own text, hidden, for the bookmarks and the tags. Set it in
// a face the pages already load, or the PDF embeds Open Sans for that text alone.
fontFamily: 'Space Grotesk',
levels: [
// Rooms follow on: the H1's page break is off. The back cover breaks through its style,
// and the front one fills its page. The template numbers kicker and bookmark: "Sala 1
// Una isla en ninguna parte".
{ level: 1, numberingTemplate: 'Sala {1}', breakBefore: { enabled: false },
marginTop: pt(LEAD), advancedDesign: room('{number} · {attr.fecha}') },
],
},
renderToPdf construit les signets à partir des titres : chaque salle est donc un titre de niveau 1 qui suit sans saut de page, et numberingTemplate donne au surtitre son {number} et au signet son préfixe. Le PDF liste la couverture, de « Sala 1 Una isla en ninguna parte » à « Sala 4 La isla del tesoro », puis les informations pratiques. Un titre dessiné masque son propre texte mais le garde pour les signets et le balisage ; sans fontFamily, ce texte masqué est composé en Open Sans 700, que les pages chargeraient et que le PDF incorporerait pour ce seul texte. Les étiquettes de page suivent page.pageNumbering, laissé à sa valeur par défaut, décimale à partir de 1 : la page 3 d’une visionneuse PDF est celle dont l’onglet affiche 3.
#5 · Des masters d’impression aux encres exactes
// C, M, Y, K in %, one build per colour of the drawings, matched to the screen colours on a
// proof. The palette authors forest, signal, sage and paper with these same builds, so the
// route matches the tab and the kickers match the sea.
const INKS = { forest: [100, 45, 80, 55], shallows: [100, 50, 85, 40], coast: [90, 50, 85, 20],
lowland: [80, 40, 75, 5], upland: [50, 15, 45, 20], sage: [40, 20, 35, 0],
summit: [10, 5, 10, 0], tint: [5, 0, 5, 5], signal: [0, 60, 85, 0], paper: [0, 0, 0, 0] };
function pdfPage(w, h, shapes) { // w, h in mm; the content stream flips y to match the SVG
const s = 72 / 25.4; // pt per mm
const ink = (id, op) => `${INKS[id].map((v) => v / 100).join(' ')} ${op}`;
const ops = (d) => d.replace(/([MLCZ])([^MLCZ]*)/g,
(_, c, v) => `${v.trim()} ${{ M: 'm', L: 'l', C: 'c', Z: 'h' }[c]} `.trimStart());
const body = shapes.map(({ d, fill, stroke, width, dash }) => [
'q', fill && ink(fill, 'k'), stroke && ink(stroke, 'K'), stroke && `${width} w 1 J 1 j`,
dash && `[${dash.join(' ')}] 0 d`, ops(d), fill ? 'f' : 'S', 'Q',
].filter(Boolean).join(' ')).join('\n');
const stream = `${s} 0 0 ${-s} 0 ${h * s} cm\n${body}`;
const objects = ['<< /Type /Catalog /Pages 2 0 R >>', '<< /Type /Pages /Kids [3 0 R] /Count 1 >>',
`<< /Type /Page /Parent 2 0 R /MediaBox [0 0 ${n(w * s)} ${n(h * s)}] /Contents 4 0 R >>`,
`<< /Length ${stream.length} >>\nstream\n${stream}\nendstream`];
let pdf = '%PDF-1.4\n';
const offsets = objects.map((object, i) => {
const offset = pdf.length;
pdf += `${i + 1} 0 obj\n${object}\nendobj\n`;
return offset;
});
const xref = pdf.length;
pdf += `xref\n0 ${objects.length + 1}\n0000000000 65535 f \n`
+ offsets.map((o) => `${String(o).padStart(10, '0')} 00000 n \n`).join('')
+ `trailer\n<< /Size ${objects.length + 1} /Root 1 0 R >>\nstartxref\n${xref}\n%%EOF\n`;
return new TextEncoder().encode(pdf); // ASCII only, so string length = byte length
}
const masters = new Map(Object.entries(DRAWINGS) // by fileId: cubierta.pdf, banda.pdf, plano.pdf
.map(([id, [size, shapes]]) => [`${id}.pdf`, pdfPage(...size, shapes)]));
Chaque dessin est défini une seule fois, sous forme de tracés. La région art en fait le SVG que peint le canvas, et cette région écrit les mêmes tracés dans un PDF CMJN d’une page, avec des compositions choisies pour qu’une épreuve corresponde à l’écran, ce qui met la mer en C100 M45 Y80 K55, la forêt de la palette. Chaque ressource nomme son master dans svg.pdfFileId ; renderToPdf demande cet id, pressPdf() dans la réponse courte répond avec les octets du master, et postext-pdf incorpore cette page telle quelle, en vectoriel, dans les encres du master. Cela vaut pour le plan, qui est une figure, comme pour la carte de couverture et la bande de quatrième, qui sont des images de maquette. L’épreuve en niveaux de gris reçoit les SVG à la place, car un master incorporé n’est jamais converti et resterait en couleur.
La recette complète
// ═══ Postext Cookbook · Nº 024 · Print-ready PDF: bleed, crop marks and CMYK ═══════════ // https://postext.dev/en/cookbook/print-ready-pdf // Code: MIT · Text: original (CC BY 4.0) · Maps: generated in code (CC BY 4.0) // Fonts: Karla, Space Grotesk, Space Mono (SIL OFL 1.1) · Needs postext ≥ 1.25.0 // An exhibition leaflet set up for the press: bleed and crop marks on every page, and a // PDF/X-4 file separated for FOGRA51 that embeds its fonts and takes the maps and the floor // plan from print masters, checked by the preflight before it is offered. import { buildDocumentWithFonts, renderPageToCanvas, registerResourceImage, defaultResourceTypes, preflightDocument, loadOutputProfile, outputTransform, } from 'https://esm.sh/postext'; import { renderToPdf, decompressWoff2 } from 'https://esm.sh/postext-pdf'; const LANG = 'es'; // @lang: the language of the sample document (this recipe is Spanish only) const RECIPE = 'print-ready-pdf'; // ─── 1 · Design ───────────────────────────────────────────────────────────── // #region palette: screen colours, and for four of them the inks the press prints them in const palette = { ink: '#161616', // text: a neutral grey prints on the black plate alone (K95 on FOGRA51) muted: '#666666', // the running heads, on black alone for the same reason (K66) forest: '#0b3d2e', // the sea, the kickers, the back band signal: '#ff6626', // route, waypoints, tab sage: '#9fb8a8', // high ground; small type on forest paper: '#f4f1ea', // type on forest: reversed out, it prints no ink at all }; // The colours authored in CMYK (%), the same builds as the print masters (section 2), so the // type, the tab and the drawings share their inks. Without them the profile would separate // the forest as C90 M43 Y71 K62 and the orange as C0 M70 Y90 K0, a shade off the route. const AUTHORED = { forest: [100, 45, 80, 55], signal: [0, 60, 85, 0], sage: [40, 20, 35, 0], paper: [0, 0, 0, 0] }; const cmyk = ([c, m, y, k]) => ({ c, m, y, k }); const value = (id) => (AUTHORED[id] ? { hex: palette[id], model: 'cmyk', cmyk: cmyk(AUTHORED[id]) } : { hex: palette[id], model: 'hex' }); // col(id): a palette-linked colour: the hex for the screen and, where authored, its build. const col = (id) => ({ ...value(id), paletteId: id }); const colorPalette = [ ...Object.keys(palette).map((id) => ({ id, name: id, value: value(id) })), // The engine's defaults link to 'main-color': point it at the forest, so nothing prints blue. { id: 'main-color', name: 'forest (defaults)', value: { hex: palette.forest, model: 'hex' } }, ]; // #endregion // #region answer: bleed and crop marks on every page; a CMYK PDF that swaps in print masters const BLEED = 3; // mm of artwork past the trim: the cover, the tab and the back band reach it // Hook-up: config().page.cutLines. A mark starts markOffset outside the trim (3 mm by default) // and never inside the bleed, and runs 5 mm (markLength). Each page grows by doc.trimOffset // a side, bleed + offset + mark: 11 mm here. const cutLines = { enabled: true, bleed: mm(BLEED) }; // Hook-up: config().print. PDF/X-4 for the press on FOGRA51 (PSO Coated v3, the leaflet's // 150 g coated matte): every colour separated through the profile (the authored ones as // written), 100 % K text overprinting, the output intent, TrimBox and BleedBox on each page. // The 7.5 pt bold labels in forest hold in four inks on coated stock: the small-text check // starts at 7 pt instead of 9. const PRINT = { standard: 'pdfx4', outputProfile: 'fogra51', preflight: { smallTextSize: pt(7) } }; // Where the profiles are fetched from: postext.dev serves postext's icc/ folder at /icc/ (any // copy of it works, and so does the npm CDN's postext/icc/). const PROFILES = 'https://postext.dev/icc/'; // `masters` holds print-master bytes by fileId (section 2 writes them). The proof is an // ordinary greyscale PDF: no PDF/X, which would force CMYK. function pressPdf(doc, kind, masters) { const press = kind === 'press'; return renderToPdf(doc, { fontProvider: fontsourceProvider, // Fontsource's files; TrueType faces are subset // The press file takes config().print, its profile fetched from PROFILES // (outputProfile: the .icc bytes, to hand it over yourself). profileBaseUrl: PROFILES, ...(press ? {} : { print: { standard: 'none' }, colorSpace: 'grayscale' }), // renderToPdf asks for a drawing's master (svg.pdfFileId) first, then for its SVG. The // proof answers the SVG only, which its grey conversion can reach; a master stays in CMYK. resourceBytes: (fileId) => (press && masters.get(fileId)) || imageBytes(fileId), }); // bookmarks (from the headings) and /PageLabels (from the folios) come by default } // #endregion const TRIM = [170, 227]; // mm: the leaflet as it leaves the guillotine const [TOP, FOOT, INNER, OUTER] = [20, 22, 18, 34]; // margins, mm, mirrored; the tab is outside const LEAD = 13.6; // body leading, pt const label = { fontFamily: 'Space Mono', fontWeight: 700, fontSize: pt(7.5), letterSpacing: pt(1.3), textTransform: 'uppercase', align: 'left' }; // default: centred // #region tab: a thumb tab off the fore-edge that carries the folio, on body pages only const TAB = { w: 10, h: 24 }; // the tab as it will be trimmed, mm; its foot is level with the text const tab = (parity) => { const edge = parity === 'even' ? 'bottom-left' : 'bottom-right'; // the fore-edge const from = (to, y) => ({ anchor: { to, edge }, offset: { y: mm(y) } }); return [ // The box hangs from the bleed frame and BLEED of its width is trimmed off, so a cut that // lands a millimetre outside the trim still leaves orange at the edge. { kind: 'box', id: `tab-${parity}`, style: { backgroundColor: col('signal') }, placement: { ...from('bleed', -(FOOT + BLEED)), size: { width: mm(TAB.w + BLEED), height: mm(TAB.h) } } }, // The folio hangs from the trim frame ('page'), so it centres on the part left after the cut. { kind: 'text', id: `folio-${parity}`, content: '{pageNumber}', ...label, align: 'center', fontSize: pt(11), letterSpacing: pt(0), color: col('ink'), placement: { ...from('page', -FOOT), size: { width: mm(TAB.w), height: mm(TAB.h) } } }, ].map((element) => ({ ...element, parity, pages: 'body' })); // never on the covers }; const head = (parity, content) => ({ kind: 'text', id: `head-${parity}`, content, ...label, color: col('muted'), parity, pages: 'body', placement: { anchor: { to: 'container', edge: parity === 'even' ? 'top-left' : 'top-right' }, offset: { y: mm(11) } } }); const header = { elements: [head('even', '{title}'), head('odd', '{subtitle}')] }; const footer = { elements: [...tab('even'), ...tab('odd')] }; // #endregion const room = (kicker) => ({ enabled: true, slot: { elements: [ // a waypoint, kicker and title { kind: 'box', id: 'stop', style: { backgroundColor: col('paper'), borderColor: col('signal'), borderWidth: mm(0.9), borderRadius: mm(1.7) }, placement: { anchor: { to: 'container', edge: 'top-left' }, size: { width: mm(3.4), height: mm(3.4) } } }, { kind: 'text', id: 'kicker', content: kicker, ...label, color: col('forest'), placement: { anchor: { to: '#stop', edge: 'right-of' }, offset: { x: mm(2.2) } } }, { kind: 'text', id: 'title', content: '{titleText}', fontFamily: 'Space Grotesk', fontWeight: 700, fontSize: pt(17), lineHeight: 1.08, color: col('ink'), align: 'left', placement: { anchor: { to: '#stop', edge: 'below' }, offset: { y: mm(1.2) }, size: { width: 'fill' } } }, ] } }); // #region covers: the front art runs bleed to bleed; the back band bleeds on three sides const BAND = 44; // mm from the trim foot to the top of the back band const onForest = { color: col('paper'), align: 'left', overflow: 'wrap' }; const art = (resourceId, edge) => ({ kind: 'image', id: resourceId, resourceId, placement: { anchor: { to: 'bleed', edge }, size: { width: 'fill' } } }); // height: its ratio // The map is as tall as the sheet and the cover reserves down to its foot, so the lead // starts on page 2. span: 'page' makes the cover an opener, so furniture set to // pages: 'body' skips it. const cover = { id: 'cover', numbered: false, span: 'page', advancedDesign: { enabled: true, slot: { elements: [ // paint order: the map first, the type on top art('cubierta', 'top-left'), { kind: 'text', id: 'kicker', content: '{attr.kicker}', ...label, color: col('sage'), placement: { anchor: { to: 'container', edge: 'top-left' }, offset: { y: mm(6) } } }, { kind: 'text', id: 'title', content: '{titleText}', fontFamily: 'Space Grotesk', fontWeight: 700, fontSize: pt(50), lineHeight: 0.98, ...onForest, placement: { anchor: { to: '#kicker', edge: 'below' }, offset: { y: mm(4) }, size: { width: mm(132) } } }, { kind: 'text', id: 'subtitle', content: '{subtitle}', fontFamily: 'Karla', fontSize: pt(13), ...onForest, placement: { anchor: { to: '#title', edge: 'below' }, offset: { y: mm(5) } } }, ] } }, footer: { elements: [ // the cover's own foot: dates and place, over open sea { kind: 'text', id: 'dates', content: '{attr.fechas}', ...label, color: col('paper'), placement: { anchor: { to: 'container', edge: 'bottom-left' }, offset: { y: mm(-15) } } }, { kind: 'text', id: 'place', content: '{attr.lugar}', ...label, color: col('sage'), placement: { anchor: { to: '#dates', edge: 'below' }, offset: { y: mm(1.6) } } }, ] } }; const back = { id: 'back', numbered: false, breakBefore: { enabled: true, parity: 'any' }, advancedDesign: room('{attr.kicker}'), margins: { bottom: mm(BAND + 8) }, // the text stops 8 mm above the band footer: { elements: [ art('banda', 'bottom-left'), { kind: 'text', id: 'venue', content: '{attr.lugar}', fontFamily: 'Space Grotesk', fontWeight: 700, fontSize: pt(20), ...onForest, // on the band, level with the text edge placement: { anchor: { to: '#banda', edge: 'align-top' }, offset: { x: mm(BLEED + OUTER), y: mm(6) } } }, { kind: 'text', id: 'address', content: '{attr.direccion}', fontFamily: 'Karla', fontSize: pt(10), ...onForest, placement: { anchor: { to: '#venue', edge: 'below' }, offset: { y: mm(1.5) } } }, { kind: 'text', id: 'when', content: '{attr.fechas}', ...label, color: col('sage'), placement: { anchor: { to: '#address', edge: 'below' }, offset: { y: mm(4) } } }, { kind: 'text', id: 'colophon', content: '{attr.colofon}', ...label, fontWeight: 400, // 6.3 pt in sage would be three inks on a four-ink band: reversed to paper, it prints // no ink and no plate can shift it (the preflight's small-text check). fontSize: pt(6.3), letterSpacing: pt(0), textTransform: 'none', lineHeight: 1.4, color: col('paper'), overflow: 'wrap', placement: { anchor: { to: 'page', edge: 'bottom-left' }, offset: { x: mm(OUTER), y: mm(-6) }, size: { width: mm(78) } } }, // 57 monospaced characters a line ] } }; // #endregion const config = () => ({ locale: LANG, // the PDF's /Lang, and "Figura" in the caption // The built-in types in the leaflet's language, with one running count: "Figura 1". resourceTypes: defaultResourceTypes(LANG).map((type) => ({ ...type, numberingTemplate: '{n}', resetOn: 'never' })), colorPalette, print: PRINT, headingStyles: [cover, back], page: { width: mm(TRIM[0]), height: mm(TRIM[1]), cutLines, margins: { top: mm(TOP), bottom: mm(FOOT), left: mm(INNER), right: mm(OUTER), mirror: true } }, layout: { layoutType: 'single' }, bodyText: { fontFamily: 'Karla', fontSize: pt(9.6), lineHeight: pt(LEAD), color: col('ink'), boldColor: col('ink'), italicColor: col('ink'), referenceColor: col('forest'), // Ragged, like the labels, and so not hyphenated (ragged text keeps its words whole // unless hyphenation.ragged asks); the 118 mm measure keeps the rag shallow. textAlign: 'left', firstLineIndent: mm(0), paragraphSpacing: true }, // #region levels: every room a numbered H1 with no page break, so each is a PDF bookmark headings: { // A designed heading keeps its own text, hidden, for the bookmarks and the tags. Set it in // a face the pages already load, or the PDF embeds Open Sans for that text alone. fontFamily: 'Space Grotesk', levels: [ // Rooms follow on: the H1's page break is off. The back cover breaks through its style, // and the front one fills its page. The template numbers kicker and bookmark: "Sala 1 // Una isla en ninguna parte". { level: 1, numberingTemplate: 'Sala {1}', breakBefore: { enabled: false }, marginTop: pt(LEAD), advancedDesign: room('{number} · {attr.fecha}') }, ], }, // #endregion paragraphStyles: [ // Only size and face change: styles inherit the rest. 'ficha' sets each room's object label. { id: 'lead', fontFamily: 'Space Grotesk', fontSize: pt(12), lineHeight: pt(16.5) }, { id: 'ficha', fontFamily: 'Space Mono', fontSize: pt(7), lineHeight: pt(10.5) }, ], // Captions in the label face, like the object labels; the label in forest (orange is 2.9:1). captionStyle: { fontFamily: 'Space Mono', fontSize: pt(7.5), labelColor: col('forest') }, header, footer, }); // ─── 2 · Content ──────────────────────────────────────────────────────────── const markdown = String.raw`---Exemple Markdown · 54 lignes · content.es.md
title: "Cartografías imaginarias" subtitle: "Mapas de lugares que nunca existieron" author: "Biblioteca del Faro" --- # Cartografías imaginarias {style="cover" kicker="Exposición temporal · Ala Norte" fechas="Del 14 de enero al 29 de abril de 2027" lugar="Biblioteca del Faro · Puerto Alba"} :::paragraphs{style="lead"} La exposición reúne en facsímil cuatro mapas de lugares inventados, impresos entre 1516 y 1883. Tres dibujan las costas de tierras que nadie ha pisado: la isla de Utopía, el país de la Ternura y la isla del tesoro. El cuarto, la carta marina de un poema de Lewis Carroll, deja el mar en blanco. Las salas siguen el orden de las fechas y se recorren en el sentido de las agujas del reloj. ::: # Una isla en ninguna parte {fecha="1516"} En 1516 Tomás Moro publicó en Lovaina un librito en latín sobre el mejor estado de una república y sobre una isla nueva llamada Utopía. El nombre viene del griego *ou tópos*, «ningún lugar». La isla tiene forma de media luna, doscientas millas de anchura en su parte central y cincuenta y cuatro ciudades casi idénticas. La capital, Amauroto, «la ciudad oscura», se levanta junto al Anidro, «el río sin agua». Moro disfraza de geografía un tratado político, y el grabado de la primera edición rotula en latín la capital, el nacimiento del Anidro y su desembocadura. :::paragraphs{style="ficha"} Tomás Moro, *Libellus… deque nova insula Utopia*. Lovaina: Dirk Martens, 1516. Facsímil. «Utopiae insulae figura», grabado de la primera edición. ::: # El país de la Ternura {fecha="1654"} Madeleine de Scudéry publicó en 1654 el primero de los diez tomos de *Clélie*, una novela ambientada en la Roma antigua, e incluyó en él un mapa grabado, la *Carte de Tendre*. Desde Nueva Amistad salen tres caminos hacia tres ciudades llamadas Ternura: la de la Inclinación, la de la Estima y la del Reconocimiento. El primero sigue un río y es el más rápido; los otros dos atraviesan aldeas con nombres de virtudes, como Sinceridad o Generosidad. Quien se desvía acaba en el lago de la Indiferencia, y más allá del mar Peligroso el grabado deja unas Tierras Desconocidas. :::paragraphs{style="ficha"} Madeleine de Scudéry, *Clélie, histoire romaine*, tomo I. París: Augustin Courbé, 1654. Facsímil. «Carte de Tendre», grabado de François Chauveau. ::: # El océano en blanco {fecha="1876"} En *La caza del Snark*, el poema que Lewis Carroll publicó en 1876 con el subtítulo «Una agonía en ocho cantos», el Campanero, que capitanea a ocho hombres y un castor, compra una gran carta del mar sin el menor rastro de tierra, y la tripulación la celebra porque, por fin, todos la entienden. Cuando el capitán pregunta de qué sirven los polos, los trópicos y los meridianos de Mercator, los marineros contestan que son simples signos convencionales. La carta es «un vacío perfecto y absoluto», y el libro la imprimió tal cual en el segundo canto: un rectángulo en blanco con unos pocos rótulos en el marco. El Campanero, para quien todo lo que dice tres veces es verdad, no tiene otro método para cruzar el océano que tocar la campana, y en la travesía el bauprés se confunde a veces con el timón, algo que según él ocurre a menudo en los climas tropicales. :::paragraphs{style="ficha"} Lewis Carroll, *The Hunting of the Snark*, con ilustraciones de Henry Holiday. Londres: Macmillan, 1876. Facsímil. Carta del océano, a tamaño real. ::: # La isla del tesoro {fecha="1881"} En el verano de 1881, en Braemar, en las Tierras Altas de Escocia, Robert Louis Stevenson dibujó y coloreó una isla para entretener a su hijastro, Lloyd Osbourne, de trece años. De aquel mapa salió la novela, titulada al principio *The Sea Cook*, que se publicó por entregas en la revista juvenil *Young Folks* entre octubre de 1881 y enero de 1882, firmada por un tal «capitán George North», y como libro en 1883. En 1894 contó en la revista *The Idler* que el mapa original, enviado con el manuscrito a la editorial Cassell, nunca llegó, y que tuvo que rehacerlo al revés, a partir del libro: hizo inventario de cada alusión y ajustó con un compás la isla a esos datos. El nuevo mapa se dibujó en el despacho de su padre, con ballenas y barcos, y Thomas Stevenson, ingeniero de faros, falsificó con esmero la firma del capitán Flint y las instrucciones de navegación de Billy Bones. Es el que abre, como frontispicio, la primera edición, y se expone junto al número de *The Idler* en el que Stevenson cuenta la pérdida. :::paragraphs{style="ficha"} Robert Louis Stevenson, *Treasure Island*. Londres: Cassell & Company, 1883. Facsímil. «My First Book: Treasure Island», en *The Idler*, 1894. ::: # Información práctica {style="back" kicker="Visita" lugar="Biblioteca del Faro" direccion="Paseo del Muelle, 12 · Puerto Alba" fechas="Del 14 de enero al 29 de abril de 2027" colofon="Compuesto en Karla, Space Grotesk y Space Mono (SIL OFL). Textos: CC BY 4.0; mapas dibujados en código."} El plano de la :ref{id="plano" style="full" case="lower"} traza el recorrido, que empieza y acaba en el vestíbulo. **Horario.** De martes a sábado, de 10:00 a 14:00 y de 17:00 a 20:00; domingos y festivos, de 10:00 a 14:00. Los lunes, cerrado. **Entrada libre.** Visitas guiadas los sábados a las 12:00, sin reserva, en grupos de hasta veinte personas. **Taller familiar.** «Dibuja tu isla», para niños de 6 a 12 años, los domingos a las 11:00. Inscripción en la recepción. **Accesibilidad.** Todas las salas están a pie de calle. En la recepción hay lupas y los textos de sala en letra grande.`; // content.<lang>.md, inlined by the Cookbook // #region art: an invented archipelago and a floor plan, drawn as paths // Paths and flat fills only: no <marker>, filter or mask, so the PDF keeps every drawing // vector (gotcha: svg-no-marker-filters). const PX = 12; // declared pixels per mm. Only the ratio counts: SVG figures fill their frame const rng = (seed) => () => { // Mulberry32: the same maps on every run seed = (seed + 0x6d2b79f5) | 0; let t = Math.imul(seed ^ (seed >>> 15), 1 | seed); t = (t + Math.imul(t ^ (t >>> 7), 61 | t)) ^ t; return ((t ^ (t >>> 14)) >>> 0) / 4294967296; }; const n = (v) => Math.round(v * 100) / 100; const xy = ([x, y]) => `${n(x)} ${n(y)}`; const spline = (pts, closed) => { // Catmull-Rom through the points, as cubic Béziers const last = pts.length - 1; const at = (i) => pts[closed ? (i + pts.length) % pts.length : Math.max(0, Math.min(last, i))]; const segs = pts.slice(0, closed ? pts.length : -1).map((p, i) => { const [a, b, c, d] = [at(i - 1), p, at(i + 1), at(i + 2)]; return `C${xy([b[0] + (c[0] - a[0]) / 6, b[1] + (c[1] - a[1]) / 6])} ` + `${xy([c[0] - (d[0] - b[0]) / 6, c[1] - (d[1] - b[1]) / 6])} ${xy(c)}`; }); return `M${xy(pts[0])}${segs.join('')}${closed ? 'Z' : ''}`; }; const disc = (x, y, r, k = 0.5523 * r) => `M${xy([x - r, y])}C${xy([x - r, y - k])} ` + `${xy([x - k, y - r])} ${xy([x, y - r])}C${xy([x + k, y - r])} ${xy([x + r, y - k])} ` + `${xy([x + r, y])}C${xy([x + r, y + k])} ${xy([x + k, y + r])} ${xy([x, y + r])}` + `C${xy([x - k, y + r])} ${xy([x - r, y + k])} ${xy([x - r, y])}Z`; const poly = (...pts) => `M${pts.map(xy).join('L')}`; const box = (x, y, w, h) => `${poly([x, y], [x + w, y], [x + w, y + h], [x, y + h])}Z`; // The drawings' own colours: the plan's floor, the sea near a coast, the relief bands. const ART = { tint: '#e3ebe4', shallows: '#0f4a37', coast: '#1f5c45', lowland: '#3f7d5f', upland: '#6f9a80', summit: '#dfe7dc' }; const hex = (id) => palette[id] ?? ART[id]; const toSvg = (w, h, shapes) => `<svg xmlns="http://www.w3.org/2000/svg" width="${w * PX}" ` + `height="${h * PX}" viewBox="0 0 ${w} ${h}">${shapes.map(({ d, fill, stroke, width, dash }) => `<path d="${d}" fill="${fill ? hex(fill) : 'none'}"${stroke ? ` stroke="${hex(stroke)}" ` + `stroke-width="${width}" stroke-linecap="round" stroke-linejoin="round"` : ''}${dash ? ` stroke-dasharray="${dash.join(' ')}"` : ''}/>`).join('')}</svg>`; // Elevation: filled bands from the coast to the summit (thin contour lines alias in thumbnails). const RELIEF = ['coast', 'lowland', 'upland', 'sage', 'summit']; // An island is a few overlapping lobes. Each band is filled for every lobe, so shapes of one // colour merge into a single coast with saddles and more than one summit. function island(lobes, seed, aspect = 0.8) { const rand = rng(seed); return lobes.map(([cx, cy, r]) => { const waves = [2, 3, 4, 6].map((k) => [k, (rand() * 0.26) / Math.sqrt(k), rand() * 6.28]); const peak = [cx + (rand() - 0.5) * r * 0.6, cy + (rand() - 0.5) * r * 0.5]; // The contour at s × r (plus `grow` mm); higher contours drift towards the summit. return (s, grow = 0, drift = 0) => Array.from({ length: 64 }, (_, i) => { const a = (i / 64) * Math.PI * 2; const bump = waves.reduce((sum, [k, amp, ph]) => sum + amp * Math.sin(k * a + ph + drift), 0); const [ox, oy] = [peak[0] + (cx - peak[0]) * s, peak[1] + (cy - peak[1]) * s]; const rr = r * s * (1 + bump) + grow; return [ox + Math.cos(a) * rr, oy + Math.sin(a) * rr * aspect]; }); }); } function terrain(w, h, isles, route = []) { const lobes = isles.flat(); const fillAll = (fill, s, grow = 0, drift = 0) => lobes.map((f) => ({ d: spline(f(s, grow, drift), true), fill })); const shapes = [{ d: box(0, 0, w, h), fill: 'forest' }, ...fillAll(RELIEF[0], 1.55, 1, 0.3), ...fillAll('forest', 1.55, 0, 0.3), // a 1 mm sea contour ...fillAll('shallows', 1.28), ...RELIEF.flatMap((fill, i) => fillAll(fill, 1 - i * 0.19, 0, i * 0.22))]; // coast to summit if (route.length) { shapes.push({ d: spline(route, false), stroke: 'signal', width: 1.5, dash: [3.2, 2.4] }); for (const [x, y] of route.slice(1, -1)) { shapes.push({ d: disc(x, y, 2.7), fill: 'signal' }, { d: disc(x, y, 1.1), fill: 'paper' }); } } return shapes; } // The cover: the trim plus the bleed on every side, 176 × 233 mm. The route enters from the // bleed and leaves through it, past four stops, one per room. const COVER = TRIM.map((side) => side + 2 * BLEED); const SCALE = [BLEED + TRIM[0] - OUTER - 20, BLEED + 209]; // the scale bar's corner const coverShapes = [...terrain(...COVER, [ island([[112, 152, 32], [140, 170, 24], [128, 128, 18]], 7), island([[36, 134, 14], [49, 145, 9]], 11), island([[151, 77, 10]], 3)], [[-4, 202], [40, 137], [98, 160], [136, 150], [151, 78], [182, 36]]), // A scale bar ending on the recto's text edge, level with the dates (trim → bleed frame). ...[0, 2].map((i) => ({ d: box(SCALE[0] + i * 5, SCALE[1], 5, 1.4), fill: 'paper' })), { d: box(...SCALE, 20, 1.4), stroke: 'paper', width: 0.3 }]; const BANDART = [COVER[0], BAND + BLEED]; // the back band, from the bleed's foot const bandShapes = terrain(...BANDART, [ // the back band: the same sea, another coast island([[160, 46, 24], [140, 56, 12], [176, 30, 14]], 5, 0.62), island([[4, 26, 13]], 9, 0.7)]); // an islet cut by the trim: its bleed is on the sheet // The floor plan, 118 × 54 mm: walls with doorways, cases, and the route with numbered stops. // Stroked numerals in a 0.6 × 1 box: paths like the rest, which the print masters can hold. const DIGITS = { 1: 'M0.14 0.22L0.36 0L0.36 1', 2: 'M0.04 0.24C0.08 -0.06 0.58 -0.06 0.56 0.28C0.54 0.52 0.04 0.7 0.04 1L0.58 1', 3: 'M0.06 0L0.56 0L0.28 0.38C0.64 0.36 0.66 1 0.28 1C0.16 1 0.06 0.96 0.02 0.88', 4: 'M0.44 1L0.44 0L0.02 0.66L0.6 0.66', }; const glyph = (k, x, y, size) => DIGITS[k].replace(/(-?[\d.]+) (-?[\d.]+)/g, (_, a, b) => xy([x + (a - 0.3) * size, y + (b - 0.5) * size])); const PLAN = [118, 54]; const STOPS = [[20, 37], [20, 13], [79, 13], [98, 37]]; // rooms 1 to 4, clockwise const planShapes = [ { d: box(1, 1, 116, 48), fill: 'tint' }, // the floor: four rooms round the vestibule ...[[6, 42, 14, 4], [23, 42, 12, 4], [5, 4, 4, 14], [50, 17, 22, 4], [86, 4, 24, 4], [110, 30, 4, 14], [84, 44, 22, 3]].map((r) => ({ d: box(...r), fill: 'sage' })), // cases ...[[[52, 49], [1, 49], [1, 1], [117, 1], [117, 49], [66, 49]], // walls; the gaps are doors [[1, 25], [15, 25]], [[25, 25], [40, 25]], [[40, 1], [40, 8]], [[40, 17], [40, 33]], [[40, 42], [40, 49]], [[40, 25], [93, 25]], [[103, 25], [117, 25]], [[78, 25], [78, 33]], [[78, 42], [78, 49]]].map((pts) => ({ d: poly(...pts), stroke: 'forest', width: 1.2 })), // The route starts and ends in the vestibule, just inside the door. { d: poly([56, 45], [56, 37], [20, 37], [20, 13], [98, 13], [98, 37], [62, 37], [62, 45]), stroke: 'signal', width: 0.9, dash: [2.2, 1.7] }, { d: `${poly([53, 54], [56, 50.4], [59, 54])}Z`, fill: 'signal' }, // the way in ...STOPS.flatMap(([x, y], i) => [{ d: disc(x, y, 3.3), fill: 'signal' }, { d: glyph(i + 1, x, y, 3.4), stroke: 'paper', width: 0.5 }]), ]; // Each drawing by resource id: its size in mm and its shapes. const DRAWINGS = { cubierta: [COVER, coverShapes], banda: [BANDART, bandShapes], plano: [PLAN, planShapes] }; // #endregion // #region master: print masters, one-page PDFs written in the inks the designer chose // C, M, Y, K in %, one build per colour of the drawings, matched to the screen colours on a // proof. The palette authors forest, signal, sage and paper with these same builds, so the // route matches the tab and the kickers match the sea. const INKS = { forest: [100, 45, 80, 55], shallows: [100, 50, 85, 40], coast: [90, 50, 85, 20], lowland: [80, 40, 75, 5], upland: [50, 15, 45, 20], sage: [40, 20, 35, 0], summit: [10, 5, 10, 0], tint: [5, 0, 5, 5], signal: [0, 60, 85, 0], paper: [0, 0, 0, 0] }; function pdfPage(w, h, shapes) { // w, h in mm; the content stream flips y to match the SVG const s = 72 / 25.4; // pt per mm const ink = (id, op) => `${INKS[id].map((v) => v / 100).join(' ')} ${op}`; const ops = (d) => d.replace(/([MLCZ])([^MLCZ]*)/g, (_, c, v) => `${v.trim()} ${{ M: 'm', L: 'l', C: 'c', Z: 'h' }[c]} `.trimStart()); const body = shapes.map(({ d, fill, stroke, width, dash }) => [ 'q', fill && ink(fill, 'k'), stroke && ink(stroke, 'K'), stroke && `${width} w 1 J 1 j`, dash && `[${dash.join(' ')}] 0 d`, ops(d), fill ? 'f' : 'S', 'Q', ].filter(Boolean).join(' ')).join('\n'); const stream = `${s} 0 0 ${-s} 0 ${h * s} cm\n${body}`; const objects = ['<< /Type /Catalog /Pages 2 0 R >>', '<< /Type /Pages /Kids [3 0 R] /Count 1 >>', `<< /Type /Page /Parent 2 0 R /MediaBox [0 0 ${n(w * s)} ${n(h * s)}] /Contents 4 0 R >>`, `<< /Length ${stream.length} >>\nstream\n${stream}\nendstream`]; let pdf = '%PDF-1.4\n'; const offsets = objects.map((object, i) => { const offset = pdf.length; pdf += `${i + 1} 0 obj\n${object}\nendobj\n`; return offset; }); const xref = pdf.length; pdf += `xref\n0 ${objects.length + 1}\n0000000000 65535 f \n` + offsets.map((o) => `${String(o).padStart(10, '0')} 00000 n \n`).join('') + `trailer\n<< /Size ${objects.length + 1} /Root 1 0 R >>\nstartxref\n${xref}\n%%EOF\n`; return new TextEncoder().encode(pdf); // ASCII only, so string length = byte length } const masters = new Map(Object.entries(DRAWINGS) // by fileId: cubierta.pdf, banda.pdf, plano.pdf .map(([id, [size, shapes]]) => [`${id}.pdf`, pdfPage(...size, shapes)])); // #endregion // Every drawing is an SVG for the screen and names its print master for the press. const svgResource = (id, extra) => ({ id, typeId: 'figure', kind: 'svg', createdAt: 0, updatedAt: 0, ...extra, svg: { fileId: `${id}.svg`, pdfFileId: `${id}.pdf`, width: DRAWINGS[id][0][0] * PX, height: DRAWINGS[id][0][1] * PX } }); const resources = [ svgResource('cubierta', { altText: 'Islas inventadas en verdes escalonados sobre un mar ' + 'verde oscuro, cruzadas por una ruta naranja con cuatro paradas.' }), svgResource('banda', { altText: 'La costa de una isla inventada.' }), svgResource('plano', { caption: 'Plano de la exposición, con el itinerario en naranja.', altText: 'Plano: cuatro salas alrededor del vestíbulo y un itinerario ' + 'naranja que las recorre en el sentido de las agujas del reloj.' }), ]; // ─── 3 · Fonts ────────────────────────────────────────────────────────────── // Every face the pages use. Layout measures with the browser's fonts, so the kit loads them // from Fontsource before the first build; the PDF embeds the same files, // Fontsource's latin subsets, which cover Spanish (gotcha: latin-subset). const FONTS = { Karla: ['400', '400i', '700'], 'Space Grotesk': ['400', '700'], 'Space Mono': ['400', '400i', '700'] }; // ─── 4 · Build & show ─────────────────────────────────────────────────────── await Promise.all(Object.entries(DRAWINGS) .map(([id, [size, shapes]]) => loadSvg(`${id}.svg`, toSvg(...size, shapes)))); const doc = await buildDocumentWithFonts({ markdown, resources }, config(), kitFonts(FONTS)); showPages(doc, { title: 'Cartografías imaginarias · PDF listo para imprenta' }); offerPdf(() => pressPdf(doc, 'press', masters), `${RECIPE}.pdf`); // the file for the press offerPdf(() => pressPdf(doc, 'proof', masters), `${RECIPE}-proof.pdf`); // a proof to read // The kit names both buttons alike; once built, each download link carries its file name. const button = (file) => document.querySelector(`[data-postext-pdf="${file}"]`); button(`${RECIPE}.pdf`).textContent = 'Press PDF (PDF/X-4)'; button(`${RECIPE}-proof.pdf`).textContent = 'Greyscale proof'; // The preflight: what a printer would reject, checked with the same profile. const transform = outputTransform(await loadOutputProfile(PRINT.outputProfile, PROFILES)); const findings = preflightDocument(doc, { resources, transform }); const report = document.createElement('p'); report.textContent = findings.length === 0 ? `Preflight (${PRINT.standard}, ${PRINT.outputProfile}): no findings` : `Preflight: ${findings.map((f) => `${f.kind} on page ${f.pageIndex + 1}`).join('; ')}`; button(`${RECIPE}.pdf`).after(report);Kit · core, fonts, viewer, pdf, images : identique dans toutes les recettes · 315 lignes
// ─── Kit ── helpers shared by every Cookbook recipe · postext.dev/cookbook ───── // ─── Kit · core v1 ── the same in every recipe · postext.dev/cookbook function mm(value) { return { value, unit: 'mm' }; } function pt(value) { return { value, unit: 'pt' }; } function em(value) { return { value, unit: 'em' }; } /** The sample language's string: t({ en: 'Figure', es: 'Figura' }). */ function t(strings) { return strings[LANG] ?? Object.values(strings)[0]; } /** A file in this recipe's assets folder, served from the Postext repo by jsDelivr. */ function asset(file) { return `https://cdn.jsdelivr.net/gh/drnachio/postext@main/cookbook/${RECIPE}/assets/${file}`; } // ─── Kit · fonts v3 ── the same in every recipe · postext.dev/cookbook // Postext loads the faces a config asks for before layout (prepareFonts, // buildDocumentWithFonts) and asks the kit for the files: Fontsource's, the // files the PDF embeds too. /** The options of buildDocumentWithFonts / prepareFonts / withLoadedFonts: * the Fontsource resolver, and the faces of FONTS loaded with the ones the * config names. FONTS = { 'Family Name': ['400', '400i', '700'] }. */ function kitFonts(FONTS = {}) { const faces = Object.entries(FONTS).flatMap(([family, specs]) => specs.map((spec) => ({ family, weight: parseInt(spec, 10), style: spec.endsWith('i') ? 'italic' : 'normal' }))); return { resolve: fontsourceResolver, faces }; } /** A face's Fontsource files, in a fixed order: latin, then latin-ext and greek * when `text` needs them and the family ships them (kitSubsetsFor), each with * its unicode-range. Null for a weight or slant Fontsource does not ship. */ async function fontsourceResolver(family, weight, style, { text = '' } = {}) { const id = fontsourceId(family); const meta = await fontsourceMeta(family); if (meta && !(meta.weights.includes(weight) && meta.styles.includes(style))) return null; kitStatus('Loading fonts…'); const at = await fontsourceAt(id); return ['latin', ...kitSubsetsFor(text, meta)].map((subset) => ({ source: `${at}files/${id}-${subset}-${weight}-${style}.woff2`, unicodeRange: kitRanges()[subset], })); } /** The unicode-range of each Fontsource file the kit loads (a function: the * kit is inlined after the pen's code, which runs before a const would be set). */ function kitRanges() { return { latin: 'U+0000-00FF,U+0131,U+0152-0153,U+02BB-02BC,U+02C6,U+02DA,U+02DC,U+0304,U+0308,U+0329,' + 'U+2000-206F,U+20AC,U+2122,U+2191,U+2193,U+2212,U+2215,U+FEFF,U+FFFD', 'latin-ext': 'U+0100-02BA,U+02BD-02C5,U+02C7-02CC,U+02CE-02D7,U+02DD-02FF,U+0304,U+0308,U+0329,' + 'U+1D00-1DBF,U+1E00-1E9F,U+1EF2-1EFF,U+2020,U+20A0-20AB,U+20AD-20C0,U+2113,U+2C60-2C7F,U+A720-A7FF', greek: 'U+0370-03FF', }; } /** For the cjk, arabic and comics blocks, which add their own files: the * faces of `faces` = { 'Family Name': ['400', '400i', '700'] }. `text` is the sample: * č ł † α χ also load latin-ext and greek files (kitSubsetsFor). With * `optional`, a face Fontsource does not ship is skipped instead of failing. * The files are added once all have loaded, in the order asked (latin, then * latin-ext, then greek), whatever order they arrive in: the last one added * wins a character two files hold. Resolves to the number of faces added. */ async function loadFonts(faces, text = '', { optional = false } = {}) { kitStatus('Loading fonts…'); const ranges = kitRanges(); const jobs = []; for (const [family, specs] of Object.entries(faces)) { const id = fontsourceId(family); const todo = [...new Set(specs)].map((spec) => [parseInt(spec, 10), spec.endsWith('i') ? 'italic' : 'normal']) .filter(([weight, style]) => !hasFace(family, weight, style)); // before any await const at = fontsourceAt(id); const meta = optional || /[^\0-ÿ]/u.test(text) ? await fontsourceMeta(family) : null; const subsets = ['latin', ...kitSubsetsFor(text, meta)]; for (const [weight, style] of todo) { if (optional && !(meta?.weights.includes(weight) && meta.styles.includes(style))) continue; for (const subset of subsets) { const url = `${await at}files/${id}-${subset}-${weight}-${style}.woff2`; const face = new FontFace(family, `url(${url}) format('woff2')`, { weight: String(weight), style, unicodeRange: ranges[subset] }); jobs.push(face.load().catch(() => { if (subset === 'latin' && !optional) throw new Error(`Fontsource has no ${family} ${weight} ${style}`); })); } } } const ready = await Promise.all(jobs).catch((error) => { kitFail(error); throw error; }); return ready.filter((face) => face && document.fonts.add(face)).length; } /** A loaded FontFace covers this family, weight and style (fonts.check() would * also say yes for families nobody declared). */ function hasFace(family, weight, style) { for (const face of document.fonts) { if (face.status !== 'loaded' || face.style !== style) continue; if (face.family.replace(/^["']|["']$/g, '') !== family) continue; const [low, high = low] = face.weight.split(' ').map(Number); if (weight >= low && weight <= high) return true; } return false; } /** The files beyond latin `text` needs that `meta`'s family ships. */ function kitSubsetsFor(text, meta) { return [[/[Ā-˿ᴀ-ᶿḀ-ỿ†ℓⱠ-Ɀ꜠-ꟿ]/u, 'latin-ext'], [/[Ͱ-Ͽ]/u, 'greek']] .filter(([re, x]) => re.test(text) && meta?.subsets?.includes(x)).map(([, x]) => x); } /** Fontsource's id for a family: 'Source Serif 4' → 'source-serif-4'. */ function fontsourceId(family) { return family.toLowerCase().replace(/\s+/g, '-'); } /** A package's folder at the one version @5 names now (#766). */ function fontsourceAt(id, u = `https://cdn.jsdelivr.net/npm/@fontsource/${id}@`) { return (fontsourceAt.c ??= {})[id] ??= fetch(u + '5/package.json').then((r) => r.json()) .then((p) => p.version || 5, () => 5).then((v) => `${u}${v}/`); } /** The family's Fontsource metadata (weights, styles, subsets), or null. */ function fontsourceMeta(family) { fontsourceMeta.cache ??= new Map(); const id = fontsourceId(family); if (!fontsourceMeta.cache.has(id)) { fontsourceMeta.cache.set(id, fetch(`https://api.fontsource.org/v1/fonts/${id}`) .then((res) => (res.ok ? res.json() : null), () => null)); } return fontsourceMeta.cache.get(id); } // ─── Kit · viewer v2 ── the same in every recipe · postext.dev/cookbook /** The pages as spreads on a dark desk, page 1 alone, then verso | recto, * each painted when it scrolls near. Other options go to renderPageToCanvas. */ function showPages(docs, { title, width = 460, ...render } = {}) { const root = viewer(title); const pages = [docs].flat().flatMap((doc) => doc.pages.map((page) => ({ doc, page, n: (doc.pageIndexOffset ?? 0) + page.index }))); const spreads = []; let verso = null; for (const p of pages) { if (p.n % 2 === 1) { if (verso) spreads.push([verso, null]); verso = p; } else { spreads.push([verso, p]); verso = null; } } if (verso) spreads.push([verso, null]); const density = Math.min(window.devicePixelRatio || 1, 2); showPages.painter?.disconnect(); const painter = new IntersectionObserver((entries) => { for (const { isIntersecting, target } of entries) { if (!isIntersecting) continue; painter.unobserve(target); const { doc, page } = target.postext; renderPageToCanvas(page, doc, target, { ...render, scale: (width * density) / page.width }); } }, { rootMargin: '800px' }); showPages.painter = painter; root.replaceChildren(...spreads.map((pair) => { const spread = document.createElement('div'); spread.className = 'pt-spread'; for (const p of pair) { const figure = document.createElement('figure'); if (p) { const label = p.page.pageLabel || String(p.n + 1); const canvas = document.createElement('canvas'); canvas.postext = p; canvas.style.aspectRatio = `${p.page.width} / ${p.page.height}`; canvas.setAttribute('role', 'img'); canvas.setAttribute('aria-label', `Page ${label}`); const folio = document.createElement('figcaption'); folio.textContent = label; figure.append(canvas, folio); painter.observe(canvas); } else figure.className = 'pt-blank'; spread.append(figure); } return spread; })); kitStatus(`${pages.length} ${pages.length === 1 ? 'page' : 'pages'}`); document.documentElement.dataset.postext = 'ready'; return pages.length; } /** The desk, the bar and the error reporting, created once. */ function viewer(title) { if (!document.getElementById('pt-kit')) { document.head.insertAdjacentHTML('beforeend', `<style id="pt-kit"> :root { color-scheme: dark; } body { margin: 0; background: #0e1014; color: #b9bcc4; font: 13px/1.45 system-ui, sans-serif; } #pt-bar { position: sticky; top: 0; z-index: 1; display: flex; flex-wrap: wrap; align-items: center; gap: 6px 16px; padding: 10px 16px; background: rgb(14 16 20 / .92); backdrop-filter: blur(6px); border-bottom: 1px solid #23262d; } #pt-bar strong { color: #f4f1ea; font-weight: 600; } #pt-actions { display: flex; gap: 12px; margin-left: auto; } #pt-actions a, #pt-actions button { color: #d8a21a; font: inherit; background: none; border: 0; padding: 0; cursor: pointer; } #pages { display: grid; justify-items: center; gap: 48px; padding: 32px 16px 72px; } .pt-spread { display: flex; } .pt-spread figure { margin: 0; width: min(460px, 44vw); } .pt-spread canvas { display: block; width: 100%; background: #fff; box-shadow: 0 1px 2px rgb(0 0 0 / .5), 0 22px 44px -16px rgb(0 0 0 / .8); } .pt-spread figure:first-child canvas { box-shadow: inset -14px 0 14px -14px rgb(0 0 0 / .18), 0 1px 2px rgb(0 0 0 / .5), 0 22px 44px -16px rgb(0 0 0 / .8); } .pt-spread figcaption { margin-top: 10px; text-align: center; font: 600 10px/1 system-ui, sans-serif; letter-spacing: .18em; text-transform: uppercase; color: #6c7079; } .pt-blank { visibility: hidden; } @media (max-width: 760px) { .pt-spread { flex-direction: column; gap: 32px; } .pt-spread figure { width: min(460px, 92vw); } .pt-blank { display: none; } } </style>`); document.body.insertAdjacentHTML('afterbegin', '<header id="pt-bar"><strong id="pt-title"></strong><span id="pt-status" role="status"></span><span id="pt-actions"></span></header>'); document.getElementById('pt-title').textContent = document.title || 'Postext'; addEventListener('error', (event) => kitFail(event.error ?? event.message)); addEventListener('unhandledrejection', (event) => kitFail(event.reason)); } if (title) document.getElementById('pt-title').textContent = title; return document.getElementById('pages') ?? document.body.appendChild(Object.assign(document.createElement('main'), { id: 'pages' })); } function kitStatus(text) { viewer(); document.getElementById('pt-status').textContent = text; } function kitFail(error) { document.documentElement.dataset.postext = 'error'; kitStatus(`Error: ${error?.message ?? error}`); } // ─── Kit · pdf v3 ── the same in every recipe that exports a PDF /** The Fontsource files the screen used, as TrueType, with their range and * place: the nearest weight the family ships, upright with no italic; * latin, then what its letters need (kitSubsetsFor). */ async function fontsourceProvider(family, weight, style, request) { const id = fontsourceId(family); const meta = await fontsourceMeta(family); const weights = meta?.weights?.length ? meta.weights : [400, 700]; const w = weights.reduce((a, b) => (Math.abs(b - weight) < Math.abs(a - weight) ? b : a)); const s = style === 'italic' && meta && !meta.styles.includes('italic') ? 'normal' : style; const text = String.fromCodePoint(...(request?.codePoints ?? [])); const files = await Promise.all(['latin', ...kitSubsetsFor(text, meta)].map(async (subset, order) => { const res = await fetch(`${await fontsourceAt(id)}files/${id}-${subset}-${w}-${s}.woff2`); if (!res.ok) throw new Error(`Fontsource has no ${family} ${w} ${s} ${subset}`); return Object.assign(await decompressWoff2(new Uint8Array(await res.arrayBuffer())), { unicodeRange: kitRanges()[subset], order }); })); return files.length === 1 ? files[0] : files; } /** A "Build the PDF" button; then "Open the PDF" (a new tab: CodePen's frame * shows no PDFs) and a download link. */ function offerPdf(makePdf, filename) { viewer(); const button = Object.assign(document.createElement('button'), { type: 'button', textContent: 'Build the PDF' }); button.dataset.postextPdf = filename; button.addEventListener('click', async () => { button.disabled = true; button.textContent = 'Building the PDF…'; try { const bytes = await makePdf(); const url = URL.createObjectURL(new Blob([bytes], { type: 'application/pdf' })); const size = `${Math.max(1, Math.round(bytes.length / 1024))} KB`; button.replaceWith( Object.assign(document.createElement('a'), { href: url, target: '_blank', rel: 'noopener', textContent: 'Open the PDF ↗' }), Object.assign(document.createElement('a'), { href: url, download: filename, textContent: `Download ${filename} · ${size}` })); } catch (error) { button.disabled = false; button.textContent = 'Build the PDF'; kitFail(error); } }); document.getElementById('pt-actions').append(button); } // ─── Kit · images v3 ── recipes with pictures · postext.dev/cookbook /** Registers a photo or PNG for the canvas and keeps its bytes for the PDF. * fetch → ImageBitmap never taints the canvas (a plain cross-origin <img> would). */ async function loadImage(fileId, url) { const res = await fetch(url); if (!res.ok) throw new Error(`Image not found (${res.status}): ${url}`); const bytes = new Uint8Array(await res.arrayBuffer()); registerResourceImage(fileId, await createImageBitmap(new Blob([bytes]))); (loadImage.bytes ??= new Map()).set(fileId, bytes); } /** Registers SVG markup as a vector image, its fonts inside (inlineSvgFonts, ≥ 1.25). * `options` go to registerResourceImage: { singleInk: true } tints it on the canvas. */ async function loadSvg(fileId, svg, options) { if (typeof inlineSvgFonts === 'function') svg = await inlineSvgFonts(svg, svgFaces); const img = new Image(); img.src = `data:image/svg+xml;charset=utf-8,${encodeURIComponent(svg)}`; await img.decode(); registerResourceImage(fileId, img, options); (loadImage.bytes ??= new Map()).set(fileId, new TextEncoder().encode(svg)); } /** A face's Fontsource files: nearest weight; latin + what the SVG sets. */ async function svgFaces(family, weight, style, { codePoints = [] } = {}) { const [id, m] = [fontsourceId(family), await fontsourceMeta(family)]; const w = m?.weights.reduce((a, b) => (Math.abs(b - weight) < Math.abs(a - weight) ? b : a)) ?? weight; const s = m?.styles.includes(style) === false ? 'normal' : style; return Promise.all(['latin', ...kitSubsetsFor(String.fromCodePoint(...codePoints), m)].map(async (x) => new Uint8Array( await (await fetch(`${await fontsourceAt(id)}files/${id}-${x}-${w}-${s}.woff2`)).arrayBuffer()))); } /** renderToPdf({ resourceBytes: imageBytes }) */ function imageBytes(fileId) { return loadImage.bytes?.get(fileId); } /** renderToHtml({ resourceImageUrl: imageUrl }) */ function imageUrl(fileId) { const bytes = imageBytes(fileId); if (!bytes) return undefined; imageUrl.urls ??= new Map(); if (!imageUrl.urls.has(fileId)) { const type = /\.svg$/i.test(fileId) ? 'image/svg+xml' : /\.png$/i.test(fileId) ? 'image/png' : 'image/jpeg'; imageUrl.urls.set(fileId, URL.createObjectURL(new Blob([bytes], { type }))); } return imageUrl.urls.get(fileId); } // ─── /Kit ───────────────────────────────────────────────────────────────────────
Le script.js composé s’exécute tel quel : collez-le dans le script de module de n’importe quelle page, ou ouvrez la recette sur CodePen. Dossier de la recette sur GitHub ↗ (s’ouvre dans un nouvel onglet)
Variantes
#Demander 5 mm de fond perdu
Les illustrations, l’onglet et l’échelle sont dimensionnés d’après BLEED, et les traits de coupe partent du bord du fond perdu : une imprimerie qui demande 5 mm n’a besoin que de ce changement, et chaque feuille passe à 196 × 253 mm.
-const BLEED = 3; // mm of artwork past the trim: the cover, the tab and the back band reach it
+const BLEED = 5; // mm of artwork past the trim: the cover, the tab and the back band reach it#Imprimer les illustrations depuis leurs SVG
Sans pdfFileId, le fichier pour la presse dessine chaque image depuis son SVG, toujours en vectoriel et à travers le profil : la forêt, écrite en CMJN, garde C100 M45 Y80 K55, tandis que les autres verts des îles prennent les séparations du profil au lieu de celles choisies à la main.
- updatedAt: 0, ...extra, svg: { fileId: `${id}.svg`, pdfFileId: `${id}.pdf`,
+ updatedAt: 0, ...extra, svg: { fileId: `${id}.svg`,Erreurs fréquentes
Erreur fréquente
Pas de <marker> ni de filtres dans les dessins SVG (repli en matriciel)
Une figure SVG ne reste vectorielle dans le PDF que sans <marker>, filtres ni masques ; sinon elle se replie sur une image matricielle, et des filtres profondément imbriqués peuvent la rendre blanche dans Chrome. Dessinez les pointes de flèche comme des tracés. Figures et tableaux comme ressources →
Erreur fréquente
Les fichiers Fontsource couvrent les lettres, pas les symboles
Le kit intègre le fichier latin Fontsource d’un caractère, plus son fichier latin-ext pour č, ł, † et son fichier greek pour α, χ (dans une famille qui en fournit un : ce n’est pas le cas de Lora et de Gelasio), quand le texte les compose, à l’écran et dans le PDF. Les symboles comme →, ≈, ✓ et ★ ne figurent dans aucun de ces fichiers et manquent dans le PDF : dessinez-les, composez-les en maths, ou choisissez un caractère dont les fichiers les contiennent. Polices intégrées au PDF →
- Une norme PDF/X écrit toujours en CMJN, quoi que dise
colorSpace: l’épreuve en niveaux de gris remplace doncprintpar{ standard: 'none' }à côté decolorSpace: 'grayscale'. - Un rendu PDF/X échoue sans son profil de sortie.
renderToPdfva chercherfogra51.iccàprofileBaseUrl(ici le dossier/icc/de postext.dev) ; passez les octets du fichier dansoutputProfilepour le servir vous-même. - Le contrôle en amont signale le texte de moins de 9 pt composé en plusieurs encres. Les étiquettes en gras de 7,5 pt couleur forêt tiennent en quatre encres sur papier couché :
print.preflight.smallTextSizevaut donc 7 pt ; le colophon en 6,3 pt, qui en vert sauge ferait trois encres sur une bande à quatre encres, passe plutôt en réserve couleur papier. - Un fichier PDF/X ne porte aucune annotation de lien, car un fichier pour la presse ne peut pas en avoir dans sa zone de fond perdu ; les signets restent.
- Une fois le fichier construit, chaque bouton devient un lien « Open the PDF ↗ » et un lien de téléchargement, et seuls les liens de téléchargement portent les noms de fichiers.
Crédits
- Recette
- Ignacio Ferro
- Texte
- Texte original, CC BY 4.0
- Polices
- Karla (SIL OFL 1.1) · Space Grotesk (SIL OFL 1.1) · Space Mono (SIL OFL 1.1)
Modifier ce texte ↗ (s’ouvre dans un nouvel onglet)Dossier de la recette sur GitHub ↗ (s’ouvre dans un nouvel onglet)


