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Recette numéro 34

Recettes · Chapitre 7 · Figures et images

Des notices de catalogue face à leurs planches

Chaque notice s’ouvre sur un verso et cite sa planche dès la première phrase ; la planche flotte au recto d’en face, à l’échelle du bloc de texte.

p. 4–5 sur 8

  • Exemple en anglais : pas encore d’édition française
  • Format 230 × 280 mm
  • Colonne et demie, Gouttière de 7 mm
  • Ibarra Real Nova 11,5/16
  • Libre Bodoni
  • Sofia Sans Condensed
  • 8 pages
  • Niveau
  • Postext 1.31.0
  • Mis en page en 75 ms
  • 246 lignes de code

En bref

Un petit catalogue d’exposition de trois anciennes illustrations de Don Quichotte. Chaque description occupe une page de gauche, et son image remplit la page de droite en face.

Ce que vous allez composer

Un petit catalogue pour une exposition de cabinet de trois gravures sur bois du Don Quichotte de Gustave Doré (Paris, 1863), sur une page de 230 × 280 mm. La couverture compose DORÉ en Libre Bodoni de 88 pt sur un noir chaud, sous un détail encadré de la planche des moulins. Chaque notice ouvre une page de gauche avec un numéro de catalogue sépia à côté d’un titre en italique, le cartel dans la colonne extérieure, un chapeau avec une lettrine sur trois lignes, puis le commentaire. La première phrase du commentaire cite la planche, qui ouvre la page de droite en face, centrée et mise à l’échelle jusqu’à ce que planche, légende et ligne de crédit remplissent le bloc de texte, haut de 215 mm. La dernière page est une liste des œuvres avec une vignette dans la première cellule de chaque rangée et la page où s’imprime chaque planche.

Cette recette répond à

  • Comment faire un catalogue d’art : notice sur la page de gauche, planche sur la page de droite en regard ?
  • Comment choisir où va une figure : en haut de page, sur les deux colonnes, exactement ici ou dans la marge ?
  • Comment mettre des images ou des icônes dans les cellules d’un tableau ?
  • Comment ajouter à une ouverture une ligne d’auteur, un chapeau ou une attaque avec lettrine ?

La réponse courte

script.js · lignes 38–60dans le code complet
// Each entry breaks to a verso and cites its plate in the commentary's first sentence; a 'top'
// float never lands on its citing page (gotcha: top-float-next-page), so it opens the recto.
const entryLevel = () => ({
  level: 1, span: 'page', numberingTemplate: '{1}', // {number} in the opener: Cat. 1, 2, 3
  breakBefore: { enabled: true, parity: 'even' }, // an entry opens a verso, facing its plate
  marginBottom: pt(LEAD), advancedDesign: entryOpener(),
  dropCap: { lines: 3, fontFamily: DISPLAY, color: col('sepia'), gap: mm(1.6) }, // the lead's
});
const plateType = {
  id: 'plate', name: 'Cat.', shortLabel: 'Cat.', captionPrefix: 'Cat.', // 'Cat. 1. …'
  numberingTemplate: '{n}', resetOn: 'never', counterFormat: 'decimal',
  // A plate taller than the recto's text block is scaled, proportions kept, until plate, caption
  // and credit line fit it; the caption takes the plate's width, and both are centred.
  defaultPlacement: { position: 'top', span: 'page', align: 'center',
    shrink: 'page', minScale: 0.5, captionMeasure: 'body' },
};
// Under the plate (pt): a caption and a credit line, and their gaps.
const CAPTION = { size: 8.5, gap: 6, note: 7.2, noteGap: 1.5 };
const plate = ({ id, file, caption, altText }, [pxW, pxH]) => ({
  id, typeId: 'plate', kind: 'bitmap', caption, note: CREDIT, altText,
  // The print master's pixels, about 283 dpi at this size (gotcha: bitmap-print-size).
  bitmap: { fileId: file, format: 'jpeg', width: pxW, height: pxH }, createdAt: 0, updatedAt: 0,
});

Ingrédients

Typographie
Ibarra Real Nova, Libre Bodoni, Sofia Sans Condensed (SIL OFL 1.1)
Ressources
  • library-835.jpg
  • vigil-835.jpg
  • windmills-835.jpg
  • windmills-detail-540.jpg
  • Cat. 1, Don Quixote in His Library (Part I, ch. I), wood engraving by Héliodore Pisan after Gustave Doré, 1863; scan from Wikimedia Commons, reduced to 835 px wide (Gustave Doré · Héliodore Pisan, domaine public)
  • Cat. 2, The Vigil of Arms (Part I, ch. III), wood engraving by Héliodore Pisan after Gustave Doré, 1863; scan from Wikimedia Commons, reduced to 835 px wide (Gustave Doré · Héliodore Pisan, domaine public)
  • Cat. 3, The Adventure of the Windmills (Part I, ch. VIII), wood engraving by Héliodore Pisan after Gustave Doré, 1863; scan from Wikimedia Commons, reduced to 835 px wide (Gustave Doré · Héliodore Pisan, domaine public)
  • The cover’s detail of Cat. 3: a 1,100-px square cut from the same scan and reduced to 540 px (Gustave Doré · Héliodore Pisan, domaine public)

Préparation

#1 · La planche attend la page d’en face

Le code est la réponse courte ci-dessus. Chaque notice saute à une page paire, et un flottant top n’arrive jamais sur la page qui le cite, si bien que la planche citée dans la première phrase du commentaire saute le verso et ouvre le recto d’en face. Le defaultPlacement du type planche demande shrink: 'page' : à pleine justification, une planche mesurerait 242 mm de haut, plus que ne contient le bloc de texte du recto, alors Postext la réduit, en gardant ses proportions, jusqu’à ce que planche, légende et ligne de crédit tiennent dans la bande laissée au-dessus de l’espace du flottant (placement). minScale: 0.5 laisserait une planche descendre à la moitié de sa largeur ; ici, chacune en garde environ les neuf dixièmes. captionMeasure: 'body' compose la légende et la ligne de crédit à la largeur de la planche, et align: 'center' centre l’une et l’autre sur la page.

#2 · La tête de notice vient de son titre

script.js · lignes 81–113dans le code complet
const [KICKER, NUMERAL] = [8.5, { size: 80, y: 7 }]; // pt: labels; the numeral, y in mm
const TITLE = { size: 30, lineHeight: 1.08 }; // pt; a multiple of the size
const HEAD_RULE = NUMERAL.y + NUMERAL.size * PT + 3; // mm: the hairline under the numeral
// mm: the lead, the entry's first paragraph, 5 mm under the hairline on the next grid line;
// the opener ends a line above it (the level's marginBottom), and the tombstone faces it.
const LEAD_Y = Math.ceil((HEAD_RULE + 5) / PT / LEAD) * LEAD * PT;
const [LEADIN, TOMB] = [{ size: 13.5, lead: 19 }, { size: 8.5, lead: 12.5 }]; // pt
const BASE = 0.8; // a line's first baseline stands 0.8 down its line box
// em: Libre Bodoni's capitals, and its figures, which stop short of them ('1': 0.716)
const [CAP_HEIGHT, FIGURE_HEIGHT] = [0.754, 0.716];
const inkTop = (size, lineHeight, height) => (BASE * lineHeight - height) * size; // pt to the ink
// The title's capitals level with the numeral's figures: 1.2 mm below the numeral's top.
const TITLE_Y = NUMERAL.y + (inkTop(NUMERAL.size, 1, FIGURE_HEIGHT)
  - inkTop(TITLE.size, TITLE.lineHeight, CAP_HEIGHT)) * PT;
// Entries open on versos, whose outer column is on the left: the side column is at x = 0.
const head = (label, numeral) => [
  text('label', label, LABEL, KICKER, 'sepia', at('container', 'top-left', 0, 0), caps(KICKER)),
  text('numeral', numeral, DISPLAY, NUMERAL.size, 'sepia',
    at('container', 'top-left', 0, NUMERAL.y, SIDE), { lineHeight: 1 }),
  text('title', '{titleText}', DISPLAY, TITLE.size, 'ink', at('container', 'top-left', MAIN_X,
    TITLE_Y, MAIN), { italic: true, lineHeight: TITLE.lineHeight }),
  { kind: 'rule', id: 'head-rule', direction: 'horizontal', thickness: pt(0.5), color: col('rule'),
    placement: at('container', 'top-left', 0, HEAD_RULE, 'fill') },
];
const entryOpener = () => ({ enabled: true, minHeight: mm(LEAD_Y - LEAD * PT),
  slot: { elements: [...head('Cat.', '{number}'),
  text('chapter', '{attr.chapter}', LABEL, KICKER, 'sepia',
    at('container', 'top-left', MAIN_X, 0, MAIN), caps(KICKER)),
  // Baseline on the lead's; the attribute's \n breaks give its three lines.
  text('tombstone', '{attr.tombstone}', LABEL, TOMB.size, 'muted',
    at('container', 'top-left', 0, LEAD_Y + BASE * (LEADIN.lead - TOMB.lead) * PT, SIDE - 6),
    { lineHeight: TOMB.lead / TOMB.size, reserve: false }), // beside the lead: no room of its own
] } });

Chaque titre # porte son chapitre et son cartel en attributs, et l’emplacement de maquette de l’ouverture les dessine. Le grand numéro est le {number} propre au titre, tiré de numberingTemplate: '{1}' ; avec une planche par notice, il compte 1, 2, 3 au même pas que le compteur Cat. des planches. Le chapeau est le premier paragraphe de la notice, dans un groupe :::paragraphs{style="lead"} à 13,5 pt, et la dropCap du niveau l’ouvre par une initiale sépia sur trois lignes dont le haut rejoint les capitales de la première ligne et dont le pied repose sur la troisième ligne de base, les deux hauteurs de capitale étant mesurées sur les polices (lettrines). Le chapeau est composé en drapeau : justifié à ce corps, ses quelques mots par ligne s’ouvriraient au-delà des 1,5× du commentaire. minHeight termine l’ouverture une ligne au-dessus de LEAD_Y, la ligne de grille où commence le chapeau ; le cartel fait face à la première ligne du chapeau sans prendre de place pour lui-même (reserve: false), et un :::space sous le chapeau fait commencer le commentaire au fer une ligne plus bas. TITLE_Y place le titre 1,2 mm plus bas que le chiffre, ce qui aligne ses capitales sur les chiffres : en Libre Bodoni, les chiffres font 0,716 em de haut et les capitales 0,754 em.

#3 · Déclarer l’original, dessiner une copie plus petite

script.js · lignes 316–333dans le code complet
// plate() sizes each plate from its master, the Commons scan at 2,400 px tall (MASTER_PX);
// the canvas draws the registered 835-px copy (the block's width on a 1,000-px page) in that box.
async function scan(file) {
  const res = await fetch(asset(file));
  if (!res.ok) throw new Error(`Scan not found (${res.status}): ${file}`);
  return createImageBitmap(await res.blob());
}
async function loadPlates() {
  const [detail, ...scans] = await Promise.all([DETAIL, ...PLATES.map((p) => p.file)].map(scan));
  const resources = [checklist(PLATES), picture('cover-detail', onPaper(detail),
    'Detail of Cat. 3: the knight and his horse caught on the sail.')];
  for (const [i, p] of PLATES.entries()) {
    registerResourceImage(p.file, onPaper(scans[i]));
    resources.push(plate(p, MASTER_PX[p.id]), // and a thumbnail: its own small file and size
      picture(`${p.id}-thumb`, onPaper(await resized(scans[i], THUMB_PX)), p.altText));
  }
  return resources;
}

Postext dimensionne une image matricielle d’après les pixels qu’elle déclare, à la résolution (dpi) du document, et ne l’imprime jamais plus large que ces pixels ne le permettent. plate() déclare l’original de chaque planche, le scan de Commons réduit à 2 400 px de haut : 1 900 × 2 400 px pour Cat. 1, qui pourrait atteindre 322 mm avec page.dpi: 150. C’est donc le bloc de texte qui fixe la taille, 215 mm de haut, et à cette hauteur 2 400 px donnent environ 283 dpi. Aux 300 dpi par défaut, la planche s’arrêterait à 161 mm de large. Le canvas dessine dans ce cadre l’image enregistrée, quelle qu’elle soit, si bien que le pen télécharge les trois copies de 835 px de assets/, 0,97 Mo contre 5,8 Mo pour les originaux. Dessinés à partir des originaux de 2 400 px, les ciels se remplissent de bandes de moiré et les images de la capture gagnent environ 0,3 Mo, au-delà de la limite de 1,4 Mo du livre de recettes.

#4 · Une couverture tirée d’un style de titre

script.js · lignes 117–141dans le code complet
const DETAIL = 'windmills-detail-540.jpg'; // a square cut from Cat. 3, at its size on screen
const FRAME = { w: 124, y: 40, pad: 3.5 }; // mm: the picture, its top, the hairline's inset
const FRAME_X = (TRIM.w - FRAME.w) / 2;
const NAME = { size: 88, track: 8, y: 176 }; // pt, pt, mm
const centred = (id, content, family, size, color, y, more) => text(id, content, family,
  size, color, at('page', 'top', 0, y, 'fill'), { align: 'center', ...more });
const coverStyle = () => ({
  id: 'cover', numbered: false, header: { elements: [] }, footer: { elements: [] },
  advancedDesign: { enabled: true, slot: { elements: [ // painted in this order
    { kind: 'box', id: 'night', style: { backgroundColor: col('night') },
      placement: { ...at('bleed', 'top-left', 0, 0), size: { width: 'fill', height: 'fill' } } },
    { kind: 'box', id: 'frame', style: { borderColor: col('gilt'), borderWidth: pt(0.5) },
      placement: { ...at('page', 'top-left', FRAME_X - FRAME.pad, FRAME.y - FRAME.pad),
        size: { width: mm(FRAME.w + 2 * FRAME.pad), height: mm(FRAME.w + 2 * FRAME.pad) } } },
    { kind: 'image', id: 'detail', resourceId: 'cover-detail',
      placement: at('page', 'top-left', FRAME_X, FRAME.y, FRAME.w) },
    centred('kicker', '{attr.kicker}', LABEL, 8.5, 'gilt', 18, caps(8.5)),
    // Tracked capitals centre on their letters: the tracking after the É is left out.
    centred('name', '{titleText}', DISPLAY, NAME.size, 'paper', NAME.y, { lineHeight: 1,
      textTransform: 'uppercase', letterSpacing: pt(NAME.track) }),
    centred('subtitle', '{attr.subtitle}', DISPLAY, 18, 'paper', NAME.y + NAME.size * PT + 4,
      { italic: true }),
    centred('foot', '{attr.foot}', LABEL, 8.5, 'gilt', 250, caps(8.5)),
  ] } },
});

La couverture est le premier titre, # Doré {style="cover" …}, dessiné par un style sans folio. Son élément image dessine windmills-detail-540.jpg, enregistré comme une ressource qu’aucun paragraphe ne cite, si bien qu’il ne reçoit ni numéro ni légende. Le fichier est un carré de 1 100 px découpé dans le scan des moulins et réduit à 540 px, sa largeur sur une page de 1 000 px. Le nom a une approche de 8 pt, et l’approche qui suit sa dernière lettre n’entre pas dans le centrage, si bien que les quatre capitales tombent sur l’axe de la page sans décalage.

#5 · Des vignettes dans les cellules de la liste

script.js · lignes 145–167dans le code complet
const THUMB_PX = 300; // px wide: 25 mm at 300 dpi, about the width the cell prints it
// The entries' head, label and numeral from attributes; the level gives span, break and margin.
const checklistStyle = () => ({ id: 'checklist', numbered: false, dropCap: false, // no initial
  advancedDesign: { enabled: true, slot: { elements: head('{attr.kicker}', '{attr.range}') } } });
const cell = (content, more) => ({ content, verticalAlign: 'middle', ...more });
const checklist = (plates) => ({
  id: 'checklist', typeId: 'list', kind: 'table', placement: { position: 'here' },
  altText: 'Checklist of the three works with thumbnails, titles, chapters and pages.',
  table: { model: { headerRowCount: 1, columnWidths: [26, 9, 70, 11], rows: [
    ['', 'Cat.', 'Work and chapter', 'Page'].map((label, i) =>
      cell(label, { isHeader: true, align: i === 3 ? 'right' : 'left' })),
    ...plates.map((p, i) => [
      { content: '', image: { resourceId: `${p.id}-thumb` } },
      cell(String(i + 1)), cell(`*${p.caption}*. ${p.illustrates}`),
      cell(String(platePage(i + 1)), { align: 'right' }),
    ]),
  ] } },
  createdAt: 0, updatedAt: 0,
});
// The cover is page 1 and entry n opens page 2n, so its plate prints on page 2n + 1.
const platePage = (n) => 2 * n + 1;
const listType = { id: 'list', name: 'List', shortLabel: 'List', captionPrefix: '', // no caption
  numberingTemplate: '{n}', resetOn: 'never', counterFormat: 'decimal' };

L’image d’une cellule ajuste une ressource matricielle à la largeur intérieure de la cellule, 23 mm ici. Chaque vignette est sa propre copie de 300 px, déclarée à cette taille, plutôt que la planche de 835 px réduite au dessin. Le tableau n’a pas de texte de légende et son type a un préfixe de légende vide, si bien qu’aucune légende n’est dessinée. Le style de la liste ne règle que numbered: false et sa maquette, et reprend du niveau 1 la largeur de page, le saut vers un verso et la marge inférieure.

#6 · S’arrêter quand une notice déborde de sa page

script.js · lignes 349–354dans le code complet
const astray = doc.pages.find((pg) => pg.role !== 'opener' && !pg.floats?.length);
if (astray) { // text run past its verso, or the blank page that follows it
  const error = new Error(`Page ${astray.pageLabel} holds no plate: shorten the entry before it.`);
  kitFail(error); // the viewer's bar says why
  throw error;
}

Une notice qui dépasse son verso envoie quand même sa planche à la page suivante. Le reste de son commentaire suit alors la planche, et une page blanche garde la notice suivante sur un verso, si bien que chaque planche suivante s’imprime deux pages après celle que lui donne la liste. La vérification arrête la composition à la première page qui n’est pas une ouverture et ne contient aucune planche, et affiche le numéro de cette page dans la barre de la visionneuse.

La recette complète

Sandbox
// ═══ Postext Cookbook · Nº 034 · Catalogue entries facing their plates ══════════════
// https://postext.dev/en/cookbook/catalogue-facing-plates
// Code: MIT · Text: original (CC BY 4.0), Ormsby 1885 (PD) · Plates: Doré and Pisan, 1863 (PD)
// Fonts: Ibarra Real Nova, Libre Bodoni, Sofia Sans Condensed (OFL 1.1) · Needs postext ≥ 1.25.0
import {
  buildDocumentWithFonts, prepareFonts, renderPageToCanvas, registerResourceImage,
} from 'https://esm.sh/postext';

const LANG = 'en'; // @lang: the language of the sample document ('en')
const RECIPE = 'catalogue-facing-plates';

// ─── 1 · Design ─────────────────────────────────────────────────────────────
const palette = {
  ink: '#1b1918', paper: '#faf7f1', night: '#2a2724', // text; the page and plates; the cover
  sepia: '#8a6a45', gilt: '#c9ad86', // the accent on paper (4.6:1) and on the night (6.9:1)
  rule: '#cfc6b8', muted: '#6c665e', // hairlines; tombstones, credit lines, folios
};
// col(id): a colour linked to its palette entry, with the entry's hex beside the id.
const col = (id) => ({ hex: palette[id], model: 'hex', paletteId: id });
const colorPalette = [
  ...Object.entries(palette).map(([id, hex]) => ({ id, name: id, value: { hex, model: 'hex' } })),
  // The engine's defaults link to 'main-color': point it at the accent, so nothing prints blue.
  { id: 'main-color', name: 'sepia (defaults)', value: { hex: palette.sepia, model: 'hex' } },
];
const [TEXT, DISPLAY, LABEL] = ['Ibarra Real Nova', 'Libre Bodoni', 'Sofia Sans Condensed'];
const PT = 25.4 / 72; // mm per point
const [SIZE, LEAD, LINES] = [11.5, 16, 41]; // body pt, leading pt; 41 lines make the text block
const TRIM = { w: 230, h: 280 }; // mm: a catalogue trim
const [TOP, INNER, OUTER] = [24, 20, 18]; // margins, mm
const BLOCK_W = TRIM.w - INNER - OUTER; // 192 mm: the text block, and the widest plate
const BLOCK_H = LINES * LEAD * PT; // 231.4 mm
const [SIDE_PC, GUTTER] = [34, 7]; // the outer column: 65.3 mm for numeral and tombstone; mm
const SIDE = (BLOCK_W * SIDE_PC) / 100;
const MAIN_X = SIDE + GUTTER; // mm from the block's outer edge to the text column
const MAIN = BLOCK_W - MAIN_X; // 119.7 mm: the measure, about 71 characters

// #region answer: a Plate type that floats to the head of the facing recto, sized to fill it
// Each entry breaks to a verso and cites its plate in the commentary's first sentence; a 'top'
// float never lands on its citing page (gotcha: top-float-next-page), so it opens the recto.
const entryLevel = () => ({
  level: 1, span: 'page', numberingTemplate: '{1}', // {number} in the opener: Cat. 1, 2, 3
  breakBefore: { enabled: true, parity: 'even' }, // an entry opens a verso, facing its plate
  marginBottom: pt(LEAD), advancedDesign: entryOpener(),
  dropCap: { lines: 3, fontFamily: DISPLAY, color: col('sepia'), gap: mm(1.6) }, // the lead's
});
const plateType = {
  id: 'plate', name: 'Cat.', shortLabel: 'Cat.', captionPrefix: 'Cat.', // 'Cat. 1. …'
  numberingTemplate: '{n}', resetOn: 'never', counterFormat: 'decimal',
  // A plate taller than the recto's text block is scaled, proportions kept, until plate, caption
  // and credit line fit it; the caption takes the plate's width, and both are centred.
  defaultPlacement: { position: 'top', span: 'page', align: 'center',
    shrink: 'page', minScale: 0.5, captionMeasure: 'body' },
};
// Under the plate (pt): a caption and a credit line, and their gaps.
const CAPTION = { size: 8.5, gap: 6, note: 7.2, noteGap: 1.5 };
const plate = ({ id, file, caption, altText }, [pxW, pxH]) => ({
  id, typeId: 'plate', kind: 'bitmap', caption, note: CREDIT, altText,
  // The print master's pixels, about 283 dpi at this size (gotcha: bitmap-print-size).
  bitmap: { fileId: file, format: 'jpeg', width: pxW, height: pxH }, createdAt: 0, updatedAt: 0,
});
// #endregion
const MASTER_PX = { library: [1900, 2400], vigil: [1921, 2400], windmills: [1923, 2400] };
const CREDIT = 'Public domain; scan from Wikimedia Commons.'; // the artists are in the tombstone
// A picture drawn only in a design slot or a table cell: registered, never cited or numbered.
function picture(id, image, altText) {
  registerResourceImage(`${id}.jpg`, image);
  return { id, typeId: 'plate', kind: 'bitmap', altText, createdAt: 0, updatedAt: 0,
    bitmap: { fileId: `${id}.jpg`, format: 'jpeg', width: image.width, height: image.height } };
}

// Design-slot shorthands; every text wraps, the folio lines too.
const at = (to, edge, x, y, width) => ({ anchor: { to, edge }, offset: { x: mm(x), y: mm(y) },
  ...(width !== undefined && { size: { width: width === 'fill' ? 'fill' : mm(width) } }) });
const text = (id, content, fontFamily, size, color, placement, more = {}) => ({ kind: 'text',
  id, content, fontFamily, fontSize: pt(size), color: col(color), align: 'left',
  overflow: 'wrap', placement, ...more });
const caps = (size) => ({ fontWeight: 600, textTransform: 'uppercase',
  letterSpacing: pt(size * 0.2) });

// #region opener: the entry's head, a numeral and tombstone beside the title and the lead
const [KICKER, NUMERAL] = [8.5, { size: 80, y: 7 }]; // pt: labels; the numeral, y in mm
const TITLE = { size: 30, lineHeight: 1.08 }; // pt; a multiple of the size
const HEAD_RULE = NUMERAL.y + NUMERAL.size * PT + 3; // mm: the hairline under the numeral
// mm: the lead, the entry's first paragraph, 5 mm under the hairline on the next grid line;
// the opener ends a line above it (the level's marginBottom), and the tombstone faces it.
const LEAD_Y = Math.ceil((HEAD_RULE + 5) / PT / LEAD) * LEAD * PT;
const [LEADIN, TOMB] = [{ size: 13.5, lead: 19 }, { size: 8.5, lead: 12.5 }]; // pt
const BASE = 0.8; // a line's first baseline stands 0.8 down its line box
// em: Libre Bodoni's capitals, and its figures, which stop short of them ('1': 0.716)
const [CAP_HEIGHT, FIGURE_HEIGHT] = [0.754, 0.716];
const inkTop = (size, lineHeight, height) => (BASE * lineHeight - height) * size; // pt to the ink
// The title's capitals level with the numeral's figures: 1.2 mm below the numeral's top.
const TITLE_Y = NUMERAL.y + (inkTop(NUMERAL.size, 1, FIGURE_HEIGHT)
  - inkTop(TITLE.size, TITLE.lineHeight, CAP_HEIGHT)) * PT;
// Entries open on versos, whose outer column is on the left: the side column is at x = 0.
const head = (label, numeral) => [
  text('label', label, LABEL, KICKER, 'sepia', at('container', 'top-left', 0, 0), caps(KICKER)),
  text('numeral', numeral, DISPLAY, NUMERAL.size, 'sepia',
    at('container', 'top-left', 0, NUMERAL.y, SIDE), { lineHeight: 1 }),
  text('title', '{titleText}', DISPLAY, TITLE.size, 'ink', at('container', 'top-left', MAIN_X,
    TITLE_Y, MAIN), { italic: true, lineHeight: TITLE.lineHeight }),
  { kind: 'rule', id: 'head-rule', direction: 'horizontal', thickness: pt(0.5), color: col('rule'),
    placement: at('container', 'top-left', 0, HEAD_RULE, 'fill') },
];
const entryOpener = () => ({ enabled: true, minHeight: mm(LEAD_Y - LEAD * PT),
  slot: { elements: [...head('Cat.', '{number}'),
  text('chapter', '{attr.chapter}', LABEL, KICKER, 'sepia',
    at('container', 'top-left', MAIN_X, 0, MAIN), caps(KICKER)),
  // Baseline on the lead's; the attribute's \n breaks give its three lines.
  text('tombstone', '{attr.tombstone}', LABEL, TOMB.size, 'muted',
    at('container', 'top-left', 0, LEAD_Y + BASE * (LEADIN.lead - TOMB.lead) * PT, SIDE - 6),
    { lineHeight: TOMB.lead / TOMB.size, reserve: false }), // beside the lead: no room of its own
] } });
// #endregion

// #region cover: a heading style on warm black, a framed detail of Cat. 3 and the name
const DETAIL = 'windmills-detail-540.jpg'; // a square cut from Cat. 3, at its size on screen
const FRAME = { w: 124, y: 40, pad: 3.5 }; // mm: the picture, its top, the hairline's inset
const FRAME_X = (TRIM.w - FRAME.w) / 2;
const NAME = { size: 88, track: 8, y: 176 }; // pt, pt, mm
const centred = (id, content, family, size, color, y, more) => text(id, content, family,
  size, color, at('page', 'top', 0, y, 'fill'), { align: 'center', ...more });
const coverStyle = () => ({
  id: 'cover', numbered: false, header: { elements: [] }, footer: { elements: [] },
  advancedDesign: { enabled: true, slot: { elements: [ // painted in this order
    { kind: 'box', id: 'night', style: { backgroundColor: col('night') },
      placement: { ...at('bleed', 'top-left', 0, 0), size: { width: 'fill', height: 'fill' } } },
    { kind: 'box', id: 'frame', style: { borderColor: col('gilt'), borderWidth: pt(0.5) },
      placement: { ...at('page', 'top-left', FRAME_X - FRAME.pad, FRAME.y - FRAME.pad),
        size: { width: mm(FRAME.w + 2 * FRAME.pad), height: mm(FRAME.w + 2 * FRAME.pad) } } },
    { kind: 'image', id: 'detail', resourceId: 'cover-detail',
      placement: at('page', 'top-left', FRAME_X, FRAME.y, FRAME.w) },
    centred('kicker', '{attr.kicker}', LABEL, 8.5, 'gilt', 18, caps(8.5)),
    // Tracked capitals centre on their letters: the tracking after the É is left out.
    centred('name', '{titleText}', DISPLAY, NAME.size, 'paper', NAME.y, { lineHeight: 1,
      textTransform: 'uppercase', letterSpacing: pt(NAME.track) }),
    centred('subtitle', '{attr.subtitle}', DISPLAY, 18, 'paper', NAME.y + NAME.size * PT + 4,
      { italic: true }),
    centred('foot', '{attr.foot}', LABEL, 8.5, 'gilt', 250, caps(8.5)),
  ] } },
});
// #endregion

// #region checklist: a table of the works with a thumbnail in each first cell
const THUMB_PX = 300; // px wide: 25 mm at 300 dpi, about the width the cell prints it
// The entries' head, label and numeral from attributes; the level gives span, break and margin.
const checklistStyle = () => ({ id: 'checklist', numbered: false, dropCap: false, // no initial
  advancedDesign: { enabled: true, slot: { elements: head('{attr.kicker}', '{attr.range}') } } });
const cell = (content, more) => ({ content, verticalAlign: 'middle', ...more });
const checklist = (plates) => ({
  id: 'checklist', typeId: 'list', kind: 'table', placement: { position: 'here' },
  altText: 'Checklist of the three works with thumbnails, titles, chapters and pages.',
  table: { model: { headerRowCount: 1, columnWidths: [26, 9, 70, 11], rows: [
    ['', 'Cat.', 'Work and chapter', 'Page'].map((label, i) =>
      cell(label, { isHeader: true, align: i === 3 ? 'right' : 'left' })),
    ...plates.map((p, i) => [
      { content: '', image: { resourceId: `${p.id}-thumb` } },
      cell(String(i + 1)), cell(`*${p.caption}*. ${p.illustrates}`),
      cell(String(platePage(i + 1)), { align: 'right' }),
    ]),
  ] } },
  createdAt: 0, updatedAt: 0,
});
// The cover is page 1 and entry n opens page 2n, so its plate prints on page 2n + 1.
const platePage = (n) => 2 * n + 1;
const listType = { id: 'list', name: 'List', shortLabel: 'List', captionPrefix: '', // no caption
  numberingTemplate: '{n}', resetOn: 'never', counterFormat: 'decimal' };
// #endregion

const foot = (id, content, parity, edge, x, more) => text(id, content, LABEL, 7.5, 'muted',
  at('page', edge, x, TRIM.h - 15), { ...caps(7.5), parity, ...more });
const footer = { elements: [ // folios at the outer foot; entries (versos) add the title
  foot('verso-folio', '{pageNumber}', 'even', 'top-left', OUTER, { color: col('ink') }),
  foot('verso-title', '{title}', 'even', 'top-left', OUTER + 9),
  foot('recto-folio', '{pageNumber}', 'odd', 'top-right', -OUTER,
    { color: col('ink'), align: 'right' }),
] };

const config = () => ({ locale: 'en-us', // the sample is in English
  colorPalette, resourceTypes: [plateType, listType],
  // A bitmap is never set wider than its declared pixels at this dpi: at 150 dpi a 1,900-px
  // scan may reach 322 mm, so the text block decides (at 300 dpi it stops at 161 mm).
  page: { width: mm(TRIM.w), height: mm(TRIM.h), dpi: 150, backgroundColor: col('paper'),
    margins: { top: mm(TOP), bottom: mm(TRIM.h - TOP - BLOCK_H), left: mm(INNER),
      right: mm(OUTER), mirror: true } },
  // Body text never enters the outer column: the openers draw in it and the plates span it.
  layout: { layoutType: 'oneAndHalf', sideColumnPercent: SIDE_PC, sideColumnRole: 'floats',
    sideColumnSide: 'outer', gutterWidth: mm(GUTTER) },
  bodyText: {
    fontFamily: TEXT, fontSize: pt(SIZE), lineHeight: pt(LEAD), color: col('ink'),
    boldColor: col('ink'), italicColor: col('ink'),
    referenceColor: col('sepia'), referenceBold: false, // 'Cat. 1' in the accent, regular weight
    firstLineIndent: mm(4.5), indentAfterHeading: false, minWordSpacing: 0.8, maxWordSpacing: 1.5,
  },
  headings: { fontFamily: DISPLAY, fontWeight: 400, color: col('ink'), levels: [entryLevel()] },
  headingStyles: [coverStyle(), checklistStyle()],
  captionStyle: { fontFamily: LABEL, fontSize: pt(CAPTION.size), gap: pt(CAPTION.gap),
    labelColor: col('sepia'), // the label is bold by default
    note: { fontSize: pt(CAPTION.note), gap: pt(CAPTION.noteGap), color: col('muted') } },
  tableStyle: { rules: 'horizontal', borderColor: col('rule'), borderWidth: pt(0.5),
    cellPadding: mm(1.8), headerBackground: col('ink'), headerColor: col('paper'),
    headerFontFamily: LABEL, headerFontSize: pt(8), bodyFontFamily: TEXT, bodyFontSize: pt(9.5) },
  paragraphStyles: [
    // The entry's lead, a size larger and ragged; a :::space under it starts the commentary flush.
    { id: 'lead', fontSize: pt(LEADIN.size), lineHeight: pt(LEADIN.lead), textAlign: 'left',
      firstLineIndent: pt(0) },
    { id: 'colophon', fontFamily: LABEL, fontSize: pt(7.5), lineHeight: pt(11),
      color: col('muted'), textAlign: 'left', firstLineIndent: pt(0), marginTop: pt(LEAD) }],
  header: { elements: [] }, footer,
});

// ─── 2 · Content ────────────────────────────────────────────────────────────
const markdown = String.raw`---
Exemple Markdown · 61 lignes · content.en.mdtitle: "Doré: Three Plates for Don Quixote" author: "The Print Room" --- # Doré {style="cover" kicker="The Print Room · A cabinet exhibition" subtitle="Three plates for Don Quixote, 1863" foot="Wood engravings by Héliodore Pisan after Gustave Doré"} # Don Quixote \\ in His Library {chapter="Part I · Chapter I" tombstone="Wood engraving\nHéliodore Pisan after Gustave Doré\nParis: L. Hachette et Cie, 1863, vol. I"} :::paragraphs{style="lead"} Doré opens the book with its hero wide awake. Seated upright in a carved chair, the hidalgo holds up a sword in his right hand and a book in his left, while everything he has read comes loose from the page and fills the room around him. ::: :::space The plate (:ref{id="library"}, opposite) sets out the sentence in which the hidalgo loses his wits. In John Ormsby’s translation his fancy grew full of ‘enchantments, quarrels, battles, challenges, wounds, wooings, loves, agonies, and all sorts of impossible nonsense’, and Doré draws the list almost item by item. Knights ride out from behind the chair, a dragon uncoils above a shield of arms, a knight no taller than a folio stands on a book beside a giant’s severed head, and a lady in chains kneels at the fore-edge of a volume lettered AMADIS. Cervantes says the hidalgo ‘sold many an acre of tillageland to buy books of chivalry to read’, and Doré scatters them about the room: open on the table under the window, fallen open at his feet, and one propped on its edge at the lower left, beside the giant’s head. Daylight comes in at the window on the left and falls on his face and on the open page. The figures crowding the rest of the room have come out of the books, down to the two knights no taller than a hand who joust on the backs of mice among the flagstones. Doré gives these phantoms the same firm outline as the man who imagines them. In wood engraving whatever the tool cuts away prints white, so Pisan had to turn each of Doré’s greys into a pattern of strokes: close parallel cuts for the heavy curtain, finer and more open ones for the light on the wall, broken curls for the smoke of figures behind the chair. Both men signed the block, Doré in script at the lower left and Pisan in capitals at the lower right. # The Vigil \\ of Arms {chapter="Part I · Chapter III" tombstone="Wood engraving\nHéliodore Pisan after Gustave Doré\nParis: L. Hachette et Cie, 1863, vol. I"} :::paragraphs{style="lead"} The innkeeper has no chapel, so Don Quixote keeps his vigil of arms in the yard. Doré makes the scene a nocturne: the armour stands on the well-head, and the bareheaded knight lifts his lance towards a full moon breaking through cloud. ::: :::space The plate (:ref{id="vigil"}, opposite) follows the text closely. The innkeeper has told his guest that armour may be watched anywhere, so Don Quixote lays his on a trough beside the well and paces up and down in front of it. In Ormsby’s translation the night closes in ‘with a light from the moon so brilliant that it might vie with his that lent it’. Doré stands the armour upright on the well-head, helmet and breastplate and gauntlets, so that it reads as a second knight facing the thin man in his shirt who will wear it. On the right the inn is a dark mass with an outside stair, and a figure watches from its landing: in the novel the guests ‘flocked to see it from a distance’. Water lies in the ruts of the yard and catches the light, and the knight’s shadow runs across it towards the viewer. Cervantes plays the vigil as farce. Two carriers come in turn to water their mules, each goes to move the armour off the trough, and each is laid out with the lance; the landlord then hurries the dubbing through before anyone else is hurt. Doré leaves all of that out and keeps the hour before it, when the knight is alone with his arms and the moon. In this sky Pisan widens his level cuts as they near the moon, until the black left between them thins to hairlines around the halo. Short flicks pick out the edges of the clouds. A dark bar of cloud crosses the disc on the left, and a few faint strokes shade the moon’s face. # The Adventure \\ of the Windmills {chapter="Part I · Chapter VIII" tombstone="Wood engraving\nHéliodore Pisan after Gustave Doré\nParis: L. Hachette et Cie, 1863, vol. I"} :::paragraphs{style="lead"} Doré passes over the charge and draws the moment after it. The turning sail has caught the lance and lifted horse and rider clear of the plain, and Rocinante’s legs thrash at the empty air below them. ::: :::space The plate (:ref{id="windmills"}, opposite) illustrates the sentence in which the charge ends. As the knight drove his lance into the sail, in Ormsby’s words, ‘the wind whirled it round with such force that it shivered the lance to pieces, sweeping with it horse and rider, who went rolling over on the plain’. Doré stops before the fall. The broken lance is still caught in the canvas, and the knight hangs tangled against the sail with his shield flung out beside him. The composition is built on one diagonal. The sail runs from the top left corner towards the centre, the horse hangs from it, and the line carries on down the slope to the thistles in the foreground. Against it Doré sets the level plain of La Mancha, where Cervantes counts ‘thirty or forty windmills’ and the plate lines up a row of them along the horizon, turning in the same wind. Sancho, hatless, throws up one arm and clutches his head with the other; his hat lies on the ground and his ass waits behind him. He had warned his master, in Ormsby’s version, that ‘what we see there are not giants but windmills, and what seem to be their arms are the sails that turned by the wind make the millstone go’. Pisan cuts the sky in long even lines and the patched canvas of the sail in torn, crossing strokes. The mills on the horizon are drawn with a few lines each. # Works in \\ the Exhibition {style="checklist" kicker="Checklist" range="1–3"} All three plates come from the first volume of *L’Ingénieux Hidalgo Don Quichotte de la Manche*, in the French translation by Louis Viardot, published in two folio volumes by L. Hachette et Cie, Paris, in 1863 with 377 compositions by Gustave Doré, 120 of them full-page. Héliodore Pisan engraved the three plates on wood, and both men signed them in the block. Quotations are from John Ormsby’s English translation of 1885. ::resource{id="checklist"} :::paragraphs{style="colophon"} Set in Ibarra Real Nova, Libre Bodoni and Sofia Sans Condensed (SIL Open Font License). Commentary written for this catalogue under a CC BY 4.0 licence. The plates are in the public domain and reproduced from scans on Wikimedia Commons; the cover shows a detail of Cat. 3. Ormsby’s translation is Project Gutenberg eBook #996. :::
`; // content.<lang>.md, inlined by the Cookbook // id, scan file, caption, the chapter it illustrates and alt text: one block per plate. const plateTexts = String.raw`library
Exemple Markdown · 16 lignes · content.plates.en.mdlibrary-835.jpg Don Quixote in His Library Part I, ch. I: ‘which treats of the character and pursuits of the famous gentleman Don Quixote of La Mancha’ Don Quixote sits upright in a carved chair, a book in his left hand and a sword raised in his right, surrounded by the figures of his reading: knights on horseback, a dragon, a giant’s severed head, a lady in chains and two tiny knights jousting on mice. vigil vigil-835.jpg The Vigil of Arms Part I, ch. III: ‘wherein is related the droll way in which Don Quixote had himself dubbed a knight’ A moonlit inn yard. Don Quixote, bareheaded and holding a lance and a buckler, looks up at the moon; his armour stands propped on the well-head facing him, and a figure watches from the inn’s outside stair. windmills windmills-835.jpg The Adventure of the Windmills Part I, ch. VIII: ‘the terrible and undreamt-of adventure of the windmills’ A windmill’s sail sweeps Don Quixote and Rocinante off the ground, the knight tangled against the canvas and his buckler flung out; a row of mills stands on the horizon and Sancho, hatless, throws up one arm and clutches his head beside his ass.
`; const FIELDS = ['id', 'file', 'caption', 'illustrates', 'altText']; const PLATES = plateTexts.trim().split(/\n\s*\n/).map((block) => Object.fromEntries(block.split('\n').map((line, i) => [FIELDS[i], line.trim()]))); // #region art: the engravings printed on the page's paper // Multiplying by the paper colour turns the scan's white into the page's cream. function onPaper(source) { const canvas = new OffscreenCanvas(source.width, source.height); const ctx = canvas.getContext('2d'); ctx.drawImage(source, 0, 0); ctx.globalCompositeOperation = 'multiply'; ctx.fillStyle = palette.paper; ctx.fillRect(0, 0, source.width, source.height); return canvas.transferToImageBitmap(); } const resized = (scan, width) => createImageBitmap(scan, { resizeWidth: width, resizeQuality: 'high' }); // #endregion // #region scans: the plates, their thumbnails and the cover's detail, fetched from assets/ // plate() sizes each plate from its master, the Commons scan at 2,400 px tall (MASTER_PX); // the canvas draws the registered 835-px copy (the block's width on a 1,000-px page) in that box. async function scan(file) { const res = await fetch(asset(file)); if (!res.ok) throw new Error(`Scan not found (${res.status}): ${file}`); return createImageBitmap(await res.blob()); } async function loadPlates() { const [detail, ...scans] = await Promise.all([DETAIL, ...PLATES.map((p) => p.file)].map(scan)); const resources = [checklist(PLATES), picture('cover-detail', onPaper(detail), 'Detail of Cat. 3: the knight and his horse caught on the sail.')]; for (const [i, p] of PLATES.entries()) { registerResourceImage(p.file, onPaper(scans[i])); resources.push(plate(p, MASTER_PX[p.id]), // and a thumbnail: its own small file and size picture(`${p.id}-thumb`, onPaper(await resized(scans[i], THUMB_PX)), p.altText)); } return resources; } // #endregion // ─── 3 · Fonts ────────────────────────────────────────────────────────────── const FONTS = { // every face the pages use, loaded before the build 'Ibarra Real Nova': ['400', '400i'], // text, the lead, the checklist 'Libre Bodoni': ['400', '400i'], // numerals, titles, drop caps, the cover 'Sofia Sans Condensed': ['400', '600', '700'], // labels, tombstones, captions, folios }; // ─── 4 · Build & show ─────────────────────────────────────────────────────── const words = `${markdown}\n${plateTexts}\n${CREDIT}`; // their letters decide the font subsets const [, resources] = await Promise.all([ prepareFonts(words, config(), kitFonts(FONTS)), loadPlates()]); const doc = await buildDocumentWithFonts({ markdown, resources }, config(), kitFonts(FONTS)); // #region check: every page past an opener holds a plate, so each plate faces its entry const astray = doc.pages.find((pg) => pg.role !== 'opener' && !pg.floats?.length); if (astray) { // text run past its verso, or the blank page that follows it const error = new Error(`Page ${astray.pageLabel} holds no plate: shorten the entry before it.`); kitFail(error); // the viewer's bar says why throw error; } // #endregion showPages(doc, { title: t({ en: 'Catalogue entries facing their plates' }) });
Kit · core, fonts, viewer : identique dans toutes les recettes · 224 lignes// ─── Kit ── helpers shared by every Cookbook recipe · postext.dev/cookbook ───── // ─── Kit · core v1 ── the same in every recipe · postext.dev/cookbook function mm(value) { return { value, unit: 'mm' }; } function pt(value) { return { value, unit: 'pt' }; } function em(value) { return { value, unit: 'em' }; } /** The sample language's string: t({ en: 'Figure', es: 'Figura' }). */ function t(strings) { return strings[LANG] ?? Object.values(strings)[0]; } /** A file in this recipe's assets folder, served from the Postext repo by jsDelivr. */ function asset(file) { return `https://cdn.jsdelivr.net/gh/drnachio/postext@main/cookbook/${RECIPE}/assets/${file}`; } // ─── Kit · fonts v3 ── the same in every recipe · postext.dev/cookbook // Postext loads the faces a config asks for before layout (prepareFonts, // buildDocumentWithFonts) and asks the kit for the files: Fontsource's, the // files the PDF embeds too. /** The options of buildDocumentWithFonts / prepareFonts / withLoadedFonts: * the Fontsource resolver, and the faces of FONTS loaded with the ones the * config names. FONTS = { 'Family Name': ['400', '400i', '700'] }. */ function kitFonts(FONTS = {}) { const faces = Object.entries(FONTS).flatMap(([family, specs]) => specs.map((spec) => ({ family, weight: parseInt(spec, 10), style: spec.endsWith('i') ? 'italic' : 'normal' }))); return { resolve: fontsourceResolver, faces }; } /** A face's Fontsource files, in a fixed order: latin, then latin-ext and greek * when `text` needs them and the family ships them (kitSubsetsFor), each with * its unicode-range. Null for a weight or slant Fontsource does not ship. */ async function fontsourceResolver(family, weight, style, { text = '' } = {}) { const id = fontsourceId(family); const meta = await fontsourceMeta(family); if (meta && !(meta.weights.includes(weight) && meta.styles.includes(style))) return null; kitStatus('Loading fonts…'); const at = await fontsourceAt(id); return ['latin', ...kitSubsetsFor(text, meta)].map((subset) => ({ source: `${at}files/${id}-${subset}-${weight}-${style}.woff2`, unicodeRange: kitRanges()[subset], })); } /** The unicode-range of each Fontsource file the kit loads (a function: the * kit is inlined after the pen's code, which runs before a const would be set). */ function kitRanges() { return { latin: 'U+0000-00FF,U+0131,U+0152-0153,U+02BB-02BC,U+02C6,U+02DA,U+02DC,U+0304,U+0308,U+0329,' + 'U+2000-206F,U+20AC,U+2122,U+2191,U+2193,U+2212,U+2215,U+FEFF,U+FFFD', 'latin-ext': 'U+0100-02BA,U+02BD-02C5,U+02C7-02CC,U+02CE-02D7,U+02DD-02FF,U+0304,U+0308,U+0329,' + 'U+1D00-1DBF,U+1E00-1E9F,U+1EF2-1EFF,U+2020,U+20A0-20AB,U+20AD-20C0,U+2113,U+2C60-2C7F,U+A720-A7FF', greek: 'U+0370-03FF', }; } /** For the cjk, arabic and comics blocks, which add their own files: the * faces of `faces` = { 'Family Name': ['400', '400i', '700'] }. `text` is the sample: * č ł † α χ also load latin-ext and greek files (kitSubsetsFor). With * `optional`, a face Fontsource does not ship is skipped instead of failing. * The files are added once all have loaded, in the order asked (latin, then * latin-ext, then greek), whatever order they arrive in: the last one added * wins a character two files hold. Resolves to the number of faces added. */ async function loadFonts(faces, text = '', { optional = false } = {}) { kitStatus('Loading fonts…'); const ranges = kitRanges(); const jobs = []; for (const [family, specs] of Object.entries(faces)) { const id = fontsourceId(family); const todo = [...new Set(specs)].map((spec) => [parseInt(spec, 10), spec.endsWith('i') ? 'italic' : 'normal']) .filter(([weight, style]) => !hasFace(family, weight, style)); // before any await const at = fontsourceAt(id); const meta = optional || /[^\0-ÿ]/u.test(text) ? await fontsourceMeta(family) : null; const subsets = ['latin', ...kitSubsetsFor(text, meta)]; for (const [weight, style] of todo) { if (optional && !(meta?.weights.includes(weight) && meta.styles.includes(style))) continue; for (const subset of subsets) { const url = `${await at}files/${id}-${subset}-${weight}-${style}.woff2`; const face = new FontFace(family, `url(${url}) format('woff2')`, { weight: String(weight), style, unicodeRange: ranges[subset] }); jobs.push(face.load().catch(() => { if (subset === 'latin' && !optional) throw new Error(`Fontsource has no ${family} ${weight} ${style}`); })); } } } const ready = await Promise.all(jobs).catch((error) => { kitFail(error); throw error; }); return ready.filter((face) => face && document.fonts.add(face)).length; } /** A loaded FontFace covers this family, weight and style (fonts.check() would * also say yes for families nobody declared). */ function hasFace(family, weight, style) { for (const face of document.fonts) { if (face.status !== 'loaded' || face.style !== style) continue; if (face.family.replace(/^["']|["']$/g, '') !== family) continue; const [low, high = low] = face.weight.split(' ').map(Number); if (weight >= low && weight <= high) return true; } return false; } /** The files beyond latin `text` needs that `meta`'s family ships. */ function kitSubsetsFor(text, meta) { return [[/[Ā-˿ᴀ-ᶿḀ-ỿ†ℓⱠ-Ɀ꜠-ꟿ]/u, 'latin-ext'], [/[Ͱ-Ͽ]/u, 'greek']] .filter(([re, x]) => re.test(text) && meta?.subsets?.includes(x)).map(([, x]) => x); } /** Fontsource's id for a family: 'Source Serif 4' → 'source-serif-4'. */ function fontsourceId(family) { return family.toLowerCase().replace(/\s+/g, '-'); } /** A package's folder at the one version @5 names now (#766). */ function fontsourceAt(id, u = `https://cdn.jsdelivr.net/npm/@fontsource/${id}@`) { return (fontsourceAt.c ??= {})[id] ??= fetch(u + '5/package.json').then((r) => r.json()) .then((p) => p.version || 5, () => 5).then((v) => `${u}${v}/`); } /** The family's Fontsource metadata (weights, styles, subsets), or null. */ function fontsourceMeta(family) { fontsourceMeta.cache ??= new Map(); const id = fontsourceId(family); if (!fontsourceMeta.cache.has(id)) { fontsourceMeta.cache.set(id, fetch(`https://api.fontsource.org/v1/fonts/${id}`) .then((res) => (res.ok ? res.json() : null), () => null)); } return fontsourceMeta.cache.get(id); } // ─── Kit · viewer v2 ── the same in every recipe · postext.dev/cookbook /** The pages as spreads on a dark desk, page 1 alone, then verso | recto, * each painted when it scrolls near. Other options go to renderPageToCanvas. */ function showPages(docs, { title, width = 460, ...render } = {}) { const root = viewer(title); const pages = [docs].flat().flatMap((doc) => doc.pages.map((page) => ({ doc, page, n: (doc.pageIndexOffset ?? 0) + page.index }))); const spreads = []; let verso = null; for (const p of pages) { if (p.n % 2 === 1) { if (verso) spreads.push([verso, null]); verso = p; } else { spreads.push([verso, p]); verso = null; } } if (verso) spreads.push([verso, null]); const density = Math.min(window.devicePixelRatio || 1, 2); showPages.painter?.disconnect(); const painter = new IntersectionObserver((entries) => { for (const { isIntersecting, target } of entries) { if (!isIntersecting) continue; painter.unobserve(target); const { doc, page } = target.postext; renderPageToCanvas(page, doc, target, { ...render, scale: (width * density) / page.width }); } }, { rootMargin: '800px' }); showPages.painter = painter; root.replaceChildren(...spreads.map((pair) => { const spread = document.createElement('div'); spread.className = 'pt-spread'; for (const p of pair) { const figure = document.createElement('figure'); if (p) { const label = p.page.pageLabel || String(p.n + 1); const canvas = document.createElement('canvas'); canvas.postext = p; canvas.style.aspectRatio = `${p.page.width} / ${p.page.height}`; canvas.setAttribute('role', 'img'); canvas.setAttribute('aria-label', `Page ${label}`); const folio = document.createElement('figcaption'); folio.textContent = label; figure.append(canvas, folio); painter.observe(canvas); } else figure.className = 'pt-blank'; spread.append(figure); } return spread; })); kitStatus(`${pages.length} ${pages.length === 1 ? 'page' : 'pages'}`); document.documentElement.dataset.postext = 'ready'; return pages.length; } /** The desk, the bar and the error reporting, created once. */ function viewer(title) { if (!document.getElementById('pt-kit')) { document.head.insertAdjacentHTML('beforeend', `<style id="pt-kit"> :root { color-scheme: dark; } body { margin: 0; background: #0e1014; color: #b9bcc4; font: 13px/1.45 system-ui, sans-serif; } #pt-bar { position: sticky; top: 0; z-index: 1; display: flex; flex-wrap: wrap; align-items: center; gap: 6px 16px; padding: 10px 16px; background: rgb(14 16 20 / .92); backdrop-filter: blur(6px); border-bottom: 1px solid #23262d; } #pt-bar strong { color: #f4f1ea; font-weight: 600; } #pt-actions { display: flex; gap: 12px; margin-left: auto; } #pt-actions a, #pt-actions button { color: #d8a21a; font: inherit; background: none; border: 0; padding: 0; cursor: pointer; } #pages { display: grid; justify-items: center; gap: 48px; padding: 32px 16px 72px; } .pt-spread { display: flex; } .pt-spread figure { margin: 0; width: min(460px, 44vw); } .pt-spread canvas { display: block; width: 100%; background: #fff; box-shadow: 0 1px 2px rgb(0 0 0 / .5), 0 22px 44px -16px rgb(0 0 0 / .8); } .pt-spread figure:first-child canvas { box-shadow: inset -14px 0 14px -14px rgb(0 0 0 / .18), 0 1px 2px rgb(0 0 0 / .5), 0 22px 44px -16px rgb(0 0 0 / .8); } .pt-spread figcaption { margin-top: 10px; text-align: center; font: 600 10px/1 system-ui, sans-serif; letter-spacing: .18em; text-transform: uppercase; color: #6c7079; } .pt-blank { visibility: hidden; } @media (max-width: 760px) { .pt-spread { flex-direction: column; gap: 32px; } .pt-spread figure { width: min(460px, 92vw); } .pt-blank { display: none; } } </style>`); document.body.insertAdjacentHTML('afterbegin', '<header id="pt-bar"><strong id="pt-title"></strong><span id="pt-status" role="status"></span><span id="pt-actions"></span></header>'); document.getElementById('pt-title').textContent = document.title || 'Postext'; addEventListener('error', (event) => kitFail(event.error ?? event.message)); addEventListener('unhandledrejection', (event) => kitFail(event.reason)); } if (title) document.getElementById('pt-title').textContent = title; return document.getElementById('pages') ?? document.body.appendChild(Object.assign(document.createElement('main'), { id: 'pages' })); } function kitStatus(text) { viewer(); document.getElementById('pt-status').textContent = text; } function kitFail(error) { document.documentElement.dataset.postext = 'error'; kitStatus(`Error: ${error?.message ?? error}`); } // ─── /Kit ───────────────────────────────────────────────────────────────────────

Le script.js composé s’exécute tel quel : collez-le dans le script de module de n’importe quelle page, ou ouvrez la recette sur CodePen. Dossier de la recette sur GitHub ↗ (s’ouvre dans un nouvel onglet)

Variantes

#Laisser de l’air sous les planches

Une fraction de largeur rétrécit le flottant lui-même : à 78 % du bloc de texte, chaque planche mesure environ 188 mm de haut, centrée, avec environ 27 mm de bloc de texte vide sous sa ligne de crédit, et aucune n’a besoin d’être réduite.

-  defaultPlacement: { position: 'top', span: 'page', align: 'center',
-    shrink: 'page', minScale: 0.5, captionMeasure: 'body' },
+  defaultPlacement: { position: 'top', span: 'page', align: 'center', width: 0.78 },

#Placer les figures dans la colonne extérieure

Pour des figures et des gloses qui s’empilent dans une colonne extérieure réservée aux flottants, à côté du paragraphe qui les cite, voyez le manuel avec une colonne en marge.

Erreurs fréquentes

Erreur fréquente

Un flottant 'top' va à la page qui suit sa citation, sauf s’il peut ouvrir la page qui le cite

Par défaut, un flottant ne passe jamais au-dessus de son propre renvoi : un flottant 'top' sur toute la largeur cité en page N ouvre donc la page N+1. Réglez placement.citingPage: true sur la ressource ou sur le defaultPlacement de son type (ou layout.floatsAtCitingPage pour tout le livre, depuis postext 1.25) et il ouvre plutôt la page N, le texte au-dessus du renvoi descendant sous lui, quand il tient dans layout.maxTopFraction et que la ligne qui le cite reste sur cette page. Il n’ouvre jamais la première page d’un chapitre ni une page qui suit un saut forcé : là, il ouvre toujours la page suivante, et 'auto' ou 'bottom' peut prendre le pied de la page qui le cite. Placement des figures →

Erreur fréquente

Les images matricielles tirent leur taille d’impression d’une résolution : déclarez-la, pas des pixels à la taille d’impression

Une image matricielle sans résolution est mise en page à raison d’un pixel par pixel de mise en page à la résolution du document : une photo de 2 400 px fait donc 406 mm de large sur une page à 150 dpi. Déclarez les pixels réels du fichier et donnez à l’image sa résolution (bitmap.resolution: 300), ou réglez layout.bitmapResolution pour toutes les images matricielles : une valeur en ppi, ou 'file' pour lire celle qu’indique le fichier. La colonne limite toujours la taille de l’image. Figures et tableaux comme ressources →

Vérification du Sandbox · bitmapTooSmall

Image en basse résolution

Pourquoi. Une image bitmap est dessinée plus de 1,5 fois plus large que ses pixels : elle paraîtra floue à l’impression.

Correction. Fournissez environ 300 dpi à la taille imprimée, et déclarez la largeur et la hauteur réelles de l’image. Docs →

Crédits

Texte
Images
Polices
Ibarra Real Nova (SIL OFL 1.1) · Libre Bodoni (SIL OFL 1.1) · Sofia Sans Condensed (SIL OFL 1.1)
Sandbox