باختصار
صفحات قليلة من «أليس في بلاد العجائب» مع ملاحظات المحرر في الهامش الجانبي. كل ملاحظة تقف بجوار الأسطر التي تشرحها، ويدل عليها حرف ملوّن.
ما الذي ستنضده
افتتاح الفصل السابع من Alice’s Adventures in Wonderland، حفلة الشاي المجنونة، منضَّدًا في ثلاث صفحات من طبعة محشّاة على صفحة كتاب تجاري بقياس 156 × 234 مم. يجري نص كارول في عمود واحد مضبوط بخط Unna، نحو 66 حرفًا في السطر. وتحمل قناة عرضها 33 مم عند الحافة الخارجية تعليقات المحرر الثمانية، كلٌّ بجوار الفقرة التي تحمل حرفه، فتنزل على يمين الصفحة الفردية وعلى يسار الزوجية. التعليقات على الألفاظ والنكات خضراء، وتعليقات التاريخ حمراء، ويأخذ كل حرف في النص لون تعليقه. ويبدأ الفصل تحت لوحة مائية لمائدة الشاي مرئية من أعلى، يليها الرقم، ثم العنوان بخط Rozha One، ثم مقدمة مائلة بحرف استهلالي أخضر؛ وملاحظة هذه الطبعة في الهامش بجوار المقدمة.
تجيب هذه الوصفة عن
- كيف أنضد ملاحظات هامشية أو شروحًا بجانب الفقرة التي تشرحها؟
- كيف أضيف الحواشي السفلية؟
- كيف أصمم تخطيط عمود ونصف، فيه عمود نص عريض وعمود جانبي ضيق؟
- كيف أضيف إلى صفحة الافتتاح سطر المؤلف أو مقدمة تمهيدية أو فقرة أولى بحرف استهلالي؟
الجواب المختصر
const layout = {
layoutType: 'oneAndHalf', // one text column and a narrower side column
sideColumnPercent: 26, // of the 127 mm between the margins: a 33 mm channel
sideColumnRole: 'floats', // no text runs in it: it holds side boxes and figures
sideColumnSide: 'outer', // at the fore-edge, which mirrored margins move page by page
gutterWidth: mm(4.5), // the text column keeps 127 − 33 − 4.5 = 89.5 mm
};
// A gloss is :::callout{type="note" span="side" title="a · …"} in the Markdown.
// span="side" moves it out of the flow into the channel, level with the block after
// the fence, so the fence goes just before the paragraph that carries its letter.
// Glosses never float. One that meets the gloss above stacks under it. One that would
// run past the column's foot slides up, as far as the gloss above allows, until its
// foot sits on the foot; if it still does not fit, it waits for the next page
// (gotcha: side-box-starts-at-fence).
const gloss = (id, hue) => ({ id,
backgroundEnabled: false, // one device: a hairline over the gloss, in its colour
stripe: { enabled: true, side: 'top', width: pt(0.5), color: col(hue) },
padding: { top: mm(1.5), right: pt(0), bottom: pt(0), left: pt(0) },
// Cormorant SC draws lower case as small capitals: the title needs no textTransform.
titleStyle: { fontFamily: LABEL, fontWeight: 600, fontSize: pt(8.5),
letterSpacing: pt(0.3), color: col(hue), gap: mm(0.8) },
// Face and colours come from bodyText. A box body also inherits its 4 mm first-line
// indent, which a gloss sets back to 0.
body: { fontSize: pt(7.8), lineHeight: pt(10), textAlign: 'left',
firstLineIndent: pt(0) } });
const calloutStyles = [gloss('note', 'lawn'), gloss('context', 'jam')]; // words, history
المكونات
- الميزات
- ملاحظات الهامشعمود هامشي للعناصر العائمةعمود ونصفهوامش متناظرةإطارات التنبيهالنص المرتفع والمنخفضأنماط الفقراتصفحات افتتاح مصمَّمةشريط فصل بعرض الصفحةالنصوص والخطوط والمربعات في تصاميم الصفحةالصور في تصاميم الصفحةتثبيت عناصر التصميمالحروف الاستهلالية في صفحات الافتتاحسمات العنوانالترويسات وأرقام الصفحاتالترويسات بحسب دور الصفحةالأشكال والجداول بوصفها مواردلوحة ألوان دلاليةالتقسيم الأمثل للأسطر (Knuth–Plass)الشارات داخل السطر
- تستخدم أيضًا
- الحواشي السفليةلون الورق
- الخطوط
- Unna, Rozha One, Cormorant SC (SIL OFL 1.1)
- الأصول
tea-table-1560.jpg- The tea-table seen from above, a watercolour (Generated With Diffusion Models, أصلي)
طريقة التحضير
#1 · أعطِ الحافة الخارجية للتعليقات
الشيفرة هي الجواب المختصر أعلاه. في تخطيط العمود والنصف يعطي sideColumnPercent: 26 العمود الجانبي 33 مم من الـ127 مم التي بين الهامشين، ويبقى للنص 89.5 مم بعد فاصل عرضه 4.5 مم. ويُبعد sideColumnRole: 'floats' نص كارول عن العمود الجانبي، فلا يحمل إلا ما يوضع فيه بـspan: 'side'. الحاشية السفلية تنتظر في أسفل العمود تحت خط؛ أما في الهامش فيقف كل تعليق على مستوى السطر الذي يشرحه، ولا تأخذ التعليقات أي سطر من عمود النص. ولا يختلف نمطا التعليق إلا في لون الخط الرفيع والعنوان، فيميّز القارئ تعليقًا على لفظ من تعليق على التاريخ قبل أن يقرأه.
#2 · اعكس الصفحة لتتبع القناةُ الحافةَ الخارجية
const PT = 25.4 / 72; // mm in a point
const [TRIM_W, TRIM_H] = [156, 234]; // mm
const [TOP, BOTTOM, INNER, OUTER] = [22, 22, 15, 14]; // mm: 38 lines of text
const page = { width: mm(TRIM_W), height: mm(TRIM_H), dpi: 150,
backgroundColor: col('paper'),
// left is a recto's inner margin; mirror swaps the sides on a verso, and 'outer' moves
// the channel with them: right on a recto, left on a verso.
margins: { top: mm(TOP), bottom: mm(BOTTOM), left: mm(INNER), right: mm(OUTER),
mirror: true } };
const CONTENT_W = TRIM_W - INNER - OUTER; // 127 mm
const SIDE_W = CONTENT_W * layout.sideColumnPercent / 100; // 33 mm: the glosses' measure
const TEXT_W = CONTENT_W - SIDE_W - layout.gutterWidth.value;
مع mirror: true يتبادل الهامشان مكانيهما في كل صفحة زوجية، وينقل sideColumnSide: 'outer' القناة معهما، فتنزل التعليقات على يمين الصفحة 81 والصفحة 83 وعلى يسار الصفحة 82. ويترك هامشان علوي وسفلي بعرض 22 مم ارتفاع 190 مم، يتسع لـ38 سطرًا من 14 نقطة، ويبدأ كل تعليق على سطر من الشبكة نفسها.
#3 · سيّج كل تعليق قبل الفقرة التي يشرحها
const bodyText = { // justified and hyphenated (en-us) by default
// Copy-fitted to the 89.5 mm column: at 9.5 pt '“Have some wine,” the March Hare said in
// an encouraging tone.' fits one line. At 10.4 pt every measure from 77 to 93 mm left
// it a short last line: 'couraging tone.', 'aging tone.', 'ing tone.' or 'tone.'.
fontFamily: TEXT, fontSize: pt(9.5), lineHeight: pt(LEAD), color: col('ink'),
boldColor: col('ink'), italicColor: col('ink'), firstLineIndent: mm(4),
// Unna's space is narrow, 0.22 em. At the default 0.6 the line breaker set 'Alice felt
// dreadfully puzzled. The Hatter’s remark seemed to have' with its spaces at 0.69.
minWordSpacing: 0.75 };
const paragraphStyles = [
// The chapter's first paragraph, set flush. indentAfterHeading: false would do it
// without glosses, but the gloss fences between the heading and this paragraph
// count as the block after the heading, so the default stays and the paragraph takes
// this style (gotcha: side-box-after-heading).
{ id: 'opening', firstLineIndent: pt(0) },
];
الإطار الذي يحمل span="side" على سياج :::callout يغادر التدفق ويقف في القناة على مستوى الكتلة التي تلي السياج، لذا يُسيَّج كل تعليق قبل الفقرة التي تحمل حرفه مباشرة، كما في المثال أدناه. التعليقان a وb مكانهما بجوار الفقرة الأولى، فيقع سياجاهما بين العنوان وتلك الفقرة. وفي الإصدار 1.4.1 يُحتسب الإطاران عندئذٍ الكتلةَ التي تلي العنوان، فلا يبلغ indentAfterHeading: false الفقرة، لذا يترك الإعداد هذا الخيار على قيمته الافتراضية ويضبط النمط opening الفقرة بلا مسافة بادئة. وقد ضُبط حجم المتن على العمود: بحجم 9.5 نقطة تتسع الفقرة التي تبدأ بـ«Have some wine,» لسطر واحد عرضه 89.5 مم، بينما بحجم 10.4 نقطة تركها كل عرض من 77 إلى 93 مم بسطر أخير قصير مثل «ing tone.» أو «tone.». والمسافة بين الكلمات في Unna ضيقة، 0.22 em، ومع القيمة الافتراضية 0.6 لـminWordSpacing انضغطت المسافات في سطر من الصفحة 83 إلى 0.69 من ذلك العرض؛ وminWordSpacing: 0.75 يستبعد ذلك السطر.
:::callout{type="context" span="side" title="c · Hair"}
Tenniel drew Alice with long, loose hair. …
:::
“Your hair wants cutting,”:chip[^c^]{style="context"} said the Hatter. …#4 · اطبع كل حرف بلون تعليقه
// A letter in the text is a chip named after its gloss's type, :chip[^a^]{style="note"}:
// the Markdown has no mark for coloured text, and a chip style sets a colour. With no
// fill, outline, padding or gap the chip adds no width, so the lines break as they would
// with a plain ^a^.
const letter = (id, hue) => ({ id, backgroundEnabled: false, borderWidth: pt(0),
paddingX: pt(0), gap: pt(0), color: col(hue), bold: true });
const chipStyles = [letter('note', 'lawn'), letter('context', 'jam')];
ليس في Markdown علامة للنص الملوّن، لكن نمط الشارة (chip) يحدد لون النص، فكل حرف شارةٌ يحمل نمطها اسم نوع تعليقه نفسه. يطبع :chip[^c^]{style="context"} حرف c أحمر، بحمرة الخط الرفيع وعنوان التعليق c. وبلا تعبئة ولا إطار خارجي ولا حشو ولا فجوة لا تضيف الشارة أي عرض، وينكسر كل سطر حيث كان سينكسر مع ^c^ عادي.
#5 · افتتح الفصل تحت مائدة الشاي
const HEADPIECE = 72; // mm: the depth of the painting at the head of the page
const HEADNOTE = { size: 9.8, lead: LEAD }; // pt: the headnote keeps the body's leading
const CAPS = { text: 0.597, initial: 0.56 }; // cap heights, em: Unna and Rozha One
// The initial's size: its capital runs from the first line's cap height down to the
// last baseline it spans. The default size is as tall as both line boxes, so its top
// rises above the first line's capitals.
const dropSize = (lines) => pt(((lines - 1) * HEADNOTE.lead + CAPS.text * HEADNOTE.size)
/ CAPS.initial);
const below = (id, y, width) => ({ anchor: { to: `#${id}`, edge: 'below' },
offset: { y: mm(y) }, size: { width } });
// The opener reserves the height of its lowest text, rounded up to the grid, and the
// heading's default bottom margin adds one blank line: with a four-line headnote the
// text starts on line 23. The painting reserves nothing
// (gotcha: opener-image-no-reserve), so the kicker, the title and the headnote hang
// below it and carry the reserve past it.
const opener = { enabled: true, slot: { elements: [
// An image element draws a resource without number or caption. It hangs from the
// trim's corner over the margin, which 1.4.1 paints only when level 1 spans the page.
{ kind: 'image', id: 'headpiece', resourceId: 'tea-table',
placement: { anchor: { to: 'page', edge: 'top-left' },
size: { width: mm(TRIM_W) } } },
// The numeral comes from the heading line,
// # A Mad Tea-Party {num="VII" headnote="…" …}: the excerpt stands alone, so
// {chapterNumber} would print 1 (gotcha: heading-number-placeholders).
{ kind: 'text', id: 'kicker', content: 'Chapter {attr.num}', fontFamily: LABEL,
fontWeight: 600, fontSize: pt(9), letterSpacing: pt(2), textTransform: 'uppercase',
color: col('jam'), align: 'left',
placement: { anchor: { to: 'container', edge: 'top-left' },
offset: { y: mm(HEADPIECE - TOP + 8) } } }, // 8 mm under the painting's foot
{ kind: 'text', id: 'title', content: '{titleText}', fontFamily: DISPLAY,
fontSize: pt(40), lineHeight: 1.05, color: col('ink'), align: 'left',
// A longer title wraps instead of ending in '…' (gotcha: overflow-ellipsis-default).
overflow: 'wrap',
placement: below('kicker', 2, 'fill') },
// Drop caps exist only in design text, which is set ragged
// (gotcha: design-text-ragged): the headnote is the editor's voice, italic and ragged;
// Carroll's text opens in the flow.
{ kind: 'text', id: 'headnote', content: '{attr.headnote}', fontFamily: TEXT,
italic: true, fontSize: pt(HEADNOTE.size),
// A design text's lineHeight multiplies its size
// (gotcha: design-lineheight-multiple).
lineHeight: HEADNOTE.lead / HEADNOTE.size, color: col('ink'),
align: 'left', overflow: 'wrap', // a drop cap needs wrapping text
dropCap: { lines: 2, fontFamily: DISPLAY, fontSize: dropSize(2), color: col('lawn'),
gap: mm(1.5) },
placement: below('title', 5, mm(TEXT_W)) },
// The note on this edition stands in the channel, level with the headnote's top.
{ kind: 'text', id: 'edition-label', content: 'This edition', fontFamily: LABEL,
fontWeight: 600, fontSize: pt(8.5), letterSpacing: pt(0.3), color: col('muted'),
align: 'left', placement: { anchor: { to: '#headnote', edge: 'right-of' },
offset: { x: layout.gutterWidth }, size: { width: mm(SIDE_W) } } },
{ kind: 'text', id: 'edition', content: '{attr.source}', fontFamily: TEXT,
fontSize: pt(7.5), lineHeight: 10 / 7.5, color: col('muted'), align: 'left',
overflow: 'wrap',
placement: { anchor: { to: '#edition-label', edge: 'below' }, offset: { y: mm(0.8) },
size: { width: mm(SIDE_W) } } },
] } };
خانة التصميم للعنوان تمتد عبر الصفحة كي تبلغ اللوحة حدّ القص. عنصر الصورة لا يحجز ارتفاعًا، فالعنوان التمهيدي والعنوان والمقدمة تتدلى تحت اللوحة وتحدد المساحة المحجوزة، التي تنتهي عند أدناها مقرّبةً إلى الشبكة صعودًا؛ ويضيف الهامش السفلي الافتراضي للعنوان سطرًا فارغًا واحدًا. مع مقدمة من أربعة أسطر يبدأ النص على السطر 23، وسطر خامس كان سينقله إلى السطر 24. يأتي الرقم والمقدمة وملاحظة هذه الطبعة من سمات العنوان، {num="VII" headnote="…" source="…"}. ويأتي الرقم من هناك لأن {chapterNumber} كان سيطبع 1 في مقتطف هو وثيقة قائمة بذاتها. نص التصميم لا يُضبط أبدًا، لذا يفتتح الحرف الاستهلالي مقدمة المحرر المنضّدة مائلةً بحافة حرّة، ويبدأ نص كارول مضبوطًا في التدفق تحتها. ويحدد dropSize() حجم الحرف الاستهلالي بحيث يحاذي أعلاه الحروف الكبيرة في السطر الأول من المقدمة.
#6 · لوّن كل تعليق بحسب ما يشرحه
const palette = {
ink: '#1f1b1a', // text: a warm near-black
lawn: '#1e6f6b', // glosses on words and jokes, the drop cap
jam: '#b23a48', // glosses on history, the kicker
muted: '#6e645b', // running heads, the note on this edition
paper: '#f8f3e6', // the page, and the tablecloth
};
// col(id): a colour linked to its entry. It carries the hex too, because 1.4.1 paints
// design elements from the hex alone (gotcha: palette-skips-designs).
const col = (id) => ({ hex: palette[id], model: 'hex', paletteId: id });
const entry = (id, hex, name = id) => ({ id, name, value: { hex, model: 'hex' } });
const colorPalette = [
...Object.entries(palette).map(([id, hex]) => entry(id, hex)),
// The engine's defaults link to 'main-color': aimed at the green, nothing prints blue.
entry('main-color', palette.lawn, 'lawn (defaults)'),
];
أخضر العشب يميّز التعليقات على الألفاظ والأقوال والنكات، وأحمر المربى يميّز الأشخاص والتواريخ وتاريخ النص. وقيمة جديدة لـjam في كائن palette نفسه تعيد تلوين تعليقات التاريخ وحروفها والعنوان التمهيدي بتعديل واحد؛ وقد اختيرت اللوحة المائية فوقها لأخضر العشب وأحمر المربى نفسيهما. ويحمل كل لون مربوط قيمته الست عشرية أيضًا، لأن الإصدار 1.4.1 يرسم صفحة الافتتاح والترويسات من تلك القيمة (انظر «أخطاء شائعة»).
الوصفة كاملة
// ═══ Postext Cookbook · Nº 032 · Annotated classic with margin glosses ════════════ // https://postext.dev/en/cookbook/annotated-classic-glosses // Code: MIT · Text: Lewis Carroll (PD), glosses (CC BY 4.0) · Headpiece: diffusion models // Fonts: Unna, Rozha One, Cormorant SC (SIL OFL 1.1) · Needs postext ≥ 1.4.1 // The mad tea-party as an annotated edition: the text keeps to one column, and its glosses stand // in the outer margin beside the lines they explain, changing sides with the spread. import { buildDocument, renderPageToCanvas, clearMeasurementCache, registerResourceImage, } from 'https://esm.sh/postext'; const LANG = 'en'; // @lang: the language of the sample document ('en') const RECIPE = 'annotated-classic-glosses'; // ─── 1 · Design ───────────────────────────────────────────────────────────── // #region palette: a lawn green and a jam red on cream paper const palette = { ink: '#1f1b1a', // text: a warm near-black lawn: '#1e6f6b', // glosses on words and jokes, the drop cap jam: '#b23a48', // glosses on history, the kicker muted: '#6e645b', // running heads, the note on this edition paper: '#f8f3e6', // the page, and the tablecloth }; // col(id): a colour linked to its entry. It carries the hex too, because 1.4.1 paints // design elements from the hex alone (gotcha: palette-skips-designs). const col = (id) => ({ hex: palette[id], model: 'hex', paletteId: id }); const entry = (id, hex, name = id) => ({ id, name, value: { hex, model: 'hex' } }); const colorPalette = [ ...Object.entries(palette).map(([id, hex]) => entry(id, hex)), // The engine's defaults link to 'main-color': aimed at the green, nothing prints blue. entry('main-color', palette.lawn, 'lawn (defaults)'), ]; // #endregion const [TEXT, DISPLAY, LABEL] = ['Unna', 'Rozha One', 'Cormorant SC']; const LEAD = 14; // body leading in pt: the grid of every page // #region answer: a float-only channel at the fore-edge, and two gloss styles for it const layout = { layoutType: 'oneAndHalf', // one text column and a narrower side column sideColumnPercent: 26, // of the 127 mm between the margins: a 33 mm channel sideColumnRole: 'floats', // no text runs in it: it holds side boxes and figures sideColumnSide: 'outer', // at the fore-edge, which mirrored margins move page by page gutterWidth: mm(4.5), // the text column keeps 127 − 33 − 4.5 = 89.5 mm }; // A gloss is :::callout{type="note" span="side" title="a · …"} in the Markdown. // span="side" moves it out of the flow into the channel, level with the block after // the fence, so the fence goes just before the paragraph that carries its letter. // Glosses never float. One that meets the gloss above stacks under it. One that would // run past the column's foot slides up, as far as the gloss above allows, until its // foot sits on the foot; if it still does not fit, it waits for the next page // (gotcha: side-box-starts-at-fence). const gloss = (id, hue) => ({ id, backgroundEnabled: false, // one device: a hairline over the gloss, in its colour stripe: { enabled: true, side: 'top', width: pt(0.5), color: col(hue) }, padding: { top: mm(1.5), right: pt(0), bottom: pt(0), left: pt(0) }, // Cormorant SC draws lower case as small capitals: the title needs no textTransform. titleStyle: { fontFamily: LABEL, fontWeight: 600, fontSize: pt(8.5), letterSpacing: pt(0.3), color: col(hue), gap: mm(0.8) }, // Face and colours come from bodyText. A box body also inherits its 4 mm first-line // indent, which a gloss sets back to 0. body: { fontSize: pt(7.8), lineHeight: pt(10), textAlign: 'left', firstLineIndent: pt(0) } }); const calloutStyles = [gloss('note', 'lawn'), gloss('context', 'jam')]; // words, history // #endregion // #region letters: the letter that calls each gloss, in the gloss's colour // A letter in the text is a chip named after its gloss's type, :chip[^a^]{style="note"}: // the Markdown has no mark for coloured text, and a chip style sets a colour. With no // fill, outline, padding or gap the chip adds no width, so the lines break as they would // with a plain ^a^. const letter = (id, hue) => ({ id, backgroundEnabled: false, borderWidth: pt(0), paddingX: pt(0), gap: pt(0), color: col(hue), bold: true }); const chipStyles = [letter('note', 'lawn'), letter('context', 'jam')]; // #endregion // #region page: a trade page with mirrored margins, so the channel is always at the fore-edge const PT = 25.4 / 72; // mm in a point const [TRIM_W, TRIM_H] = [156, 234]; // mm const [TOP, BOTTOM, INNER, OUTER] = [22, 22, 15, 14]; // mm: 38 lines of text const page = { width: mm(TRIM_W), height: mm(TRIM_H), dpi: 150, backgroundColor: col('paper'), // left is a recto's inner margin; mirror swaps the sides on a verso, and 'outer' moves // the channel with them: right on a recto, left on a verso. margins: { top: mm(TOP), bottom: mm(BOTTOM), left: mm(INNER), right: mm(OUTER), mirror: true } }; const CONTENT_W = TRIM_W - INNER - OUTER; // 127 mm const SIDE_W = CONTENT_W * layout.sideColumnPercent / 100; // 33 mm: the glosses' measure const TEXT_W = CONTENT_W - SIDE_W - layout.gutterWidth.value; // #endregion // #region text: book texture and a flush opening paragraph const bodyText = { // justified and hyphenated (en-us) by default // Copy-fitted to the 89.5 mm column: at 9.5 pt '“Have some wine,” the March Hare said in // an encouraging tone.' fits one line. At 10.4 pt every measure from 77 to 93 mm left // it a short last line: 'couraging tone.', 'aging tone.', 'ing tone.' or 'tone.'. fontFamily: TEXT, fontSize: pt(9.5), lineHeight: pt(LEAD), color: col('ink'), boldColor: col('ink'), italicColor: col('ink'), firstLineIndent: mm(4), // Unna's space is narrow, 0.22 em. At the default 0.6 the line breaker set 'Alice felt // dreadfully puzzled. The Hatter’s remark seemed to have' with its spaces at 0.69. minWordSpacing: 0.75 }; const paragraphStyles = [ // The chapter's first paragraph, set flush. indentAfterHeading: false would do it // without glosses, but the gloss fences between the heading and this paragraph // count as the block after the heading, so the default stays and the paragraph takes // this style (gotcha: side-box-after-heading). { id: 'opening', firstLineIndent: pt(0) }, ]; // #endregion // #region opener: a headpiece, the chapter's numeral and title, a headnote with a drop cap const HEADPIECE = 72; // mm: the depth of the painting at the head of the page const HEADNOTE = { size: 9.8, lead: LEAD }; // pt: the headnote keeps the body's leading const CAPS = { text: 0.597, initial: 0.56 }; // cap heights, em: Unna and Rozha One // The initial's size: its capital runs from the first line's cap height down to the // last baseline it spans. The default size is as tall as both line boxes, so its top // rises above the first line's capitals. const dropSize = (lines) => pt(((lines - 1) * HEADNOTE.lead + CAPS.text * HEADNOTE.size) / CAPS.initial); const below = (id, y, width) => ({ anchor: { to: `#${id}`, edge: 'below' }, offset: { y: mm(y) }, size: { width } }); // The opener reserves the height of its lowest text, rounded up to the grid, and the // heading's default bottom margin adds one blank line: with a four-line headnote the // text starts on line 23. The painting reserves nothing // (gotcha: opener-image-no-reserve), so the kicker, the title and the headnote hang // below it and carry the reserve past it. const opener = { enabled: true, slot: { elements: [ // An image element draws a resource without number or caption. It hangs from the // trim's corner over the margin, which 1.4.1 paints only when level 1 spans the page. { kind: 'image', id: 'headpiece', resourceId: 'tea-table', placement: { anchor: { to: 'page', edge: 'top-left' }, size: { width: mm(TRIM_W) } } }, // The numeral comes from the heading line, // # A Mad Tea-Party {num="VII" headnote="…" …}: the excerpt stands alone, so // {chapterNumber} would print 1 (gotcha: heading-number-placeholders). { kind: 'text', id: 'kicker', content: 'Chapter {attr.num}', fontFamily: LABEL, fontWeight: 600, fontSize: pt(9), letterSpacing: pt(2), textTransform: 'uppercase', color: col('jam'), align: 'left', placement: { anchor: { to: 'container', edge: 'top-left' }, offset: { y: mm(HEADPIECE - TOP + 8) } } }, // 8 mm under the painting's foot { kind: 'text', id: 'title', content: '{titleText}', fontFamily: DISPLAY, fontSize: pt(40), lineHeight: 1.05, color: col('ink'), align: 'left', // A longer title wraps instead of ending in '…' (gotcha: overflow-ellipsis-default). overflow: 'wrap', placement: below('kicker', 2, 'fill') }, // Drop caps exist only in design text, which is set ragged // (gotcha: design-text-ragged): the headnote is the editor's voice, italic and ragged; // Carroll's text opens in the flow. { kind: 'text', id: 'headnote', content: '{attr.headnote}', fontFamily: TEXT, italic: true, fontSize: pt(HEADNOTE.size), // A design text's lineHeight multiplies its size // (gotcha: design-lineheight-multiple). lineHeight: HEADNOTE.lead / HEADNOTE.size, color: col('ink'), align: 'left', overflow: 'wrap', // a drop cap needs wrapping text dropCap: { lines: 2, fontFamily: DISPLAY, fontSize: dropSize(2), color: col('lawn'), gap: mm(1.5) }, placement: below('title', 5, mm(TEXT_W)) }, // The note on this edition stands in the channel, level with the headnote's top. { kind: 'text', id: 'edition-label', content: 'This edition', fontFamily: LABEL, fontWeight: 600, fontSize: pt(8.5), letterSpacing: pt(0.3), color: col('muted'), align: 'left', placement: { anchor: { to: '#headnote', edge: 'right-of' }, offset: { x: layout.gutterWidth }, size: { width: mm(SIDE_W) } } }, { kind: 'text', id: 'edition', content: '{attr.source}', fontFamily: TEXT, fontSize: pt(7.5), lineHeight: 10 / 7.5, color: col('muted'), align: 'left', overflow: 'wrap', placement: { anchor: { to: '#edition-label', edge: 'below' }, offset: { y: mm(0.8) }, size: { width: mm(SIDE_W) } } }, ] } }; // #endregion // The running heads: the book on the verso, the chapter on the recto, folios at the fore-edge. const HEAD = 14; // mm from the top trim to the heads' baseline const INSET = 8; // mm from the folio's outer edge to the running head's const DROP = 13; // mm from the bottom trim up to the foot of the drop folio's box // In 1.4.1 a design text's first baseline sits 0.96 em below the top of its box: the default // lineHeight, 1.2, times 0.8, where the baseline falls in the line box. const BASELINE = 1.2 * 0.8; const baseline = (size) => mm(HEAD - BASELINE * size * PT); const head = (id, parity, content, x, extra = {}) => ({ kind: 'text', id, parity, content, pages: 'body', fontFamily: LABEL, fontWeight: 600, fontSize: pt(8.5), letterSpacing: pt(1.2), textTransform: 'uppercase', color: col('muted'), ...extra, placement: { anchor: { to: 'page', edge: parity === 'even' ? 'top-left' : 'top-right' }, offset: { x: mm(x), y: baseline(extra.fontSize?.value ?? 8.5) } } }); const folio = { fontFamily: TEXT, fontWeight: 700, fontSize: pt(9), letterSpacing: pt(0), color: col('ink') }; const header = { elements: [ head('verso-folio', 'even', '{pageNumber}', OUTER, folio), head('verso-title', 'even', '{title}', OUTER + INSET), head('recto-title', 'odd', '{chapterTitle}', -(OUTER + INSET)), head('recto-folio', 'odd', '{pageNumber}', -OUTER, folio), ] }; // The opener, a recto, carries a drop folio at the foot of its channel instead. const footer = { elements: [{ ...head('drop-folio', 'odd', '{pageNumber}', -OUTER, folio), pages: 'opener', placement: { anchor: { to: 'page', edge: 'bottom-right' }, offset: { x: mm(-OUTER), y: mm(-DROP) } } }] }; const config = () => ({ // a factory: configs are cached by identity (gotcha: config-cache-identity) colorPalette, page, layout, bodyText, paragraphStyles, calloutStyles, chipStyles, header, footer, headings: { fontFamily: DISPLAY, fontWeight: 400, color: col('ink'), // Rozha One has one weight levels: [ // Restated: any headings object drops the H1 break (gotcha: headings-drop-h1-break). // 'odd' puts the opener on a recto; span 'page' lets its design cross the channel. { level: 1, span: 'page', breakBefore: { enabled: true, parity: 'odd' }, advancedDesign: opener }, ], }, }); // ─── 2 · Content ──────────────────────────────────────────────────────────── const markdown = String.raw`---نموذج Markdown · أسطر: 121 · content.en.md
title: "Alice’s Adventures in Wonderland" author: "Lewis Carroll" --- # A Mad Tea-Party {num="VII" headnote="The tea-party is not in the book Carroll wrote out by hand for Alice Liddell in 1864; he added it, with the Cheshire Cat, for the book of 1865. Letters in the text point to the glosses beside it: green for words and jokes, red for history." source="Text after Project Gutenberg eBook 11; notes CC BY 4.0. Set in Unna, Rozha One and Cormorant SC (SIL OFL)."} :::callout{type="note" span="side" title="a · The March Hare"} ‘Mad as a March hare’ is an old saying. Hares are shy, but in early spring they race about the fields and rear up on their hind legs to box. ::: :::callout{type="context" span="side" title="b · The Hatter"} ‘Mad as a hatter’ was a saying before Carroll used it. Hatters made felt from fur treated with mercury, and the fumes gave many of them tremors and fits of shyness and temper. Carroll never calls him the Mad Hatter. ::: :::paragraphs{style="opening"} There was a table set out under a tree in front of the house, and the March Hare:chip[^a^]{style="note"} and the Hatter:chip[^b^]{style="context"} were having tea at it: a Dormouse was sitting between them, fast asleep, and the other two were using it as a cushion, resting their elbows on it, and talking over its head. “Very uncomfortable for the Dormouse,” thought Alice; “only, as it’s asleep, I suppose it doesn’t mind.” ::: The table was a large one, but the three were all crowded together at one corner of it: “No room! No room!” they cried out when they saw Alice coming. “There’s *plenty* of room!” said Alice indignantly, and she sat down in a large arm-chair at one end of the table. “Have some wine,” the March Hare said in an encouraging tone. Alice looked all round the table, but there was nothing on it but tea. “I don’t see any wine,” she remarked. “There isn’t any,” said the March Hare. “Then it wasn’t very civil of you to offer it,” said Alice angrily. “It wasn’t very civil of you to sit down without being invited,” said the March Hare. “I didn’t know it was *your* table,” said Alice; “it’s laid for a great many more than three.” :::callout{type="context" span="side" title="c · Hair"} Tenniel drew Alice with long, loose hair. Alice Liddell, in Carroll’s photographs of her, wears hers short and dark, with a fringe. ::: “Your hair wants cutting,”:chip[^c^]{style="context"} said the Hatter. He had been looking at Alice for some time with great curiosity, and this was his first speech. “You should learn not to make personal remarks,” Alice said with some severity; “it’s very rude.” :::callout{type="context" span="side" title="d · The riddle"} Carroll made up the riddle without an answer. So many readers asked for one that in a preface of 1896 he offered this: ‘Because it can produce a few notes, tho they are very flat; and it is nevar put with the wrong end in front!’ Later printings changed *nevar*, raven spelt backwards, to *never*, and the joke was lost. ::: The Hatter opened his eyes very wide on hearing this; but all he *said* was, “Why is a raven like a writing-desk?”:chip[^d^]{style="context"} “Come, we shall have some fun now!” thought Alice. “I’m glad they’ve begun asking riddles.—I believe I can guess that,” she added aloud. “Do you mean that you think you can find out the answer to it?” said the March Hare. “Exactly so,” said Alice. “Then you should say what you mean,” the March Hare went on. “I do,” Alice hastily replied; “at least—at least I mean what I say—that’s the same thing, you know.” :::callout{type="note" span="side" title="e · I see what I eat"} The Hatter has the logic right. Turn a statement round and you get its converse, which can be false when the statement is true. Carroll, as Charles Dodgson, taught mathematics at Christ Church, Oxford, and wrote two books on logic. ::: “Not the same thing a bit!” said the Hatter. “You might just as well say that ‘I see what I eat’ is the same thing as ‘I eat what I see’!”:chip[^e^]{style="note"} “You might just as well say,” added the March Hare, “that ‘I like what I get’ is the same thing as ‘I get what I like’!” “You might just as well say,” added the Dormouse, who seemed to be talking in his sleep, “that ‘I breathe when I sleep’ is the same thing as ‘I sleep when I breathe’!” “It *is* the same thing with you,” said the Hatter, and here the conversation dropped, and the party sat silent for a minute, while Alice thought over all she could remember about ravens and writing-desks, which wasn’t much. The Hatter was the first to break the silence. “What day of the month is it?” he said, turning to Alice: he had taken his watch out of his pocket, and was looking at it uneasily, shaking it every now and then, and holding it to his ear. :::callout{type="context" span="side" title="f · The fourth"} Of May: Alice Liddell was born on 4 May 1852. ::: Alice considered a little, and then said “The fourth.”:chip[^f^]{style="context"} “Two days wrong!” sighed the Hatter. “I told you butter wouldn’t suit the works!” he added looking angrily at the March Hare. :::callout{type="note" span="side" title="g · The best butter"} Grocers sold butter by grade, and ‘best’ fetched the highest price. The March Hare defends its quality, which was never the trouble. ::: “It was the *best* butter,”:chip[^g^]{style="note"} the March Hare meekly replied. “Yes, but some crumbs must have got in as well,” the Hatter grumbled: “you shouldn’t have put it in with the bread-knife.” The March Hare took the watch and looked at it gloomily: then he dipped it into his cup of tea, and looked at it again: but he could think of nothing better to say than his first remark, “It was the *best* butter, you know.” Alice had been looking over his shoulder with some curiosity. “What a funny watch!” she remarked. “It tells the day of the month, and doesn’t tell what o’clock it is!” “Why should it?” muttered the Hatter. “Does *your* watch tell you what year it is?” “Of course not,” Alice replied very readily: “but that’s because it stays the same year for such a long time together.” “Which is just the case with *mine*,” said the Hatter. Alice felt dreadfully puzzled. The Hatter’s remark seemed to have no sort of meaning in it, and yet it was certainly English. “I don’t quite understand you,” she said, as politely as she could. “The Dormouse is asleep again,” said the Hatter, and he poured a little hot tea upon its nose. :::callout{type="note" span="side" title="h · The Dormouse"} Hazel dormice sleep through the day and hibernate for half the year, from autumn to spring. The name is often traced to the French *dormir*, to sleep. ::: The Dormouse:chip[^h^]{style="note"} shook its head impatiently, and said, without opening its eyes, “Of course, of course; just what I was going to remark myself.” “Have you guessed the riddle yet?” the Hatter said, turning to Alice again. “No, I give it up,” Alice replied: “what’s the answer?” “I haven’t the slightest idea,” said the Hatter. “Nor I,” said the March Hare. Alice sighed wearily. “I think you might do something better with the time,” she said, “than waste it in asking riddles that have no answers.” “If you knew Time as well as I do,” said the Hatter, “you wouldn’t talk about wasting *it*. It’s *him*.” “I don’t know what you mean,” said Alice. “Of course you don’t!” the Hatter said, tossing his head contemptuously. “I dare say you never even spoke to Time!”`; // content.<lang>.md, inlined by the Cookbook // The headpiece is a resource that only the opener's design draws: never cited, never placed. // It is a watercolour, a JPEG in assets/ cut to the trim's 156 × 72 mm, declared at its pixels. const resources = [{ id: 'tea-table', typeId: 'figure', kind: 'bitmap', createdAt: 0, updatedAt: 0, bitmap: { fileId: 'tea-table-1560.jpg', format: 'jpeg', width: 1560, height: 720 }, altText: 'The tea-table under a tree, seen from above: a long white cloth laid with cups, a red ' + 'teapot, bread and butter and a watch on its chain; the Dormouse asleep in a teapot at one ' + 'end and a red arm-chair at the other.' }]; // ─── 3 · Fonts ────────────────────────────────────────────────────────────── const FONTS = { // text, display and label faces, loaded before the build (gotcha: fonts-first) Unna: ['400', '400i', '700'], // 700: the folios and the gloss letters 'Rozha One': ['400'], 'Cormorant SC': ['600'], }; // ─── 4 · Build & show ─────────────────────────────────────────────────────── await loadFonts(FONTS, markdown); await loadImage('tea-table-1560.jpg', asset('tea-table-1560.jpg')); const continuation = { pageNumbering: { startAt: 81 } }; // chapter VII of a book: an odd folio const doc = await buildWithFonts( () => buildDocument({ markdown, resources, continuation }, config()), markdown); showPages(doc, { title: 'Annotated classic with margin glosses' });العُدّة · core, fonts, viewer, images: نفسها في كل وصفة · أسطر: 270
// ─── Kit ── helpers shared by every Cookbook recipe · postext.dev/cookbook ───── // ─── Kit · core v1 ── the same in every recipe · postext.dev/cookbook ───────── function mm(value) { return { value, unit: 'mm' }; } function pt(value) { return { value, unit: 'pt' }; } function em(value) { return { value, unit: 'em' }; } /** The sample language's string: t({ en: 'Figure', es: 'Figura' }). */ function t(strings) { return strings[LANG] ?? Object.values(strings)[0]; } /** A file in this recipe's assets folder, served from the Postext repo by jsDelivr. */ function asset(file) { return `https://cdn.jsdelivr.net/gh/drnachio/postext@main/cookbook/${RECIPE}/assets/${file}`; } // ─── Kit · fonts v1 ── the same in every recipe · postext.dev/cookbook ──────── // Postext measures text with the faces the browser has loaded, and caches the // widths, so every face must be ready before the first build. Faces come from // Fontsource: the same static files the PDF embeds, so screen and PDF agree. /** faces = { 'Family Name': ['400', '400i', '700'] }. `text` is the sample: * letters beyond Latin-1 (č, ł, ő…) also load the latin-ext files. With * `optional`, a face Fontsource does not ship is skipped instead of failing. * Resolves to the number of faces added. */ async function loadFonts(faces, text = '', { optional = false } = {}) { kitStatus('Loading fonts…'); const ranges = { latin: 'U+0000-00FF,U+0131,U+0152-0153,U+02BB-02BC,U+02C6,U+02DA,U+02DC,U+0304,U+0308,U+0329,' + 'U+2000-206F,U+20AC,U+2122,U+2191,U+2193,U+2212,U+2215,U+FEFF,U+FFFD', 'latin-ext': 'U+0100-02BA,U+02BD-02C5,U+02C7-02CC,U+02CE-02D7,U+02DD-02FF,U+0304,U+0308,U+0329,' + 'U+1D00-1DBF,U+1E00-1E9F,U+1EF2-1EFF,U+2020,U+20A0-20AB,U+20AD-20C0,U+2113,U+2C60-2C7F,U+A720-A7FF', }; const subsets = /[Ā-˿Ḁ-ỿ]/.test(text) ? ['latin', 'latin-ext'] : ['latin']; const jobs = []; let added = 0; for (const [family, specs] of Object.entries(faces)) { const id = fontsourceId(family); const meta = optional ? await fontsourceMeta(family) : null; for (const spec of new Set(specs)) { const weight = parseInt(spec, 10); const style = spec.endsWith('i') ? 'italic' : 'normal'; if (hasFace(family, weight, style)) continue; if (optional && !(meta?.weights.includes(weight) && meta.styles.includes(style))) continue; for (const subset of subsets) { const url = `https://cdn.jsdelivr.net/npm/@fontsource/${id}@5/files/${id}-${subset}-${weight}-${style}.woff2`; const face = new FontFace(family, `url(${url}) format('woff2')`, { weight: String(weight), style, unicodeRange: ranges[subset] }); jobs.push(face.load().then((ready) => { document.fonts.add(ready); added++; }, () => { if (subset === 'latin' && !optional) throw new Error(`Fontsource has no ${family} ${weight} ${style}`); })); } } } await Promise.all(jobs).catch((error) => { kitFail(error); throw error; }); return added; } /** Runs `build` (a buildDocument or buildBundle call) and checks the faces * the pages use. A regular face missing from FONTS is loaded with a warning; * bold and italic variants are loaded when the family ships them. Then the * measurement caches are cleared and the build runs again. */ async function buildWithFonts(build, text = '') { const tried = new Set(); for (let round = 0; round < 3; round++) { kitStatus('Laying out…'); await new Promise(requestAnimationFrame); // let the status paint first const result = await Promise.resolve().then(build).catch((error) => { kitFail(error); throw error; }); const wanted = { base: {}, variants: {} }; for (const { font, base } of [result].flat().flatMap(fontStringsOf)) { const { family, weight, style } = parseFont(font); const key = `${family}|${weight}|${style}`; if (tried.has(key) || hasFace(family, weight, style)) continue; tried.add(key); (wanted[base ? 'base' : 'variants'][family] ??= []).push(`${weight}${style === 'italic' ? 'i' : ''}`); } if (Object.keys(wanted.base).length) { console.warn(`[cookbook] FONTS does not list ${JSON.stringify(wanted.base)}: loading them.`); } const added = await loadFonts(wanted.base, text) + await loadFonts(wanted.variants, text, { optional: true }); if (added === 0) return result; clearMeasurementCache(); } throw new Error('The fonts did not settle after three builds.'); } /** Every font string of the layout. `base` marks a block's own face; its * bold, italic and bold-italic variants are listed whether or not used. */ function fontStringsOf(doc) { const found = new Map(); const walk = (node) => { if (!node || typeof node !== 'object') return; if (Array.isArray(node)) { node.forEach(walk); return; } for (const [key, value] of Object.entries(node)) { if (typeof value === 'string' && /fontString$/i.test(key)) { found.set(value, found.get(value) || key === 'fontString'); } else if (value && typeof value === 'object') walk(value); } }; walk(doc.pages); walk(doc.blocks); return [...found].map(([font, base]) => ({ font, base })); } /** '700 37.5px Open Sans' / 'italic 400 13px "Source Serif 4"' → { family, weight, style }. * A string with no weight ('95.8px Young Serif', from a design text) is 400. */ function parseFont(font) { const m = /^(?:(italic|oblique)\s+)?(?:small-caps\s+)?(?:(\d+|bold|normal)\s+)?[\d.]+px\s+(.+)$/.exec(font.trim()); if (!m) throw new Error(`Unexpected font string: ${font}`); const weight = m[2] === 'bold' ? 700 : !m[2] || m[2] === 'normal' ? 400 : Number(m[2]); return { family: m[3].replace(/^["']|["']$/g, ''), weight, style: m[1] ? 'italic' : 'normal' }; } /** True when a loaded FontFace covers exactly this family, weight and style * (document.fonts.check() is also true for families nobody declared). */ function hasFace(family, weight, style) { for (const face of document.fonts) { if (face.status !== 'loaded' || face.style !== style) continue; if (face.family.replace(/^["']|["']$/g, '') !== family) continue; const [low, high = low] = face.weight.split(' ').map(Number); if (weight >= low && weight <= high) return true; } return false; } /** Fontsource's id for a family: 'Source Serif 4' → 'source-serif-4'. */ function fontsourceId(family) { return family.toLowerCase().replace(/\s+/g, '-'); } /** The weights and styles a family ships ({ weights: [400, 700], styles: ['normal', 'italic'] }), or null. */ function fontsourceMeta(family) { fontsourceMeta.cache ??= new Map(); const id = fontsourceId(family); if (!fontsourceMeta.cache.has(id)) { fontsourceMeta.cache.set(id, fetch(`https://api.fontsource.org/v1/fonts/${id}`) .then((res) => (res.ok ? res.json() : null), () => null)); } return fontsourceMeta.cache.get(id); } // ─── Kit · viewer v1 ── the same in every recipe · postext.dev/cookbook ─────── /** Shows the pages as facing spreads on a dark desk: the first page is a * recto on its own, then verso | recto pairs, as in a bound book. Pages * are painted when they scroll near the screen. */ function showPages(docs, { title, width = 460 } = {}) { const root = viewer(title); const pages = [docs].flat().flatMap((doc) => doc.pages.map((page) => ({ doc, page, n: (doc.pageIndexOffset ?? 0) + page.index }))); const spreads = []; let verso = null; for (const p of pages) { if (p.n % 2 === 1) { if (verso) spreads.push([verso, null]); verso = p; } else { spreads.push([verso, p]); verso = null; } } if (verso) spreads.push([verso, null]); const density = Math.min(window.devicePixelRatio || 1, 2); showPages.painter?.disconnect(); const painter = new IntersectionObserver((entries) => { for (const { isIntersecting, target } of entries) { if (!isIntersecting) continue; painter.unobserve(target); const { doc, page } = target.postext; renderPageToCanvas(page, doc, target, { scale: (width * density) / page.width }); } }, { rootMargin: '800px' }); showPages.painter = painter; root.replaceChildren(...spreads.map((pair) => { const spread = document.createElement('div'); spread.className = 'pt-spread'; for (const p of pair) { const figure = document.createElement('figure'); if (p) { const label = p.page.pageLabel || String(p.n + 1); const canvas = document.createElement('canvas'); canvas.postext = p; canvas.style.aspectRatio = `${p.page.width} / ${p.page.height}`; canvas.setAttribute('role', 'img'); canvas.setAttribute('aria-label', `Page ${label}`); const folio = document.createElement('figcaption'); folio.textContent = label; figure.append(canvas, folio); painter.observe(canvas); } else figure.className = 'pt-blank'; spread.append(figure); } return spread; })); kitStatus(`${pages.length} ${pages.length === 1 ? 'page' : 'pages'}`); document.documentElement.dataset.postext = 'ready'; return pages.length; } /** The desk, the bar and the error reporting, created once. */ function viewer(title) { if (!document.getElementById('pt-kit')) { document.head.insertAdjacentHTML('beforeend', `<style id="pt-kit"> :root { color-scheme: dark; } body { margin: 0; background: #0e1014; color: #b9bcc4; font: 13px/1.45 system-ui, sans-serif; } #pt-bar { position: sticky; top: 0; z-index: 1; display: flex; flex-wrap: wrap; align-items: center; gap: 6px 16px; padding: 10px 16px; background: rgb(14 16 20 / .92); backdrop-filter: blur(6px); border-bottom: 1px solid #23262d; } #pt-bar strong { color: #f4f1ea; font-weight: 600; } #pt-actions { display: flex; gap: 12px; margin-left: auto; } #pt-actions a, #pt-actions button { color: #d8a21a; font: inherit; background: none; border: 0; padding: 0; cursor: pointer; } #pages { display: grid; justify-items: center; gap: 48px; padding: 32px 16px 72px; } .pt-spread { display: flex; } .pt-spread figure { margin: 0; width: min(460px, 44vw); } .pt-spread canvas { display: block; width: 100%; background: #fff; box-shadow: 0 1px 2px rgb(0 0 0 / .5), 0 22px 44px -16px rgb(0 0 0 / .8); } .pt-spread figure:first-child canvas { box-shadow: inset -14px 0 14px -14px rgb(0 0 0 / .18), 0 1px 2px rgb(0 0 0 / .5), 0 22px 44px -16px rgb(0 0 0 / .8); } .pt-spread figcaption { margin-top: 10px; text-align: center; font: 600 10px/1 system-ui, sans-serif; letter-spacing: .18em; text-transform: uppercase; color: #6c7079; } .pt-blank { visibility: hidden; } @media (max-width: 760px) { .pt-spread { flex-direction: column; gap: 32px; } .pt-spread figure { width: min(460px, 92vw); } .pt-blank { display: none; } } </style>`); document.body.insertAdjacentHTML('afterbegin', '<header id="pt-bar"><strong id="pt-title"></strong><span id="pt-status" role="status"></span><span id="pt-actions"></span></header>'); document.getElementById('pt-title').textContent = document.title || 'Postext'; addEventListener('error', (event) => kitFail(event.error ?? event.message)); addEventListener('unhandledrejection', (event) => kitFail(event.reason)); } if (title) document.getElementById('pt-title').textContent = title; return document.getElementById('pages') ?? document.body.appendChild(Object.assign(document.createElement('main'), { id: 'pages' })); } function kitStatus(text) { viewer(); document.getElementById('pt-status').textContent = text; } function kitFail(error) { document.documentElement.dataset.postext = 'error'; kitStatus(`Error: ${error?.message ?? error}`); } // ─── Kit · images v1 ── recipes with pictures · postext.dev/cookbook ────────── /** Registers a photo or PNG for the canvas and keeps its bytes for the PDF. * fetch → ImageBitmap never taints the canvas (a plain cross-origin <img> would). */ async function loadImage(fileId, url) { const res = await fetch(url); if (!res.ok) throw new Error(`Image not found (${res.status}): ${url}`); const bytes = new Uint8Array(await res.arrayBuffer()); registerResourceImage(fileId, await createImageBitmap(new Blob([bytes]))); (loadImage.bytes ??= new Map()).set(fileId, bytes); } /** Registers SVG markup (drawn in code, or fetched) as a vector image. */ async function loadSvg(fileId, svg) { const img = new Image(); img.src = `data:image/svg+xml;charset=utf-8,${encodeURIComponent(svg)}`; await img.decode(); registerResourceImage(fileId, img); (loadImage.bytes ??= new Map()).set(fileId, new TextEncoder().encode(svg)); } /** renderToPdf({ resourceBytes: imageBytes }) */ function imageBytes(fileId) { return loadImage.bytes?.get(fileId); } /** renderToHtml({ resourceImageUrl: imageUrl }) */ function imageUrl(fileId) { const bytes = imageBytes(fileId); if (!bytes) return undefined; imageUrl.urls ??= new Map(); if (!imageUrl.urls.has(fileId)) { const type = /\.svg$/i.test(fileId) ? 'image/svg+xml' : /\.png$/i.test(fileId) ? 'image/png' : 'image/jpeg'; imageUrl.urls.set(fileId, URL.createObjectURL(new Blob([bytes], { type }))); } return imageUrl.urls.get(fileId); } // ─── /Kit ───────────────────────────────────────────────────────────────────────
يعمل ملف script.js المجمّع كما هو: الصقه في سكربت الوحدة (module) لأي صفحة، أو افتح الوصفة على CodePen. مجلد الوصفة على GitHub ↗ (يفتح في تبويب جديد)
تنويعات
#أبقِ التعليقات على يمين كل صفحة
لطبعة تُقرأ صفحةً صفحةً على الشاشة، أوقف العكس: تعني 'outer' عندئذٍ الحافة اليمنى لكل صفحة، وتبقى الترويسات في أماكنها لأنها مثبّتة إلى حدّ القص.
- mirror: true } };
+ mirror: false } };#أرسل الملاحظات الطويلة إلى أسفل الصفحة
اكتب الملاحظة الأطول من أن يتسع لها الهامش حاشيةً سفلية، [^1] في النص وتعريفها [^1]: تحت الفقرة: ينضّدها Postext في أسفل عمود النص بعرض 89.5 مم تحت خط قصير، وتحتفظ التعليقات بالقناة. وتتولى الوصفة حواشٍ سفلية في أسفل العمود الذي يستشهد بها تنسيق تلك الحواشي.
أخطاء شائعة
خطأ شائع
يبدأ الإطار الجانبي بمحاذاة الكتلة التي تلي سياجه
في postext 1.4.1 يقف الإطار span: 'side' في العمود الجانبي على الارتفاع الذي بلغه النص عند سياجه، على سطر الشبكة التالي، وتحت أي إطار موجود هناك. ضع سياج الحاشية الجانبية قبل الفقرة التي تشرحها مباشرةً: إذا وضعته بعدها، بدأت الحاشية بجانب الفقرة التالية. والإطار الذي يتجاوز أسفل العمود ينزلق صعودًا حتى يستقر أسفله على أسفل العمود، بقدر ما يسمح الإطار الذي فوقه؛ وما لا يتسع بعد ذلك ينتظر العمود الجانبي في الصفحة التالية. ملاحظات الهامش →
خطأ شائع
الإطار الجانبي بعد العنوان يُزيح الفقرة التالية بمسافة بادئة
في postext 1.4.1، الإطار span: 'side' المحاط بين عنوان وفقرته الأولى يعطي تلك الفقرة مسافة بادئة في سطرها الأول، حتى مع indentAfterHeading: false: يخرج الإطار من التدفق، لكن كتله تبقى محسوبة الكتلةَ التي تلي العنوان. ضع الإطار بعد الفقرة الأولى. ملاحظات الهامش →
خطأ شائع
{number}/{chapterNumber} يطبعان رقم H1؛ و{numberRoman} للأجزاء فقط
يطبع {number} و{chapterNumber} الرقم المنسَّق للعنوان، أما {numberRoman} و{numberDecimal} وسائر الصيغ الرقمية فلا تُملأ إلا في صفحات الأجزاء. نسّق رقم الفصل في numberingTemplate الخاص به ({1:I}) أو مرّره سمةً. العناوين المرقّمة →
خطأ شائع
صور الافتتاحية لا تُحتسب أبدًا في الارتفاع الذي تحجزه
في postext 1.4.1 يقيس العنوان ذو التصميم المتقدّم الارتفاعَ الذي يحجزه دون صوره: تُحتسب نصوصه وخطوطه وإطاراته، حتى المثبّتة على الصفحة، أما الصورة، كصورة تمتد بالنزف عبر رأس الصفحة، فلا تحجز شيئًا، فقد يبدأ النص فوقها. اضبط minHeight على الموضع الذي يجب أن يبدأ فيه النص. صفحات افتتاح مصمَّمة →
خطأ شائع
نص التصميم لا يُضبط أبدًا، فتكون الأسطر بجانب الحرف الاستهلالي غير مضبوطة
في postext 1.4.1 يحاذي عنصر نص التصميم إلى اليسار أو الوسط أو اليمين وينكسر كلمةً كلمة: لا توجد محاذاة مضبوطة، وhyphenate: true لا يقسم إلا كلمة أطول من سطر كامل. لذلك تنتهي أسطر المقدّمة الموضوعة بجانب dropCap بحافة حرّة بجانب نص متن مضبوط. اقصر المقدّمة على الأسطر التي بجانب الحرف الاستهلالي واضبطها يدويًا: مع lines: 1 (حرف استهلالي مرفوع) تكون المقدّمة سطرًا واحدًا، يستطيع فراغ dropCap أن يجعله مضبوطًا؛ وتكمل الفقرة في Markdown. الحروف الاستهلالية في صفحات الافتتاح →
خطأ شائع
lineHeight لنص التصميم مُضاعِف، لا بُعد أبدًا
في خانة التصميم، يضاعف lineHeight لعنصر النص مقاس خطه (lineHeight: 1.05). في postext 1.4.1 لا يُرفض بُعدٌ مثل pt(15): يُقاس ارتفاع الافتتاحية NaN، ويسقط ما تحجزه من مساحة، بما فيه minHeight، دون تحذير، فيجري النص تحت العنوان. النصوص والخطوط والمربعات في تصاميم الصفحة →
خطأ شائع
لوحة الألوان المستبدلة لا تصل إلى عناصر التصميم ولا إلى لون الإحالة
يقرأ postext 1.4.1 الإعداد colorPalette في أنماط النص (المتن والعناوين والقوائم والتعليقات والجداول والإطارات) لكن لا في عناصر الترويسات والتذييلات والافتتاحيات وصفحات الأجزاء، ولا في bodyText.referenceColor: تحتفظ بالقيمة الست عشرية المكتوبة بجانب paletteId الخاص بها. حين تستبدل لوحة الألوان، لنسخة شاشة داكنة أو لإعادة تلوين، أعِد كتابة كل لون مرتبط من colorPalette قبل البناء. لوحة ألوان دلالية →
خطأ شائع
أي كائن headings يُلغي فاصل الصفحة قبل H1
ينتقل H1 افتراضيًا إلى صفحة فردية (always-odd)، لكن تمرير أي كائن headings يعيد ضبط هذا الافتراض، فتتوالى الفصول دون فاصل ولا يفعل span: 'page' شيئًا. أعد كتابة headings.levels[0].breakBefore: { enabled: true, parity } في كل إعداد. فصول تبدأ في صفحة فردية →
- تتراصّ التعليقات بترتيب Markdown، واحدًا تحت الآخر، فيدفع التعليق الطويل التالي إلى الأسفل. في الصفحة 81 يقع الحرفان كلاهما في السطر الثاني من الفقرة الأولى: يبدأ التعليق a على مستوى الفقرة، والتعليق b تحته، على بعد خمسة أسطر من حرفه. حيث تتقارب الحروف، اجعل التعليقات قصيرة.
- يوصي الخطأ الشائع «الإطار الجانبي بعد عنوان يُدخل مسافة بادئة في الفقرة التالية» أعلاه بتسييج الإطار بعد الفقرة الأولى. لكن التعليق المسيَّج هناك يبدأ بجوار الفقرة الثانية (انظر «الإطار الجانبي يبدأ على مستوى الكتلة التي تلي سياجه»)، لذا تُبقي هذه الطبعة السياجين كليهما قبل الفقرة الأولى وتضبط تلك الفقرة بلا مسافة بادئة بالنمط
opening.
الحقوق
- الوصفة
- Ignacio Ferro
- النص
- Alice’s Adventures in Wonderland (1865), the opening of chapter VII, “A Mad Tea-Party” · Lewis Carroll · ملك عام
- The headnote, the eight glosses and the note on this edition · Ignacio Ferro · CC BY 4.0
- الصور
- The tea-table seen from above, a watercolour · Generated With Diffusion Models · أصلي
- الخطوط
- Unna (SIL OFL 1.1) · Rozha One (SIL OFL 1.1) · Cormorant SC (SIL OFL 1.1)
- الكود
- MIT، مثل Postext
حرّر هذا الشرح ↗ (يفتح في تبويب جديد)مجلد الوصفة على GitHub ↗ (يفتح في تبويب جديد)


