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Recette numéro 144

Recettes · Chapitre 11 · Bande dessinée et manga

Les mêmes cases, trois découpages de planche

Cinq cases de BD sous trois arbres de découpage : l’attribut split de :::page coupe la page, la zone de sécurité de chaque image garde le sujet en vue.

Sur cette page
Sortie
Canvas · PDF
Postext
Testé avec Postext 1.33.4
Nécessite ≥ 1.25.0 · postext-pdf ≥ 1.25.0
Licence
Mis à jour le 10 oct. 2026
Code MIT · Texte CC BY 4.0

p. 2–3 sur 4

  • Format 168 × 259 mm
  • 1 colonne
  • Comic Neue 10,5/15
  • Bangers
  • 4 pages
  • Niveau
  • Postext 1.33.4
  • Mis en page en 460 ms
  • 130 lignes de code

En bref

Une planche de BD dessinée une fois et mise en page de trois façons. Les cinq mêmes images et les mêmes dialogues remplissent trois grilles de cases, et chaque image est recadrée pour sa nouvelle case.

Ce que vous allez composer

Une épreuve de mise en page pour une planche de BD, Le phare de Porthcove : une page de garde et la même planche selon trois plans, entre lesquels l’auteur choisira. Les cinq images (Maya qui grimpe au phare, son grand-père devant une radio muette, Maya qui montre le sol du doigt, le chat endormi sur le câble, la lanterne allumée la nuit) et les six répliques ne changent jamais ; seul le split de chaque :::page change. Chaque image est recadrée pour sa case et chaque bulle replacée autour de son personnage. Le format est celui d’un comic book américain, 168 × 259 mm, et l’épreuve existe en huit éditions, chacune lettrée dans sa langue.

Cette recette répond à

  • Comment diviser une page en cases de bande dessinée ?
  • Comment garder un visage visible quand une case recadre l’image ?
  • Comment relettrer une bande dessinée dans une autre langue ?

La réponse courte

script.js · lignes 48–65dans le code complet
// Every :::page fills the type area; its split attribute cuts it into cells and its ::panel
// lines fill them in reading order (rows top to bottom, columns from the start side):
//   :::page{split="30 / 35 [* | * | *] / *"}    three tiers, the middle one in three
//   :::page{split="60 [* / *] | * [* / * / *]"} two columns, then each column in tiers
//   :::page{split="30 [30 | 20 | *] / *"}       a 30 % tier cut 30 | 20 | rest, then the rest
// A size is a percentage of the parent cell, * shares what is left, [ … ] cuts that cell
// on the other axis. A panel with inset="x y w h" sits over the panel before it.
const comics = {
  gutter: { horizontal: mm(4), vertical: mm(3) }, // between tiers, between panels in a tier
  panel: { borderWidth: pt(1), borderColor: col('ink'), background: col('paper') },
  lettering: { fontFamily: LETTERING, fontSize: pt(8), color: col('ink'), inset: mm(1) },
  balloonStyles: [
    { id: 'speech', stroke: col('ink') },
    { id: 'caption', fill: col('caption'), stroke: col('ink') },
    { id: 'sfx', fontFamily: SFX, color: col('accent'), haloColor: col('paper') },
  ],
  runningHeads: true, // a comic page has no running head unless asked: here, its folio
};

Ingrédients

Typographie
Comic Neue, Bangers, Zen Antique, Dela Gothic One, ZCOOL KuaiLe, ZCOOL QingKe HuangYou, Playpen Sans Arabic, Lalezar (SIL OFL 1.1)
Ressources
  • lh-arrive.jpg
  • lh-beam.jpg
  • lh-biscuit.jpg
  • lh-maya.jpg
  • lh-radio.jpg
  • Panel picture: Maya arrives at the lighthouse (Generated With Diffusion Models, original)
  • Panel picture: Tomás at the radio (Generated With Diffusion Models, original)
  • Panel picture: Maya finds the problem (Generated With Diffusion Models, original)
  • Panel picture: Biscuit asleep on the cable (Generated With Diffusion Models, original)
  • Panel picture: the lamp lit at night (Generated With Diffusion Models, original)

Préparation

#1 · Découper la planche avec un arbre de découpage

Le code est dans la réponse courte plus haut. Un :::page remplit le bloc de texte, ici 144 × 227 mm, et son attribut split le découpe. / sépare les rangées, | sépare les colonnes, chaque taille est un pourcentage de la cellule qu’elle coupe, * se partage le reste, et un crochet recoupe cette cellule sur l’autre axe (découper la page). Le plan C, 30 [30 | 20 | *] / *, crée une bande de 30 % de hauteur, la coupe en cellules de 30 % et 20 % de large plus le reste, et laisse dessous une seule grande cellule. Les gouttières sont à cheval sur chaque ligne de coupe : 4 mm entre les bandes, 3 mm entre les cases d’une bande. Les lignes ::panel remplissent les cellules dans l’ordre de lecture, les rangées depuis le haut et les colonnes depuis le côté de départ.

Plan C : la bande 30 | 20 | reste, avec le chat incrusté sur la troisième case.

#2 · Donner une zone de sécurité à chaque image

script.js · lignes 182–274dans le code complet
// From the art manifest; fractions of each picture, the same in every language. The safe
// area is what every crop keeps: Tomás alone, not his radio, so a cell a fifth of the page
// wide still shows him; the lighthouse and the gallery, not the boat, so a tall cell holds them.
const ART = {
  'lh-arrive': { width: 1100, height: 733, safeArea: { x: 0.22, y: 0.08, width: 0.4, height: 0.64 },
    anchors: [{ id: 'maya', x: 0.29, y: 0.52, head: { x: 0.27, y: 0.47 },
      face: { x: 0.22, y: 0.42, width: 0.12, height: 0.16 } },
    { id: 'biscuit', x: 0.4, y: 0.68, face: { x: 0.37, y: 0.64, width: 0.07, height: 0.08 } }],
    avoid: [{ x: 0.51, y: 0.09, width: 0.1, height: 0.43 }],
    alt: t({ en: 'A girl in a yellow raincoat walks up a coastal path towards a red-and-white '
      + 'lighthouse, a fat orange cat ahead of her.',
      es: 'Una niña con chubasquero amarillo sube por un camino de costa hacia un faro rojo y '
        + 'blanco, con un gato naranja gordo delante.',
      ca: 'Una nena amb impermeable groc puja per un camí de costa cap a un far vermell i blanc, '
        + 'amb un gat taronja gras al davant.',
      zh: '一个穿黄色雨衣的女孩沿着海边小路走向红白相间的灯塔,一只胖胖的橘猫走在前面。',
      ar: 'فتاة بمعطف مطر أصفر تصعد دربًا ساحليًا نحو منارة حمراء وبيضاء، وأمامها قط برتقالي سمين.',
      ja: '黄色いレインコートの女の子が、赤と白の灯台へ続く海辺の小道をのぼっていく。前を太ったオレンジ色の猫が歩く。',
      pt: 'Uma menina de capa de chuva amarela sobe um caminho à beira-mar rumo a um farol '
        + 'vermelho e branco, com um gato laranja gordo à frente.',
      fr: 'Une fillette en ciré jaune monte un sentier côtier vers un phare rouge et blanc, '
        + 'précédée d’un gros chat roux.' }) },
  'lh-radio': { width: 1000, height: 1000,
    safeArea: { x: 0.27, y: 0.38, width: 0.24, height: 0.3 },
    anchors: [{ id: 'tomas', x: 0.345, y: 0.52, head: { x: 0.38, y: 0.44 },
      face: { x: 0.29, y: 0.4, width: 0.16, height: 0.18 } }],
    avoid: [{ x: 0, y: 0.44, width: 0.22, height: 0.26 }],
    alt: t({ en: 'The old keeper, white-bearded, in a navy sweater and cap, taps a valve radio '
      + 'with the microphone in his hand.',
      es: 'El viejo farero, de barba blanca, jersey azul marino y gorra, golpea una radio de '
        + 'válvulas con el micrófono en la mano.',
      ca: 'El vell faroner, de barba blanca, jersei blau marí i gorra, pica una ràdio de vàlvules '
        + 'amb el micròfon a la mà.',
      zh: '白胡子的老守塔人穿着藏青色毛衣、戴着帽子,手握话筒,敲着一台电子管收音机。',
      ar: 'حارس المنارة العجوز بلحيته البيضاء وكنزته الكحلية وقبعته ينقر على مذياع قديم '
        + 'والميكروفون في يده.',
      ja: '白いひげの老灯台守が、紺のセーターに帽子姿でマイクを握り、真空管ラジオをたたいている。',
      pt: 'O velho faroleiro, de barba branca, suéter azul-marinho e boné, dá batidinhas num '
        + 'rádio valvulado com o microfone na mão.',
      fr: 'Le vieux gardien, barbe blanche, pull bleu marine et casquette, tapote une radio à '
        + 'lampes, le micro à la main.' }) },
  'lh-maya': { width: 1100, height: 1100, safeArea: { x: 0.25, y: 0.27, width: 0.41, height: 0.68 },
    anchors: [{ id: 'maya', x: 0.54, y: 0.565, head: { x: 0.5, y: 0.3 },
      face: { x: 0.4, y: 0.33, width: 0.24, height: 0.29 } }],
    avoid: [{ x: 0.27, y: 0.73, width: 0.25, height: 0.22 }],
    alt: t({ en: 'Close-up of Maya frowning at the floor and pointing down.',
      es: 'Primer plano de Maya, que frunce el ceño mirando al suelo y señala hacia abajo.',
      ca: 'Primer pla de la Maya, que arrufa les celles mirant a terra i assenyala avall.',
      zh: '玛雅的特写:她皱着眉头看着地板,手指向下指。',
      ar: 'لقطة قريبة لمايا وهي تعقد حاجبيها ناظرةً إلى الأرض وتشير إلى أسفل.',
      ja: 'マヤのアップ。眉をひそめて床を見つめ、下を指さしている。',
      pt: 'Close de Maya, de testa franzida, olhando para o chão e apontando para baixo.',
      fr: 'Gros plan sur Maya, sourcils froncés, qui fixe le sol et pointe le doigt vers le '
        + 'bas.' }) },
  'lh-biscuit': { width: 1000, height: 1000,
    safeArea: { x: 0.58, y: 0.25, width: 0.42, height: 0.33 },
    anchors: [{ id: 'biscuit', x: 0.72, y: 0.355, head: { x: 0.73, y: 0.32 },
      face: { x: 0.64, y: 0.27, width: 0.2, height: 0.18 } }],
    avoid: [{ x: 0.93, y: 0.28, width: 0.07, height: 0.24 },
      { x: 0, y: 0.72, width: 0.4, height: 0.1 }],
    alt: t({ en: 'Under the desk the fat orange cat sleeps on his back, right on top of the black '
      + 'radio cable.',
      es: 'Bajo la mesa, el gato naranja gordo duerme panza arriba justo encima del cable negro '
        + 'de la radio.',
      ca: 'Sota la taula, el gat taronja gras dorm panxa enlaire just a sobre del cable negre de '
        + 'la ràdio.',
      zh: '桌子底下,胖橘猫四脚朝天地睡着,正好压在收音机的黑色电线上。',
      ar: 'تحت المكتب ينام القط البرتقالي السمين على ظهره فوق سلك المذياع الأسود تمامًا.',
      ja: '机の下で、太ったオレンジ色の猫がラジオの黒いコードの真上にあおむけで眠っている。',
      pt: 'Debaixo da mesa, o gato laranja gordo dorme de barriga para cima bem em cima do cabo '
        + 'preto do rádio.',
      fr: 'Sous le bureau, le gros chat roux dort sur le dos, juste sur le câble noir de la '
        + 'radio.' }) },
  'lh-beam': { width: 1200, height: 800, safeArea: { x: 0.15, y: 0.01, width: 0.25, height: 0.3 },
    anchors: [{ id: 'maya', x: 0.235, y: 0.15,
      face: { x: 0.21, y: 0.11, width: 0.05, height: 0.07 } },
      { id: 'tomas', x: 0.3, y: 0.145, face: { x: 0.28, y: 0.11, width: 0.04, height: 0.06 } }],
    avoid: [{ x: 0.79, y: 0.55, width: 0.08, height: 0.09 }],
    alt: t({ en: 'Night: the beam sweeps over a dark sea; Maya and her grandfather stand on the '
      + 'lantern gallery and a fishing boat shows its lights far out.',
      es: 'De noche, el haz barre un mar oscuro; Maya y su abuelo están en la galería de la '
        + 'linterna y a lo lejos se ven las luces de un pesquero.',
      ca: 'De nit, el feix escombra un mar fosc; la Maya i el seu avi són a la galeria de la '
        + 'llanterna i lluny es veuen els llums d’un pesquer.',
      zh: '夜里,灯塔的光束扫过漆黑的海面;玛雅和外公站在灯室外的回廊上,远处一艘渔船亮着灯。',
      ar: 'ليلًا يمسح الشعاع بحرًا مظلمًا، ومايا وجدّها واقفان على شرفة الفانوس، وفي البعيد قارب '
        + 'صيد بأضوائه.',
      ja: '夜。光の帯が暗い海をなでる。マヤと祖父は灯室の回廊に立ち、沖には漁船の明かりが見える。',
      pt: 'À noite, o facho varre um mar escuro; Maya e o avô estão na galeria da lanterna e, ao '
        + 'longe, aparecem as luzes de um barco de pesca.',
      fr: 'La nuit, le faisceau balaie une mer sombre ; Maya et son grand-père se tiennent sur '
        + 'la galerie de la lanterne et, au large, un bateau de pêche montre ses feux.' }) },
};

Chaque image est dessinée une fois et recadrée pour remplir la cellule où elle tombe. La zone de sécurité est la partie que tout recadrage garde entière (cases et images). La zone de sécurité de l’image de la radio est le gardien seul, 24 % de sa largeur : la cellule de 26 mm du plan C le montre de la casquette aux bottes et sacrifie la radio ; les cellules larges des plans A et B montrent les deux. Une cellule dont la forme ne peut contenir une zone de sécurité ajoute des bandes vides autour de l’image, et le script émet un avertissement (comicPanelLetterbox). Les ancres marquent la bouche et le visage de chaque personnage dans les mêmes fractions, si bien que les appendices retrouvent les personnages dans chaque recadrage.

#3 · Poser une case sur une autre

Le découpage du plan C crée quatre cellules pour cinq cases. Le chat entre avec inset="50 50 46 46" : une case de 46 % de large et 46 % de haut, placée à 50 %, 50 % de la case qui la précède, celle de Maya. Une incrustation ne prend pas de cellule : les cases suivantes gardent leur place, et elle se lit juste après la case qu’elle recouvre.

#4 · Lettrer huit éditions à partir d’une mise en page

script.js · lignes 35–44dans le code complet
// The lettering and sound-effect faces of each edition: the engine's defaults, but for Chinese
// two ZCOOL faces drawn for cartoons instead of Noto Sans SC. content.<lang>.md holds the words
// of each edition under the same speaker ids; Japanese balloons are set vertically, and the
// Japanese and Arabic editions, read right to left, mirror the order of the panels in every row.
const [LETTERING, SFX] = t({
  en: ['Comic Neue', 'Bangers'], es: ['Comic Neue', 'Bangers'], ca: ['Comic Neue', 'Bangers'],
  ja: ['Zen Antique', 'Dela Gothic One'], zh: ['ZCOOL KuaiLe', 'ZCOOL QingKe HuangYou'],
  ar: ['Playpen Sans Arabic', 'Lalezar'], pt: ['Comic Neue', 'Bangers'],
  fr: ['Comic Neue', 'Bangers'],
});

Le découpage, les images, les recadrages et les ancres sont les mêmes dans toutes les langues ; content.<lang>.md ne contient que le texte, sous les mêmes identifiants de personnages (maya, tomas). L’édition japonaise compose ses bulles à la verticale, huit caractères par colonne, et supprime le 。 final ; elle se lit de droite à gauche, comme l’édition arabe : les cases de chaque rangée sont donc inversées, mais pas les images. Le corps du lettrage reste à 8 pt dans toutes les éditions : une réplique plus longue donne une bulle plus grande, jamais un texte plus petit (lettrage).

La recette complète

Sandbox
// ═══ Postext Cookbook · Nº 144 · One set of panels, three page splits ═══════════════
// https://postext.dev/en/cookbook/comic-page-splitters
// Code: MIT · Text: original (CC BY 4.0) · Pictures: generated with diffusion models
// Fonts: Comic Neue, Bangers and the faces of five editions (OFL) · Needs postext ≥ 1.25.0
//
// A layout proof for one page of a comic: the same five pictures and the same lines of
// dialogue laid out under three `split` trees. Each picture carries a safe area, so its subject
// stays in view whether its cell is wide, tall or square, and the lettering is placed again
// around the speakers' anchors on every page and in every language.
import {
  buildDocument, withLoadedFonts, renderPageToCanvas, registerResourceImage, loadVerticalAlternates,
} from 'https://esm.sh/postext';
import { renderToPdf, decompressWoff2 } from 'https://esm.sh/postext-pdf';

const LANG = 'fr'; // @lang: 'en' | 'es' | 'ca' | 'zh' | 'ar' | 'ja' | 'pt' | 'fr'
const RECIPE = 'comic-page-splitters';

// ─── 1 · Design ─────────────────────────────────────────────────────────────
// #region palette: the night sea, the lighthouse red and the yellow of the captions
const palette = {
  ink: '#1b2430', // panel borders, lettering and text: a blue-black
  accent: '#b8322a', // the lighthouse red: the proof's labels
  caption: '#f4e7bf', // caption boxes, an old-paper yellow
  muted: '#5f6873', // folios and the imprint
  paper: '#fdfbf6',
};
const col = (id) => ({ hex: palette[id], model: 'hex', paletteId: id });
const colorPalette = [
  ...Object.entries(palette).map(([id, hex]) => ({ id, name: id, value: { hex, model: 'hex' } })),
  { id: 'main-color', name: 'accent (defaults)', value: { hex: palette.accent, model: 'hex' } },
];
// #endregion

// #region editions: one comic, six editions, each lettered in faces for its script
// The lettering and sound-effect faces of each edition: the engine's defaults, but for Chinese
// two ZCOOL faces drawn for cartoons instead of Noto Sans SC. content.<lang>.md holds the words
// of each edition under the same speaker ids; Japanese balloons are set vertically, and the
// Japanese and Arabic editions, read right to left, mirror the order of the panels in every row.
const [LETTERING, SFX] = t({
  en: ['Comic Neue', 'Bangers'], es: ['Comic Neue', 'Bangers'], ca: ['Comic Neue', 'Bangers'],
  ja: ['Zen Antique', 'Dela Gothic One'], zh: ['ZCOOL KuaiLe', 'ZCOOL QingKe HuangYou'],
  ar: ['Playpen Sans Arabic', 'Lalezar'], pt: ['Comic Neue', 'Bangers'],
  fr: ['Comic Neue', 'Bangers'],
});
// #endregion

// #region answer: the comic: a frame, gutters, a panel border, and a page per split
// Every :::page fills the type area; its split attribute cuts it into cells and its ::panel
// lines fill them in reading order (rows top to bottom, columns from the start side):
//   :::page{split="30 / 35 [* | * | *] / *"}    three tiers, the middle one in three
//   :::page{split="60 [* / *] | * [* / * / *]"} two columns, then each column in tiers
//   :::page{split="30 [30 | 20 | *] / *"}       a 30 % tier cut 30 | 20 | rest, then the rest
// A size is a percentage of the parent cell, * shares what is left, [ … ] cuts that cell
// on the other axis. A panel with inset="x y w h" sits over the panel before it.
const comics = {
  gutter: { horizontal: mm(4), vertical: mm(3) }, // between tiers, between panels in a tier
  panel: { borderWidth: pt(1), borderColor: col('ink'), background: col('paper') },
  lettering: { fontFamily: LETTERING, fontSize: pt(8), color: col('ink'), inset: mm(1) },
  balloonStyles: [
    { id: 'speech', stroke: col('ink') },
    { id: 'caption', fill: col('caption'), stroke: col('ink') },
    { id: 'sfx', fontFamily: SFX, color: col('accent'), haloColor: col('paper') },
  ],
  runningHeads: true, // a comic page has no running head unless asked: here, its folio
};
// #endregion

const LABEL = { fontFamily: LETTERING, fontSize: pt(7.5), color: col('muted') };
const footer = { elements: [{ kind: 'text', id: 'folio', content: '{pageNumber}', ...LABEL,
  align: 'center', placement: { anchor: { to: 'page', edge: 'bottom' },
    offset: { x: mm(0), y: mm(-8) } } }] };

const config = () => ({
  locale: t({ en: 'en-us', es: 'es', ca: 'ca', ja: 'ja', zh: 'zh-Hans', ar: 'ar',
    pt: 'pt-BR', fr: 'fr' }),
  colorPalette, comics,
  // The trim of an American comic book, 6⅝ × 10³⁄₁₆ in; the type area is the panel frame.
  page: { sizePreset: 'custom', width: mm(168), height: mm(259), dpi: 150,
    backgroundColor: col('paper'),
    margins: { top: mm(14), bottom: mm(18), left: mm(13), right: mm(11), mirror: true } },
  layout: { layoutType: 'single' },
  // The proof's cover sheet is set in the lettering face of the edition.
  bodyText: { fontFamily: LETTERING, fontSize: pt(10.5), lineHeight: pt(15), color: col('ink'),
    boldColor: col('ink'), italicColor: col('ink'), referenceColor: col('ink'),
    textAlign: 'left', firstLineIndent: pt(0), paragraphSpacing: true,
    hyphenation: { enabled: false } },
  headings: { fontFamily: SFX, color: col('accent'), fontWeight: 400,
    levels: [
      // The cover sheet's title opens a page, on either side.
      { level: 1, fontSize: pt(34), lineHeight: pt(38), breakBefore: { enabled: true,
        parity: 'any' }, marginTop: mm(30), marginBottom: pt(15) },
      { level: 2, fontFamily: LETTERING, fontSize: pt(10.5), fontWeight: 700,
        color: col('accent'), marginTop: pt(15), marginBottom: pt(0) },
    ] },
  paragraphStyles: [
    { id: 'split', fontSize: pt(10.5), color: col('accent'), textAlign: 'left' }, // the attribute
    { id: 'imprint', fontSize: pt(7.5), lineHeight: pt(10), color: col('muted'),
      marginTop: pt(30) },
  ],
  header: { elements: [] }, footer,
});

// ─── 2 · Content ────────────────────────────────────────────────────────────
const markdown = String.raw`# Une page, trois plans
Exemple Markdown · 74 lignes · content.fr.md ## Le phare de Porthcove · page 12 · épreuve de mise en page Trois plans pour la même page, au choix de l’auteur. Chacun garde les cinq mêmes images et les mêmes répliques ; seul le découpage de la page change, et les recadrages et les bulles le suivent. **Plan A, page 2.** Trois bandes, celle du milieu coupée en trois cases. :::paragraphs{style="split" dir=ltr} split="30 / 35 [\* | \* | \*] / \*" ::: **Plan B, page 3.** Deux colonnes : celle de gauche en deux cases, celle de droite en trois. :::paragraphs{style="split" dir=ltr} split="60 [\* / \*] | \* [\* / \* / \*]" ::: **Plan C, page 4.** Une bande de 30 % de la hauteur, coupée 30 | 20 | le reste, au-dessus d’une grande case ; le chat est une case incrustée dans celle de Maya. :::paragraphs{style="split" dir=ltr} split="30 [30 | 20 | \*] / \*" ::: :::paragraphs{style="imprint"} Scénario et lettrage pour les Recettes de Postext. Images générées par des modèles de diffusion. Lettrage en Comic Neue et Bangers (SIL OFL). ::: :::page{split="30 / 35 [* | * | *] / *"} ::panel{art=lh-arrive} caption: Chaque été, Maya passait une semaine au phare. maya: Papi ! Me voilà ! ::panel{art=lh-radio} tomas: Juste à temps. La radio est devenue sourde, tomas: et une tempête arrive. ::panel{art=lh-maya} maya: Papi… je crois que j’ai trouvé le problème. ::panel{art=lh-biscuit} sfx{rotate=-6}: ronron ::panel{art=lh-beam} tomas: Radio en marche, feu allumé. maya: Et Biscuit s’est trouvé un nouveau lit. ::: :::page{split="60 [* / *] | * [* / * / *]"} ::panel{art=lh-arrive} caption: Chaque été, Maya passait une semaine au phare. maya: Papi ! Me voilà ! ::panel{art=lh-radio} tomas: Juste à temps. La radio est devenue sourde, tomas: et une tempête arrive. ::panel{art=lh-maya} maya: Papi… je crois que j’ai trouvé le problème. ::panel{art=lh-biscuit} sfx{rotate=-6}: ronron ::panel{art=lh-beam} tomas: Radio en marche, feu allumé. maya: Et Biscuit s’est trouvé un nouveau lit. ::: :::page{split="30 [30 | 20 | *] / *"} ::panel{art=lh-arrive} caption: Chaque été, Maya passait une semaine au phare. maya: Papi ! Me voilà ! ::panel{art=lh-radio} tomas{break}: Juste à temps. La radio est devenue sourde, tomas: et une tempête arrive. ::panel{art=lh-maya} maya: Papi… je crois que j’ai trouvé le problème. ::panel{art=lh-biscuit inset="50 50 46 46"} sfx{rotate=-6}: ronron ::panel{art=lh-beam} tomas: Radio en marche, feu allumé. maya: Et Biscuit s’est trouvé un nouveau lit. :::
`; // content.<lang>.md, inlined by the Cookbook // #region art: the five pictures: safe area, speakers' anchors and avoid zones // From the art manifest; fractions of each picture, the same in every language. The safe // area is what every crop keeps: Tomás alone, not his radio, so a cell a fifth of the page // wide still shows him; the lighthouse and the gallery, not the boat, so a tall cell holds them. const ART = { 'lh-arrive': { width: 1100, height: 733, safeArea: { x: 0.22, y: 0.08, width: 0.4, height: 0.64 }, anchors: [{ id: 'maya', x: 0.29, y: 0.52, head: { x: 0.27, y: 0.47 }, face: { x: 0.22, y: 0.42, width: 0.12, height: 0.16 } }, { id: 'biscuit', x: 0.4, y: 0.68, face: { x: 0.37, y: 0.64, width: 0.07, height: 0.08 } }], avoid: [{ x: 0.51, y: 0.09, width: 0.1, height: 0.43 }], alt: t({ en: 'A girl in a yellow raincoat walks up a coastal path towards a red-and-white ' + 'lighthouse, a fat orange cat ahead of her.', es: 'Una niña con chubasquero amarillo sube por un camino de costa hacia un faro rojo y ' + 'blanco, con un gato naranja gordo delante.', ca: 'Una nena amb impermeable groc puja per un camí de costa cap a un far vermell i blanc, ' + 'amb un gat taronja gras al davant.', zh: '一个穿黄色雨衣的女孩沿着海边小路走向红白相间的灯塔,一只胖胖的橘猫走在前面。', ar: 'فتاة بمعطف مطر أصفر تصعد دربًا ساحليًا نحو منارة حمراء وبيضاء، وأمامها قط برتقالي سمين.', ja: '黄色いレインコートの女の子が、赤と白の灯台へ続く海辺の小道をのぼっていく。前を太ったオレンジ色の猫が歩く。', pt: 'Uma menina de capa de chuva amarela sobe um caminho à beira-mar rumo a um farol ' + 'vermelho e branco, com um gato laranja gordo à frente.', fr: 'Une fillette en ciré jaune monte un sentier côtier vers un phare rouge et blanc, ' + 'précédée d’un gros chat roux.' }) }, 'lh-radio': { width: 1000, height: 1000, safeArea: { x: 0.27, y: 0.38, width: 0.24, height: 0.3 }, anchors: [{ id: 'tomas', x: 0.345, y: 0.52, head: { x: 0.38, y: 0.44 }, face: { x: 0.29, y: 0.4, width: 0.16, height: 0.18 } }], avoid: [{ x: 0, y: 0.44, width: 0.22, height: 0.26 }], alt: t({ en: 'The old keeper, white-bearded, in a navy sweater and cap, taps a valve radio ' + 'with the microphone in his hand.', es: 'El viejo farero, de barba blanca, jersey azul marino y gorra, golpea una radio de ' + 'válvulas con el micrófono en la mano.', ca: 'El vell faroner, de barba blanca, jersei blau marí i gorra, pica una ràdio de vàlvules ' + 'amb el micròfon a la mà.', zh: '白胡子的老守塔人穿着藏青色毛衣、戴着帽子,手握话筒,敲着一台电子管收音机。', ar: 'حارس المنارة العجوز بلحيته البيضاء وكنزته الكحلية وقبعته ينقر على مذياع قديم ' + 'والميكروفون في يده.', ja: '白いひげの老灯台守が、紺のセーターに帽子姿でマイクを握り、真空管ラジオをたたいている。', pt: 'O velho faroleiro, de barba branca, suéter azul-marinho e boné, dá batidinhas num ' + 'rádio valvulado com o microfone na mão.', fr: 'Le vieux gardien, barbe blanche, pull bleu marine et casquette, tapote une radio à ' + 'lampes, le micro à la main.' }) }, 'lh-maya': { width: 1100, height: 1100, safeArea: { x: 0.25, y: 0.27, width: 0.41, height: 0.68 }, anchors: [{ id: 'maya', x: 0.54, y: 0.565, head: { x: 0.5, y: 0.3 }, face: { x: 0.4, y: 0.33, width: 0.24, height: 0.29 } }], avoid: [{ x: 0.27, y: 0.73, width: 0.25, height: 0.22 }], alt: t({ en: 'Close-up of Maya frowning at the floor and pointing down.', es: 'Primer plano de Maya, que frunce el ceño mirando al suelo y señala hacia abajo.', ca: 'Primer pla de la Maya, que arrufa les celles mirant a terra i assenyala avall.', zh: '玛雅的特写:她皱着眉头看着地板,手指向下指。', ar: 'لقطة قريبة لمايا وهي تعقد حاجبيها ناظرةً إلى الأرض وتشير إلى أسفل.', ja: 'マヤのアップ。眉をひそめて床を見つめ、下を指さしている。', pt: 'Close de Maya, de testa franzida, olhando para o chão e apontando para baixo.', fr: 'Gros plan sur Maya, sourcils froncés, qui fixe le sol et pointe le doigt vers le ' + 'bas.' }) }, 'lh-biscuit': { width: 1000, height: 1000, safeArea: { x: 0.58, y: 0.25, width: 0.42, height: 0.33 }, anchors: [{ id: 'biscuit', x: 0.72, y: 0.355, head: { x: 0.73, y: 0.32 }, face: { x: 0.64, y: 0.27, width: 0.2, height: 0.18 } }], avoid: [{ x: 0.93, y: 0.28, width: 0.07, height: 0.24 }, { x: 0, y: 0.72, width: 0.4, height: 0.1 }], alt: t({ en: 'Under the desk the fat orange cat sleeps on his back, right on top of the black ' + 'radio cable.', es: 'Bajo la mesa, el gato naranja gordo duerme panza arriba justo encima del cable negro ' + 'de la radio.', ca: 'Sota la taula, el gat taronja gras dorm panxa enlaire just a sobre del cable negre de ' + 'la ràdio.', zh: '桌子底下,胖橘猫四脚朝天地睡着,正好压在收音机的黑色电线上。', ar: 'تحت المكتب ينام القط البرتقالي السمين على ظهره فوق سلك المذياع الأسود تمامًا.', ja: '机の下で、太ったオレンジ色の猫がラジオの黒いコードの真上にあおむけで眠っている。', pt: 'Debaixo da mesa, o gato laranja gordo dorme de barriga para cima bem em cima do cabo ' + 'preto do rádio.', fr: 'Sous le bureau, le gros chat roux dort sur le dos, juste sur le câble noir de la ' + 'radio.' }) }, 'lh-beam': { width: 1200, height: 800, safeArea: { x: 0.15, y: 0.01, width: 0.25, height: 0.3 }, anchors: [{ id: 'maya', x: 0.235, y: 0.15, face: { x: 0.21, y: 0.11, width: 0.05, height: 0.07 } }, { id: 'tomas', x: 0.3, y: 0.145, face: { x: 0.28, y: 0.11, width: 0.04, height: 0.06 } }], avoid: [{ x: 0.79, y: 0.55, width: 0.08, height: 0.09 }], alt: t({ en: 'Night: the beam sweeps over a dark sea; Maya and her grandfather stand on the ' + 'lantern gallery and a fishing boat shows its lights far out.', es: 'De noche, el haz barre un mar oscuro; Maya y su abuelo están en la galería de la ' + 'linterna y a lo lejos se ven las luces de un pesquero.', ca: 'De nit, el feix escombra un mar fosc; la Maya i el seu avi són a la galeria de la ' + 'llanterna i lluny es veuen els llums d’un pesquer.', zh: '夜里,灯塔的光束扫过漆黑的海面;玛雅和外公站在灯室外的回廊上,远处一艘渔船亮着灯。', ar: 'ليلًا يمسح الشعاع بحرًا مظلمًا، ومايا وجدّها واقفان على شرفة الفانوس، وفي البعيد قارب ' + 'صيد بأضوائه.', ja: '夜。光の帯が暗い海をなでる。マヤと祖父は灯室の回廊に立ち、沖には漁船の明かりが見える。', pt: 'À noite, o facho varre um mar escuro; Maya e o avô estão na galeria da lanterna e, ao ' + 'longe, aparecem as luzes de um barco de pesca.', fr: 'La nuit, le faisceau balaie une mer sombre ; Maya et son grand-père se tiennent sur ' + 'la galerie de la lanterne et, au large, un bateau de pêche montre ses feux.' }) }, }; // #endregion // ─── 3 · Fonts ────────────────────────────────────────────────────────────── // Every face of the six editions; each edition loads the latin files of all of them and the // Japanese, Chinese or Arabic files of its own two. const FONTS = { 'Comic Neue': ['400', '400i', '700', '700i'], Bangers: ['400'], 'Zen Antique': ['400'], 'Dela Gothic One': ['400'], 'ZCOOL KuaiLe': ['400'], 'ZCOOL QingKe HuangYou': ['400'], 'Playpen Sans Arabic': ['400', '700'], Lalezar: ['400'], }; // ─── 4 · Build & show ─────────────────────────────────────────────────────── const faces = { [LETTERING]: FONTS[LETTERING], [SFX]: FONTS[SFX] }; await loadFonts(FONTS, markdown); await loadCjkFonts(faces, markdown, { vertical: LANG === 'ja' }); // ja balloons are vertical await loadArabicFonts(faces, markdown); await loadComicFonts(faces, markdown); // the bold and italic the faces do not ship const resources = await Promise.all([ comicPanel('lh-arrive', asset('lh-arrive.jpg'), ART['lh-arrive']), comicPanel('lh-radio', asset('lh-radio.jpg'), ART['lh-radio']), comicPanel('lh-maya', asset('lh-maya.jpg'), ART['lh-maya']), comicPanel('lh-biscuit', asset('lh-biscuit.jpg'), ART['lh-biscuit']), comicPanel('lh-beam', asset('lh-beam.jpg'), ART['lh-beam']), ]); const doc = await withLoadedFonts(() => buildDocument({ markdown, resources }, config()), { ...kitFonts(FONTS), text: markdown }); showBook(doc, { title: t({ en: 'One set of panels, three page splits', es: 'Las mismas viñetas en tres divisiones de página', pt: 'Os mesmos quadros em três divisões de página', fr: 'Les mêmes cases en trois découpages de page' }) }); offerPdf(() => renderToPdf(doc, { fontProvider: comicPdfProvider, resourceBytes: imageBytes }), `${RECIPE}.pdf`);
Kit · core, fonts, viewer, pdf, images, cjk, arabic, comics : identique dans toutes les recettes · 740 lignes// ─── Kit ── helpers shared by every Cookbook recipe · postext.dev/cookbook ───── // ─── Kit · core v1 ── the same in every recipe · postext.dev/cookbook function mm(value) { return { value, unit: 'mm' }; } function pt(value) { return { value, unit: 'pt' }; } function em(value) { return { value, unit: 'em' }; } /** The sample language's string: t({ en: 'Figure', es: 'Figura' }). */ function t(strings) { return strings[LANG] ?? Object.values(strings)[0]; } /** A file in this recipe's assets folder, served from the Postext repo by jsDelivr. */ function asset(file) { return `https://cdn.jsdelivr.net/gh/drnachio/postext@main/cookbook/${RECIPE}/assets/${file}`; } // ─── Kit · fonts v3 ── the same in every recipe · postext.dev/cookbook // Postext loads the faces a config asks for before layout (prepareFonts, // buildDocumentWithFonts) and asks the kit for the files: Fontsource's, the // files the PDF embeds too. /** The options of buildDocumentWithFonts / prepareFonts / withLoadedFonts: * the Fontsource resolver, and the faces of FONTS loaded with the ones the * config names. FONTS = { 'Family Name': ['400', '400i', '700'] }. */ function kitFonts(FONTS = {}) { const faces = Object.entries(FONTS).flatMap(([family, specs]) => specs.map((spec) => ({ family, weight: parseInt(spec, 10), style: spec.endsWith('i') ? 'italic' : 'normal' }))); return { resolve: fontsourceResolver, faces }; } /** A face's Fontsource files, in a fixed order: latin, then latin-ext and greek * when `text` needs them and the family ships them (kitSubsetsFor), each with * its unicode-range. Null for a weight or slant Fontsource does not ship. */ async function fontsourceResolver(family, weight, style, { text = '' } = {}) { const id = fontsourceId(family); const meta = await fontsourceMeta(family); if (meta && !(meta.weights.includes(weight) && meta.styles.includes(style))) return null; kitStatus('Loading fonts…'); const at = await fontsourceAt(id); return ['latin', ...kitSubsetsFor(text, meta)].map((subset) => ({ source: `${at}files/${id}-${subset}-${weight}-${style}.woff2`, unicodeRange: kitRanges()[subset], })); } /** The unicode-range of each Fontsource file the kit loads (a function: the * kit is inlined after the pen's code, which runs before a const would be set). */ function kitRanges() { return { latin: 'U+0000-00FF,U+0131,U+0152-0153,U+02BB-02BC,U+02C6,U+02DA,U+02DC,U+0304,U+0308,U+0329,' + 'U+2000-206F,U+20AC,U+2122,U+2191,U+2193,U+2212,U+2215,U+FEFF,U+FFFD', 'latin-ext': 'U+0100-02BA,U+02BD-02C5,U+02C7-02CC,U+02CE-02D7,U+02DD-02FF,U+0304,U+0308,U+0329,' + 'U+1D00-1DBF,U+1E00-1E9F,U+1EF2-1EFF,U+2020,U+20A0-20AB,U+20AD-20C0,U+2113,U+2C60-2C7F,U+A720-A7FF', greek: 'U+0370-03FF', }; } /** For the cjk, arabic and comics blocks, which add their own files: the * faces of `faces` = { 'Family Name': ['400', '400i', '700'] }. `text` is the sample: * č ł † α χ also load latin-ext and greek files (kitSubsetsFor). With * `optional`, a face Fontsource does not ship is skipped instead of failing. * The files are added once all have loaded, in the order asked (latin, then * latin-ext, then greek), whatever order they arrive in: the last one added * wins a character two files hold. Resolves to the number of faces added. */ async function loadFonts(faces, text = '', { optional = false } = {}) { kitStatus('Loading fonts…'); const ranges = kitRanges(); const jobs = []; for (const [family, specs] of Object.entries(faces)) { const id = fontsourceId(family); const todo = [...new Set(specs)].map((spec) => [parseInt(spec, 10), spec.endsWith('i') ? 'italic' : 'normal']) .filter(([weight, style]) => !hasFace(family, weight, style)); // before any await const at = fontsourceAt(id); const meta = optional || /[^\0-ÿ]/u.test(text) ? await fontsourceMeta(family) : null; const subsets = ['latin', ...kitSubsetsFor(text, meta)]; for (const [weight, style] of todo) { if (optional && !(meta?.weights.includes(weight) && meta.styles.includes(style))) continue; for (const subset of subsets) { const url = `${await at}files/${id}-${subset}-${weight}-${style}.woff2`; const face = new FontFace(family, `url(${url}) format('woff2')`, { weight: String(weight), style, unicodeRange: ranges[subset] }); jobs.push(face.load().catch(() => { if (subset === 'latin' && !optional) throw new Error(`Fontsource has no ${family} ${weight} ${style}`); })); } } } const ready = await Promise.all(jobs).catch((error) => { kitFail(error); throw error; }); return ready.filter((face) => face && document.fonts.add(face)).length; } /** A loaded FontFace covers this family, weight and style (fonts.check() would * also say yes for families nobody declared). */ function hasFace(family, weight, style) { for (const face of document.fonts) { if (face.status !== 'loaded' || face.style !== style) continue; if (face.family.replace(/^["']|["']$/g, '') !== family) continue; const [low, high = low] = face.weight.split(' ').map(Number); if (weight >= low && weight <= high) return true; } return false; } /** The files beyond latin `text` needs that `meta`'s family ships. */ function kitSubsetsFor(text, meta) { return [[/[Ā-˿ᴀ-ᶿḀ-ỿ†ℓⱠ-Ɀ꜠-ꟿ]/u, 'latin-ext'], [/[Ͱ-Ͽ]/u, 'greek']] .filter(([re, x]) => re.test(text) && meta?.subsets?.includes(x)).map(([, x]) => x); } /** Fontsource's id for a family: 'Source Serif 4' → 'source-serif-4'. */ function fontsourceId(family) { return family.toLowerCase().replace(/\s+/g, '-'); } /** A package's folder at the one version @5 names now (#766). */ function fontsourceAt(id, u = `https://cdn.jsdelivr.net/npm/@fontsource/${id}@`) { return (fontsourceAt.c ??= {})[id] ??= fetch(u + '5/package.json').then((r) => r.json()) .then((p) => p.version || 5, () => 5).then((v) => `${u}${v}/`); } /** The family's Fontsource metadata (weights, styles, subsets), or null. */ function fontsourceMeta(family) { fontsourceMeta.cache ??= new Map(); const id = fontsourceId(family); if (!fontsourceMeta.cache.has(id)) { fontsourceMeta.cache.set(id, fetch(`https://api.fontsource.org/v1/fonts/${id}`) .then((res) => (res.ok ? res.json() : null), () => null)); } return fontsourceMeta.cache.get(id); } // ─── Kit · viewer v2 ── the same in every recipe · postext.dev/cookbook /** The pages as spreads on a dark desk, page 1 alone, then verso | recto, * each painted when it scrolls near. Other options go to renderPageToCanvas. */ function showPages(docs, { title, width = 460, ...render } = {}) { const root = viewer(title); const pages = [docs].flat().flatMap((doc) => doc.pages.map((page) => ({ doc, page, n: (doc.pageIndexOffset ?? 0) + page.index }))); const spreads = []; let verso = null; for (const p of pages) { if (p.n % 2 === 1) { if (verso) spreads.push([verso, null]); verso = p; } else { spreads.push([verso, p]); verso = null; } } if (verso) spreads.push([verso, null]); const density = Math.min(window.devicePixelRatio || 1, 2); showPages.painter?.disconnect(); const painter = new IntersectionObserver((entries) => { for (const { isIntersecting, target } of entries) { if (!isIntersecting) continue; painter.unobserve(target); const { doc, page } = target.postext; renderPageToCanvas(page, doc, target, { ...render, scale: (width * density) / page.width }); } }, { rootMargin: '800px' }); showPages.painter = painter; root.replaceChildren(...spreads.map((pair) => { const spread = document.createElement('div'); spread.className = 'pt-spread'; for (const p of pair) { const figure = document.createElement('figure'); if (p) { const label = p.page.pageLabel || String(p.n + 1); const canvas = document.createElement('canvas'); canvas.postext = p; canvas.style.aspectRatio = `${p.page.width} / ${p.page.height}`; canvas.setAttribute('role', 'img'); canvas.setAttribute('aria-label', `Page ${label}`); const folio = document.createElement('figcaption'); folio.textContent = label; figure.append(canvas, folio); painter.observe(canvas); } else figure.className = 'pt-blank'; spread.append(figure); } return spread; })); kitStatus(`${pages.length} ${pages.length === 1 ? 'page' : 'pages'}`); document.documentElement.dataset.postext = 'ready'; return pages.length; } /** The desk, the bar and the error reporting, created once. */ function viewer(title) { if (!document.getElementById('pt-kit')) { document.head.insertAdjacentHTML('beforeend', `<style id="pt-kit"> :root { color-scheme: dark; } body { margin: 0; background: #0e1014; color: #b9bcc4; font: 13px/1.45 system-ui, sans-serif; } #pt-bar { position: sticky; top: 0; z-index: 1; display: flex; flex-wrap: wrap; align-items: center; gap: 6px 16px; padding: 10px 16px; background: rgb(14 16 20 / .92); backdrop-filter: blur(6px); border-bottom: 1px solid #23262d; } #pt-bar strong { color: #f4f1ea; font-weight: 600; } #pt-actions { display: flex; gap: 12px; margin-left: auto; } #pt-actions a, #pt-actions button { color: #d8a21a; font: inherit; background: none; border: 0; padding: 0; cursor: pointer; } #pages { display: grid; justify-items: center; gap: 48px; padding: 32px 16px 72px; } .pt-spread { display: flex; } .pt-spread figure { margin: 0; width: min(460px, 44vw); } .pt-spread canvas { display: block; width: 100%; background: #fff; box-shadow: 0 1px 2px rgb(0 0 0 / .5), 0 22px 44px -16px rgb(0 0 0 / .8); } .pt-spread figure:first-child canvas { box-shadow: inset -14px 0 14px -14px rgb(0 0 0 / .18), 0 1px 2px rgb(0 0 0 / .5), 0 22px 44px -16px rgb(0 0 0 / .8); } .pt-spread figcaption { margin-top: 10px; text-align: center; font: 600 10px/1 system-ui, sans-serif; letter-spacing: .18em; text-transform: uppercase; color: #6c7079; } .pt-blank { visibility: hidden; } @media (max-width: 760px) { .pt-spread { flex-direction: column; gap: 32px; } .pt-spread figure { width: min(460px, 92vw); } .pt-blank { display: none; } } </style>`); document.body.insertAdjacentHTML('afterbegin', '<header id="pt-bar"><strong id="pt-title"></strong><span id="pt-status" role="status"></span><span id="pt-actions"></span></header>'); document.getElementById('pt-title').textContent = document.title || 'Postext'; addEventListener('error', (event) => kitFail(event.error ?? event.message)); addEventListener('unhandledrejection', (event) => kitFail(event.reason)); } if (title) document.getElementById('pt-title').textContent = title; return document.getElementById('pages') ?? document.body.appendChild(Object.assign(document.createElement('main'), { id: 'pages' })); } function kitStatus(text) { viewer(); document.getElementById('pt-status').textContent = text; } function kitFail(error) { document.documentElement.dataset.postext = 'error'; kitStatus(`Error: ${error?.message ?? error}`); } // ─── Kit · pdf v3 ── the same in every recipe that exports a PDF /** The Fontsource files the screen used, as TrueType, with their range and * place: the nearest weight the family ships, upright with no italic; * latin, then what its letters need (kitSubsetsFor). */ async function fontsourceProvider(family, weight, style, request) { const id = fontsourceId(family); const meta = await fontsourceMeta(family); const weights = meta?.weights?.length ? meta.weights : [400, 700]; const w = weights.reduce((a, b) => (Math.abs(b - weight) < Math.abs(a - weight) ? b : a)); const s = style === 'italic' && meta && !meta.styles.includes('italic') ? 'normal' : style; const text = String.fromCodePoint(...(request?.codePoints ?? [])); const files = await Promise.all(['latin', ...kitSubsetsFor(text, meta)].map(async (subset, order) => { const res = await fetch(`${await fontsourceAt(id)}files/${id}-${subset}-${w}-${s}.woff2`); if (!res.ok) throw new Error(`Fontsource has no ${family} ${w} ${s} ${subset}`); return Object.assign(await decompressWoff2(new Uint8Array(await res.arrayBuffer())), { unicodeRange: kitRanges()[subset], order }); })); return files.length === 1 ? files[0] : files; } /** A "Build the PDF" button; then "Open the PDF" (a new tab: CodePen's frame * shows no PDFs) and a download link. */ function offerPdf(makePdf, filename) { viewer(); const button = Object.assign(document.createElement('button'), { type: 'button', textContent: 'Build the PDF' }); button.dataset.postextPdf = filename; button.addEventListener('click', async () => { button.disabled = true; button.textContent = 'Building the PDF…'; try { const bytes = await makePdf(); const url = URL.createObjectURL(new Blob([bytes], { type: 'application/pdf' })); const size = `${Math.max(1, Math.round(bytes.length / 1024))} KB`; button.replaceWith( Object.assign(document.createElement('a'), { href: url, target: '_blank', rel: 'noopener', textContent: 'Open the PDF ↗' }), Object.assign(document.createElement('a'), { href: url, download: filename, textContent: `Download ${filename} · ${size}` })); } catch (error) { button.disabled = false; button.textContent = 'Build the PDF'; kitFail(error); } }); document.getElementById('pt-actions').append(button); } // ─── Kit · images v3 ── recipes with pictures · postext.dev/cookbook /** Registers a photo or PNG for the canvas and keeps its bytes for the PDF. * fetch → ImageBitmap never taints the canvas (a plain cross-origin <img> would). */ async function loadImage(fileId, url) { const res = await fetch(url); if (!res.ok) throw new Error(`Image not found (${res.status}): ${url}`); const bytes = new Uint8Array(await res.arrayBuffer()); registerResourceImage(fileId, await createImageBitmap(new Blob([bytes]))); (loadImage.bytes ??= new Map()).set(fileId, bytes); } /** Registers SVG markup as a vector image, its fonts inside (inlineSvgFonts, ≥ 1.25). * `options` go to registerResourceImage: { singleInk: true } tints it on the canvas. */ async function loadSvg(fileId, svg, options) { if (typeof inlineSvgFonts === 'function') svg = await inlineSvgFonts(svg, svgFaces); const img = new Image(); img.src = `data:image/svg+xml;charset=utf-8,${encodeURIComponent(svg)}`; await img.decode(); registerResourceImage(fileId, img, options); (loadImage.bytes ??= new Map()).set(fileId, new TextEncoder().encode(svg)); } /** A face's Fontsource files: nearest weight; latin + what the SVG sets. */ async function svgFaces(family, weight, style, { codePoints = [] } = {}) { const [id, m] = [fontsourceId(family), await fontsourceMeta(family)]; const w = m?.weights.reduce((a, b) => (Math.abs(b - weight) < Math.abs(a - weight) ? b : a)) ?? weight; const s = m?.styles.includes(style) === false ? 'normal' : style; return Promise.all(['latin', ...kitSubsetsFor(String.fromCodePoint(...codePoints), m)].map(async (x) => new Uint8Array( await (await fetch(`${await fontsourceAt(id)}files/${id}-${x}-${w}-${s}.woff2`)).arrayBuffer()))); } /** renderToPdf({ resourceBytes: imageBytes }) */ function imageBytes(fileId) { return loadImage.bytes?.get(fileId); } /** renderToHtml({ resourceImageUrl: imageUrl }) */ function imageUrl(fileId) { const bytes = imageBytes(fileId); if (!bytes) return undefined; imageUrl.urls ??= new Map(); if (!imageUrl.urls.has(fileId)) { const type = /\.svg$/i.test(fileId) ? 'image/svg+xml' : /\.png$/i.test(fileId) ? 'image/png' : 'image/jpeg'; imageUrl.urls.set(fileId, URL.createObjectURL(new Blob([bytes], { type }))); } return imageUrl.urls.get(fileId); } // ─── Kit · cjk v2 ── Chinese, Japanese and Korean books · postext.dev/cookbook // Fontsource ships a CJK family as about a hundred files per weight, each // declared in its stylesheet with the unicode-range it covers. The screen // loads the files the sample touches; the PDF gets the same files for the // characters its pages set in each face, and embeds each as a subset. // A book bound on the right (vertical text) is shown with its spreads // mirrored: page 1 alone on the left of the spine, then [3 | 2]. /** The files of a Fontsource face, read from its stylesheet: { url, range, * ranges }, the last declared first (the order the browser tries them in). */ function cjkSlices(family, weight, style) { cjkSlices.cache ??= new Map(); const id = fontsourceId(family); const css = `${id}/${weight}${style === 'italic' ? '-italic' : ''}.css`; if (!cjkSlices.cache.has(css)) { let at; cjkSlices.cache.set(css, fontsourceAt(id).then((a) => fetch(at = a + css.slice(id.length + 1))) .then((res) => { if (!res.ok) throw new Error(`Fontsource has no ${family} ${weight} ${style} (${res.status})`); return res.text(); }) .then((text) => [...text.matchAll(/@font-face\s*{([^}]*)}/g)].map(([, rule]) => { const range = /unicode-range:\s*([^;]+);/.exec(rule)?.[1].trim() ?? 'U+0-10FFFF'; const ranges = range.split(',').map((part) => { const [lo, hi = lo] = part.trim().slice(2).split('-'); return [parseInt(lo, 16), parseInt(hi, 16)]; }); return { url: new URL(/url\(([^)]+?\.woff2)\)/.exec(rule)[1], at).href, range, ranges }; }).reverse())); } return cjkSlices.cache.get(css); } /** The file of `slices` the screen sets code point `cp` in, if any: the * last one loadCjkFonts adds whose range holds it. A numbered file that * repeats a letter of latin is added after latin, and wins it. */ function cjkSliceFor(slices, cp) { const holds = (slice) => slice.ranges.some(([lo, hi]) => cp >= lo && cp <= hi); return slices.reduce((last, slice) => (holds(slice) ? slice : last), undefined); } /** Whether Fontsource serves `family` as a Chinese, Japanese or Korean * family (its subsets name the script). Fails when the API does not * answer: a CJK face taken for a Latin one would paint in a system face. */ async function isCjkFamily(family) { const meta = await fontsourceMeta(family); if (!meta) throw new Error(`api.fontsource.org did not describe ${family}: reload to try again`); return !!meta.subsets?.some((subset) => /^(chinese|japanese|korean)/.test(subset)); } /** faces = { 'Noto Serif TC': ['400', '700'] }, as for loadFonts: the * whole FONTS object may be passed, its other families are left to * loadFonts. Adds one FontFace per file of each CJK face with its * unicodeRange, then loads the files `text` touches. `text` is what the * faces set: the sample for the text face; a book in several voices calls * it once per voice (loadCjkFonts({ 'LXGW WenKai TC': ['400'] }, quotes)), * so the heading and quotation faces fetch and check only their own * characters. Fails when a character of `text` is in no file of a face. * List every weight the pages use: a weight left to the engine's later round * gets the latin file only. With { vertical: true } it also loads each * family's vertical forms (brackets, quotes, pause marks) for the canvas, * which needs loadVerticalAlternates imported from postext. Resolves to * the number of files loaded. */ async function loadCjkFonts(faces, text, { vertical = false } = {}) { kitStatus('Loading fonts…'); let loaded = 0; try { if (vertical && typeof loadVerticalAlternates !== 'function') { throw new Error('loadCjkFonts(…, { vertical: true }) needs loadVerticalAlternates imported from postext'); } for (const [family, specs] of Object.entries(faces)) { if (!(await isCjkFamily(family))) continue; const twin = []; for (const spec of new Set(specs)) { const weight = parseInt(spec, 10); const style = spec.endsWith('i') ? 'italic' : 'normal'; const slices = await cjkSlices(family, weight, style); const missing = [...new Set(text)].filter((ch) => /\S/.test(ch) && !cjkSliceFor(slices, ch.codePointAt(0))); if (missing.length) { throw new Error(`${family} ${spec} has no file for ${missing.slice(0, 12).join(' ')}: ` + `give each face the text it sets (loadCjkFonts({ '${family}': ['${spec}'] }, text))`); } for (const slice of slices) { document.fonts.add(new FontFace(family, `url(${slice.url}) format('woff2')`, { weight: String(weight), style, unicodeRange: slice.range })); twin.push({ source: slice.url, weight: String(weight), style, unicodeRange: slice.range }); } const font = `${style === 'italic' ? 'italic ' : ''}${weight} 16px "${family}"`; loaded += (await document.fonts.load(font, text)).length; if (!document.fonts.check(font, text)) throw new Error(`${family} ${spec} did not load for the sample`); } // The same files under a twin name with the `vert` feature on: the // canvas paints the punctuation of vertical lines with it. if (vertical && twin.length) await loadVerticalAlternates(family, twin); } } catch (error) { kitFail(error); throw error; } return loaded; } /** The PDF font provider for recipes with CJK faces: a family whose * Fontsource subsets are Chinese, Japanese or Korean gets the files the * screen set its pages' characters in (`request.codePoints`), each marked * with its unicode-range and its place in the order loadCjkFonts added * them: postext-pdf sets a character two files hold in the one added * last, as the browser does. Any other family gets the latin file * fontsourceProvider fetches (the "pdf" block) and, when the face sets * letters only latin-ext has, that file too. */ async function cjkPdfProvider(family, weight, style, request) { if (!(await isCjkFamily(family))) return cjkLatinPdfFiles(family, weight, style, request); const meta = await fontsourceMeta(family); const weights = meta.weights?.length ? meta.weights : [400, 700]; const w = weights.reduce((a, b) => (Math.abs(b - weight) < Math.abs(a - weight) ? b : a)); const s = style === 'italic' && !meta.styles.includes('italic') ? 'normal' : style; const slices = await cjkSlices(family, w, s); const picked = new Set(); for (const cp of request?.codePoints ?? []) { const slice = cjkSliceFor(slices, cp); if (slice) picked.add(slice); } if (!picked.size) picked.add(slices[0]); return Promise.all(slices.map(async (slice, order) => { if (!picked.has(slice)) return null; const res = await fetch(slice.url); if (!res.ok) throw new Error(`Fontsource file ${slice.url} (${res.status})`); const bytes = await decompressWoff2(new Uint8Array(await res.arrayBuffer())); return Object.assign(bytes, { unicodeRange: slice.range, order }); })).then((files) => files.filter(Boolean)); } /** A Latin family set next to the CJK faces: its latin file, then its * latin-ext file when the face sets letters only latin-ext has (ō ū in * Hepburn rōmaji, ǎ in pinyin), the file loadFonts adds on screen for * them, each marked with its unicode-range and its place in that order: * the PDF sets a character in the file the browser took it from. A face * Fontsource ships without latin-ext, or whose file does not come, gets * latin alone, and the PDF names the letters it lacks. */ async function cjkLatinPdfFiles(family, weight, style, request) { const meta = await fontsourceMeta(family); const beyond = [...(request?.codePoints ?? [])].some(cjkLatinExtOnly); if (!beyond || !meta?.subsets?.includes('latin-ext')) return fontsourceProvider(family, weight, style); const weights = meta.weights?.length ? meta.weights : [400, 700]; const w = weights.reduce((a, b) => (Math.abs(b - weight) < Math.abs(a - weight) ? b : a)); const s = style === 'italic' && !meta.styles.includes('italic') ? 'normal' : style; const id = fontsourceId(family); const url = `${await fontsourceAt(id)}files/${id}-latin-ext-${w}-${s}.woff2`; const [latin, ext] = await Promise.all([fontsourceProvider(family, weight, style), fetch(url) .then(async (res) => (res.ok ? decompressWoff2(new Uint8Array(await res.arrayBuffer())) : null), () => null)]); const ranges = kitRanges(); return ext ? [Object.assign(latin, { unicodeRange: ranges.latin, order: 0 }), Object.assign(ext, { unicodeRange: ranges['latin-ext'], order: 1 })] : latin; } /** Whether code point `cp` is in Fontsource's latin-ext file and not in * its latin file: Latin Extended-A and -B, IPA, the spacing modifiers and * Latin Extended Additional (loadFonts's test for latin-ext), less the * few latin holds too (ı Œ œ ʻ ʼ ˆ ˚ ˜). */ function cjkLatinExtOnly(cp) { if (!((cp >= 0x100 && cp <= 0x2ff) || (cp >= 0x1e00 && cp <= 0x1eff))) return false; return ![0x131, 0x152, 0x153, 0x2bb, 0x2bc, 0x2c6, 0x2da, 0x2dc].includes(cp); } /** showPages for a book bound on either edge. A right-bound book (the * document says so: doc.binding is 'right' for page.binding 'right' and * for vertical text) lies on the desk as it opens: page 1 alone on the * left of the spine, then [3 | 2], the spine shade on each page's inner * edge. `binding` ('left' | 'right') overrides the document's. */ function showBook(docs, { binding, ...options } = {}) { const count = showPages(docs, options); const right = (binding ?? [docs].flat()[0]?.binding) === 'right'; if (!document.getElementById('pt-kit-cjk')) { // The pages keep direction ltr: a canvas draws text in the direction its // element inherits, and under rtl each run would end where the engine // starts it, its brackets mirrored. document.head.insertAdjacentHTML('beforeend', `<style id="pt-kit-cjk"> .pt-spread[dir="rtl"] canvas { direction: ltr; } .pt-spread[dir="rtl"] figure:first-child canvas { box-shadow: inset 14px 0 14px -14px rgb(0 0 0 / .18), 0 1px 2px rgb(0 0 0 / .5), 0 22px 44px -16px rgb(0 0 0 / .8); } </style>`); } // Each pair stays [verso, recto] in the page; right to left, the verso // sits on the right. Phones stack the pages in reading order either way. for (const spread of document.querySelectorAll('#pages > .pt-spread')) spread.dir = right ? 'rtl' : 'ltr'; document.getElementById('pages').dataset.binding = right ? 'right' : 'left'; return count; } // ─── Kit · arabic v2 ── Arabic-script faces · postext.dev/cookbook // Fontsource ships an Arabic family as one file per subset and weight: the // `arabic` file holds the letters, the harakat, the Arabic-Indic digits, the // Arabic punctuation and the presentation forms; `latin` and `latin-ext` // hold the rest. loadFonts loads the latin files; this block adds the arabic // file of every Arabic family, for the canvas and for the PDF, which shapes // the letters with HarfBuzz from the same bytes. /** The code points of Fontsource's `arabic` subset, as its stylesheets * declare them (the same unicode-range the browser picks the file by). A * function, not a const: the kit is inlined after the recipe's top-level * awaits, and a const read before its line throws, where a function * declaration is hoisted. */ function arabicRange() { return 'U+0600-06FF,U+0750-077F,U+0870-088E,U+0890-0891,U+0897-08E1,U+08E3-08FF,' + 'U+200C-200E,U+2010-2011,U+204F,U+2E41,U+FB50-FDFF,U+FE70-FE74,U+FE76-FEFC,U+102E0-102FB,' + 'U+10E60-10E7E,U+10EC2-10EC4,U+10EFC-10EFF,U+1EE00-1EEFF'; } /** Whether code point `cp` is in the arabic file. */ function inArabicRange(cp) { inArabicRange.ranges ??= arabicRange().split(',').map((part) => { const [lo, hi = lo] = part.slice(2).split('-'); return [parseInt(lo, 16), parseInt(hi, 16)]; }); return inArabicRange.ranges.some(([lo, hi]) => cp >= lo && cp <= hi); } /** Whether Fontsource serves `family` with an `arabic` subset. Fails when * the API does not answer: an Arabic face taken for a Latin one would set * its letters in a system face. */ async function isArabicFamily(family) { const meta = await fontsourceMeta(family); if (!meta) throw new Error(`api.fontsource.org did not describe ${family}: reload to try again`); return !!meta.subsets?.includes('arabic'); } /** The arabic file of a face. */ async function arabicFileUrl(family, weight, style) { const id = fontsourceId(family); return `${await fontsourceAt(id)}files/${id}-arabic-${weight}-${style}.woff2`; } /** faces = { Amiri: ['400', '700'] }, as for loadFonts, after it: the whole * FONTS object may be passed, its families without an arabic subset are * left alone. Adds the arabic file of every listed weight of each Arabic * family (the latin files come from loadFonts) and loads it. `text` is * the sample: fails when it holds an Arabic-script character the arabic * file does not cover. List every weight the pages set in Arabic: a weight * left to the engine's later round gets the latin file only, and its Arabic letters * fall back to a system face. Resolves to the number of files loaded. */ async function loadArabicFonts(faces, text = '') { kitStatus('Loading fonts…'); let loaded = 0; try { const outside = [...new Set(text)].filter((ch) => /\p{Script=Arabic}/u.test(ch) && !inArabicRange(ch.codePointAt(0))); if (outside.length) throw new Error(`Fontsource's arabic files have no ${outside.slice(0, 12).join(' ')}`); for (const [family, specs] of Object.entries(faces)) { if (!(await isArabicFamily(family))) continue; for (const spec of new Set(specs)) { const weight = parseInt(spec, 10); const style = spec.endsWith('i') ? 'italic' : 'normal'; const face = new FontFace(family, `url(${await arabicFileUrl(family, weight, style)}) format('woff2')`, { weight: String(weight), style, unicodeRange: arabicRange() }); document.fonts.add(await face.load().catch(() => { throw new Error(`Fontsource has no arabic file for ${family} ${weight} ${style}`); })); loaded++; } } } catch (error) { kitFail(error); throw error; } return loaded; } /** The PDF font provider for recipes with Arabic faces: a family with an * arabic subset gets its arabic file when its pages set Arabic letters * (`request.codePoints`), then its latin file, and its latin-ext file for * the letters beyond latin (transliteration: ā ḥ ʿ), each marked with its * unicode-range and its place in the order the screen added them (latin * and latin-ext by loadFonts, then arabic): the arabic file also has a * space and brackets, which the browser takes from latin, the file whose * range holds them, and postext-pdf follows it. Any other family goes to * fontsourceProvider (the "pdf" block). */ async function arabicPdfProvider(family, weight, style, request) { if (!(await isArabicFamily(family))) return fontsourceProvider(family, weight, style, request); const meta = await fontsourceMeta(family); const weights = meta.weights?.length ? meta.weights : [400, 700]; const w = weights.reduce((a, b) => (Math.abs(b - weight) < Math.abs(a - weight) ? b : a)); const s = style === 'italic' && !meta.styles.includes('italic') ? 'normal' : style; const wanted = [...(request?.codePoints ?? [])]; const id = fontsourceId(family); const subsets = !wanted.length || wanted.some(inArabicRange) ? ['arabic', 'latin'] : ['latin']; if (meta.subsets.includes('latin-ext') && wanted.some((cp) => /[Ā-˿Ḁ-ỿ]/u.test(String.fromCodePoint(cp)))) { subsets.push('latin-ext'); } const at = await fontsourceAt(id); return Promise.all(subsets.map(async (subset) => { const url = `${at}files/${id}-${subset}-${w}-${s}.woff2`; const res = await fetch(url); if (!res.ok) throw new Error(`Fontsource file ${url} (${res.status})`); const bytes = await decompressWoff2(new Uint8Array(await res.arrayBuffer())); return Object.assign(bytes, { unicodeRange: subset === 'arabic' ? arabicRange() : kitRanges()[subset], order: ['latin', 'latin-ext', 'greek', 'arabic'].indexOf(subset) }); })); } // ─── Kit · comics v2 ── comic pages · postext.dev/cookbook // The engine letters a comic in a face per language (defaultComicFont: // Comic Neue, Zen Antique for Japanese, Noto Sans SC, LXGW WenKai TC, // Playpen Sans Arabic; defaultComicSfxFont: Bangers, Dela Gothic One, // ZCOOL KuaiLe, Lalezar) and asks for the bold of a shout or a sound effect // and the italic of an inner voice. Most of these faces ship one weight and // no italic: this block declares the file Fontsource does ship for those // variants, so the canvas measures and paints the letters the PDF embeds // (the providers snap to the shipped file) and not a bold or a slant the // browser makes up. It also turns the art manifest into panel resources. /** faces = { 'Comic Neue': ['400', '700'], Bangers: ['400'] }, as for * loadFonts, after it (and after loadCjkFonts or loadArabicFonts for the * faces of those scripts); the whole FONTS object may be passed. List in * FONTS only what Fontsource ships (Bangers: ['400']): loadFonts fails on * the rest. For each family, the regular, bold, italic and bold italic it * lacks are declared with its nearest file (the regular for the bold, the * upright for the italic) and loaded for `text`. A CJK face needs the cjk * block; an Arabic face setting Arabic, the arabic block. Resolves to the * number of variants added. */ async function loadComicFonts(faces, text = '') { kitStatus('Loading fonts…'); let added = 0; try { for (const family of Object.keys(faces)) { const meta = await fontsourceMeta(family); if (!meta) throw new Error(`api.fontsource.org did not describe ${family}: reload to try again`); const weights = meta.weights?.length ? meta.weights : [400, 700]; const styles = meta.styles?.length ? meta.styles : ['normal']; for (const [weight, style] of [[400, 'normal'], [700, 'normal'], [400, 'italic'], [700, 'italic']]) { if ((weights.includes(weight) && styles.includes(style)) || hasFace(family, weight, style)) continue; const w = weights.reduce((a, b) => (Math.abs(b - weight) < Math.abs(a - weight) ? b : a)); const s = style === 'italic' && styles.includes('italic') ? 'italic' : 'normal'; for (const { url, range } of await comicFaceFiles(family, w, s, meta, text)) { document.fonts.add(new FontFace(family, `url(${url}) format('woff2')`, { weight: String(weight), style, unicodeRange: range })); } await document.fonts.load(`${style === 'italic' ? 'italic ' : ''}${weight} 16px "${family}"`, text || 'A'); added++; } } } catch (error) { kitFail(error); throw error; } return added; } /** The files of a shipped face ({ url, range }): a CJK face's slices (the * cjk block reads them from its stylesheet), else latin, the latin-ext * and greek files `text` needs, and the arabic file when `text` holds * Arabic. */ async function comicFaceFiles(family, weight, style, meta, text) { if (meta.subsets?.some((subset) => /^(chinese|japanese|korean)/.test(subset))) { if (typeof cjkSlices !== 'function') throw new Error(`${family} is a CJK face: list the cjk kit block`); return (await cjkSlices(family, weight, style)).map(({ url, range }) => ({ url, range })); } const id = fontsourceId(family); const at = await fontsourceAt(id); const file = (subset) => `${at}files/${id}-${subset}-${weight}-${style}.woff2`; const files = ['latin', ...kitSubsetsFor(text, meta)].map((subset) => ({ url: file(subset), range: comicRange(subset) })); if (meta.subsets?.includes('arabic') && /\p{Script=Arabic}/u.test(text)) { if (typeof arabicRange !== 'function') throw new Error(`${family} sets Arabic: list the arabic kit block`); files.unshift({ url: file('arabic'), range: arabicRange() }); } return files; } /** The unicode-range loadFonts gives a Fontsource file. A function, not a * const: the kit is inlined after the recipe's top-level awaits. */ function comicRange(subset) { return { latin: 'U+0000-00FF,U+0131,U+0152-0153,U+02BB-02BC,U+02C6,U+02DA,U+02DC,U+0304,U+0308,U+0329,' + 'U+2000-206F,U+20AC,U+2122,U+2191,U+2193,U+2212,U+2215,U+FEFF,U+FFFD', 'latin-ext': 'U+0100-02BA,U+02BD-02C5,U+02C7-02CC,U+02CE-02D7,U+02DD-02FF,U+0304,U+0308,U+0329,' + 'U+1D00-1DBF,U+1E00-1E9F,U+1EF2-1EFF,U+2020,U+20A0-20AB,U+20AD-20C0,U+2113,U+2C60-2C7F,U+A720-A7FF', greek: 'U+0370-03FF', }[subset]; } /** The PDF font provider of a comic in any script: a CJK face goes to * cjkPdfProvider, an Arabic face to arabicPdfProvider, any other to * fontsourceProvider (the "pdf" block). Each embeds the shipped weight * and style nearest to the one asked for, the file loadComicFonts * declared for the canvas. */ async function comicPdfProvider(family, weight, style, request) { const subsets = (await fontsourceMeta(family))?.subsets ?? []; if (subsets.some((subset) => /^(chinese|japanese|korean)/.test(subset))) { if (typeof cjkPdfProvider !== 'function') throw new Error(`${family} is a CJK face: list the cjk kit block`); return cjkPdfProvider(family, weight, style, request); } if (subsets.includes('arabic') && typeof arabicPdfProvider === 'function') { return arabicPdfProvider(family, weight, style, request); } return fontsourceProvider(family, weight, style, request); } /** A panel picture as a resource for art= (and pop=): loads `url` * (write asset('lh-arrive.jpg') in the call, so the lint checks the file) * and declares it with `meta`, its entry in the art manifest: * { width, height, alt, safeArea, anchors, avoid, faces }. The safe area * is what every crop keeps, the anchors the speakers' mouths, heads and * faces, the avoid zones what no balloon covers unless a panel has no * other room, and `faces` the faces of the people who do not speak, which * no balloon ever covers; all in fractions of the picture, the same in * every language. Without width and height, the picture's own size. Needs * the images block. Resolves to the resource. */ async function comicPanel(id, url, meta = {}) { const fileId = decodeURIComponent(url.split('/').pop()); await loadImage(fileId, url); let { width, height } = meta; if (!width || !height) { const bitmap = await createImageBitmap(new Blob([imageBytes(fileId)])); ({ width, height } = bitmap); bitmap.close(); } return { id, typeId: meta.typeId ?? 'figure', kind: 'bitmap', createdAt: 0, updatedAt: 0, bitmap: { fileId, format: /\.png$/i.test(fileId) ? 'png' : 'jpeg', width, height }, ...(meta.alt && { altText: meta.alt }), ...(meta.safeArea && { safeArea: meta.safeArea }), ...(meta.anchors?.length && { anchors: meta.anchors }), ...(meta.avoid?.length && { avoid: meta.avoid }), ...(meta.faces?.length && { faces: meta.faces }), }; } // ─── /Kit ───────────────────────────────────────────────────────────────────────

Le script.js composé s’exécute tel quel : collez-le dans le script de module de n’importe quelle page, ou ouvrez la recette sur CodePen. Dossier de la recette sur GitHub ↗ (s’ouvre dans un nouvel onglet)

Variantes

#Incliner la bande du milieu

Une taille écrite 30~40 fait courir la gouttière extrême de la cellule de 30 % à un bout à 40 % à l’autre. Les cellules inclinées perdent leurs coins arrondis.

-:::page{split="30 / 35 [* | * | *] / *"}
+:::page{split="30 / 35 [30~40 | * | *] / *"}

#Inverser les images dans les éditions de droite à gauche

Par défaut, les images gardent leur orientation. Une BD dessinée sans lettrage ni horloges peut suivre le sens de lecture.

 const comics = {
+  mirrorArt: true, // pictures flip in a right-to-left edition
   gutter: { horizontal: mm(4), vertical: mm(3) },

Erreurs fréquentes

  • Une cellule d’un cinquième de la largeur de la page contient environ quatre mots par ligne à 8 pt, et dans le plan C le visage du gardien est au milieu de la sienne : ses deux bulles sur la tempête sont plus hautes que la place disponible au-dessus ou en dessous. La première des deux répliques porte donc break (tomas{break}:) : la paire peut franchir la gouttière vers la case de Maya ; le moteur garde la seconde bulle après la première et ne la laisse jamais déborder dans la marge de la page. Sans break, le script émet l’avertissement comicBalloonOverflow.
  • Une zone de sécurité plus serrée donne un recadrage propre dans plus de cellules, mais ce qui reste en dehors peut être coupé : les bottes dans la première bande du plan A, la radio dans le plan C.

Crédits

Texte
Texte original, CC BY 4.0
Images
  • Panel picture: Maya arrives at the lighthouse · Generated With Diffusion Models · original
  • Panel picture: Tomás at the radio · Generated With Diffusion Models · original
  • Panel picture: Maya finds the problem · Generated With Diffusion Models · original
  • Panel picture: Biscuit asleep on the cable · Generated With Diffusion Models · original
  • Panel picture: the lamp lit at night · Generated With Diffusion Models · original
Polices
Comic Neue (SIL OFL 1.1) · Bangers (SIL OFL 1.1) · Zen Antique (SIL OFL 1.1) · Dela Gothic One (SIL OFL 1.1) · ZCOOL KuaiLe (SIL OFL 1.1) · ZCOOL QingKe HuangYou (SIL OFL 1.1) · Playpen Sans Arabic (SIL OFL 1.1) · Lalezar (SIL OFL 1.1)
SandboxPDF