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食谱编号130

排版食谱 · 第2章 · 字体与文字

用拉丁字母写的日文:啄木的《罗马字日记》

标记为ja-Latn的罗马字文本:其中的假名遵循日文规则,拉丁文不断词,拉丁字体的长音符号也嵌入PDF。

本页内容
输出
Canvas · PDF
难度
中级
Postext
已用Postext 1.16.1测试
需要≥ 1.16.1 · postext-pdf ≥ 1.16.1
许可证
更新于2026年10月5日
代码MIT · 文本CC BY 4.0
  • 英文样例:尚无中文版本
  • 成品尺寸148 × 210 mm
  • 1栏
  • Source Serif 4 10.5/15
  • Noto Serif JP
  • Source Sans 3
  • 4页
  • 难度
  • Postext 1.16.1
  • 排版用时12 ms
  • 130行代码

简单来说

诗人石川啄木1909年用拉丁字母写日文的日记的第一篇,每段下面附有日文文字的读法。

成品一览

《罗马字日记》(Rōmaji nikki)四页:1909年春,石川啄木在东京用拉丁字母记日记,好让妻子读不懂。内容是笔记本开头的标题行和第一篇,即4月7日的日记,到Kanasii koto da!为止。日记按研读本的样式排在A5页面上:罗马字用Source Serif 4,两端对齐,从不断词;每段下面是用Noto Serif JP排的假名汉字读法,字号更小、颜色更浅、向内缩进。啄木用的是日本式罗马字(Nippon-shiki),写si、tu、hu,长元音加抑扬符,如Tôkyô;编者的文字用带长音符号的赫本式,如Rōmaji,两者都能进入PDF。

这道食谱解答

  • 用罗马字写的日文怎么排:用哪个语言标记,怎样断词,PDF里的长音符号怎么办?
  • 哪些字体能排日文,并在屏幕和PDF中让汉字采用日文字形?

简短回答

script.js · 第35–50行在完整代码中
// ja-Latn is Japanese written in Latin script (BCP 47). Its language is ja, so the kana
// under each paragraph get the Japanese rules (kinsoku, 、。 spacing, the space after !)
// and the built-in strings are Japanese; and Japanese has no hyphenation patterns, so the
// rōmaji is never divided at a line end. English patterns would divide tatinobotta or
// Surigarasu by English syllables, not by the morae a Japanese reader hears.
const language = { locale: 'ja-Latn' }; // spread into the config
const bodyText = {
  fontFamily: SERIF, fontSize: pt(BODY), lineHeight: pt(LEAD), color: col('ink'),
  boldColor: col('ink'), italicColor: col('ink'), referenceColor: col('ink'),
  textAlign: 'justify', firstLineIndent: em(1.2), indentAfterHeading: false,
  optimalLineBreaking: true, maxWordSpacing: 1.8, // no hyphens: the spaces take the slack
};
// The reading in kana, under its paragraph: smaller, a shade lighter, indented.
const kana = { id: 'kana', fontFamily: MINCHO, fontSize: pt(8.6), lineHeight: pt(LEAD),
  color: col('kana'), textAlign: 'justify', indent: em(1.5), firstLineIndent: em(1),
  marginTop: pt(LEAD / 4), marginBottom: pt(LEAD * 0.75) };

用料

类型
Source Serif 4, Source Sans 3, Noto Serif JP(SIL OFL 1.1)
素材
无:所有图片都用代码绘制

做法

#1 · 把文本标记为ja-Latn

代码见上文的简短回答。ja-Latn是BCP 47中“用拉丁字母书写的日文”的标记。它的语言是ja,所以每段下面的读法遵循日文规则:禁则、、。的间距,以及引擎在句中!后自动加的一字空格,如「ええ! ええ!」。日文没有断词规则,所以罗马字从不断开;若用en,英文断词规则会按英文音节去拆tatinobotta或Surigarasu这样的词,而不是按日本读者听到的音拍。没有连字符,间距就由空格吸收,所以行长约70个字符,maxWordSpacing设为1.8(断词)。

第2页:日期、地址、前两段罗马字,以及较小、缩进的假名读法。

#2 · 让长音符号进入PDF

script.js · 第200–202行在完整代码中
// Fontsource keeps ō ū ā in a latin-ext file. cjkPdfProvider serves Noto Serif JP from its
// slices, and adds that file after the latin one for a Latin face whose text needs it.
offerPdf(() => renderToPdf(doc, { fontProvider: cjkPdfProvider }), `${RECIPE}.pdf`);

Fontsource把ō ū ā放在单独的latin-ext文件里。屏幕会加载它(loadFonts看到样本中的ō),工具包的cjkPdfProvider在PDF里也这样做。它从日文分片提供Noto Serif JP;拉丁字体排到只有latin-ext才有的字母时,它返回两个文件,先latin后latin-ext,postext-pdf从第一个含有该字形的文件中取字。工具包普通的fontsourceProvider只把latin文件交给PDF,用它的话,PDF里就没有ō的字形。

#3 · 以日记自己的标题行开篇

script.js · 第54–86行在完整代码中
const onField = { color: col('paper'), align: 'center', overflow: 'wrap' };
const title = {
  id: 'title', numbered: false, toc: false, span: 'page', runningChapter: false,
  breakBefore: { enabled: true, parity: 'any' }, // its page is an opener: no running heads
  advancedDesign: { enabled: true, minHeight: mm(166), slot: { elements: [
    { kind: 'box', id: 'field', style: { backgroundColor: col('indigo') },
      placement: { anchor: { to: 'bleed', edge: 'top-left' }, size: { width: 'fill',
        height: 'fill' } } },
    { kind: 'text', id: 'lines', content: '{attr.lines}', ...onField, fontFamily: SERIF,
      fontWeight: 600, fontSize: pt(20), lineHeight: 1.9, letterSpacing: pt(5),
      placement: { anchor: { to: 'container', edge: 'top' }, offset: { y: mm(18) } } },
    { kind: 'rule', id: 'rule', thickness: pt(0.5), color: col('paper'),
      placement: { anchor: { to: 'container', edge: 'top' }, offset: { y: mm(122) },
        size: { width: mm(24) } } },
    { kind: 'text', id: 'note', content: '{attr.note}', inlineMarks: true, ...onField,
      fontFamily: SANS, fontSize: pt(8.5), lineHeight: 1.5, placement: { anchor: { to:
        'container', edge: 'top' }, offset: { y: mm(130) }, size: { width: mm(84) } } },
  ] } },
};
// The entry: its day as a heading, the address under it from an attribute.
const entry = {
  level: 2, fontFamily: SANS, fontWeight: 600, fontSize: pt(10), letterSpacing: pt(2.5),
  color: col('indigo'), marginTop: pt(LEAD), marginBottom: pt(LEAD), advancedDesign: {
    enabled: true, minHeight: pt(2 * LEAD), slot: { elements: [
      { kind: 'text', id: 'day', content: '{titleText}', fontFamily: SANS, fontWeight: 600,
        fontSize: pt(10), letterSpacing: pt(2.5), color: col('indigo'),
        placement: { anchor: { to: 'container', edge: 'top-left' } } },
      { kind: 'text', id: 'place', content: '{attr.place}', fontFamily: SANS, fontSize: pt(7.5),
        letterSpacing: pt(1), color: col('muted'), overflow: 'wrap', align: 'left',
        placement: { anchor: { to: 'container', edge: 'top-left' }, offset: { y: pt(LEAD) },
          size: { width: 'fill' } } },
    ] } },
};

笔记本以NIKKI. I. MEIDI 42 NEN. 1909. APRIL. TOKYO.开头,每项一行。标题从属性中取出这些行,每个\n另起一行,用加宽字距的大写字母排在靛蓝底上,像笔记本的布面封皮。这一页是开篇页,所以不印书眉。

#4 · 书眉按奇偶页排

script.js · 第90–99行在完整代码中
const head = (id, content, parity, edge) => ({ kind: 'text', id, content, parity,
  pages: 'body', fontFamily: SANS, fontSize: pt(7.5), letterSpacing: pt(1.5), color: col('muted'),
  placement: { anchor: { to: 'page', edge }, offset: { x: mm(edge.endsWith('left') ? 16 : -16),
    y: mm(13) } } });
const header = { elements: [
  head('folio-even', '{pageNumber}', 'even', 'top-left'),
  head('book', 'ROMAZI NIKKI · 1909', 'even', 'top'),
  head('place', 'TOKYO · APRIL', 'odd', 'top'),
  head('folio-odd', '{pageNumber}', 'odd', 'top-right'),
] };

偶数页印日记名,奇数页印地点和月份,页码在外侧角上,用7.5 pt的Source Sans 3。

完整食谱

沙盒
// ═══ Postext Cookbook · Nº 130 · Japanese in Latin letters: Takuboku's Rōmaji Diary ════
// https://postext.dev/en/cookbook/romaji-nikki
// Code: MIT · Text: Ishikawa Takuboku, 1909 (public domain); transcription (CC BY 4.0)
// Fonts: Source Serif 4, Source Sans 3, Noto Serif JP (SIL OFL 1.1) · Needs postext ≥ 1.16.1
// A diary written in Japanese with Latin letters, and its reading in kana under each paragraph.
import { buildDocument, renderPageToCanvas, clearMeasurementCache } from 'https://esm.sh/postext';
import { renderToPdf, decompressWoff2 } from 'https://esm.sh/postext-pdf';

const LANG = 'en'; // @lang: the language of the note; the diary is Japanese in both editions
const RECIPE = 'romaji-nikki';

// ─── 1 · Design ─────────────────────────────────────────────────────────────
// #region palette: diary ink, a faded indigo, the cream of a notebook
const palette = {
  ink: '#22201d', // the rōmaji
  indigo: '#34497a', // the date and the title (8.4:1 on the paper)
  kana: '#5a554e', // the transcription, a step lighter than the text (7:1)
  rule: '#c9c1b2',
  muted: '#6f6a62', // running heads, folios, the note
  paper: '#fcfaf4',
};
const col = (id) => ({ hex: palette[id], model: 'hex', paletteId: id });
const colorPalette = [
  ...Object.entries(palette).map(([id, hex]) => ({ id, name: id, value: { hex, model: 'hex' } })),
  { id: 'main-color', name: 'indigo (defaults)', value: { hex: palette.indigo, model: 'hex' } },
];
// #endregion

const SERIF = 'Source Serif 4'; // the rōmaji: ô û â ê in latin, ō ū in latin-ext
const SANS = 'Source Sans 3'; // labels, running heads, folios, the note
const MINCHO = 'Noto Serif JP'; // the kana: Noto Serif JP's Latin is Source Serif's
const [BODY, LEAD] = [10.5, 15]; // pt

// #region answer: a Japanese text in Latin letters is tagged ja-Latn
// ja-Latn is Japanese written in Latin script (BCP 47). Its language is ja, so the kana
// under each paragraph get the Japanese rules (kinsoku, 、。 spacing, the space after !)
// and the built-in strings are Japanese; and Japanese has no hyphenation patterns, so the
// rōmaji is never divided at a line end. English patterns would divide tatinobotta or
// Surigarasu by English syllables, not by the morae a Japanese reader hears.
const language = { locale: 'ja-Latn' }; // spread into the config
const bodyText = {
  fontFamily: SERIF, fontSize: pt(BODY), lineHeight: pt(LEAD), color: col('ink'),
  boldColor: col('ink'), italicColor: col('ink'), referenceColor: col('ink'),
  textAlign: 'justify', firstLineIndent: em(1.2), indentAfterHeading: false,
  optimalLineBreaking: true, maxWordSpacing: 1.8, // no hyphens: the spaces take the slack
};
// The reading in kana, under its paragraph: smaller, a shade lighter, indented.
const kana = { id: 'kana', fontFamily: MINCHO, fontSize: pt(8.6), lineHeight: pt(LEAD),
  color: col('kana'), textAlign: 'justify', indent: em(1.5), firstLineIndent: em(1),
  marginTop: pt(LEAD / 4), marginBottom: pt(LEAD * 0.75) };
// #endregion

// #region title: the diary's own heading lines on an indigo field, like a cloth notebook
const onField = { color: col('paper'), align: 'center', overflow: 'wrap' };
const title = {
  id: 'title', numbered: false, toc: false, span: 'page', runningChapter: false,
  breakBefore: { enabled: true, parity: 'any' }, // its page is an opener: no running heads
  advancedDesign: { enabled: true, minHeight: mm(166), slot: { elements: [
    { kind: 'box', id: 'field', style: { backgroundColor: col('indigo') },
      placement: { anchor: { to: 'bleed', edge: 'top-left' }, size: { width: 'fill',
        height: 'fill' } } },
    { kind: 'text', id: 'lines', content: '{attr.lines}', ...onField, fontFamily: SERIF,
      fontWeight: 600, fontSize: pt(20), lineHeight: 1.9, letterSpacing: pt(5),
      placement: { anchor: { to: 'container', edge: 'top' }, offset: { y: mm(18) } } },
    { kind: 'rule', id: 'rule', thickness: pt(0.5), color: col('paper'),
      placement: { anchor: { to: 'container', edge: 'top' }, offset: { y: mm(122) },
        size: { width: mm(24) } } },
    { kind: 'text', id: 'note', content: '{attr.note}', inlineMarks: true, ...onField,
      fontFamily: SANS, fontSize: pt(8.5), lineHeight: 1.5, placement: { anchor: { to:
        'container', edge: 'top' }, offset: { y: mm(130) }, size: { width: mm(84) } } },
  ] } },
};
// The entry: its day as a heading, the address under it from an attribute.
const entry = {
  level: 2, fontFamily: SANS, fontWeight: 600, fontSize: pt(10), letterSpacing: pt(2.5),
  color: col('indigo'), marginTop: pt(LEAD), marginBottom: pt(LEAD), advancedDesign: {
    enabled: true, minHeight: pt(2 * LEAD), slot: { elements: [
      { kind: 'text', id: 'day', content: '{titleText}', fontFamily: SANS, fontWeight: 600,
        fontSize: pt(10), letterSpacing: pt(2.5), color: col('indigo'),
        placement: { anchor: { to: 'container', edge: 'top-left' } } },
      { kind: 'text', id: 'place', content: '{attr.place}', fontFamily: SANS, fontSize: pt(7.5),
        letterSpacing: pt(1), color: col('muted'), overflow: 'wrap', align: 'left',
        placement: { anchor: { to: 'container', edge: 'top-left' }, offset: { y: pt(LEAD) },
          size: { width: 'fill' } } },
    ] } },
};
// #endregion

// #region heads: the diary's name on the verso, the place on the recto, folios outside
const head = (id, content, parity, edge) => ({ kind: 'text', id, content, parity,
  pages: 'body', fontFamily: SANS, fontSize: pt(7.5), letterSpacing: pt(1.5), color: col('muted'),
  placement: { anchor: { to: 'page', edge }, offset: { x: mm(edge.endsWith('left') ? 16 : -16),
    y: mm(13) } } });
const header = { elements: [
  head('folio-even', '{pageNumber}', 'even', 'top-left'),
  head('book', 'ROMAZI NIKKI · 1909', 'even', 'top'),
  head('place', 'TOKYO · APRIL', 'odd', 'top'),
  head('folio-odd', '{pageNumber}', 'odd', 'top-right'),
] };
// #endregion

const config = () => ({ // a factory: the engine caches resolved configs per object
  ...language, // ja-Latn, written out (gotcha: ja-locale-tag)
  colorPalette,
  page: {
    sizePreset: 'custom', width: mm(148), height: mm(210), dpi: 150, // A5
    backgroundColor: col('paper'),
    // A measure of about 70 characters: with no hyphens, a narrower one sets loose lines.
    margins: { top: mm(22), bottom: mm(22), left: mm(17), right: mm(17), mirror: true },
  },
  layout: { layoutType: 'single' },
  bodyText,
  headings: { fontFamily: SANS, fontWeight: 600, color: col('indigo'),
    levels: [{ level: 1, breakBefore: { enabled: true, parity: 'any' } }, entry] },
  headingStyles: [title],
  paragraphStyles: [kana,
    { id: 'note', fontFamily: SANS, fontSize: pt(7.8), lineHeight: pt(11.5), color: col('muted'),
      boldColor: col('ink'), boldFontWeight: 600, textAlign: 'left', firstLineIndent: em(0),
      marginTop: pt(2 * LEAD) }],
  header,
  footer: { elements: [] },
});

// ─── 2 · Content ────────────────────────────────────────────────────────────
const markdown = String.raw`---
Markdown样例 · 61行 · content.en.mdtitle: "ROMAZI NIKKI" author: "Isikawa Takuboku" --- # ROMAZI NIKKI {style="title" lines="NIKKI.\nI.\nMEIDI 42 NEN.\n1909.\nAPRIL.\nTOKYO." note="Ishikawa Takuboku, *Rōmaji nikki* (the Rōmaji Diary), the first entry, 7 April 1909, with a transcription into kana and kanji under each paragraph"} ## 7TH, WEDNESDAY. {place="HONGO-KU MORIKAWA-TYO 1 BANTI, SINSAKA 359 GO, GAIHEI-KAN-BESSO NITE."} Hareta Sora ni susamajii Oto wo tatete, hagesii Nisi-kaze ga huki areta. Sangai no Mado to yû Mado wa Taema mo naku gata-gata naru, sono Sukima kara wa, haruka Sita kara tatinobotta Suna-hokori ga sara-sara to hukikomu: sono kuse Sora ni tirabatta siroi Kumo wa titto mo ugokanu. Gogo ni natte Kaze wa yô-yô otituita. :::paragraphs{style="kana"} 晴れた空にすさまじい音を立てて、激しい西風が吹き荒れた。三階の窓という窓は絶え間もなくがたがた鳴る、そのすき間からは、はるか下から立ちのぼった砂ぼこりがさらさらと吹き込む。そのくせ空に散らばった白い雲はちっとも動かぬ。午後になって風はようよう落ち着いた。 ::: Haru rasii Hikage ga Mado no Surigarasu wo atataka ni somete, Kaze sae nakuba Ase de mo nagare sô na Hi de atta. Itu mo kuru Kasihonya no Oyadi, Te-no-hira de Hana wo kosuriage nagara, “Hidoku huki masu nâ.” to itte haitte kita. “Desuga, Kyô-dyû nya Tôkyô-dyû no Sakura ga nokorazu saki masu ze. Kaze ga attatte, anata, kono Tenki de gozai masu mono.” :::paragraphs{style="kana"} 春らしい日影が窓のすりガラスを暖かに染めて、風さえなくば汗でも流れそうな日であった。いつも来る貸本屋のおやじ、手のひらで鼻をこすり上げながら、「ひどく吹きますなあ。」と言って入って来た。「ですが、今日じゅうにゃ東京じゅうの桜が残らず咲きますぜ。風があったって、あなた、この天気でございますもの。」 ::: “Tôtô Haru ni nattyatta nê!” to Yo wa itta. Muron kono Kangai wa Oyadi ni wakarikko wa nai. “Eh! eh!” to Oyadi wa kotaeta: “Haru wa anata, watasidomo ni wa Kinmotu de gozai masu ne. Kasihon wa, moh, kara Dame de gasu: Hon nanka yomu yorya mata asonde aruita hô ga yô-gasu kara, Muri mo nai-ndesu ga, yonde kudasaru kata mo sizen to kô nagaku bakari narimasunde ne.” :::paragraphs{style="kana"} 「とうとう春になっちゃったねえ!」と予は言った。むろんこの感慨はおやじにわかりっこはない。「ええ!ええ!」とおやじは答えた。「春はあなた、わたしどもには禁物でございますね。貸本は、もう、からだめでがす。本なんか読むよりゃまた遊んで歩いたほうがようがすから、無理もないんですが、読んでくださる方も自然とこう長くばかりなりますんでね。」 ::: Kinô Sya kara Zensyaku sita Kane no nokori, 5 yen Sihei ga iti-mai Saihu no naka ni aru; Gozen-tyû wa sore bakkari Ki ni natte, Siyô ga nakatta. Kono Kimoti wa, heizei Kane no aru Hito ga kyû ni motanaku natta toki to onaji yô na Kigakari ka mo sirenu: dotira mo okasii koto da, onaji yô ni okasii ni wa tigai nai ga, sono Kô-hukô ni wa taisita Tigai ga aru. :::paragraphs{style="kana"} 昨日社から前借りした金の残り、五円紙幣が一枚財布の中にある。午前中はそればっかり気になって、しようがなかった。この気持ちは、平生金のある人が急に持たなくなったときと同じような気がかりかもしれぬ。どちらもおかしいことだ、同じようにおかしいには違いないが、その幸不幸には大した違いがある。 ::: Siyô koto nasi ni, Rôma-ji no Hyô nado wo tukutte mita. Hyô no naka kara, toki-doki, Tugaru-no-Umi no kanata ni iru Haha ya Sai no koto ga ukande Yo no Kokoro wo kasumeta. “Haru ga kita, Si-gatu ni natta. Haru ! Haru ! Hana mo saku ! Tokyô e kite mô iti-nen da! ...........Ga, Yo wa mada Yo no Kazoku wo yobiyosete yasinau Junbi ga dekinu !” Tika-goro, Hi ni nankwai to naku, Yo no Kokoro no naka wo atira e yuki, kotira e yuki siteru, Mondai wa kore da ........... :::paragraphs{style="kana"} しようことなしに、ローマ字の表などを作ってみた。表の中から、ときどき、津軽の海の彼方にいる母や妻のことが浮かんで予の心をかすめた。「春が来た、四月になった。春!春!花も咲く!東京へ来てもう一年だ!……が、予はまだ予の家族を呼び寄せて養う準備ができぬ!」近ごろ、日に何回となく、予の心の中をあちらへ行き、こちらへ行きしてる問題はこれだ…… ::: Sonnara naze kono Nikki wo Rômaji de kaku koto ni sitaka ? Naze da ? Yo wa Sai wo aisiteru ; aisiteru kara koso kono Nikki wo yomase taku nai no da. ------ Sikasi kore wa Uso da ! Aisiteru no mo Jijitu, yomase taku nai no mo Jijitu da ga, kono Hutatu wa kanarazu simo Kwankei site inai. :::paragraphs{style="kana"} そんならなぜこの日記をローマ字で書くことにしたか?なぜだ?予は妻を愛してる。愛してるからこそこの日記を読ませたくないのだ。――しかしこれはうそだ!愛してるのも事実、読ませたくないのも事実だが、この二つは必ずしも関係していない。 ::: Sonnara Yo wa Jakusya ka ? Ina, Tumari kore wa Hûhu-kwankei to yû matigatta Seido ga aru tame ni okoru no da. Hûhu ! nan to yû Baka na Seido darô ! Sonnara dô sureba yoi ka ? :::paragraphs{style="kana"} そんなら予は弱者か?否、つまりこれは夫婦関係という間違った制度があるために起こるのだ。夫婦!なんというばかな制度だろう!そんならどうすればよいか? ::: Kanasii koto da ! :::paragraphs{style="kana"} 悲しいことだ! ::: :::paragraphs{style="note"} **A note on the text.** Takuboku kept this diary in Tokyo from 7 April to 16 June 1909, in Latin letters, so that his wife Setsuko could not read it. He spells it in the Nippon-shiki system of 1885, not in Hepburn: *si, ti, tu, hu* for shi, chi, tsu, fu, *dy* for the voiced *t*-row kana (*Kyô-dyû*), a circumflex on long vowels (*Tôkyô*) and, his own habit, a capital on most nouns. The text follows the Iwanami Bunko edition of 1977; the transcription under each paragraph was made for this recipe, in modern kana. Set in Source Serif 4, Source Sans 3 and Noto Serif JP (SIL OFL) · Diary: public domain · Transcription and note: CC BY 4.0 :::
`; // content.<lang>.md: the same diary in both // ─── 3 · Fonts ────────────────────────────────────────────────────────────── const FONTS = { 'Source Serif 4': ['400', '400i', '600'], 'Source Sans 3': ['400', '400i', '600'], 'Noto Serif JP': ['400'] }; const kanaText = (markdown.match(/:::paragraphs\{style="kana"\}[\s\S]*?:::/g) ?? []).join(''); // ─── 4 · Build & show ─────────────────────────────────────────────────────── await loadFonts(FONTS, markdown); // and the latin-ext files, for the ō of the note await loadCjkFonts({ [MINCHO]: FONTS[MINCHO] }, kanaText); const doc = await buildWithFonts(() => buildDocument({ markdown }, config()), markdown); showPages(doc, { title: t({ en: 'The Rōmaji Diary', es: 'El diario en rōmaji' }) }); // #region macrons: the PDF gets each Latin face's latin-ext file too // Fontsource keeps ō ū ā in a latin-ext file. cjkPdfProvider serves Noto Serif JP from its // slices, and adds that file after the latin one for a Latin face whose text needs it. offerPdf(() => renderToPdf(doc, { fontProvider: cjkPdfProvider }), `${RECIPE}.pdf`); // #endregion
工具包 · core, fonts, viewer, pdf, cjk:每道食谱都相同 · 453行// ─── Kit ── helpers shared by every Cookbook recipe · postext.dev/cookbook ───── // ─── Kit · core v1 ── the same in every recipe · postext.dev/cookbook ───────── function mm(value) { return { value, unit: 'mm' }; } function pt(value) { return { value, unit: 'pt' }; } function em(value) { return { value, unit: 'em' }; } /** The sample language's string: t({ en: 'Figure', es: 'Figura' }). */ function t(strings) { return strings[LANG] ?? Object.values(strings)[0]; } /** A file in this recipe's assets folder, served from the Postext repo by jsDelivr. */ function asset(file) { return `https://cdn.jsdelivr.net/gh/drnachio/postext@main/cookbook/${RECIPE}/assets/${file}`; } // ─── Kit · fonts v1 ── the same in every recipe · postext.dev/cookbook ──────── // Postext measures text with the faces the browser has loaded, and caches the // widths, so every face must be ready before the first build. Faces come from // Fontsource: the same static files the PDF embeds, so screen and PDF agree. /** faces = { 'Family Name': ['400', '400i', '700'] }. `text` is the sample: * letters beyond Latin-1 (č, ł, ő…) also load the latin-ext files. With * `optional`, a face Fontsource does not ship is skipped instead of failing. * Resolves to the number of faces added. */ async function loadFonts(faces, text = '', { optional = false } = {}) { kitStatus('Loading fonts…'); const ranges = { latin: 'U+0000-00FF,U+0131,U+0152-0153,U+02BB-02BC,U+02C6,U+02DA,U+02DC,U+0304,U+0308,U+0329,' + 'U+2000-206F,U+20AC,U+2122,U+2191,U+2193,U+2212,U+2215,U+FEFF,U+FFFD', 'latin-ext': 'U+0100-02BA,U+02BD-02C5,U+02C7-02CC,U+02CE-02D7,U+02DD-02FF,U+0304,U+0308,U+0329,' + 'U+1D00-1DBF,U+1E00-1E9F,U+1EF2-1EFF,U+2020,U+20A0-20AB,U+20AD-20C0,U+2113,U+2C60-2C7F,U+A720-A7FF', }; const subsets = /[Ā-˿Ḁ-ỿ]/.test(text) ? ['latin', 'latin-ext'] : ['latin']; const jobs = []; let added = 0; for (const [family, specs] of Object.entries(faces)) { const id = fontsourceId(family); const meta = optional ? await fontsourceMeta(family) : null; for (const spec of new Set(specs)) { const weight = parseInt(spec, 10); const style = spec.endsWith('i') ? 'italic' : 'normal'; if (hasFace(family, weight, style)) continue; if (optional && !(meta?.weights.includes(weight) && meta.styles.includes(style))) continue; for (const subset of subsets) { const url = `https://cdn.jsdelivr.net/npm/@fontsource/${id}@5/files/${id}-${subset}-${weight}-${style}.woff2`; const face = new FontFace(family, `url(${url}) format('woff2')`, { weight: String(weight), style, unicodeRange: ranges[subset] }); jobs.push(face.load().then((ready) => { document.fonts.add(ready); added++; }, () => { if (subset === 'latin' && !optional) throw new Error(`Fontsource has no ${family} ${weight} ${style}`); })); } } } await Promise.all(jobs).catch((error) => { kitFail(error); throw error; }); return added; } /** Runs `build` (a buildDocument or buildBundle call) and checks the faces * the pages use. A regular face missing from FONTS is loaded with a warning; * bold and italic variants are loaded when the family ships them. Then the * measurement caches are cleared and the build runs again. */ async function buildWithFonts(build, text = '') { const tried = new Set(); for (let round = 0; round < 3; round++) { kitStatus('Laying out…'); await new Promise(requestAnimationFrame); // let the status paint first const result = await Promise.resolve().then(build).catch((error) => { kitFail(error); throw error; }); const wanted = { base: {}, variants: {} }; for (const { font, base } of [result].flat().flatMap(fontStringsOf)) { const { family, weight, style } = parseFont(font); const key = `${family}|${weight}|${style}`; if (tried.has(key) || hasFace(family, weight, style)) continue; tried.add(key); (wanted[base ? 'base' : 'variants'][family] ??= []).push(`${weight}${style === 'italic' ? 'i' : ''}`); } if (Object.keys(wanted.base).length) { console.warn(`[cookbook] FONTS does not list ${JSON.stringify(wanted.base)}: loading them.`); } const added = await loadFonts(wanted.base, text) + await loadFonts(wanted.variants, text, { optional: true }); if (added === 0) return result; clearMeasurementCache(); } throw new Error('The fonts did not settle after three builds.'); } /** Every font string of the layout. `base` marks a block's own face; its * bold, italic and bold-italic variants are listed whether or not used. */ function fontStringsOf(doc) { const found = new Map(); const walk = (node) => { if (!node || typeof node !== 'object') return; if (Array.isArray(node)) { node.forEach(walk); return; } for (const [key, value] of Object.entries(node)) { if (typeof value === 'string' && /fontString$/i.test(key)) { found.set(value, found.get(value) || key === 'fontString'); } else if (value && typeof value === 'object') walk(value); } }; walk(doc.pages); walk(doc.blocks); return [...found].map(([font, base]) => ({ font, base })); } /** '700 37.5px Open Sans' / 'italic 400 13px "Source Serif 4"' → { family, weight, style }. * A string with no weight ('95.8px Young Serif', from a design text) is 400. */ function parseFont(font) { const m = /^(?:(italic|oblique)\s+)?(?:small-caps\s+)?(?:(\d+|bold|normal)\s+)?[\d.]+px\s+(.+)$/.exec(font.trim()); if (!m) throw new Error(`Unexpected font string: ${font}`); const weight = m[2] === 'bold' ? 700 : !m[2] || m[2] === 'normal' ? 400 : Number(m[2]); return { family: m[3].replace(/^["']|["']$/g, ''), weight, style: m[1] ? 'italic' : 'normal' }; } /** True when a loaded FontFace covers exactly this family, weight and style * (document.fonts.check() is also true for families nobody declared). */ function hasFace(family, weight, style) { for (const face of document.fonts) { if (face.status !== 'loaded' || face.style !== style) continue; if (face.family.replace(/^["']|["']$/g, '') !== family) continue; const [low, high = low] = face.weight.split(' ').map(Number); if (weight >= low && weight <= high) return true; } return false; } /** Fontsource's id for a family: 'Source Serif 4' → 'source-serif-4'. */ function fontsourceId(family) { return family.toLowerCase().replace(/\s+/g, '-'); } /** The weights and styles a family ships ({ weights: [400, 700], styles: ['normal', 'italic'] }), or null. */ function fontsourceMeta(family) { fontsourceMeta.cache ??= new Map(); const id = fontsourceId(family); if (!fontsourceMeta.cache.has(id)) { fontsourceMeta.cache.set(id, fetch(`https://api.fontsource.org/v1/fonts/${id}`) .then((res) => (res.ok ? res.json() : null), () => null)); } return fontsourceMeta.cache.get(id); } // ─── Kit · viewer v1 ── the same in every recipe · postext.dev/cookbook ─────── /** Shows the pages as facing spreads on a dark desk: the first page is a * recto on its own, then verso | recto pairs, as in a bound book. Pages * are painted when they scroll near the screen. */ function showPages(docs, { title, width = 460 } = {}) { const root = viewer(title); const pages = [docs].flat().flatMap((doc) => doc.pages.map((page) => ({ doc, page, n: (doc.pageIndexOffset ?? 0) + page.index }))); const spreads = []; let verso = null; for (const p of pages) { if (p.n % 2 === 1) { if (verso) spreads.push([verso, null]); verso = p; } else { spreads.push([verso, p]); verso = null; } } if (verso) spreads.push([verso, null]); const density = Math.min(window.devicePixelRatio || 1, 2); showPages.painter?.disconnect(); const painter = new IntersectionObserver((entries) => { for (const { isIntersecting, target } of entries) { if (!isIntersecting) continue; painter.unobserve(target); const { doc, page } = target.postext; renderPageToCanvas(page, doc, target, { scale: (width * density) / page.width }); } }, { rootMargin: '800px' }); showPages.painter = painter; root.replaceChildren(...spreads.map((pair) => { const spread = document.createElement('div'); spread.className = 'pt-spread'; for (const p of pair) { const figure = document.createElement('figure'); if (p) { const label = p.page.pageLabel || String(p.n + 1); const canvas = document.createElement('canvas'); canvas.postext = p; canvas.style.aspectRatio = `${p.page.width} / ${p.page.height}`; canvas.setAttribute('role', 'img'); canvas.setAttribute('aria-label', `Page ${label}`); const folio = document.createElement('figcaption'); folio.textContent = label; figure.append(canvas, folio); painter.observe(canvas); } else figure.className = 'pt-blank'; spread.append(figure); } return spread; })); kitStatus(`${pages.length} ${pages.length === 1 ? 'page' : 'pages'}`); document.documentElement.dataset.postext = 'ready'; return pages.length; } /** The desk, the bar and the error reporting, created once. */ function viewer(title) { if (!document.getElementById('pt-kit')) { document.head.insertAdjacentHTML('beforeend', `<style id="pt-kit"> :root { color-scheme: dark; } body { margin: 0; background: #0e1014; color: #b9bcc4; font: 13px/1.45 system-ui, sans-serif; } #pt-bar { position: sticky; top: 0; z-index: 1; display: flex; flex-wrap: wrap; align-items: center; gap: 6px 16px; padding: 10px 16px; background: rgb(14 16 20 / .92); backdrop-filter: blur(6px); border-bottom: 1px solid #23262d; } #pt-bar strong { color: #f4f1ea; font-weight: 600; } #pt-actions { display: flex; gap: 12px; margin-left: auto; } #pt-actions a, #pt-actions button { color: #d8a21a; font: inherit; background: none; border: 0; padding: 0; cursor: pointer; } #pages { display: grid; justify-items: center; gap: 48px; padding: 32px 16px 72px; } .pt-spread { display: flex; } .pt-spread figure { margin: 0; width: min(460px, 44vw); } .pt-spread canvas { display: block; width: 100%; background: #fff; box-shadow: 0 1px 2px rgb(0 0 0 / .5), 0 22px 44px -16px rgb(0 0 0 / .8); } .pt-spread figure:first-child canvas { box-shadow: inset -14px 0 14px -14px rgb(0 0 0 / .18), 0 1px 2px rgb(0 0 0 / .5), 0 22px 44px -16px rgb(0 0 0 / .8); } .pt-spread figcaption { margin-top: 10px; text-align: center; font: 600 10px/1 system-ui, sans-serif; letter-spacing: .18em; text-transform: uppercase; color: #6c7079; } .pt-blank { visibility: hidden; } @media (max-width: 760px) { .pt-spread { flex-direction: column; gap: 32px; } .pt-spread figure { width: min(460px, 92vw); } .pt-blank { display: none; } } </style>`); document.body.insertAdjacentHTML('afterbegin', '<header id="pt-bar"><strong id="pt-title"></strong><span id="pt-status" role="status"></span><span id="pt-actions"></span></header>'); document.getElementById('pt-title').textContent = document.title || 'Postext'; addEventListener('error', (event) => kitFail(event.error ?? event.message)); addEventListener('unhandledrejection', (event) => kitFail(event.reason)); } if (title) document.getElementById('pt-title').textContent = title; return document.getElementById('pages') ?? document.body.appendChild(Object.assign(document.createElement('main'), { id: 'pages' })); } function kitStatus(text) { viewer(); document.getElementById('pt-status').textContent = text; } function kitFail(error) { document.documentElement.dataset.postext = 'error'; kitStatus(`Error: ${error?.message ?? error}`); } // ─── Kit · pdf v1 ── the same in every recipe that exports a PDF ────────────── /** postext-pdf embeds TrueType bytes. Fetch the Fontsource file the screen * used, snapping to a weight the family ships and falling back to upright * when it has no italic: the PDF asks for every face a block could use. */ async function fontsourceProvider(family, weight, style) { const id = fontsourceId(family); const meta = await fontsourceMeta(family); const weights = meta?.weights?.length ? meta.weights : [400, 700]; const w = weights.reduce((a, b) => (Math.abs(b - weight) < Math.abs(a - weight) ? b : a)); const s = style === 'italic' && meta && !meta.styles.includes('italic') ? 'normal' : style; const res = await fetch(`https://cdn.jsdelivr.net/npm/@fontsource/${id}@5/files/${id}-latin-${w}-${s}.woff2`); if (!res.ok) throw new Error(`Fontsource has no ${family} ${w} ${s} (${res.status})`); return decompressWoff2(new Uint8Array(await res.arrayBuffer())); } /** A "Build the PDF" button in the bar. Once built: "Open the PDF" (a new * tab, since CodePen's preview frame cannot show PDFs) and a download link. */ function offerPdf(makePdf, filename) { viewer(); const button = Object.assign(document.createElement('button'), { type: 'button', textContent: 'Build the PDF' }); button.dataset.postextPdf = filename; button.addEventListener('click', async () => { button.disabled = true; button.textContent = 'Building the PDF…'; try { const bytes = await makePdf(); const url = URL.createObjectURL(new Blob([bytes], { type: 'application/pdf' })); const size = `${Math.max(1, Math.round(bytes.length / 1024))} KB`; button.replaceWith( Object.assign(document.createElement('a'), { href: url, target: '_blank', rel: 'noopener', textContent: 'Open the PDF ↗' }), Object.assign(document.createElement('a'), { href: url, download: filename, textContent: `Download ${filename} · ${size}` })); } catch (error) { button.disabled = false; button.textContent = 'Build the PDF'; kitFail(error); } }); document.getElementById('pt-actions').append(button); } // ─── Kit · cjk v1 ── Chinese, Japanese and Korean books · postext.dev/cookbook ─ // Fontsource ships a CJK family as about a hundred files per weight, each // declared in its stylesheet with the unicode-range it covers. The screen // loads the files the sample touches; the PDF gets the same files for the // characters its pages set in each face, and embeds each as a subset. // A book bound on the right (vertical text) is shown with its spreads // mirrored: page 1 alone on the left of the spine, then [3 | 2]. /** The files of a Fontsource face, read from its stylesheet: { url, range, * ranges }, the last declared first (the order the browser tries them in). */ function cjkSlices(family, weight, style) { cjkSlices.cache ??= new Map(); const id = fontsourceId(family); const css = `https://cdn.jsdelivr.net/npm/@fontsource/${id}@5/${weight}${style === 'italic' ? '-italic' : ''}.css`; if (!cjkSlices.cache.has(css)) { cjkSlices.cache.set(css, fetch(css) .then((res) => { if (!res.ok) throw new Error(`Fontsource has no ${family} ${weight} ${style} (${res.status})`); return res.text(); }) .then((text) => [...text.matchAll(/@font-face\s*{([^}]*)}/g)].map(([, rule]) => { const range = /unicode-range:\s*([^;]+);/.exec(rule)?.[1].trim() ?? 'U+0-10FFFF'; const ranges = range.split(',').map((part) => { const [lo, hi = lo] = part.trim().slice(2).split('-'); return [parseInt(lo, 16), parseInt(hi, 16)]; }); return { url: new URL(/url\(([^)]+?\.woff2)\)/.exec(rule)[1], css).href, range, ranges }; }).reverse())); } return cjkSlices.cache.get(css); } /** The file of `slices` that holds code point `cp`, if any. */ function cjkSliceFor(slices, cp) { return slices.find((slice) => slice.ranges.some(([lo, hi]) => cp >= lo && cp <= hi)); } /** Whether Fontsource serves `family` as a Chinese, Japanese or Korean * family (its subsets name the script). Fails when the API does not * answer: a CJK face taken for a Latin one would paint in a system face. */ async function isCjkFamily(family) { const meta = await fontsourceMeta(family); if (!meta) throw new Error(`api.fontsource.org did not describe ${family}: reload to try again`); return !!meta.subsets?.some((subset) => /^(chinese|japanese|korean)/.test(subset)); } /** faces = { 'Noto Serif TC': ['400', '700'] }, as for loadFonts: the * whole FONTS object may be passed, its other families are left to * loadFonts. Adds one FontFace per file of each CJK face with its * unicodeRange, then loads the files `text` touches. `text` is what the * faces set: the sample for the text face; a book in several voices calls * it once per voice (loadCjkFonts({ 'LXGW WenKai TC': ['400'] }, quotes)), * so the heading and quotation faces fetch and check only their own * characters. Fails when a character of `text` is in no file of a face. * List every weight the pages use: a weight left to buildWithFonts gets * the latin file only. With { vertical: true } it also loads each * family's vertical forms (brackets, quotes, pause marks) for the canvas, * which needs loadVerticalAlternates imported from postext. Resolves to * the number of files loaded. */ async function loadCjkFonts(faces, text, { vertical = false } = {}) { kitStatus('Loading fonts…'); let loaded = 0; try { if (vertical && typeof loadVerticalAlternates !== 'function') { throw new Error('loadCjkFonts(…, { vertical: true }) needs loadVerticalAlternates imported from postext'); } for (const [family, specs] of Object.entries(faces)) { if (!(await isCjkFamily(family))) continue; const twin = []; for (const spec of new Set(specs)) { const weight = parseInt(spec, 10); const style = spec.endsWith('i') ? 'italic' : 'normal'; const slices = await cjkSlices(family, weight, style); const missing = [...new Set(text)].filter((ch) => /\S/.test(ch) && !cjkSliceFor(slices, ch.codePointAt(0))); if (missing.length) { throw new Error(`${family} ${spec} has no file for ${missing.slice(0, 12).join(' ')}: ` + `give each face the text it sets (loadCjkFonts({ '${family}': ['${spec}'] }, text))`); } for (const slice of slices) { document.fonts.add(new FontFace(family, `url(${slice.url}) format('woff2')`, { weight: String(weight), style, unicodeRange: slice.range })); twin.push({ source: slice.url, weight: String(weight), style, unicodeRange: slice.range }); } const font = `${style === 'italic' ? 'italic ' : ''}${weight} 16px "${family}"`; loaded += (await document.fonts.load(font, text)).length; if (!document.fonts.check(font, text)) throw new Error(`${family} ${spec} did not load for the sample`); } // The same files under a twin name with the `vert` feature on: the // canvas paints the punctuation of vertical lines with it. if (vertical && twin.length) await loadVerticalAlternates(family, twin); } } catch (error) { kitFail(error); throw error; } return loaded; } /** The PDF font provider for recipes with CJK faces: a family whose * Fontsource subsets are Chinese, Japanese or Korean gets the files that * hold the characters its pages set (`request.codePoints`); any other * family gets the latin file fontsourceProvider fetches (the "pdf" block) * and, when the face sets letters only latin-ext has, that file too. */ async function cjkPdfProvider(family, weight, style, request) { if (!(await isCjkFamily(family))) return cjkLatinPdfFiles(family, weight, style, request); const meta = await fontsourceMeta(family); const weights = meta.weights?.length ? meta.weights : [400, 700]; const w = weights.reduce((a, b) => (Math.abs(b - weight) < Math.abs(a - weight) ? b : a)); const s = style === 'italic' && !meta.styles.includes('italic') ? 'normal' : style; const slices = await cjkSlices(family, w, s); const picked = new Set(); for (const cp of request?.codePoints ?? []) { const slice = cjkSliceFor(slices, cp); if (slice) picked.add(slice); } if (!picked.size) picked.add(slices[0]); return Promise.all(slices.filter((slice) => picked.has(slice)).map(async (slice) => { const res = await fetch(slice.url); if (!res.ok) throw new Error(`Fontsource file ${slice.url} (${res.status})`); return decompressWoff2(new Uint8Array(await res.arrayBuffer())); })); } /** A Latin family set next to the CJK faces: its latin file, then its * latin-ext file when the face sets letters only latin-ext has (ō ū in * Hepburn rōmaji, ǎ in pinyin), the file loadFonts adds on screen for * them. Latin comes first: postext-pdf draws a character from the first * file that has it, as the browser takes a character both files hold from * latin. A face Fontsource ships without latin-ext, or whose file does * not come, gets latin alone, and the PDF names the letters it lacks. */ async function cjkLatinPdfFiles(family, weight, style, request) { const meta = await fontsourceMeta(family); const beyond = [...(request?.codePoints ?? [])].some(cjkLatinExtOnly); if (!beyond || !meta?.subsets?.includes('latin-ext')) return fontsourceProvider(family, weight, style); const weights = meta.weights?.length ? meta.weights : [400, 700]; const w = weights.reduce((a, b) => (Math.abs(b - weight) < Math.abs(a - weight) ? b : a)); const s = style === 'italic' && !meta.styles.includes('italic') ? 'normal' : style; const id = fontsourceId(family); const url = `https://cdn.jsdelivr.net/npm/@fontsource/${id}@5/files/${id}-latin-ext-${w}-${s}.woff2`; const [latin, ext] = await Promise.all([fontsourceProvider(family, weight, style), fetch(url) .then(async (res) => (res.ok ? decompressWoff2(new Uint8Array(await res.arrayBuffer())) : null), () => null)]); return ext ? [latin, ext] : latin; } /** Whether code point `cp` is in Fontsource's latin-ext file and not in * its latin file: Latin Extended-A and -B, IPA, the spacing modifiers and * Latin Extended Additional (loadFonts's test for latin-ext), less the * few latin holds too (ı Œ œ ʻ ʼ ˆ ˚ ˜). */ function cjkLatinExtOnly(cp) { if (!((cp >= 0x100 && cp <= 0x2ff) || (cp >= 0x1e00 && cp <= 0x1eff))) return false; return ![0x131, 0x152, 0x153, 0x2bb, 0x2bc, 0x2c6, 0x2da, 0x2dc].includes(cp); } /** showPages for a book bound on either edge. A right-bound book (the * document says so: doc.binding is 'right' for page.binding 'right' and * for vertical text) lies on the desk as it opens: page 1 alone on the * left of the spine, then [3 | 2], the spine shade on each page's inner * edge. `binding` ('left' | 'right') overrides the document's. */ function showBook(docs, { binding, ...options } = {}) { const count = showPages(docs, options); const right = (binding ?? [docs].flat()[0]?.binding) === 'right'; if (!document.getElementById('pt-kit-cjk')) { // The pages keep direction ltr: a canvas draws text in the direction its // element inherits, and under rtl each run would end where the engine // starts it, its brackets mirrored. document.head.insertAdjacentHTML('beforeend', `<style id="pt-kit-cjk"> .pt-spread[dir="rtl"] canvas { direction: ltr; } .pt-spread[dir="rtl"] figure:first-child canvas { box-shadow: inset 14px 0 14px -14px rgb(0 0 0 / .18), 0 1px 2px rgb(0 0 0 / .5), 0 22px 44px -16px rgb(0 0 0 / .8); } </style>`); } // Each pair stays [verso, recto] in the page; right to left, the verso // sits on the right. Phones stack the pages in reading order either way. for (const spread of document.querySelectorAll('#pages > .pt-spread')) spread.dir = right ? 'rtl' : 'ltr'; document.getElementById('pages').dataset.binding = right ? 'right' : 'left'; return count; } // ─── /Kit ───────────────────────────────────────────────────────────────────────

组合好的script.js可以直接运行:把它粘贴到任何页面的模块脚本中,或在CodePen上打开这道食谱。 GitHub上的食谱文件夹 ↗ (在新标签页中打开)

变化

#用赫本式重写罗马字

现代版本可以把日记改写成带长音符号的赫本式,如把Tôkyô写成Tōkyō。PDF已经能印出ō,只需改文本;另加一条说明,指出拼写出自编者。

#在音拍之间断词

窄栏需要连字符时,可在罗马字的音拍之间加软连字符(U+00AD),代码中写作Su­na-ho­ko­ri,或直接在文本里输入U+00AD:标记为ja-Latn的文档不会自动断词,但词放不下时会在软连字符处断开。

常见问题

易错点

日文文本标记为'ja',不要用zh-Hans或LANG

食谱的版本是en和es,但日文示例在两个版本里都是日文:`locale: LANG`会把它标记为英文或西班牙文,中文标记则会按中文规则排它(开明式标点、小假名可以出现在行首、图代替図、PDF中用中文字形)。写'ja':它选用日本地区(JLReq断行和标点、芝麻着重号、振假名的分布、図和表标签),并关闭断词。lint会让带假名却标记为zh或ko的文本失败。 日文禁则处理 →

易错点

日文要用日文字体排

Noto Serif SC和TC里有假名,但汉字是中文字形(直、骨、角都不同),假名也是中文字体的设计。正文用Noto Serif JP或Shippori Mincho B1,标题用Noto Sans JP,用loadCjkFonts加载。Fontsource的日文文件里没有变体假名等历史假名(U+1B000–1B16F):loadCjkFonts遇到它们会失败,PDF里印出空框,所以要写现代假名,或者把含有这些字的字体放进食谱的assets。Shippori Mincho也没有带长音符号的ō和ū:罗马字要用拉丁字体排。 假名、汉字与罗马字 →

易错点

中文字体通过cjk块分片加载

Fontsource把一个中文、日文或韩文字体家族按每个字重约一百个文件提供,每个文件覆盖一段字符范围。loadFonts只获取latin文件,所以屏幕上的汉字来自系统字体,测量不准;fontsourceProvider交给PDF的也是这个latin文件,汉字印出来是空框。列出kit中的cjk块,在loadFonts之后调用loadCjkFonts(FONTS, markdown)(书中用到几种CJK字体时,每种字体调用一次,并传入它所排的文字),并给renderToPdf传fontProvider: cjkPdfProvider:两者都会取用包含文中字符的那些文件。 中日韩字体 →

易错点

传入任何headings对象都会关掉H1换页

默认情况下,H1换页到右页(always-odd),但只要传入headings对象,这个默认值就会被重置,于是各章接排,span: 'page'也不起作用。在每份配置中重新写明headings.levels[0].breakBefore: { enabled: true, parity }。 从右页开始的章 →

易错点

配置按对象身份缓存:每次新建一个对象

引擎按对象身份缓存解析后的配置,所以就地修改配置再构建,会复用旧的结果。每次构建都新建一个对象,这也是食谱的配置写成工厂函数config()的原因。 在Canvas上绘制页面 →

易错点

排版前加载所有字体

排版用浏览器已加载的字体测量文字,并缓存宽度,所以首次构建之后才到的字体会造成断行错误,PDF也不再与屏幕一致。先加载所有字重和样式;有字体迟到时,重新构建前调用clearMeasurementCache()。 排版前加载字体 →

  • Shippori Mincho没有ō和ū;Noto Serif JP和Source Serif 4的latin-ext文件里有。给赫本式文本选字体之前先查一下。
  • 用拉丁字母写的中文是拼音,在每个字上方标拼音的识字课本里作为注音排在汉字上方;啄木的罗马字本身就是正文,所以按拉丁文排,有自己的词间距,而不是作为注释。

致谢

文本
  • Ishikawa Takuboku, ROMAZI NIKKI (the Rōmaji Diary), the entry of 7 April 1909 to “Kanasii koto da!”, in Latin letters as he wrote it, after the Iwanami Bunko edition (ed. Kuwabara Takeo, 1977) as transcribed on the blog 啄木の息 · Ishikawa Takuboku (1886–1912) · 公有领域
  • The transcription into kana and kanji under each paragraph and the note on the text, written for this recipe · Postext Cookbook · CC BY 4.0
字体
Source Serif 4 (SIL OFL 1.1) · Source Sans 3 (SIL OFL 1.1) · Noto Serif JP (SIL OFL 1.1)
沙盒PDF