باختصار
كتاب قصير عن الطرق التي تبدأ بها الفصول، يبدأ كل فصل فيه بأسلوب مختلف. يبيّن كيف تعطي الفصل ألوانه وهوامشه وتخطيطه بإعداد واحد.
ما الذي ستنضده
Five Ways to Begin كتاب من سبع صفحات عن صفحات افتتاح الفصول، مقاسه 180 × 240 mm، وكل فصل فيه منضّد بصفحة الافتتاح التي يصفها. الفصل الأول فصل رواية: سطر تمهيدي متباعد الحروف، وعنوان مائل رفيع، وحرف استهلالي أحمر بارتفاع خمسة أسطر، وترويسات في الصفحات التالية. الفصل الثاني يضع عنوانه وزخرفة طباعية داخل خرطوشة كريمية مرسومة بخطين أزرقين. الفصل الثالث يكدّس عنوانه بخط Fraunces Black أبيض على مساحة أرجوانية تنزف خارج الصفحة، فوق حرف استهلالي بخط أحادي المسافة معكوس داخل صندوق. الفصل الرابع، دليل الاستعمال، له ترويسات بخط أحادي المسافة، وشارة رقم برتقالية بجانب عنوانه، وعمودان بخط Geist. والخاتمة تضع عنوانها في منتصف صفحة فارغة، فوق حرف استهلالي مرتفع. يستعمل الفصل الأول صفحة الافتتاح الخاصة بالمستوى 1؛ والأربعة الأخرى تسمّي نمط عنوان على سطر عنوانها.
تجيب هذه الوصفة عن
- كيف أعطي كل فصل صورته أو لونه أو شكل افتتاحه الخاص؟
- كيف أضيف إلى صفحة الافتتاح سطر المؤلف أو مقدمة تمهيدية أو فقرة أولى بحرف استهلالي؟
- كيف أنضد عنوان الفصل بعرض الصفحة بينما يجري المتن في عمودين تحته؟
- كيف أبني شارة رقم بجانب العنوان تتسع حين يكبر الرقم (9 → 10)؟
الجواب المختصر
// A heading line picks a style by id, and its attributes feed the opener's {attr.…} texts:
// # The Frame {style="framed" kicker="Chapter the Second" lead="Long before there…"}
// A style overrides the level fields it names (here the opener) and, until the next level-1
// heading, the section fields it names; what it leaves out comes from the level and document.
const level1 = () => ({ level: 1,
// span 'page' opens each chapter at the head of a new page and runs its opener across
// every column (chapter four has two). Any headings object drops the default break to a
// recto (gotcha: headings-drop-h1-break): restate the side, 'any' for short chapters.
span: 'page',
breakBefore: { enabled: true, parity: 'any' },
marginBottom: pt(LEAD), // one line of air between the opener and the text
advancedDesign: literary }); // chapter one, unstyled: the book's own opener
const headingStyles = () => [ // factories, called by config() once every design exists
// Each style brings its opener and swaps 'accent' for a colour of its own, on its pages.
{ id: 'framed', advancedDesign: framed, palette: { accent: palette.lapis },
margins: { left: mm(EVEN), right: mm(EVEN) } }, // a centred text block
{ id: 'stacked', advancedDesign: stacked, palette: { accent: palette.magenta } },
{ id: 'spec', advancedDesign: spec, palette: { accent: palette.signal },
marginBottom: pt(0), // the hairline under the title is the separator
margins: { left: mm(SPEC), right: mm(SPEC) }, // a 144 mm text block
layout: { layoutType: 'double', gutterWidth: mm(7) },
bodyStyle: { fontFamily: 'Geist', fontSize: pt(9.8), textAlign: 'left' }, // on the grid
header: { elements: [...specHead('even'), ...specHead('odd')] },
footer: { elements: [] } }, // no folio at the foot: the head gives the page
{ id: 'quiet', numbered: false, // a coda: it advances no chapter counter
advancedDesign: quiet, palette: { accent: palette.graphite }, footer: tinyFolio,
margins: { left: mm(QUIET.inner), right: mm(QUIET.outer) }, // a 106 mm measure
bodyStyle: { fontSize: pt(QUIET.size), lineHeight: pt(QUIET.lead), textAlign: 'left' } },
]; // hook-up in config(): headings: { levels: [level1(), …] }, headingStyles()
المكونات
- الميزات
- أنماط العناوينهندسة القسمالحروف الاستهلالية في صفحات الافتتاحترويسات لكل قسمصفحات افتتاح مصمَّمةألوان لكل جزءفصول بلا أرقامشريط فصل بعرض الصفحةالنصوص والخطوط والمربعات في تصاميم الصفحةالصور في تصاميم الصفحةسمات العنوانأشرطة النزف وألسنة الإبهامفواصل الأسطر في العناوينتثبيت عناصر التصميمالترويسات وأرقام الصفحاتالترويسات بحسب دور الصفحةلوحة ألوان دلاليةالعناوين المرقّمةأنماط الفقراتالأشكال والجداول بوصفها موارد
- الخطوط
- Lora, Fraunces, Geist, Geist Mono (SIL OFL 1.1)
- الأصول
- لا شيء: كل صورة مرسومة بالكود
طريقة التحضير
#1 · ضع صفحة افتتاح الكتاب نفسها على المستوى
// The opening paragraph comes from lead="…" on the heading line: drop caps exist only in
// design text, so the lead is part of the opener (gap: body-drop-cap).
const lead = (placement, dropCap, extra = {}) => text('lead', '{attr.lead}', 'Lora',
LEADIN.size, placement, { lineHeight: LEADIN.lead / LEADIN.size, dropCap, ...extra });
const CAPS = 0.7; // the height of a capital in Lora and in Fraunces, em
// A drop cap's foot stands on the last baseline it spans. Its default size makes the capital
// as tall as all those line boxes, so it rises above the first line (2.2 mm for five lines
// here); this size puts its top on the first line's capitals instead.
const dropSize = (lines) => pt(((lines - 1) * LEADIN.lead + CAPS * LEADIN.size) / CAPS);
const literary = design([
text('kicker', '{attr.kicker}', 'Geist', 8, centred(22), { ...caps(1.7), align: 'center' }),
text('title', '{titleText}', 'Fraunces', 32, at('#kicker', 'below', 0, 4, 'fill'),
{ fontWeight: 300, italic: true, lineHeight: 1.05, align: 'center' }),
{ kind: 'rule', id: 'rule', direction: 'horizontal', thickness: pt(0.8), color: col('accent'),
placement: at('#title', 'below', (MEASURE - 18) / 2, 6, 18) }, // an 18 mm rule, centred
lead(at('#title', 'below', 0, 17, 'fill'), {
lines: 5, fontSize: dropSize(5), fontFamily: 'Fraunces', fontWeight: 400,
color: col('accent'), gap: mm(2.5) }),
]);
الفصل الأول بلا نمط، فيأخذ التصميم الخاص بالمستوى 1، الذي تبدأ منه كل الأنماط (يعرض الجواب المختصر المستوى والأنماط). الحروف الاستهلالية لا توجد إلا في نص التصميم، لذلك تأتي الفقرة الأولى من الفصل من lead="…" على سطر العنوان، وتنضّدها lead() في صفحة الافتتاح؛ ويجري النص الأساسي تحتها. يضع المحرّك الحرف على خط الأساس الخامس، لكن الحرف الكبير بحجمه الافتراضي يكون بطول صناديق الأسطر الخمسة كلها ويعلو 2.2 mm فوق الحروف الكبيرة في السطر الأول. تحسب dropSize() حجمه من ارتفاع الحروف الكبيرة في Lora وFraunces (0.7 em)، فيصطف أعلى M معها.
#2 · أطّر العنوان في صندوقين
const FRAME = 62; // mm: the outer box's height
const INSET = 3; // mm: the hairline box runs this far inside it
const FLEURON = 44; // mm: the ornament's width, centred under the title
const framed = design([ // array order is paint order: the boxes first, the type on top
{ kind: 'box', id: 'frame', placement: { ...at('container', 'top-left', 0, 0),
size: { width: 'fill', height: mm(FRAME) } },
style: { backgroundColor: col('tint'), borderColor: col('accent'), borderWidth: pt(1.6) } },
{ kind: 'box', id: 'hairline', placement: { ...at('#frame', 'align-top', INSET, INSET),
size: { width: mm(MEASURE - 2 * INSET), height: mm(FRAME - 2 * INSET) } },
style: { borderColor: col('accent'), borderWidth: pt(0.5) } },
text('kicker', '{attr.kicker}', 'Geist', 7.5, centred(14), { ...caps(1.6), align: 'center' }),
text('title', '{titleText}', 'Fraunces', 34, at('#kicker', 'below', 0, 3.5, 'fill'),
{ fontWeight: 600, lineHeight: 1.05, align: 'center' }),
// An image element draws a registered resource, never numbered or captioned. Its resourceId
// may be '{attr.photo}' (postext ≥ 1.8): then each heading names its own photo.
{ kind: 'image', id: 'fleuron', resourceId: 'fleuron',
placement: at('#title', 'below', (MEASURE - FLEURON) / 2, 4.5, FLEURON) },
// The section's palette does not reach dropCap.color: name the blue (gotcha: drop-cap-palette).
lead(at('container', 'top-left', 0, FRAME + 9, 'fill'), { lines: 3, fontSize: dropSize(3),
fontFamily: 'Fraunces', fontWeight: 600, color: col('lapis'), gap: mm(2) }),
]);
ترتيب المصفوفة هو ترتيب الرسم، فتأتي الصناديق أولًا والحروف فوقها؛ والزخرفة عنصر صورة، يرسم مورد SVG مسجّلًا لا يُرقّم ولا يُحال إليه أبدًا. وبعنصر الصورة أيضًا يحصل كل فصل على صورته الخاصة: منذ postext 1.8 يقبل resourceId العناصر النائبة، فمع resourceId: '{attr.photo}' يرسم نمط واحد الصورة التي يسمّيها كل عنوان، # The Frame {style="framed" photo="lake"}، كما تفعل أطباق بطاقة الوصفة (عناصر الصورة). يضبط النمط framed في الجواب المختصر palette ليصير accent أزرق في صفحات هذا الفصل، فتُطبع الخطوط والسطر التمهيدي ورقم الصفحة السفلي بالأزرق، وتضع margins الخاصة به كتلة النص في الوسط تحت الإطار. في الإصدار 1.4.1 يتجاهل color الحرف الاستهلالي لوحة ألوان القسم، لذلك يسمّي الحرف الأزرقَ بـ col('lapis').
#3 · كدّس العنوان، وضع الحرف الاستهلالي في صندوق
const FIELD = 130; // mm from the trim: the foot of the colour field
const S_BEARING = 1.2; // mm: the white left of the title's S (0.0365 em at 94 pt)
// The boxed initial: the engine sets the letter, a drop cap on the third baseline; the box
// behind it is fitted by hand, in pt from the top of the lead's first line box.
const BASE = 0.8; // 1.4.1 sets a design text's baseline 0.8 down its line box; no option
// Geist Mono, em: cap height, the advance every capital shares, the white either side of an M
const MONO = { caps: 0.71, advance: 0.6, side: 0.044 };
const BOXED = 3; // lines the initial spans
const capsTop = BASE * LEADIN.lead - CAPS * LEADIN.size; // the first line's capitals: box top
const foot = (BOXED - 1 + BASE) * LEADIN.lead; // the third baseline: the letter's foot
// The M's top sits as far under the box's top as its sides sit in, and the box runs as far
// under its foot, so the colour is as wide on all four sides.
const letter = (foot - capsTop) / (MONO.caps + MONO.side), pad = MONO.side * letter;
const stacked = design([
{ kind: 'box', id: 'field', style: { backgroundColor: col('accent') },
placement: { anchor: { to: 'bleed', edge: 'top-left' }, size: { height: mm(FIELD) } } },
text('kicker', '{attr.kicker}', 'Geist', 8, at('container', 'top-left', 0, 4),
{ ...caps(1.8), color: col('paper') }),
// {titleText} keeps the \\ breaks from the Markdown, so each line ends at the writer's \\.
// Moved left by the S's side bearing, so its curve meets the text edge.
text('title', '{titleText}', 'Fraunces', 94,
at('container', 'top-left', -S_BEARING, 15, 'fill'),
{ fontWeight: 900, lineHeight: 0.84, color: col('paper') }),
{ kind: 'box', id: 'initial', style: { backgroundColor: col('accent') }, // behind the lead
placement: { anchor: { to: '#lead', edge: 'align-top' }, offset: { y: pt(capsTop) },
size: { width: pt(MONO.advance * letter), height: pt(foot + pad - capsTop) } } },
// The lead: 8 mm under the field (FIELD is from the trim). Its drop cap's line box
// counts in the opener's height, 3.5 mm under the lead: FIELD is set so it costs no line.
lead(at('container', 'top-left', 0, FIELD - TOP + 8, 'fill'), { lines: BOXED,
fontSize: pt(letter), fontFamily: 'Geist Mono', fontWeight: 700, color: col('paper'),
gap: mm(2.2) }),
]);
التكديس مكتوب في Markdown: # Say it \\ out \\ loud. يكسر {titleText} عند كل \\، أما الترويسات وفهرس PDF فتقرأ العنوان على سطر واحد (فواصل الأسطر في العناوين). تتدلى المساحة من أعلى النزف، بالعرض الكامل وبعمق 130 mm، وتبدأ الفقرة الافتتاحية على بعد 8 mm تحتها. الحرف الاستهلالي في الصندوق عنصران. الحرف الاستهلالي في الفقرة الافتتاحية يضع M على ثلاثة أسطر، والصندوق الأرجواني المرسوم قبله يُحسب حجمه من صندوق سطر الفقرة الافتتاحية ومقاييس Geist Mono، فيكون اللون فوق M وتحته بعرض فراغيه الجانبيين.
#4 · أعطِ دليل الاستعمال شارة وعمودين وترويساته الخاصة
const SPEC = 18; // mm: both side margins, for a 144 mm text block in two columns
const PAD = 1.6; // mm of colour over the badge's figures
const spec = design([
{ kind: 'rule', id: 'top-rule', direction: 'horizontal', thickness: pt(2.4), color: col('ink'),
placement: at('container', 'top-left', 0, 0, 'fill') },
text('kicker', '{attr.kicker}', 'Geist Mono', 7.5, at('container', 'top-left', 0, 3.2),
{ ...caps(1.2, 500), color: col('graphite') }),
// The badge's width follows its text, with padding on both sides, so 9 → 10 widens it. Its
// line box holds 1 mm more under the figures than over them, so the foot pads 1 mm less.
text('badge', '{chapterNumber}', 'Geist Mono', 26, at('container', 'top-left', 0, 12),
{ fontWeight: 700, lineHeight: 1, box: { backgroundColor: col('accent'), padding: {
top: mm(PAD), right: mm(2.4), bottom: mm(PAD - 1), left: mm(2.4) } } }),
// Same size and line height as the badge, dropped by its top padding, so the baselines meet.
text('title', '{titleText}', 'Geist', 26, at('#badge', 'right-of', 4, PAD),
{ fontWeight: 700, lineHeight: 1 }),
{ kind: 'rule', id: 'hairline', direction: 'horizontal', thickness: pt(0.5), color: col('ink'),
placement: at('container', 'top-left', 0, 31, 'fill') }, // room for a one-line title
]);
const specHead = (parity) => { // mono labels over the opener's rule, on every page of the section
const [edge, s] = parity === 'even' ? ['top-left', 1] : ['top-right', -1];
const mono = { ...caps(1.1, 500), color: col('graphite'), parity, pages: 'all' };
return [
text(`sp-page-${parity}`, '{pageNumber} / {totalPages}', 'Geist Mono', 7,
at('container', edge, 0, HEAD_Y), mono),
text(`sp-chap-${parity}`, '§ {chapterNumber} · {chapterTitle}', 'Geist Mono', 7,
at('container', edge, s * 16, HEAD_Y), mono),
];
};
الشارة عنصر نص بتعبئة وحشوة لكن من غير عرض، فيتبع عرضها {chapterNumber}، والعنوان موضوع right-of بالنسبة إليها: عند الفصل 10 تكبر الشارة رقمًا واحدًا، 5.5 mm، ويتحرك العنوان معها. حشوتها السفلى أقل من العليا بـ 1 mm لأن صندوق السطر يحمل هذا المقدار الإضافي تحت الأرقام، فيقف الرقم 4 في الوسط. في النمط spec يضع layout القسم في عمودين، ويمدّ span: 'page' الخاص بالمستوى صفحة الافتتاح على العمودين. توسّع margins الخاصة به كتلة النص إلى 144 mm، ويضع bodyStyle خط Geist غير مضبوط على شبكة الكتاب البالغة 14.5 pt، ويحل header محل ترويسات الكتاب، ويُسقط footer فارغ رقم الصفحة.
#5 · اترك للخاتمة فسحتها
const quiet = design([ // the kicker is in the accent, which this style turns graphite
text('kicker', '{attr.kicker}', 'Geist', 7.5, at('container', 'top-left', 0, 92),
caps(1.6, 500)),
text('title', '{titleText}', 'Fraunces', 26, at('#kicker', 'below', 0, 3),
{ fontWeight: 300, lineHeight: 1.1 }),
// One line: the letter stands on the first baseline and rises into the white above it.
lead(at('#title', 'below', 0, 16, 'fill'), { lines: 1, fontFamily: 'Fraunces',
fontWeight: 300, fontSize: pt(46), color: col('graphite'), gap: mm(1.2) },
{ fontSize: pt(QUIET.size), lineHeight: QUIET.lead / QUIET.size }),
]);
const tiny = (parity, edge) => text(`tiny-${parity}`, '{pageNumber}', 'Geist', 6.5,
at('container', edge, 0, -12), { fontWeight: 500, color: col('muted'), parity });
const tinyFolio = { elements: [tiny('even', 'bottom-left'), tiny('odd', 'bottom-right')] };
يتدلى السطر التمهيدي على بعد 92 mm تحت أعلى كتلة النص، والحرف الاستهلالي المرتفع حرف استهلالي بارتفاع سطر واحد: تقف قدمه على خط الأساس الأول، وبقياس 46 pt يعلو في البياض الذي فوقه بدلًا من أن ينزل في الفقرة. في النمط quiet تضيّق margins عرض السطر إلى 106 mm، ويضع bodyStyle النص غير مضبوط بقياس 12.5/17.5 pt، ويستبدل footer برقم الصفحة السفلي رقمًا صغيرًا في الزاوية الخارجية، وتجعل palette السطر التمهيدي رماديًا. لا شيء في هذه الصفحة يطبع رقم فصل، فلن يظهر أثر numbered: false إلا في فصل يُضاف بعد الخاتمة، وسيبقى هذا الفصل الخامس.
الوصفة كاملة
// ═══ Postext Cookbook · Nº 017 · Five chapter openers in one book ═════════════════ // https://postext.dev/en/cookbook/five-chapter-openers // Code: MIT · Text: original (CC BY 4.0) · Ornament: generated in code (CC BY 4.0) // Fonts: Lora, Fraunces, Geist, Geist Mono (SIL OFL 1.1) · Needs postext ≥ 1.4.1 // A small book about openers, each chapter set in the one it describes. Every heading style // brings its opener and palette; three move the margins, two bring their own type and folios. import { buildDocument, renderPageToCanvas, clearMeasurementCache, registerResourceImage, } from 'https://esm.sh/postext'; const LANG = 'en'; // @lang: the language of the sample document ('en' | 'es') const RECIPE = 'five-chapter-openers'; // ─── 1 · Design ───────────────────────────────────────────────────────────── // #region answer: one opener per chapter: the level's own, then heading styles by name // A heading line picks a style by id, and its attributes feed the opener's {attr.…} texts: // # The Frame {style="framed" kicker="Chapter the Second" lead="Long before there…"} // A style overrides the level fields it names (here the opener) and, until the next level-1 // heading, the section fields it names; what it leaves out comes from the level and document. const level1 = () => ({ level: 1, // span 'page' opens each chapter at the head of a new page and runs its opener across // every column (chapter four has two). Any headings object drops the default break to a // recto (gotcha: headings-drop-h1-break): restate the side, 'any' for short chapters. span: 'page', breakBefore: { enabled: true, parity: 'any' }, marginBottom: pt(LEAD), // one line of air between the opener and the text advancedDesign: literary }); // chapter one, unstyled: the book's own opener const headingStyles = () => [ // factories, called by config() once every design exists // Each style brings its opener and swaps 'accent' for a colour of its own, on its pages. { id: 'framed', advancedDesign: framed, palette: { accent: palette.lapis }, margins: { left: mm(EVEN), right: mm(EVEN) } }, // a centred text block { id: 'stacked', advancedDesign: stacked, palette: { accent: palette.magenta } }, { id: 'spec', advancedDesign: spec, palette: { accent: palette.signal }, marginBottom: pt(0), // the hairline under the title is the separator margins: { left: mm(SPEC), right: mm(SPEC) }, // a 144 mm text block layout: { layoutType: 'double', gutterWidth: mm(7) }, bodyStyle: { fontFamily: 'Geist', fontSize: pt(9.8), textAlign: 'left' }, // on the grid header: { elements: [...specHead('even'), ...specHead('odd')] }, footer: { elements: [] } }, // no folio at the foot: the head gives the page { id: 'quiet', numbered: false, // a coda: it advances no chapter counter advancedDesign: quiet, palette: { accent: palette.graphite }, footer: tinyFolio, margins: { left: mm(QUIET.inner), right: mm(QUIET.outer) }, // a 106 mm measure bodyStyle: { fontSize: pt(QUIET.size), lineHeight: pt(QUIET.lead), textAlign: 'left' } }, ]; // hook-up in config(): headings: { levels: [level1(), …] }, headingStyles() // #endregion const palette = { // every colour in the config links to one of these by id ink: '#16181c', // text: a cool near-black accent: '#8c1c13', // the one accent of a section; the book's own is a rubric red tint: '#f6f0e3', // the frame's cream muted: '#6b6760', // running heads and the colophon paper: '#ffffff', // type on colour lapis: '#24427a', magenta: '#a3155e', signal: '#ff5a1f', graphite: '#4a4f57', }; // col(id): a palette-linked colour. It carries the hex too, because 1.4.1 paints design // elements from the hex (gotcha: palette-skips-designs). const col = (id) => ({ hex: palette[id], model: 'hex', paletteId: id }); const colorPalette = [ ...Object.entries(palette).map(([id, hex]) => ({ id, name: id, value: { hex, model: 'hex' } })), // The engine's defaults link to 'main-color': point it at the accent, so nothing prints blue. { id: 'main-color', name: 'accent (defaults)', value: { hex: palette.accent, model: 'hex' } }, ]; const TRIM = { w: 180, h: 240 }; // mm const TOP = 22, INNER = 20, OUTER = 36; // margins, mm: a wide outer margin keeps 124 mm lines const MEASURE = TRIM.w - INNER - OUTER; // mm const EVEN = (TRIM.w - MEASURE) / 2; // mm: equal side margins, for the framed chapter const LEAD = 14.5; // body leading, pt: the baseline grid const LEADIN = { size: 12, lead: 17 }; // pt: the opening paragraph each opener sets itself const QUIET = { size: 12.5, lead: 17.5, inner: 30, outer: 44 }; // the coda: pt, and mm margins // Design-slot shorthands. at(): a placement from an anchor's edge, x and y in mm. const at = (to, edge, x, y, width) => ({ anchor: { to, edge }, offset: { x: mm(x), y: mm(y) }, ...(width !== undefined && { size: { width: width === 'fill' ? 'fill' : mm(width) } }) }); // Design text wraps; left alone it ends in '…' (gotcha: overflow-ellipsis-default). A number // lineHeight multiplies the size, never pt() (gotcha: design-lineheight-multiple). const text = (id, content, fontFamily, size, placement, extra = {}) => ({ kind: 'text', id, content, fontFamily, fontSize: pt(size), color: col('ink'), align: 'left', overflow: 'wrap', placement, ...extra }); const caps = (tracking, weight = 600) => ({ fontWeight: weight, letterSpacing: pt(tracking), textTransform: 'uppercase', color: col('accent') }); const centred = (y) => at('container', 'top', 0, y, 'fill'); // a full-width line, centred // No minHeight: the text starts under the lowest element of each opener. const design = (elements) => ({ enabled: true, slot: { elements } }); // #region literary: chapter one, the level's own opener: a five-line drop in rubric red // The opening paragraph comes from lead="…" on the heading line: drop caps exist only in // design text, so the lead is part of the opener (gap: body-drop-cap). const lead = (placement, dropCap, extra = {}) => text('lead', '{attr.lead}', 'Lora', LEADIN.size, placement, { lineHeight: LEADIN.lead / LEADIN.size, dropCap, ...extra }); const CAPS = 0.7; // the height of a capital in Lora and in Fraunces, em // A drop cap's foot stands on the last baseline it spans. Its default size makes the capital // as tall as all those line boxes, so it rises above the first line (2.2 mm for five lines // here); this size puts its top on the first line's capitals instead. const dropSize = (lines) => pt(((lines - 1) * LEADIN.lead + CAPS * LEADIN.size) / CAPS); const literary = design([ text('kicker', '{attr.kicker}', 'Geist', 8, centred(22), { ...caps(1.7), align: 'center' }), text('title', '{titleText}', 'Fraunces', 32, at('#kicker', 'below', 0, 4, 'fill'), { fontWeight: 300, italic: true, lineHeight: 1.05, align: 'center' }), { kind: 'rule', id: 'rule', direction: 'horizontal', thickness: pt(0.8), color: col('accent'), placement: at('#title', 'below', (MEASURE - 18) / 2, 6, 18) }, // an 18 mm rule, centred lead(at('#title', 'below', 0, 17, 'fill'), { lines: 5, fontSize: dropSize(5), fontFamily: 'Fraunces', fontWeight: 400, color: col('accent'), gap: mm(2.5) }), ]); // #endregion // #region framed: a cartouche of two boxes around the title, an ornament, a three-line initial const FRAME = 62; // mm: the outer box's height const INSET = 3; // mm: the hairline box runs this far inside it const FLEURON = 44; // mm: the ornament's width, centred under the title const framed = design([ // array order is paint order: the boxes first, the type on top { kind: 'box', id: 'frame', placement: { ...at('container', 'top-left', 0, 0), size: { width: 'fill', height: mm(FRAME) } }, style: { backgroundColor: col('tint'), borderColor: col('accent'), borderWidth: pt(1.6) } }, { kind: 'box', id: 'hairline', placement: { ...at('#frame', 'align-top', INSET, INSET), size: { width: mm(MEASURE - 2 * INSET), height: mm(FRAME - 2 * INSET) } }, style: { borderColor: col('accent'), borderWidth: pt(0.5) } }, text('kicker', '{attr.kicker}', 'Geist', 7.5, centred(14), { ...caps(1.6), align: 'center' }), text('title', '{titleText}', 'Fraunces', 34, at('#kicker', 'below', 0, 3.5, 'fill'), { fontWeight: 600, lineHeight: 1.05, align: 'center' }), // An image element draws a registered resource, never numbered or captioned. Its resourceId // may be '{attr.photo}' (postext ≥ 1.8): then each heading names its own photo. { kind: 'image', id: 'fleuron', resourceId: 'fleuron', placement: at('#title', 'below', (MEASURE - FLEURON) / 2, 4.5, FLEURON) }, // The section's palette does not reach dropCap.color: name the blue (gotcha: drop-cap-palette). lead(at('container', 'top-left', 0, FRAME + 9, 'fill'), { lines: 3, fontSize: dropSize(3), fontFamily: 'Fraunces', fontWeight: 600, color: col('lapis'), gap: mm(2) }), ]); // #endregion // #region stacked: a colour field, the title's words stacked, a boxed initial const FIELD = 130; // mm from the trim: the foot of the colour field const S_BEARING = 1.2; // mm: the white left of the title's S (0.0365 em at 94 pt) // The boxed initial: the engine sets the letter, a drop cap on the third baseline; the box // behind it is fitted by hand, in pt from the top of the lead's first line box. const BASE = 0.8; // 1.4.1 sets a design text's baseline 0.8 down its line box; no option // Geist Mono, em: cap height, the advance every capital shares, the white either side of an M const MONO = { caps: 0.71, advance: 0.6, side: 0.044 }; const BOXED = 3; // lines the initial spans const capsTop = BASE * LEADIN.lead - CAPS * LEADIN.size; // the first line's capitals: box top const foot = (BOXED - 1 + BASE) * LEADIN.lead; // the third baseline: the letter's foot // The M's top sits as far under the box's top as its sides sit in, and the box runs as far // under its foot, so the colour is as wide on all four sides. const letter = (foot - capsTop) / (MONO.caps + MONO.side), pad = MONO.side * letter; const stacked = design([ { kind: 'box', id: 'field', style: { backgroundColor: col('accent') }, placement: { anchor: { to: 'bleed', edge: 'top-left' }, size: { height: mm(FIELD) } } }, text('kicker', '{attr.kicker}', 'Geist', 8, at('container', 'top-left', 0, 4), { ...caps(1.8), color: col('paper') }), // {titleText} keeps the \\ breaks from the Markdown, so each line ends at the writer's \\. // Moved left by the S's side bearing, so its curve meets the text edge. text('title', '{titleText}', 'Fraunces', 94, at('container', 'top-left', -S_BEARING, 15, 'fill'), { fontWeight: 900, lineHeight: 0.84, color: col('paper') }), { kind: 'box', id: 'initial', style: { backgroundColor: col('accent') }, // behind the lead placement: { anchor: { to: '#lead', edge: 'align-top' }, offset: { y: pt(capsTop) }, size: { width: pt(MONO.advance * letter), height: pt(foot + pad - capsTop) } } }, // The lead: 8 mm under the field (FIELD is from the trim). Its drop cap's line box // counts in the opener's height, 3.5 mm under the lead: FIELD is set so it costs no line. lead(at('container', 'top-left', 0, FIELD - TOP + 8, 'fill'), { lines: BOXED, fontSize: pt(letter), fontFamily: 'Geist Mono', fontWeight: 700, color: col('paper'), gap: mm(2.2) }), ]); // #endregion // The book's running heads and folios, anchored to the text block, whatever its margins. const HEAD_Y = 14; // mm from the trim to the running heads const label = (id, content, parity, edge, x, extra = {}) => text(id, content, 'Geist', 7.5, at('container', edge, x, HEAD_Y), { ...caps(1.4, 500), color: col('muted'), parity, pages: 'body', ...extra }); const folio = { fontWeight: 700, color: col('ink'), letterSpacing: pt(0.4) }; // Title on the verso, chapter on the recto, folios at the outer corners. const header = { elements: [ label('verso-folio', '{pageNumber}', 'even', 'top-left', 0, folio), label('verso-title', '{title}', 'even', 'top-left', 9), label('recto-title', '{chapterTitle}', 'odd', 'top-right', -9), label('recto-folio', '{pageNumber}', 'odd', 'top-right', 0, folio), ] }; // Openers carry a drop folio instead, centred under the text block, in the section's accent. const footer = { elements: [text('drop-folio', '{pageNumber}', 'Geist', 7.5, at('container', 'top', 0, 9), { ...folio, color: col('accent'), pages: 'opener' })] }; // #region spec: a ruled title, a number badge that widens with the number, two columns const SPEC = 18; // mm: both side margins, for a 144 mm text block in two columns const PAD = 1.6; // mm of colour over the badge's figures const spec = design([ { kind: 'rule', id: 'top-rule', direction: 'horizontal', thickness: pt(2.4), color: col('ink'), placement: at('container', 'top-left', 0, 0, 'fill') }, text('kicker', '{attr.kicker}', 'Geist Mono', 7.5, at('container', 'top-left', 0, 3.2), { ...caps(1.2, 500), color: col('graphite') }), // The badge's width follows its text, with padding on both sides, so 9 → 10 widens it. Its // line box holds 1 mm more under the figures than over them, so the foot pads 1 mm less. text('badge', '{chapterNumber}', 'Geist Mono', 26, at('container', 'top-left', 0, 12), { fontWeight: 700, lineHeight: 1, box: { backgroundColor: col('accent'), padding: { top: mm(PAD), right: mm(2.4), bottom: mm(PAD - 1), left: mm(2.4) } } }), // Same size and line height as the badge, dropped by its top padding, so the baselines meet. text('title', '{titleText}', 'Geist', 26, at('#badge', 'right-of', 4, PAD), { fontWeight: 700, lineHeight: 1 }), { kind: 'rule', id: 'hairline', direction: 'horizontal', thickness: pt(0.5), color: col('ink'), placement: at('container', 'top-left', 0, 31, 'fill') }, // room for a one-line title ]); const specHead = (parity) => { // mono labels over the opener's rule, on every page of the section const [edge, s] = parity === 'even' ? ['top-left', 1] : ['top-right', -1]; const mono = { ...caps(1.1, 500), color: col('graphite'), parity, pages: 'all' }; return [ text(`sp-page-${parity}`, '{pageNumber} / {totalPages}', 'Geist Mono', 7, at('container', edge, 0, HEAD_Y), mono), text(`sp-chap-${parity}`, '§ {chapterNumber} · {chapterTitle}', 'Geist Mono', 7, at('container', edge, s * 16, HEAD_Y), mono), ]; }; // #endregion // #region quiet: the coda: a title far down the page, a raised initial, a folio at the side const quiet = design([ // the kicker is in the accent, which this style turns graphite text('kicker', '{attr.kicker}', 'Geist', 7.5, at('container', 'top-left', 0, 92), caps(1.6, 500)), text('title', '{titleText}', 'Fraunces', 26, at('#kicker', 'below', 0, 3), { fontWeight: 300, lineHeight: 1.1 }), // One line: the letter stands on the first baseline and rises into the white above it. lead(at('#title', 'below', 0, 16, 'fill'), { lines: 1, fontFamily: 'Fraunces', fontWeight: 300, fontSize: pt(46), color: col('graphite'), gap: mm(1.2) }, { fontSize: pt(QUIET.size), lineHeight: QUIET.lead / QUIET.size }), ]); const tiny = (parity, edge) => text(`tiny-${parity}`, '{pageNumber}', 'Geist', 6.5, at('container', edge, 0, -12), { fontWeight: 500, color: col('muted'), parity }); const tinyFolio = { elements: [tiny('even', 'bottom-left'), tiny('odd', 'bottom-right')] }; // #endregion const config = () => ({ // a factory: configs are cached by identity (gotcha: config-cache-identity) colorPalette, locale: t({ en: 'en-us', es: 'es' }), // hyphenation, by exact code (gotcha: hyphenation-locales) page: { width: mm(TRIM.w), height: mm(TRIM.h), dpi: 150, // 150 dpi: a screen edition margins: { top: mm(TOP), bottom: mm(22), left: mm(INNER), right: mm(OUTER), mirror: true } }, layout: { layoutType: 'single' }, bodyText: { fontFamily: 'Lora', fontSize: pt(10.8), lineHeight: pt(LEAD), color: col('ink'), boldColor: col('ink'), italicColor: col('ink'), referenceColor: col('ink'), textAlign: 'justify', firstLineIndent: mm(4.5), indentAfterHeading: false, minWordSpacing: 0.8, maxWordSpacing: 1.6 }, // an even texture on 124 mm lines headings: { fontFamily: 'Geist', color: col('ink'), levels: [level1(), { level: 2, fontSize: pt(11.5), lineHeight: pt(LEAD), fontWeight: 700, // the manual's numberingTemplate: '{1}.{2}', marginTop: pt(LEAD), marginBottom: pt(0) }] }, headingStyles: headingStyles(), paragraphStyles: [{ id: 'colophon', fontFamily: 'Geist', fontSize: pt(7), lineHeight: pt(10), color: col('muted'), textAlign: 'left', firstLineIndent: pt(0), marginTop: pt(2 * LEAD) }], header, footer, }); // ─── 2 · Content ──────────────────────────────────────────────────────────── const markdown = String.raw`---نموذج Markdown · أسطر: 69 · content.en.md
title: "Five Ways to Begin" subtitle: "Notes on the chapter opener" --- # The Voice {kicker="Chapter One" lead="Most books begin quietly. A novel opens each chapter with a number, sometimes a title, some white space and then the first sentence, set in the same face as the rest of the text. The arrangement is meant to go unnoticed. It tells a reader who has finished one chapter that the next one has started, and lets them go on reading without stopping to look at the page."} The one ornament the novel has kept is the initial. It goes back to the rubricator, the scribe who went through a finished manuscript adding the headings and the capital letters in red ink; the word *rubric* comes from *rubrica*, the Latin for red ochre. The custom survived into print. Many early printed books leave a blank square where a chapter begins, sometimes with a small guide letter printed in it, so that a rubricator could paint the initial by hand once the sheets came off the press. Some copies were finished in gold and colour and others never were; in those the squares are still empty but for the guide letter. A drop cap is positioned from the lines beside it. Its top aligns with the capitals of the first line, and its foot stands on the baseline of the last line it spans, so the letter sits inside the text block. The lines it displaces all start the same distance from its right edge. Set above the capitals, the letter looks pasted on; set below them, it seems to sink into the paragraph. Five lines is a deep drop, usually kept for the first chapter of a long book. Two or three lines are more common, and many novels have no initial at all and mark the start of a chapter with the white space above the first line. A plain opener still follows exact measurements. The white space above the title, which printers call the sinkage, is the same depth on every opener, so the titles sit at one height as the pages turn, whether a title is one word long or eight. The first line of text falls on the same grid line as in the rest of the book, so that the lines on facing pages align when the book lies open. A sinkage that changes by a few millimetres from one chapter to the next shows as soon as you flick through the book. The chapter number can be spelled out, as it is here, printed in figures or, for an older look, set in roman numerals, and a book keeps to the form it chooses. Some novels leave out the word *Chapter* and print the number alone above the text, which suits a book of many short chapters. Others give each chapter a title and no number. The title is then the only element of the opener, so it is set a size larger, with more space above it. After the initial, many books set the rest of the first line, or the first phrase, in small capitals, which eases the step down from the large letter to the size of the text; others continue in roman. The first paragraph is not indented. An indent separates a paragraph from the one before it, and the first paragraph of a chapter has none before it. Chapters of a novel usually start on a new page, and in a long book often on a right-hand page, even when that leaves the page before it blank. In a novel of twenty chapters this can add about ten blank pages. Publishers accept them because every opener then falls on the same side of the book, and a reader looking for a chapter can find it by riffling the pages. The opener has no running head. The chapter title is already on the page and a head above it would repeat it, so the page number moves to the foot of the page instead, centred under the text. Printers call this a drop folio. Many books leave it out as well, and the opener is then counted but carries no printed number, a blind folio. On the chapter’s second page the running heads come back, the book’s title on the left-hand page and the chapter’s on the right, and the folios return to the outer corners. From there to the end of the chapter the text keeps to the same grid. A chapter that ends on its first page never shows the running heads at all. This book sets each chapter in the opener it describes, and so far it has followed the conventions of the novel. The next four chapters depart from them: a framed title for a gift edition, a title stacked on a colour field for a magazine, a numbered and ruled opener for a manual, and a title set low on an empty page for a coda. # The Frame {style="framed" kicker="Chapter the Second" lead="Long before books had title pages, the start of a text was marked in the manuscript itself, with a painted border round the first leaf and a large coloured initial, often under a band of leaves or knotwork."} The first printers took the practice over from the manuscripts they imitated and made it mechanical. They kept cases of cast ornaments in the shape of flowers, leaves and knots, which the trade calls fleurons, and built borders of any size from them, piece by piece, as a mason builds a wall. Initials were woodcuts, each letter cut into a block of foliage. A thrifty shop kept a few blocks with an empty centre, into which any capital from the case could be set; printers called such a block a factotum, from the Latin for “do everything”. A frame now appears mostly on reissued classics and anniversary editions, books bought to be given. Here a heavy rule outside and a hairline 3 mm inside it hold the title the way a mount holds a print. The type inside the frame is centred, with a single ornament below it. Colour goes on the frame, the kicker and the initial, and the text stays black. Below the frame the text has the face, size and measure of the rest of the book. Only the margins change, so that the text block is centred under the frame. # Say it \\ out \\ loud. {style="stacked" kicker="Chapter Three · Magazines, posters, manifestos" lead="Magazines, posters and manifestos give their first page to the title, set as large as the page allows and often with no picture at all."} A stacked title has few words, one phrase to each line, and the writer decides where the lines break. Left to wrap wherever the measure runs out, a title can split an article from its noun and end a line on *the*; broken where a speaker would pause, it reads as a headline. It needs a heavy face and empty space around it. Here the colour field gives it a background that bleeds off the top and sides of the page. Below the field the text returns to reading size, and only its first letter, reversed out in white from a magenta square, repeats the colour. # Number Everything {style="spec" kicker="Manuals · Standards · Datasheets"} Few people read a manual from the first page to the last. They open it at the section they need, often with the machine it describes in the other hand, and close it once the question is answered. The chapter number is what they write in a margin or quote in an email, so the opener sets it large, in figures of equal width, at the top left, where the eye starts. ## Numbers before names Readers cite a section by its number. A reference to section 4.2 still works after the section’s title has been reworded, which a reference to “the section on columns” may not. Headings are numbered down to the second level, and the number of a withdrawn section is never given to a new one, so an old reference cannot lead to different text. The badge that carries the chapter number widens with it. One- and two-figure numbers get the same padding on either side, and the title moves along to make room, so chapter 10 has the same gap between badge and title as chapter 9. At this size each extra figure adds 5.5 mm. ## Two columns, short lines Technical text is often set in two columns because a short line is easier to scan. Here each column is 68.5 mm wide, about forty characters of this text. A reader looking for one value can run down a narrow column, and at the end of each line the eye finds the start of the next without losing its place. The text is ragged right, so every word space keeps its natural width, and a long string such as a part number never stretches the spaces of the line before it. The title runs across both columns. It has to be read before anything else on the page, and in the first column alone it would look like one more paragraph. ## Rules and colour The rules divide the page. A heavy rule across the top of the text block marks the start of the chapter, and a hairline separates the title from the text. Both run the full width of the text block, across the two columns. The running head above them gives the chapter and the page number over the total, so a reader can see how far into the document they are without turning to the contents. The only colour is the orange of the badge, and the figure printed on it is black. Everything else a reader has to read is black or dark grey, so a black-and-white photocopy of the page loses no information. # Leave Room {style="quiet" kicker="Coda" lead="Some books need no signal at all. A collection of poems or a memoir can use its openers to slow the reader down."} This coda does it with white space: its title starts more than 90 mm down the text block, and its initial rises above the first line into the empty page. :::paragraphs{style="colophon"} *Five Ways to Begin* is set in Lora, Fraunces, Geist and Geist Mono (SIL Open Font License). Text and ornament: CC BY 4.0. :::`; // content.<lang>.md, inlined by the Cookbook // #region art: the fleuron, a printer's flower drawn in paths in the frame's blue function fleuron(ink) { // two scrolls with a leaf above and below, a rosette between them const scroll = 'M51 14.2C42 9.5 31 8.6 22 11.4C16 13.2 11.6 13 9.6 10.2C8.2 7.8 10.2 5.3 13 5.8' + 'C11 6.8 10.6 8.8 12 9.9C14.6 11.4 18 10.2 21.6 9.1C30.6 6.4 42 7.6 51 12.4Z' + 'M36 11.4C33.4 15.6 28.6 18.4 23.4 18.8C26.4 15 31 12.4 36 11.4Z' // the leaf below + 'M31 8.3C29.6 5.2 26.4 3.4 23 3.5C25.2 5.8 27.8 7.6 31 8.3Z'; // the leaf above const petal = 'M60 13.4C58.2 10.6 58.2 7.2 60 4.4C61.8 7.2 61.8 10.6 60 13.4Z'; const turn = (a) => `transform="rotate(${a} 60 13.4)"`; const rosette = [0, 90, 180, 270].map((a) => `<path d="${petal}" ${turn(a)}/>`).join('') + [45, 135, 225, 315].map((a) => `<circle cx="60" cy="9.6" r="1.1" ${turn(a)}/>`).join(''); return '<svg xmlns="http://www.w3.org/2000/svg" width="720" height="162" viewBox="0 0 120 27">' + `<g fill="${ink}"><path d="${scroll}"/>` // the right half is the left one mirrored + `<path d="${scroll}" transform="translate(120 0) scale(-1 1)"/>${rosette}` + '<circle cx="4.5" cy="10.5" r="1.5"/><circle cx="115.5" cy="10.5" r="1.5"/></g></svg>'; } // #endregion const resources = [{ id: 'fleuron', typeId: 'figure', kind: 'svg', createdAt: 0, updatedAt: 0, svg: { fileId: 'fleuron.svg', width: 720, height: 162 }, altText: t({ en: 'A printer’s flower: a four-petalled rosette between two leafy scrolls.', es: 'Un florón de imprenta: una roseta de cuatro pétalos entre dos volutas con hojas.' }) }]; // ─── 3 · Fonts ────────────────────────────────────────────────────────────── const FONTS = { // text, display, label and figure faces (gotcha: fonts-first) Lora: ['400', '400i'], Fraunces: ['300', '300i', '400', '600', '900'], Geist: ['400', '400i', '500', '600', '700'], 'Geist Mono': ['500', '700'] }; // ─── 4 · Build & show ─────────────────────────────────────────────────────── await loadFonts(FONTS, markdown); await loadSvg('fleuron.svg', fleuron(palette.lapis)); // a picture's colours are fixed when drawn const doc = await buildWithFonts(() => buildDocument({ markdown, resources }, config()), markdown); showPages(doc, { title: t({ en: 'Five chapter openers', es: 'Cinco aperturas de capítulo' }) });العُدّة · core, fonts, viewer, images: نفسها في كل وصفة · أسطر: 270
// ─── Kit ── helpers shared by every Cookbook recipe · postext.dev/cookbook ───── // ─── Kit · core v1 ── the same in every recipe · postext.dev/cookbook ───────── function mm(value) { return { value, unit: 'mm' }; } function pt(value) { return { value, unit: 'pt' }; } function em(value) { return { value, unit: 'em' }; } /** The sample language's string: t({ en: 'Figure', es: 'Figura' }). */ function t(strings) { return strings[LANG] ?? Object.values(strings)[0]; } /** A file in this recipe's assets folder, served from the Postext repo by jsDelivr. */ function asset(file) { return `https://cdn.jsdelivr.net/gh/drnachio/postext@main/cookbook/${RECIPE}/assets/${file}`; } // ─── Kit · fonts v1 ── the same in every recipe · postext.dev/cookbook ──────── // Postext measures text with the faces the browser has loaded, and caches the // widths, so every face must be ready before the first build. Faces come from // Fontsource: the same static files the PDF embeds, so screen and PDF agree. /** faces = { 'Family Name': ['400', '400i', '700'] }. `text` is the sample: * letters beyond Latin-1 (č, ł, ő…) also load the latin-ext files. With * `optional`, a face Fontsource does not ship is skipped instead of failing. * Resolves to the number of faces added. */ async function loadFonts(faces, text = '', { optional = false } = {}) { kitStatus('Loading fonts…'); const ranges = { latin: 'U+0000-00FF,U+0131,U+0152-0153,U+02BB-02BC,U+02C6,U+02DA,U+02DC,U+0304,U+0308,U+0329,' + 'U+2000-206F,U+20AC,U+2122,U+2191,U+2193,U+2212,U+2215,U+FEFF,U+FFFD', 'latin-ext': 'U+0100-02BA,U+02BD-02C5,U+02C7-02CC,U+02CE-02D7,U+02DD-02FF,U+0304,U+0308,U+0329,' + 'U+1D00-1DBF,U+1E00-1E9F,U+1EF2-1EFF,U+2020,U+20A0-20AB,U+20AD-20C0,U+2113,U+2C60-2C7F,U+A720-A7FF', }; const subsets = /[Ā-˿Ḁ-ỿ]/.test(text) ? ['latin', 'latin-ext'] : ['latin']; const jobs = []; let added = 0; for (const [family, specs] of Object.entries(faces)) { const id = fontsourceId(family); const meta = optional ? await fontsourceMeta(family) : null; for (const spec of new Set(specs)) { const weight = parseInt(spec, 10); const style = spec.endsWith('i') ? 'italic' : 'normal'; if (hasFace(family, weight, style)) continue; if (optional && !(meta?.weights.includes(weight) && meta.styles.includes(style))) continue; for (const subset of subsets) { const url = `https://cdn.jsdelivr.net/npm/@fontsource/${id}@5/files/${id}-${subset}-${weight}-${style}.woff2`; const face = new FontFace(family, `url(${url}) format('woff2')`, { weight: String(weight), style, unicodeRange: ranges[subset] }); jobs.push(face.load().then((ready) => { document.fonts.add(ready); added++; }, () => { if (subset === 'latin' && !optional) throw new Error(`Fontsource has no ${family} ${weight} ${style}`); })); } } } await Promise.all(jobs).catch((error) => { kitFail(error); throw error; }); return added; } /** Runs `build` (a buildDocument or buildBundle call) and checks the faces * the pages use. A regular face missing from FONTS is loaded with a warning; * bold and italic variants are loaded when the family ships them. Then the * measurement caches are cleared and the build runs again. */ async function buildWithFonts(build, text = '') { const tried = new Set(); for (let round = 0; round < 3; round++) { kitStatus('Laying out…'); await new Promise(requestAnimationFrame); // let the status paint first const result = await Promise.resolve().then(build).catch((error) => { kitFail(error); throw error; }); const wanted = { base: {}, variants: {} }; for (const { font, base } of [result].flat().flatMap(fontStringsOf)) { const { family, weight, style } = parseFont(font); const key = `${family}|${weight}|${style}`; if (tried.has(key) || hasFace(family, weight, style)) continue; tried.add(key); (wanted[base ? 'base' : 'variants'][family] ??= []).push(`${weight}${style === 'italic' ? 'i' : ''}`); } if (Object.keys(wanted.base).length) { console.warn(`[cookbook] FONTS does not list ${JSON.stringify(wanted.base)}: loading them.`); } const added = await loadFonts(wanted.base, text) + await loadFonts(wanted.variants, text, { optional: true }); if (added === 0) return result; clearMeasurementCache(); } throw new Error('The fonts did not settle after three builds.'); } /** Every font string of the layout. `base` marks a block's own face; its * bold, italic and bold-italic variants are listed whether or not used. */ function fontStringsOf(doc) { const found = new Map(); const walk = (node) => { if (!node || typeof node !== 'object') return; if (Array.isArray(node)) { node.forEach(walk); return; } for (const [key, value] of Object.entries(node)) { if (typeof value === 'string' && /fontString$/i.test(key)) { found.set(value, found.get(value) || key === 'fontString'); } else if (value && typeof value === 'object') walk(value); } }; walk(doc.pages); walk(doc.blocks); return [...found].map(([font, base]) => ({ font, base })); } /** '700 37.5px Open Sans' / 'italic 400 13px "Source Serif 4"' → { family, weight, style }. * A string with no weight ('95.8px Young Serif', from a design text) is 400. */ function parseFont(font) { const m = /^(?:(italic|oblique)\s+)?(?:small-caps\s+)?(?:(\d+|bold|normal)\s+)?[\d.]+px\s+(.+)$/.exec(font.trim()); if (!m) throw new Error(`Unexpected font string: ${font}`); const weight = m[2] === 'bold' ? 700 : !m[2] || m[2] === 'normal' ? 400 : Number(m[2]); return { family: m[3].replace(/^["']|["']$/g, ''), weight, style: m[1] ? 'italic' : 'normal' }; } /** True when a loaded FontFace covers exactly this family, weight and style * (document.fonts.check() is also true for families nobody declared). */ function hasFace(family, weight, style) { for (const face of document.fonts) { if (face.status !== 'loaded' || face.style !== style) continue; if (face.family.replace(/^["']|["']$/g, '') !== family) continue; const [low, high = low] = face.weight.split(' ').map(Number); if (weight >= low && weight <= high) return true; } return false; } /** Fontsource's id for a family: 'Source Serif 4' → 'source-serif-4'. */ function fontsourceId(family) { return family.toLowerCase().replace(/\s+/g, '-'); } /** The weights and styles a family ships ({ weights: [400, 700], styles: ['normal', 'italic'] }), or null. */ function fontsourceMeta(family) { fontsourceMeta.cache ??= new Map(); const id = fontsourceId(family); if (!fontsourceMeta.cache.has(id)) { fontsourceMeta.cache.set(id, fetch(`https://api.fontsource.org/v1/fonts/${id}`) .then((res) => (res.ok ? res.json() : null), () => null)); } return fontsourceMeta.cache.get(id); } // ─── Kit · viewer v1 ── the same in every recipe · postext.dev/cookbook ─────── /** Shows the pages as facing spreads on a dark desk: the first page is a * recto on its own, then verso | recto pairs, as in a bound book. Pages * are painted when they scroll near the screen. */ function showPages(docs, { title, width = 460 } = {}) { const root = viewer(title); const pages = [docs].flat().flatMap((doc) => doc.pages.map((page) => ({ doc, page, n: (doc.pageIndexOffset ?? 0) + page.index }))); const spreads = []; let verso = null; for (const p of pages) { if (p.n % 2 === 1) { if (verso) spreads.push([verso, null]); verso = p; } else { spreads.push([verso, p]); verso = null; } } if (verso) spreads.push([verso, null]); const density = Math.min(window.devicePixelRatio || 1, 2); showPages.painter?.disconnect(); const painter = new IntersectionObserver((entries) => { for (const { isIntersecting, target } of entries) { if (!isIntersecting) continue; painter.unobserve(target); const { doc, page } = target.postext; renderPageToCanvas(page, doc, target, { scale: (width * density) / page.width }); } }, { rootMargin: '800px' }); showPages.painter = painter; root.replaceChildren(...spreads.map((pair) => { const spread = document.createElement('div'); spread.className = 'pt-spread'; for (const p of pair) { const figure = document.createElement('figure'); if (p) { const label = p.page.pageLabel || String(p.n + 1); const canvas = document.createElement('canvas'); canvas.postext = p; canvas.style.aspectRatio = `${p.page.width} / ${p.page.height}`; canvas.setAttribute('role', 'img'); canvas.setAttribute('aria-label', `Page ${label}`); const folio = document.createElement('figcaption'); folio.textContent = label; figure.append(canvas, folio); painter.observe(canvas); } else figure.className = 'pt-blank'; spread.append(figure); } return spread; })); kitStatus(`${pages.length} ${pages.length === 1 ? 'page' : 'pages'}`); document.documentElement.dataset.postext = 'ready'; return pages.length; } /** The desk, the bar and the error reporting, created once. */ function viewer(title) { if (!document.getElementById('pt-kit')) { document.head.insertAdjacentHTML('beforeend', `<style id="pt-kit"> :root { color-scheme: dark; } body { margin: 0; background: #0e1014; color: #b9bcc4; font: 13px/1.45 system-ui, sans-serif; } #pt-bar { position: sticky; top: 0; z-index: 1; display: flex; flex-wrap: wrap; align-items: center; gap: 6px 16px; padding: 10px 16px; background: rgb(14 16 20 / .92); backdrop-filter: blur(6px); border-bottom: 1px solid #23262d; } #pt-bar strong { color: #f4f1ea; font-weight: 600; } #pt-actions { display: flex; gap: 12px; margin-left: auto; } #pt-actions a, #pt-actions button { color: #d8a21a; font: inherit; background: none; border: 0; padding: 0; cursor: pointer; } #pages { display: grid; justify-items: center; gap: 48px; padding: 32px 16px 72px; } .pt-spread { display: flex; } .pt-spread figure { margin: 0; width: min(460px, 44vw); } .pt-spread canvas { display: block; width: 100%; background: #fff; box-shadow: 0 1px 2px rgb(0 0 0 / .5), 0 22px 44px -16px rgb(0 0 0 / .8); } .pt-spread figure:first-child canvas { box-shadow: inset -14px 0 14px -14px rgb(0 0 0 / .18), 0 1px 2px rgb(0 0 0 / .5), 0 22px 44px -16px rgb(0 0 0 / .8); } .pt-spread figcaption { margin-top: 10px; text-align: center; font: 600 10px/1 system-ui, sans-serif; letter-spacing: .18em; text-transform: uppercase; color: #6c7079; } .pt-blank { visibility: hidden; } @media (max-width: 760px) { .pt-spread { flex-direction: column; gap: 32px; } .pt-spread figure { width: min(460px, 92vw); } .pt-blank { display: none; } } </style>`); document.body.insertAdjacentHTML('afterbegin', '<header id="pt-bar"><strong id="pt-title"></strong><span id="pt-status" role="status"></span><span id="pt-actions"></span></header>'); document.getElementById('pt-title').textContent = document.title || 'Postext'; addEventListener('error', (event) => kitFail(event.error ?? event.message)); addEventListener('unhandledrejection', (event) => kitFail(event.reason)); } if (title) document.getElementById('pt-title').textContent = title; return document.getElementById('pages') ?? document.body.appendChild(Object.assign(document.createElement('main'), { id: 'pages' })); } function kitStatus(text) { viewer(); document.getElementById('pt-status').textContent = text; } function kitFail(error) { document.documentElement.dataset.postext = 'error'; kitStatus(`Error: ${error?.message ?? error}`); } // ─── Kit · images v1 ── recipes with pictures · postext.dev/cookbook ────────── /** Registers a photo or PNG for the canvas and keeps its bytes for the PDF. * fetch → ImageBitmap never taints the canvas (a plain cross-origin <img> would). */ async function loadImage(fileId, url) { const res = await fetch(url); if (!res.ok) throw new Error(`Image not found (${res.status}): ${url}`); const bytes = new Uint8Array(await res.arrayBuffer()); registerResourceImage(fileId, await createImageBitmap(new Blob([bytes]))); (loadImage.bytes ??= new Map()).set(fileId, bytes); } /** Registers SVG markup (drawn in code, or fetched) as a vector image. */ async function loadSvg(fileId, svg) { const img = new Image(); img.src = `data:image/svg+xml;charset=utf-8,${encodeURIComponent(svg)}`; await img.decode(); registerResourceImage(fileId, img); (loadImage.bytes ??= new Map()).set(fileId, new TextEncoder().encode(svg)); } /** renderToPdf({ resourceBytes: imageBytes }) */ function imageBytes(fileId) { return loadImage.bytes?.get(fileId); } /** renderToHtml({ resourceImageUrl: imageUrl }) */ function imageUrl(fileId) { const bytes = imageBytes(fileId); if (!bytes) return undefined; imageUrl.urls ??= new Map(); if (!imageUrl.urls.has(fileId)) { const type = /\.svg$/i.test(fileId) ? 'image/svg+xml' : /\.png$/i.test(fileId) ? 'image/png' : 'image/jpeg'; imageUrl.urls.set(fileId, URL.createObjectURL(new Blob([bytes], { type }))); } return imageUrl.urls.get(fileId); } // ─── /Kit ───────────────────────────────────────────────────────────────────────
يعمل ملف script.js المجمّع كما هو: الصقه في سكربت الوحدة (module) لأي صفحة، أو افتح الوصفة على CodePen. مجلد الوصفة على GitHub ↗ (يفتح في تبويب جديد)
تنويعات
#ابدأ كل فصل في صفحة فردية
مع 'odd' يبدأ كل فصل في صفحة يمنى، ويسبق كلًّا من الفصول من الثاني إلى الخامس صفحة زوجية فارغة، فيزيد الكتاب من 7 صفحات إلى 11.
- breakBefore: { enabled: true, parity: 'any' },
+ breakBefore: { enabled: true, parity: 'odd' },#اجعل الحرف الاستهلالي بارتفاع ثلاثة أسطر
تأخذ dropSize() عدد الأسطر، فيبقى حرف استهلالي بارتفاع ثلاثة أسطر مصطفًّا مع الحروف الكبيرة في السطر الأول.
- lines: 5, fontSize: dropSize(5), fontFamily: 'Fraunces', fontWeight: 400,
+ lines: 3, fontSize: dropSize(3), fontFamily: 'Fraunces', fontWeight: 400,أخطاء شائعة
خطأ شائع
قيم السمات: لا { ولا }؛ ضع القيمة التي فيها " بين علامتي اقتباس مفردتين
تنتهي قيمة السمة عند القوس المعقوف الختامي، فلا يمكن أن تحتوي { أو }. القيمة التي فيها علامة اقتباس مزدوجة توضع بين علامتي اقتباس مفردتين؛ أما علامة الدولار فلا مشكلة فيها. سمات العنوان →
خطأ شائع
لوحة ألوان القسم أو الجزء لا تعيد تلوين الحرف الاستهلالي
في postext 1.4.1 تعيد لوحة ألوان نمط العنوان، مثل لوحة الجزء، تلوين الألوان المرتبطة باللوحة في عناصر التصميم على صفحاته (النصوص والخطوط والإطارات وخلفياتها وحدودها) لكن لا تعيد تلوين dropCap.color: يحتفظ الحرف الاستهلالي بالقيمة الست عشرية المكتوبة في الإعداد. أعطِ الحرف الاستهلالي لون القسم نفسه، أو اترك dropCap.color دون ضبط ليأخذ لون عنصر النص الخاص به. الحروف الاستهلالية في صفحات الافتتاح →
خطأ شائع
لوحة الألوان المستبدلة لا تصل إلى عناصر التصميم ولا إلى لون الإحالة
يقرأ postext 1.4.1 الإعداد colorPalette في أنماط النص (المتن والعناوين والقوائم والتعليقات والجداول والإطارات) لكن لا في عناصر الترويسات والتذييلات والافتتاحيات وصفحات الأجزاء، ولا في bodyText.referenceColor: تحتفظ بالقيمة الست عشرية المكتوبة بجانب paletteId الخاص بها. حين تستبدل لوحة الألوان، لنسخة شاشة داكنة أو لإعادة تلوين، أعِد كتابة كل لون مرتبط من colorPalette قبل البناء. لوحة ألوان دلالية →
خطأ شائع
أي كائن headings يُلغي فاصل الصفحة قبل H1
ينتقل H1 افتراضيًا إلى صفحة فردية (always-odd)، لكن تمرير أي كائن headings يعيد ضبط هذا الافتراض، فتتوالى الفصول دون فاصل ولا يفعل span: 'page' شيئًا. أعد كتابة headings.levels[0].breakBefore: { enabled: true, parity } في كل إعداد. فصول تبدأ في صفحة فردية →
خطأ شائع
فيض نص التصميم افتراضيًا 'ellipsis-end'
عنصر نص التصميم الذي لا يتسع له عرضه ينتهي افتراضيًا بعلامة الحذف. اضبط overflow: 'wrap' للعناوين التي يجب أن تنكسر على أسطر أكثر. النصوص والخطوط والمربعات في تصاميم الصفحة →
خطأ شائع
lineHeight لنص التصميم مُضاعِف، لا بُعد أبدًا
في خانة التصميم، يضاعف lineHeight لعنصر النص مقاس خطه (lineHeight: 1.05). في postext 1.4.1 لا يُرفض بُعدٌ مثل pt(15): يُقاس ارتفاع الافتتاحية NaN، ويسقط ما تحجزه من مساحة، بما فيه minHeight، دون تحذير، فيجري النص تحت العنوان. النصوص والخطوط والمربعات في تصاميم الصفحة →
خطأ شائع
يُخزَّن الإعداد مؤقتًا بحسب هويته: ابنِ كائنًا جديدًا
يخزّن المحرّك الإعدادات المحسوبة مؤقتًا بحسب هوية الكائن، فتعديل الإعداد في مكانه ثم البناء مجددًا يعيد استخدام النتيجة القديمة. ابنِ كائنًا جديدًا في كل بناء، ولهذا يكون إعداد الوصفة دالة مصنِّعة: config(). صفحات على اللوحة (Canvas) →
خطأ شائع
حمّل كل أوجه الخط قبل الإخراج
يقيس الإخراج النص بأوجه الخط التي حمّلها المتصفح ويخزّن العروض مؤقتًا، فالوجه الذي يصل بعد البناء الأول يترك فواصل أسطر خاطئة وملف PDF لم يعد يطابق الشاشة. حمّل كل وزن وكل نمط أولًا، واستدعِ clearMeasurementCache() قبل إعادة البناء إذا تأخر وصول أحدها. الخطوط قبل الإخراج →
خطأ شائع
8 لغات فقط تُقسَّم بالواصلة، بالرمز المطابق تمامًا
يتوفر تقسيم الكلمات بالواصلة للغات en-us وes وfr وde وit وpt وca وnl، بمطابقة تامة للرمز: 'es-ES' أو أي لغة أخرى تعود دون تنبيه إلى الإنجليزية الأمريكية. تقسيم الكلمات ولغة المستند →
- نص التصميم لا يُضبط أبدًا، فتُنضّد الفقرة الافتتاحية في صفحة الافتتاح غير مضبوطة حتى في كتاب مضبوط. أعطها قياسًا خاصًا بها (هنا 12/17 pt مقابل 10.8/14.5 للنص) لتبدو الحافة الحرّة مقصودة.
- الحرف الاستهلالي في الصندوق مضبوط يدويًا على Lora 12/17، وعلى حرف M في Geist Mono، وعلى خط أساس التصميم، الذي يضعه الإصدار 1.4.1 على 0.8 من صندوق السطر (
BASE) ولا يكشفه. إذا غيّرت خط الفقرة الافتتاحية أو قياسها أو تباعد أسطرها، أو الحرف، أو عدد الأسطر، أو إصدار المحرّك، فتحقق من الصندوق مقابل الحروف الكبيرة في السطر الأول من جديد. - الحرف الاستهلالي الممتد على كل أسطر فقرته يظل يحجز صندوق سطره كاملًا: في الإصدار 1.4.1 يتجاوز ارتفاع صفحة الافتتاح الفقرةَ الافتتاحية للفصل الثالث بـ 3.5 mm، وقد يدفع ذلك النص إلى الأسفل سطرًا من الشبكة. مع مساحة بعمق 130 mm لا يضيف هذا التجاوز سطرًا في الشبكة؛ وإذا غيّرت العمق فتحقق من البياض تحت الفقرة الافتتاحية.
- العناوين لا تدور ولا تُكتب عموديًا أبدًا: نص التصميم أفقي دائمًا. كدّس الكلمات بـ
\\بدلًا من ذلك، كما يفعل الفصل الثالث.
الحقوق
- الوصفة
- Ignacio Ferro
- النص
- نص أصلي, CC BY 4.0
- الخطوط
- Lora (SIL OFL 1.1) · Fraunces (SIL OFL 1.1) · Geist (SIL OFL 1.1) · Geist Mono (SIL OFL 1.1)
- الكود
- MIT، مثل Postext
حرّر هذا الشرح ↗ (يفتح في تبويب جديد)مجلد الوصفة على GitHub ↗ (يفتح في تبويب جديد)


