Edició crítica: numeració de versos i notes per vers

// ═══ Postext Cookbook · Nº 044 · Critical edition: line numbers and line-keyed notes ═══
// https://postext.dev/en/cookbook/critical-edition-line-numbers
// Code: MIT · Text: Milton, Poems (1645) (PD) · Notes: CC BY 4.0 · Laurel: diffusion models
// Fonts: Linden Hill, Imbue, Libre Franklin (SIL OFL 1.1) · Needs postext ≥ 1.4.1
// Lycidas in the spelling of 1645, with a number beside every fifth line and two pages of
// notes keyed to those numbers, so the verse carries no note markers.
import {
  buildDocument, renderPageToCanvas, clearMeasurementCache, registerResourceImage,
} from 'https://esm.sh/postext';

const LANG = 'en'; // @lang: the language of the sample document ('en')
const RECIPE = 'critical-edition-line-numbers';

// ─── 1 · Design ─────────────────────────────────────────────────────────────
// Black text on white, and one laurel green for the apparatus.
const palette = {
  ink: '#1b1b1b', // the text
  laurel: '#3c5a3e', // line numbers, note numbers, the kicker
  muted: '#6a706a', // running heads, the colophon
  paper: '#ffffff',
};
// col(id) carries the hex beside the id, because design slots paint the hex
// (gotcha: palette-skips-designs).
const col = (id) => ({ hex: palette[id], model: 'hex', paletteId: id });
const colorPalette = Object.entries(palette)
  .map(([id, hex]) => ({ id, name: id, value: { hex, model: 'hex' } }));
const [TEXT, DISPLAY, LABEL] = ['Linden Hill', 'Imbue', 'Libre Franklin'];
const LEAD = 14.5; // pt: the leading of the verse, and the grid every page keeps

// #region answer: count the lines, and after every fifth set its number in the margin
// The poem is written one line of verse to a line of Markdown, with a blank line between
// verse paragraphs and two spaces before a short line. numberVerse() gives each line a
// paragraph of its own and, after every fifth, a side box that holds its number. A side box
// stands where the text has reached at its fence, under the line it follows; a top padding
// of minus one line lifts the number back onto that line. Fenced before its line instead,
// the number of a line that opens a page slides up beside the last line of the page before
// (gotcha: side-box-starts-at-fence).
const EVERY = 5;
const rows = (...lines) => lines.join('\n');
function numberVerse(markdown) {
  return markdown.replace(/^:::paragraphs\{style="verse"\}\n([\s\S]*?)\n:::$/gm, (_, poem) => {
    let n = 0;
    return poem.split('\n').map((line) => {
      if (!line.trim()) return ':::space{lines=1}'; // one blank line of the grid
      n += 1;
      const style = line.startsWith('  ') ? 'short' : 'verse';
      const verse = rows(`:::paragraphs{style="${style}"}`, line.trim(), ':::');
      if (n % EVERY) return verse;
      return rows(verse, '', ':::callout{type="lineno" span="side"}',
        ':::paragraphs{style="number"}', n, ':::', ':::');
    }).join('\n\n');
  });
}
const lineno = { id: 'lineno', backgroundEnabled: false, // no box: only the number shows
  padding: { top: pt(-LEAD), right: pt(0), bottom: pt(0), left: pt(0) } };
// The number: right-aligned, so the numbers share a right edge, and at the verse's leading,
// so it sits on the baseline of its line.
const number = { id: 'number', fontFamily: LABEL, fontSize: pt(7.5), lineHeight: pt(LEAD),
  color: col('laurel'), textAlign: 'right' };
// Hook-up: calloutStyles: [lineno], paragraphStyles: [number, …] and
// buildDocument({ markdown: numberVerse(markdown) }, config()).
// #endregion

// #region page: a poetry trim, and a channel for the numbers at the fore-edge
const PT = 25.4 / 72; // mm in a point
const [TRIM_W, TRIM_H] = [138, 216]; // mm
const [TOP, INNER] = [21, 20]; // mm
const LINES = 34; // lines of verse to a page
const BOTTOM = TRIM_H - TOP - LINES * LEAD * PT; // 21.08 mm
const [MEASURE, GUTTER, CHANNEL] = [80, 4, 6]; // mm: the longest line of Lycidas is 78.1 mm
const OUTER = TRIM_W - INNER - MEASURE - GUTTER - CHANNEL; // 28 mm beyond the numbers
const layout = {
  layoutType: 'oneAndHalf',
  sideColumnRole: 'floats', // the side column takes side boxes, never text
  sideColumnSide: 'outer', // right of the verse on a recto, left of it on a verso
  // 6 of 90 mm. The zero is Libre Franklin's widest figure, so '100' (4.9 mm) is the widest number.
  sideColumnPercent: (CHANNEL / (MEASURE + GUTTER + CHANNEL)) * 100,
  gutterWidth: mm(GUTTER),
};
const page = { sizePreset: 'custom', width: mm(TRIM_W), height: mm(TRIM_H), dpi: 150,
  margins: { top: mm(TOP), bottom: mm(BOTTOM), left: mm(INNER), right: mm(OUTER), mirror: true } };
// #endregion

// #region verse: a paragraph per line, ragged, and the short lines set in
const verseStyles = [
  // Ragged, like all the text here (bodyText). A line too long for the measure would turn
  // over and hang 2 em in; none does at 80 mm.
  { id: 'verse', hangingIndent: em(2) },
  // Milton's short lines: a one-line paragraph, so the first-line indent moves all of it.
  { id: 'short', firstLineIndent: em(2) },
];
// #endregion

// #region opener: the laurel, the title in tall capitals, and the headnote of 1645
const OPENER_LINES = 20; // of the page's 34: the first verse paragraph, 14 lines, takes the rest
const at = (id, edge, y) => ({ anchor: { to: id, edge }, offset: { x: mm(0), y: mm(y) } });
const title = (size, tracking, placement) => ({ kind: 'text', id: 'title', content: '{titleText}',
  // lineHeight is a multiple of the size (gotcha: design-lineheight-multiple).
  fontFamily: DISPLAY, fontWeight: 300, fontSize: pt(size), lineHeight: 1,
  letterSpacing: pt(tracking), textTransform: 'uppercase', color: col('ink'), placement });
const opener = { enabled: true, minHeight: pt(OPENER_LINES * LEAD), slot: { elements: [
  // An image element reserves no height (gotcha: opener-image-no-reserve): the kicker, title
  // and headnote under it reach down 20 lines. minHeight is a floor at the same depth, so a
  // shorter headnote leaves the verse on line 21.
  { kind: 'image', id: 'laurel', resourceId: 'laurel',
    placement: { anchor: { to: 'page', edge: 'top-right' }, size: { width: mm(104) } } },
  { kind: 'text', id: 'kicker', content: '{author}', fontFamily: LABEL, fontWeight: 500,
    fontSize: pt(8), letterSpacing: pt(1.6), textTransform: 'uppercase', color: col('laurel'),
    placement: at('container', 'top-left', 50) },
  title(66, 2, at('#kicker', 'below', 1)),
  // # Lycidas {headnote="In this Monody …"}. Design text wraps ragged and has no inline
  // italics (gotcha: design-text-no-inline-marks); at 64 mm no word stands alone.
  { kind: 'text', id: 'headnote', content: '{attr.headnote}', fontFamily: TEXT, italic: true,
    fontSize: pt(9.5), lineHeight: 13 / 9.5, color: col('ink'), align: 'left', overflow: 'wrap',
    placement: { ...at('#title', 'below', 3), size: { width: mm(64) } } },
] } };
// Restated: any headings object drops the H1 break (gotcha: headings-drop-h1-break). span
// 'page' paints the laurel above the text block, where a column clips its design. With the
// default marginBottom the verse would start on line 22 and send line 14 to page 2.
const poem = { level: 1, span: 'page', breakBefore: { enabled: true, parity: 'odd' },
  advancedDesign: opener, marginBottom: pt(0) };
// #endregion

// #region notes: each note opens on its line number, a chip in the label face
const NOTE = 8.6; // pt: the notes, and the note on the text
const noteStyles = [
  { id: 'textnote', fontSize: pt(NOTE), lineHeight: pt(NOTE * 1.33) },
  // The note on the text ends on the grid, 2.4 mm below its last line; half a line more
  // leaves one blank line before the first note.
  { id: 'note', fontSize: pt(NOTE), lineHeight: pt(NOTE * 1.33), hangingIndent: em(1.6),
    marginTop: pt(LEAD / 2) },
  { id: 'colophon', fontFamily: LABEL, fontSize: pt(7), lineHeight: pt(9.5), color: col('muted'),
    marginTop: pt(LEAD) },
];
// :chip[8]{style="line"}: Linden Hill has no bold, so the number changes face and colour.
// The chip has no fill, outline or side padding, so nothing is drawn around the number.
const chipStyles = [{ id: 'line', backgroundEnabled: false, borderWidth: pt(0), paddingX: pt(0),
  fontFamily: LABEL, fontSize: em(0.9), color: col('laurel') }];
// # Notes {style="notes"} opens the next page under the title's capitals, smaller. A heading
// style keeps the level's break unless it sets its own (gotcha: style-inherits-break). Its
// design stays in the column, so the title lines up with the notes on either page.
const notesHead = { id: 'notes', span: 'column', breakBefore: { enabled: true, parity: 'any' },
  advancedDesign: { enabled: true,
    slot: { elements: [title(30, 1, at('container', 'top-left', 0))] } } };
// #endregion

// #region heads: the author on the verso, the section on the recto, folios at the fore-edge
const HEAD = 13; // mm from the trim to the running heads' baseline
// A design text's first baseline sits 0.8 of a line below the top of its box: 0.96 em at the
// default lineHeight of 1.2, which the running heads keep.
const BASE = 1.2 * 0.8;
const head = (id, parity, content, x, size = 7.5, extra = {}) => ({ kind: 'text', id, parity,
  content, pages: 'body', fontFamily: LABEL, fontWeight: 500, fontSize: pt(size),
  letterSpacing: pt(1.3), textTransform: 'uppercase', color: col('muted'), ...extra,
  placement: { anchor: { to: 'page', edge: parity === 'even' ? 'top-left' : 'top-right' },
    offset: { x: mm(x), y: mm(HEAD - BASE * size * PT) } } });
const folio = { fontFamily: TEXT, fontWeight: 400, letterSpacing: pt(0), color: col('ink') };
const header = { elements: [
  head('verso-folio', 'even', '{pageNumber}', OUTER, 10, folio),
  head('verso-head', 'even', '{author}', OUTER + 9),
  head('recto-head', 'odd', '{chapterTitle}', -(OUTER + 9)), // LYCIDAS, then NOTES
  head('recto-folio', 'odd', '{pageNumber}', -OUTER, 10, folio),
] };
// The two openers carry their folio at the foot instead, at the outer edge of the text block.
const drop = (parity, edge, x) => ({ ...head(`drop-${parity}`, parity, '{pageNumber}', 0, 10,
  folio), pages: 'opener', placement: { anchor: { to: 'page', edge },
  offset: { x: mm(x), y: mm(-12) } } });
const footer = { elements: [drop('odd', 'bottom-right', -OUTER),
  drop('even', 'bottom-left', OUTER)] };
// #endregion

const config = () => ({ // a factory: configs are cached by identity (gotcha: config-cache-identity)
  colorPalette, page, layout, header, footer,
  bodyText: { // every paragraph sits in a styled container and takes these as defaults
    fontFamily: TEXT, fontSize: pt(10.5), lineHeight: pt(LEAD), color: col('ink'),
    boldColor: col('ink'), italicColor: col('ink'), referenceColor: col('ink'),
    // Ragged throughout, verse and notes alike, so nothing is hyphenated
    // (gotcha: ragged-no-hyphenation).
    textAlign: 'left', firstLineIndent: pt(0),
  },
  // The designs print the titles, but each heading's own text is still measured, in this face.
  // Left at the default, the page would fetch Open Sans 700 for text it never paints.
  headings: { fontFamily: DISPLAY, fontWeight: 300, levels: [poem] },
  headingStyles: [notesHead],
  paragraphStyles: [...verseStyles, number, ...noteStyles],
  calloutStyles: [lineno],
  chipStyles,
});

// ─── 2 · Content ────────────────────────────────────────────────────────────
const markdown = String.raw`---
Mostra en Markdown · 211 línies · content.en.md
title: "Lycidas"
author: "John Milton"
---

# Lycidas {headnote="In this Monody the Author bewails a learned Friend, unfortunatly drown’d in his Passage from Chester on the Irish Seas, 1637. And by occasion foretels the ruine of our corrupted Clergy then in their height."}

:::paragraphs{style="verse"}
Yet once more, O ye Laurels, and once more
Ye Myrtles brown, with Ivy never-sear,
I com to pluck your Berries harsh and crude,
  And with forc’d fingers rude,
Shatter your leaves before the mellowing year.
Bitter constraint, and sad occasion dear,
Compels me to disturb your season due:
For *Lycidas* is dead, dead ere his prime,
Young *Lycidas*, and hath not left his peer:
Who would not sing for *Lycidas?* he knew
Himself to sing, and build the lofty rhyme.
He must not flote upon his watry bear
Unwept, and welter to the parching wind,
Without the meed of som melodious tear.

Begin then, Sisters of the sacred well,
That from beneath the seat of *Jove* doth spring,
Begin, and somwhat loudly sweep the string.
Hence with denial vain, and coy excuse,
  So may som gentle Muse
With lucky words favour my destin’d Urn,
  And as he passes turn,
And bid fair peace be to my sable shrowd.
For we were nurst upon the self-same hill,
Fed the same flock, by fountain, shade, and rill.

Together both, ere the high Lawns appear’d
Under the opening eye-lids of the morn,
We drove a field, and both together heard
What time the Gray-fly winds her sultry horn,
Batt’ning our flocks with the fresh dews of night,
Oft till the Star that rose, at Ev’ning, bright
Toward Heav’ns descent had slop’d his westering wheel.
Mean while the Rural ditties were not mute,
  Temper’d to th’ Oaten Flute,
Rough *Satyrs* danc’d, and *Fauns* with clov’n heel,
From the glad sound would not be absent long,
And old *Damœtas* lov’d to hear our song.

But O the heavy change, now thou art gon,
Now thou art gon, and never must return!
Thee Shepherd, thee the Woods, and desert Caves,
With wilde Thyme and the gadding Vine o’regrown,
  And all their echoes mourn.
The Willows, and the Hazle Copses green,
  Shall now no more be seen,
Fanning their joyous Leaves to thy soft layes.
As killing as the Canker to the Rose,
Or Taint-worm to the weanling Herds that graze,
Or Frost to Flowers, that their gay wardrop wear,
  When first the White thorn blows;
Such, *Lycidas*, thy loss to Shepherds ear.

Where were ye Nymphs when the remorseless deep
Clos’d o’re the head of your lov’d *Lycidas*?
For neither were ye playing on the steep,
Where your old *Bards*, the famous *Druids* ly,
Nor on the shaggy top of *Mona* high,
Nor yet where Deva spreads her wisard stream:
  Ay me, I fondly dream!
Had ye bin there—for what could that have don?
What could the Muse her self that *Orpheus* bore,
The Muse her self, for her inchanting son
Whom Universal nature did lament,
When by the rout that made the hideous roar,
His goary visage down the stream was sent,
Down the swift *Hebrus* to the *Lesbian* shore.

Alas! What boots it with uncessant care
To tend the homely slighted Shepherds trade,
And strictly meditate the thankles Muse,
Were it not better don as others use,
To sport with *Amaryllis* in the shade,
Or with the tangles of *Neæra*’s hair?
Fame is the spur that the clear spirit doth raise
(That last infirmity of Noble mind)
To scorn delights, and live laborious dayes;
But the fair Guerdon when we hope to find,
And think to burst out into sudden blaze,
Comes the blind *Fury* with th’ abhorred shears,
And slits the thin spun life. But not the praise,
*Phœbus* repli’d, and touch’d my trembling ears;
*Fame* is no plant that grows on mortal soil,
  Nor in the glistering foil
Set off to th’ world, nor in broad rumour lies,
But lives and spreds aloft by those pure eyes,
And perfet witnes of all judging *Jove*;
As he pronounces lastly on each deed,
Of so much fame in Heav’n expect thy meed.

O Fountain *Arethuse*, and thou honour’d flood,
Smooth-sliding *Mincius*, crown’d with vocall reeds,
That strain I heard was of a higher mood:
  But now my Oate proceeds,
And listens to the Herald of the Sea
  That came in *Neptune*’s plea,
He ask’d the Waves, and ask’d the Fellon winds,
What hard mishap hath doom’d this gentle swain?
And question’d every gust of rugged wings
That blows from off each beaked Promontory,
  They knew not of his story,
And sage *Hippotades* their answer brings,
That not a blast was from his dungeon stray’d,
The Ayr was calm, and on the level brine,
Sleek *Panope* with all her sisters play’d.
It was that fatall and perfidious Bark
Built in th’ eclipse, and rigg’d with curses dark,
That sunk so low that sacred head of thine.

Next *Camus*, reverend Sire, went footing slow,
His Mantle hairy, and his Bonnet sedge,
Inwrought with figures dim, and on the edge
Like to that sanguine flower inscrib’d with woe.
Ah! Who hath reft (quoth he) my dearest pledge?
  Last came, and last did go,
The Pilot of the *Galilean* lake,
Two massy Keyes he bore of metals twain,
(The Golden opes, the Iron shuts amain)
He shook his Miter’d locks, and stern bespake,
How well could I have spar’d for thee young swain.
Anow of such as for their bellies sake,
Creep and intrude, and climb into the fold?
Of other care they little reck’ning make,
Then how to scramble at the shearers feast,
And shove away the worthy bidden guest.
Blind mouthes! that scarce themselves know how to hold
A Sheep-hook, or have learn’d ought els the least
That to the faithfull Herdmans art belongs!
What recks it them? What need they? They are sped;
And when they list, their lean and flashy songs
Grate on their scrannel Pipes of wretched straw,
The hungry Sheep look up, and are not fed,
But swoln with wind, and the rank mist they draw,
Rot inwardly, and foul contagion spread:
Besides what the grim Woolf with privy paw
Daily devours apace, and nothing sed,
But that two-handed engine at the door,
Stands ready to smite once, and smite no more.

Return *Alpheus*, the dread voice is past,
That shrunk thy streams; Return *Sicilian* Muse,
And call the Vales, and bid them hither cast
Their Bels, and Flourets of a thousand hues.
Ye valleys low where the milde whispers use,
Of shades and wanton winds, and gushing brooks,
On whose fresh lap the swart Star sparely looks,
Throw hither all your quaint enameld eyes,
That on the green terf suck the honied showres,
And purple all the ground with vernal flowres.
Bring the rathe Primrose that forsaken dies.
The tufted Crow-toe, and pale Gessamine,
The white Pink, and the Pansie freakt with jeat,
  The glowing Violet.
The Musk-rose, and the well attir’d Woodbine,
With Cowslips wan that hang the pensive hed,
And every flower that sad embroidery wears:
Bid *Amaranthus* all his beauty shed,
And Daffadillies fill their cups with tears,
To strew the Laureat Herse where *Lycid* lies.
For so to interpose a little ease,
Let our frail thoughts dally with false surmise.
Ay me! Whilst thee the shores and sounding Seas
Wash far away, where ere thy bones are hurld,
Whether beyond the stormy *Hebrides*,
Where thou perhaps under the whelming tide
Visit’st the bottom of the monstrous world;
Or whether thou to our moist vows deny’d,
Sleep’st by the fable of *Bellerus* old,
Where the great vision of the guarded Mount
Looks toward *Namancos* and *Bayona*’s hold;
Look homeward Angel now, and melt with ruth.
And, O ye *Dolphins*, waft the haples youth.

Weep no more, woful Shepherds weep no more,
For *Lycidas* your sorrow is not dead,
Sunk though he be beneath the watry floar,
So sinks the day-star in the Ocean bed,
And yet anon repairs his drooping head,
And tricks his beams, and with new-spangled Ore,
Flames in the forehead of the morning sky:
So *Lycidas* sunk low, but mounted high,
Through the dear might of him that walk’d the waves;
Where other groves, and other streams along,
With *Nectar* pure his oozy Lock’s he laves,
And hears the unexpressive nuptiall Song,
In the blest Kingdoms meek of joy and love.
There entertain him all the Saints above,
In solemn troops, and sweet Societies
That sing, and singing in their glory move,
And wipe the tears for ever from his eyes.
Now *Lycidas* the Shepherds weep no more;
Hence forth thou art the Genius of the shore,
In thy large recompense, and shalt be good
To all that wander in that perilous flood.

Thus sang the uncouth Swain to th’ Okes and rills,
While the still morn went out with Sandals gray,
He touch’d the tender stops of various Quills,
With eager thought warbling his Dorick lay:
And now the Sun had stretch’d out all the hills,
And now was dropt into the Western bay;
At last he rose, and twitch’d his Mantle blew:
To morrow to fresh Woods, and Pastures new.
:::
`; // content.<lang>.md, inlined by the Cookbook: the poem
const notes = String.raw`# Notes {style="notes"}
Mostra en Markdown · 72 línies · content.notes.en.md

:::paragraphs{style="textnote"}
*The text* is that of *Poems of Mr. John Milton* (London, 1645), pages 57 to 65. Lycidas had first been printed, without the headnote, in *Justa Edovardo King naufrago* (Cambridge, 1638), the volume of elegies for King. Spelling and capitals follow 1645, and so does the italic of names in the poem. A verse paragraph that 1645 marks by indenting its first line is marked here by a blank line; the short lines are indented. The notes are keyed to the line numbers in the margin.
:::

:::paragraphs{style="note"}
:chip[1]{style="line"} *Yet once more*] Hebrews 12.26, ‘Yet once more I shake not the earth only, but also heaven.’

:chip[1–2]{style="line"} *Laurels … Myrtles … Ivy*] evergreens and poets’ crowns: the laurel is Apollo’s, the myrtle Venus’s, the ivy Bacchus’s.

:chip[3]{style="line"} *crude*] unripe (Latin *crudus*). The berries are picked before their season, as King died before his.

:chip[8]{style="line"} *Lycidas*] Edward King (1612–1637), fellow of Christ’s College, Cambridge, drowned on 10 August 1637 when his ship, bound from Chester for Dublin, struck a rock off the Welsh coast. Lycidas is a herdsman in Theocritus, *Idyll* 7, and in Virgil, *Eclogue* 9.

:chip[12]{style="line"} *flote … bear*] float … bier.

:chip[15]{style="line"} *Sisters of the sacred well*] the Muses, who dance round the spring and the altar of Zeus on Helicon in the first lines of Hesiod’s *Theogony*.

:chip[23]{style="line"} *the self-same hill*] Christ’s College, Cambridge, where Milton studied from 1625 to 1632 and King from 1626.

:chip[36]{style="line"} *Damœtas*] a herdsman in Theocritus and Virgil. Some commentators see in him a tutor of Christ’s, William Chappell or Joseph Mede; neither identification is certain.

:chip[53–55]{style="line"} *Druids … Mona … Deva*] the Druids’ island is Anglesey, *Mona* in Tacitus, *Annals* 14.30; the Dee (*Deva*) reaches the sea below Chester, where King sailed. Its shifting course was read as an omen for England and Wales, hence *wisard*.

:chip[58]{style="line"} *the Muse her self that Orpheus bore*] Calliope. The women of Thrace tore Orpheus apart, and his head, still singing, went down the Hebrus and over the sea to Lesbos (Ovid, *Metamorphoses* 11.1–55).

:chip[64]{style="line"} *uncessant*] unceasing; so 1638, 1645 and 1673.

:chip[70–71]{style="line"} *That last infirmity of Noble mind*] Tacitus, *Histories* 4.6: the desire for glory is the last thing even the wise put off.

:chip[75]{style="line"} *the blind Fury*] Atropos, the Fate who cuts the thread of life; Milton makes her a Fury, and blind.

:chip[77]{style="line"} *touch’d my trembling ears*] Apollo plucks the poet’s ear in Virgil, *Eclogue* 6.3–4, to call him back from kings and battles to pastoral.

:chip[85–86]{style="line"} *Arethuse … Mincius*] the fountain of Syracuse and the river of Mantua: the country of Theocritus and the country of Virgil.

:chip[96]{style="line"} *Hippotades*] Aeolus, son of Hippotes, keeper of the winds.

:chip[103]{style="line"} *Camus*] the god of the Cam, who stands for Cambridge; he walks as slowly as his river flows.

:chip[106]{style="line"} *that sanguine flower*] the hyacinth, sprung from the blood of Hyacinthus, whose petals were said to carry AI, a cry of grief (Ovid, *Metamorphoses* 10.215).

:chip[109]{style="line"} *The Pilot of the Galilean lake*] St Peter, the fisherman given the keys of heaven (Matthew 16.19), mitred here as the first bishop.

:chip[114–117]{style="line"} *Anow … Then*] enough … than.

:chip[119]{style="line"} *Blind mouthes*] Ruskin, in *Sesame and Lilies* (1865): a bishop is one who sees and a pastor one who feeds, so a blind mouth is a clergyman who does neither.

:chip[128]{style="line"} *the grim Woolf*] usually read as the Church of Rome, which was making converts at the court of Charles I.

:chip[130]{style="line"} *that two-handed engine*] no reading has settled it. Readers have proposed the sword of the archangel Michael, the axe laid to the root of the trees in Matthew 3.10, the two Houses of Parliament and St Peter’s two keys.

:chip[132]{style="line"} *Alpheus*] the river said to run under the sea from Greece and rise in Arethusa’s fountain (line 85). Called on here, it brings the poem back to pastoral after St Peter’s speech.

:chip[138]{style="line"} *the swart Star*] Sirius, the Dog Star of the hottest weeks, which scorches what it looks on.

:chip[156]{style="line"} *Hebrides*] King’s body was never found.

:chip[160–162]{style="line"} *Bellerus … the guarded Mount … Namancos*] Bellerus is made from Bellerium, the Roman name of Land’s End. From St Michael’s Mount the archangel looks out over the sea to Galicia, where Mercator’s atlas marks Namancos, near the castle of Bayona.

:chip[164]{style="line"} *Dolphins*] like the dolphin that carried the singer Arion to shore at Taenarum (Herodotus 1.24).

:chip[176]{style="line"} *unexpressive nuptiall Song*] the song past expressing at the marriage of the Lamb (Revelation 19.7–9).

:chip[183]{style="line"} *Genius of the shore*] the guardian spirit of a place: King will keep those who cross the sea he drowned in.

:chip[193]{style="line"} *fresh Woods*] in the spring of 1638 Milton left England for Italy.
:::

:::paragraphs{style="colophon"}
Set in Linden Hill, Imbue and Libre Franklin (SIL Open Font License). Text of 1645, public domain. Notes, CC BY 4.0; laurel painted with diffusion models.
:::
`; // content.notes.<lang>.md: the notes

// #region art: a sprig of bay laurel with its unripe berries, a watercolour in assets/
// The JPEG is cut to the sprig's 104 × 74 mm frame on white paper and declared at its pixels.
const resources = [{ id: 'laurel', typeId: 'figure', kind: 'bitmap', createdAt: 0, updatedAt: 0,
  bitmap: { fileId: 'laurel-1040.jpg', format: 'jpeg', width: 1040, height: 740 },
  altText: 'A sprig of bay laurel with a cluster of unripe berries, entering from the corner.' }];
await loadImage(resources[0].bitmap.fileId, asset(resources[0].bitmap.fileId));
// #endregion

// ─── 3 · Fonts ──────────────────────────────────────────────────────────────
// Loaded before the first build (gotcha: fonts-first). Linden Hill has no bold, Imbue no italic.
const FONTS = { 'Linden Hill': ['400', '400i'], Imbue: ['300'], 'Libre Franklin': ['400', '500'] };

// ─── 4 · Build & show ───────────────────────────────────────────────────────
await loadFonts(FONTS, markdown + notes);
const source = `${numberVerse(markdown)}\n\n${notes}`;
const doc = await buildWithFonts(() => buildDocument({ markdown: source, resources }, config()),
  source);
showPages(doc, { title: 'Lycidas · with line numbers and notes' });

Kit · core, fonts, viewer, images: igual a totes les receptes · 270 línies
// ─── Kit ── helpers shared by every Cookbook recipe · postext.dev/cookbook ─────

// ─── Kit · core v1 ── the same in every recipe · postext.dev/cookbook ─────────
function mm(value) { return { value, unit: 'mm' }; }
function pt(value) { return { value, unit: 'pt' }; }
function em(value) { return { value, unit: 'em' }; }
/** The sample language's string: t({ en: 'Figure', es: 'Figura' }). */
function t(strings) { return strings[LANG] ?? Object.values(strings)[0]; }
/** A file in this recipe's assets folder, served from the Postext repo by jsDelivr. */
function asset(file) { return `https://cdn.jsdelivr.net/gh/drnachio/postext@main/cookbook/${RECIPE}/assets/${file}`; }

// ─── Kit · fonts v1 ── the same in every recipe · postext.dev/cookbook ────────
// Postext measures text with the faces the browser has loaded, and caches the
// widths, so every face must be ready before the first build. Faces come from
// Fontsource: the same static files the PDF embeds, so screen and PDF agree.

/** faces = { 'Family Name': ['400', '400i', '700'] }. `text` is the sample:
 *  letters beyond Latin-1 (č, ł, ő…) also load the latin-ext files. With
 *  `optional`, a face Fontsource does not ship is skipped instead of failing.
 *  Resolves to the number of faces added. */
async function loadFonts(faces, text = '', { optional = false } = {}) {
  kitStatus('Loading fonts…');
  const ranges = {
    latin: 'U+0000-00FF,U+0131,U+0152-0153,U+02BB-02BC,U+02C6,U+02DA,U+02DC,U+0304,U+0308,U+0329,'
      + 'U+2000-206F,U+20AC,U+2122,U+2191,U+2193,U+2212,U+2215,U+FEFF,U+FFFD',
    'latin-ext': 'U+0100-02BA,U+02BD-02C5,U+02C7-02CC,U+02CE-02D7,U+02DD-02FF,U+0304,U+0308,U+0329,'
      + 'U+1D00-1DBF,U+1E00-1E9F,U+1EF2-1EFF,U+2020,U+20A0-20AB,U+20AD-20C0,U+2113,U+2C60-2C7F,U+A720-A7FF',
  };
  const subsets = /[Ā-˿Ḁ-ỿ]/.test(text) ? ['latin', 'latin-ext'] : ['latin'];
  const jobs = [];
  let added = 0;
  for (const [family, specs] of Object.entries(faces)) {
    const id = fontsourceId(family);
    const meta = optional ? await fontsourceMeta(family) : null;
    for (const spec of new Set(specs)) {
      const weight = parseInt(spec, 10);
      const style = spec.endsWith('i') ? 'italic' : 'normal';
      if (hasFace(family, weight, style)) continue;
      if (optional && !(meta?.weights.includes(weight) && meta.styles.includes(style))) continue;
      for (const subset of subsets) {
        const url = `https://cdn.jsdelivr.net/npm/@fontsource/${id}@5/files/${id}-${subset}-${weight}-${style}.woff2`;
        const face = new FontFace(family, `url(${url}) format('woff2')`,
          { weight: String(weight), style, unicodeRange: ranges[subset] });
        jobs.push(face.load().then((ready) => { document.fonts.add(ready); added++; }, () => {
          if (subset === 'latin' && !optional) throw new Error(`Fontsource has no ${family} ${weight} ${style}`);
        }));
      }
    }
  }
  await Promise.all(jobs).catch((error) => { kitFail(error); throw error; });
  return added;
}

/** Runs `build` (a buildDocument or buildBundle call) and checks the faces
 *  the pages use. A regular face missing from FONTS is loaded with a warning;
 *  bold and italic variants are loaded when the family ships them. Then the
 *  measurement caches are cleared and the build runs again. */
async function buildWithFonts(build, text = '') {
  const tried = new Set();
  for (let round = 0; round < 3; round++) {
    kitStatus('Laying out…');
    await new Promise(requestAnimationFrame);          // let the status paint first
    const result = await Promise.resolve().then(build).catch((error) => { kitFail(error); throw error; });
    const wanted = { base: {}, variants: {} };
    for (const { font, base } of [result].flat().flatMap(fontStringsOf)) {
      const { family, weight, style } = parseFont(font);
      const key = `${family}|${weight}|${style}`;
      if (tried.has(key) || hasFace(family, weight, style)) continue;
      tried.add(key);
      (wanted[base ? 'base' : 'variants'][family] ??= []).push(`${weight}${style === 'italic' ? 'i' : ''}`);
    }
    if (Object.keys(wanted.base).length) {
      console.warn(`[cookbook] FONTS does not list ${JSON.stringify(wanted.base)}: loading them.`);
    }
    const added = await loadFonts(wanted.base, text) + await loadFonts(wanted.variants, text, { optional: true });
    if (added === 0) return result;
    clearMeasurementCache();
  }
  throw new Error('The fonts did not settle after three builds.');
}

/** Every font string of the layout. `base` marks a block's own face; its
 *  bold, italic and bold-italic variants are listed whether or not used. */
function fontStringsOf(doc) {
  const found = new Map();
  const walk = (node) => {
    if (!node || typeof node !== 'object') return;
    if (Array.isArray(node)) { node.forEach(walk); return; }
    for (const [key, value] of Object.entries(node)) {
      if (typeof value === 'string' && /fontString$/i.test(key)) {
        found.set(value, found.get(value) || key === 'fontString');
      } else if (value && typeof value === 'object') walk(value);
    }
  };
  walk(doc.pages);
  walk(doc.blocks);
  return [...found].map(([font, base]) => ({ font, base }));
}

/** '700 37.5px Open Sans' / 'italic 400 13px "Source Serif 4"' → { family, weight, style }.
 *  A string with no weight ('95.8px Young Serif', from a design text) is 400. */
function parseFont(font) {
  const m = /^(?:(italic|oblique)\s+)?(?:small-caps\s+)?(?:(\d+|bold|normal)\s+)?[\d.]+px\s+(.+)$/.exec(font.trim());
  if (!m) throw new Error(`Unexpected font string: ${font}`);
  const weight = m[2] === 'bold' ? 700 : !m[2] || m[2] === 'normal' ? 400 : Number(m[2]);
  return { family: m[3].replace(/^["']|["']$/g, ''), weight, style: m[1] ? 'italic' : 'normal' };
}

/** True when a loaded FontFace covers exactly this family, weight and style
 *  (document.fonts.check() is also true for families nobody declared). */
function hasFace(family, weight, style) {
  for (const face of document.fonts) {
    if (face.status !== 'loaded' || face.style !== style) continue;
    if (face.family.replace(/^["']|["']$/g, '') !== family) continue;
    const [low, high = low] = face.weight.split(' ').map(Number);
    if (weight >= low && weight <= high) return true;
  }
  return false;
}

/** Fontsource's id for a family: 'Source Serif 4' → 'source-serif-4'. */
function fontsourceId(family) { return family.toLowerCase().replace(/\s+/g, '-'); }

/** The weights and styles a family ships ({ weights: [400, 700], styles: ['normal', 'italic'] }), or null. */
function fontsourceMeta(family) {
  fontsourceMeta.cache ??= new Map();
  const id = fontsourceId(family);
  if (!fontsourceMeta.cache.has(id)) {
    fontsourceMeta.cache.set(id, fetch(`https://api.fontsource.org/v1/fonts/${id}`)
      .then((res) => (res.ok ? res.json() : null), () => null));
  }
  return fontsourceMeta.cache.get(id);
}

// ─── Kit · viewer v1 ── the same in every recipe · postext.dev/cookbook ───────
/** Shows the pages as facing spreads on a dark desk: the first page is a
 *  recto on its own, then verso | recto pairs, as in a bound book. Pages
 *  are painted when they scroll near the screen. */
function showPages(docs, { title, width = 460 } = {}) {
  const root = viewer(title);
  const pages = [docs].flat().flatMap((doc) =>
    doc.pages.map((page) => ({ doc, page, n: (doc.pageIndexOffset ?? 0) + page.index })));
  const spreads = [];
  let verso = null;
  for (const p of pages) {
    if (p.n % 2 === 1) { if (verso) spreads.push([verso, null]); verso = p; }
    else { spreads.push([verso, p]); verso = null; }
  }
  if (verso) spreads.push([verso, null]);
  const density = Math.min(window.devicePixelRatio || 1, 2);
  showPages.painter?.disconnect();
  const painter = new IntersectionObserver((entries) => {
    for (const { isIntersecting, target } of entries) {
      if (!isIntersecting) continue;
      painter.unobserve(target);
      const { doc, page } = target.postext;
      renderPageToCanvas(page, doc, target, { scale: (width * density) / page.width });
    }
  }, { rootMargin: '800px' });
  showPages.painter = painter;
  root.replaceChildren(...spreads.map((pair) => {
    const spread = document.createElement('div');
    spread.className = 'pt-spread';
    for (const p of pair) {
      const figure = document.createElement('figure');
      if (p) {
        const label = p.page.pageLabel || String(p.n + 1);
        const canvas = document.createElement('canvas');
        canvas.postext = p;
        canvas.style.aspectRatio = `${p.page.width} / ${p.page.height}`;
        canvas.setAttribute('role', 'img');
        canvas.setAttribute('aria-label', `Page ${label}`);
        const folio = document.createElement('figcaption');
        folio.textContent = label;
        figure.append(canvas, folio);
        painter.observe(canvas);
      } else figure.className = 'pt-blank';
      spread.append(figure);
    }
    return spread;
  }));
  kitStatus(`${pages.length} ${pages.length === 1 ? 'page' : 'pages'}`);
  document.documentElement.dataset.postext = 'ready';
  return pages.length;
}

/** The desk, the bar and the error reporting, created once. */
function viewer(title) {
  if (!document.getElementById('pt-kit')) {
    document.head.insertAdjacentHTML('beforeend', `<style id="pt-kit">
      :root { color-scheme: dark; }
      body { margin: 0; background: #0e1014; color: #b9bcc4; font: 13px/1.45 system-ui, sans-serif; }
      #pt-bar { position: sticky; top: 0; z-index: 1; display: flex; flex-wrap: wrap; align-items: center;
        gap: 6px 16px; padding: 10px 16px; background: rgb(14 16 20 / .92); backdrop-filter: blur(6px);
        border-bottom: 1px solid #23262d; }
      #pt-bar strong { color: #f4f1ea; font-weight: 600; }
      #pt-actions { display: flex; gap: 12px; margin-left: auto; }
      #pt-actions a, #pt-actions button { color: #d8a21a; font: inherit; background: none; border: 0; padding: 0; cursor: pointer; }
      #pages { display: grid; justify-items: center; gap: 48px; padding: 32px 16px 72px; }
      .pt-spread { display: flex; }
      .pt-spread figure { margin: 0; width: min(460px, 44vw); }
      .pt-spread canvas { display: block; width: 100%; background: #fff;
        box-shadow: 0 1px 2px rgb(0 0 0 / .5), 0 22px 44px -16px rgb(0 0 0 / .8); }
      .pt-spread figure:first-child canvas { box-shadow: inset -14px 0 14px -14px rgb(0 0 0 / .18), 0 1px 2px rgb(0 0 0 / .5), 0 22px 44px -16px rgb(0 0 0 / .8); }
      .pt-spread figcaption { margin-top: 10px; text-align: center; font: 600 10px/1 system-ui, sans-serif;
        letter-spacing: .18em; text-transform: uppercase; color: #6c7079; }
      .pt-blank { visibility: hidden; }
      @media (max-width: 760px) {
        .pt-spread { flex-direction: column; gap: 32px; }
        .pt-spread figure { width: min(460px, 92vw); }
        .pt-blank { display: none; }
      }
    </style>`);
    document.body.insertAdjacentHTML('afterbegin',
      '<header id="pt-bar"><strong id="pt-title"></strong><span id="pt-status" role="status"></span><span id="pt-actions"></span></header>');
    document.getElementById('pt-title').textContent = document.title || 'Postext';
    addEventListener('error', (event) => kitFail(event.error ?? event.message));
    addEventListener('unhandledrejection', (event) => kitFail(event.reason));
  }
  if (title) document.getElementById('pt-title').textContent = title;
  return document.getElementById('pages')
    ?? document.body.appendChild(Object.assign(document.createElement('main'), { id: 'pages' }));
}

function kitStatus(text) {
  viewer();
  document.getElementById('pt-status').textContent = text;
}

function kitFail(error) {
  document.documentElement.dataset.postext = 'error';
  kitStatus(`Error: ${error?.message ?? error}`);
}

// ─── Kit · images v1 ── recipes with pictures · postext.dev/cookbook ──────────
/** Registers a photo or PNG for the canvas and keeps its bytes for the PDF.
 *  fetch → ImageBitmap never taints the canvas (a plain cross-origin <img> would). */
async function loadImage(fileId, url) {
  const res = await fetch(url);
  if (!res.ok) throw new Error(`Image not found (${res.status}): ${url}`);
  const bytes = new Uint8Array(await res.arrayBuffer());
  registerResourceImage(fileId, await createImageBitmap(new Blob([bytes])));
  (loadImage.bytes ??= new Map()).set(fileId, bytes);
}

/** Registers SVG markup (drawn in code, or fetched) as a vector image. */
async function loadSvg(fileId, svg) {
  const img = new Image();
  img.src = `data:image/svg+xml;charset=utf-8,${encodeURIComponent(svg)}`;
  await img.decode();
  registerResourceImage(fileId, img);
  (loadImage.bytes ??= new Map()).set(fileId, new TextEncoder().encode(svg));
}

/** renderToPdf({ resourceBytes: imageBytes }) */
function imageBytes(fileId) { return loadImage.bytes?.get(fileId); }

/** renderToHtml({ resourceImageUrl: imageUrl }) */
function imageUrl(fileId) {
  const bytes = imageBytes(fileId);
  if (!bytes) return undefined;
  imageUrl.urls ??= new Map();
  if (!imageUrl.urls.has(fileId)) {
    const type = /\.svg$/i.test(fileId) ? 'image/svg+xml' : /\.png$/i.test(fileId) ? 'image/png' : 'image/jpeg';
    imageUrl.urls.set(fileId, URL.createObjectURL(new Blob([bytes], { type })));
  }
  return imageUrl.urls.get(fileId);
}

// ─── /Kit ───────────────────────────────────────────────────────────────────────