In breve
Un piccolo libro di poesie giapponesi: il diario di viaggio di Bashō con i suoi haiku su righe proprie, e le brevi poesie di Takuboku in tre righe ciascuna, mai spezzate da un cambio di pagina.
Che cosa comporrai
Otto pagine di un piccolo libro di poesia su una pagina 四六判 di 127 × 188 mm, rilegata a destra. La prima parte sono sette tappe dello Stretto sentiero verso il profondo Nord di Bashō, la sua prosa con i suoi haiku; la seconda, undici tanka da Un pugno di sabbia di Ishikawa Takuboku, ciascuno nelle tre righe in cui lo scrisse. La prosa scorre dall’alto in basso, 36 caratteri per riga, in Shippori Mincho a 10 pt con un passo generoso di 1,9 em. Ogni haiku sta su una riga propria tre caratteri più in basso, ogni tanka due più in basso, e l’haiku di Sora è firmato 曾良 vicino al piede della riga. Un tanka non si spezza mai tra due pagine, e un * color cachi separa i gruppi. Il libro di poesia europeo è Nº 015; le poesie Tang in cinese verticale sono Nº 083.
Questa ricetta risponde a
- Come compongo poesia: una riga per verso, spazi tra le strofe, rientri sporgenti per i versi che vanno a capo, niente sillabazione?
- Quali font compongono il giapponese, con i kanji nelle loro forme giapponesi, a schermo e nel PDF?
La risposta breve
// A haiku is a paragraph of one line, so a style sets where it starts: three characters down
// from the head of the line. Takuboku's tanka keep his three lines in a :::verse block, two
// down; 曾良 signs his haiku raised five characters from the foot (地から五字上げ).
const paragraphStyles = [
{ id: 'haiku', indent: em(3), firstLineIndent: em(0), marginTop: pt(0), marginBottom: pt(0) },
// A poem's style gives its indent and the space under the poem: one blank line.
{ id: 'tanka', indent: em(2), marginTop: pt(0), marginBottom: pt(LEAD) },
{ id: 'by', textAlign: 'end', endIndent: em(5), firstLineIndent: em(0) },
// The ornament between groups of poems, in the middle of its line, with a blank line after
// it to match the one the group before it leaves.
{ id: 'ornament', textAlign: 'center', firstLineIndent: em(0), color: col('persimmon'),
marginBottom: pt(LEAD) },
];
// :::paragraphs{style="haiku"} :::paragraphs{style="by"}
// 夏草や兵どもが夢の跡 曾良
// ::: :::
Ingredienti
- Funzionalità
- Stili di paragrafoVersi riga per rigaTesto verticaleTitoli su più righe di testo (gyōdori)Libri rilegati a destraRientri, allineamento e spaziatura dei paragrafiFurigana: letture in kana sopra i kanjiDivisione in righe del giapponese (kinsoku)Numeri giapponesi e contatori in kanaKana, kanji e rōmajiGriglia dei caratteriFont cinesi, giapponesi e coreaniImportazione da Aozora BunkoStili di titoloAperture progettateTesto, filetti e riquadri nei progetti di paginaTestatine e folioMargini speculariTavolozza di colori semanticaEsportazione in PDF
- Usa anche
- Divisione in righe del cineseAttributi dei titoliColore della cartaTestatine secondo il ruolo della paginaFont incorporati nel PDFPagine preliminari in numeri romaniRuby: letture in pinyin e zhuyinTestatine per sezione
- Tipo
- Shippori Mincho, Noto Sans JP (SIL OFL 1.1)
- Risorse
- Nessuna: ogni immagine è disegnata nel codice
Preparazione
#1 · Un verso è un paragrafo, e il suo stile dice dove comincia
Il codice è la risposta breve qui sopra. Un haiku è una riga, quindi è un paragrafo a sé dentro un blocco :::paragraphs, e lo stile del blocco imposta il rientro: indent: em(3) mette un haiku tre caratteri sotto la testa della riga (il testo di Aozora li compone due più in basso; tre danno più aria alle poesie), e firstLineIndent: em(0) impedisce al rientro di un carattere del testo di sommarsi. I circa 17 caratteri di un haiku entrano in qualunque riga da 36, quindi non va mai a capo. La firma è un paragrafo a sé: textAlign: 'end' la mette contro il piede della riga (地付き, jitsuki) e endIndent: em(5) la solleva di cinque caratteri da lì (地から五字上げ), come fa l’edizione da cui viene questo testo (Paragraph styles).
#2 · Tieni ogni tanka su una pagina
// The tanka of a group are one :::verse block, each a stanza of three lines with a blank
// line between: a line of verse a line of Markdown, one blank line of the grid between two
// tanka. keepStanzas=3 keeps a stanza of three lines whole, so a tanka is never cut at the
// foot of a page: it moves on to the next.
// :::verse{style="tanka" keepStanzas=3}
// 東海の小島の磯の白砂に
// われ泣きぬれて
// 蟹とたはむる
//
// 頬につたふ
// …
// :::
I tanka di Takuboku sono un blocco :::verse, ogni tanka una strofa: le sue tre righe sono tre righe del Markdown, e la riga vuota tra due tanka nel sorgente lascia una riga vuota della griglia tra le poesie. Lo stile della poesia dà il rientro di due caratteri e la riga sotto il gruppo, e le righe pendono dalla testa come qualunque colonna. keepStanzas=3 tiene intera ogni strofa di tre righe: a pagina 5 il terzo tanka non entra sotto il titolo della parte e i primi due, quindi apre intero la pagina 6, invece di lasciare indietro la sua prima riga. Il fregio tra due gruppi introduce il successivo, quindi prosegue con il suo primo tanka invece di restare da solo al piede di una pagina (:::verse).
#3 · Spazia i nomi dei luoghi su una stessa larghezza
// The place names over the prose take two lines (2行取り), four characters down, and a
// two-character name is spaced out to three (字取り: 平泉 → 平 泉), so they all end level.
const place = {
level: 2, fontFamily: MINCHO, fontWeight: 700, fontSize: pt(11),
lineSpan: 2, indent: em(4), jidori: 3,
};
Le tappe del cammino di Bashō sono titoli di secondo livello alti due righe di testo (2行取り), così la prosa e gli haiku che seguono restano sulla griglia. jidori: 3 spazia un nome più corto fino a tre dei suoi caratteri (字取り): 平泉 si stampa 平 泉 con un carattere intero in mezzo, e ogni nome finisce alla stessa altezza di 立石寺 e 最上川. Un nome già lungo tre caratteri resta com’è (Per-level overrides).
#4 · Apri ogni parte su una pagina propria
// A design on a vertical page is laid out in the flow frame: x runs down the column from
// the head of the type area, y across the page leftwards from its right edge.
const at = (down, across) => ({ anchor: { to: 'container', edge: 'top-left' },
offset: { x: pt(down), y: pt(across) } });
const TITLE = 18; // pt
const part = {
level: 1, breakBefore: { enabled: true, parity: 'any' }, // the next page, either side
advancedDesign: { enabled: true, minHeight: lines(5), slot: { elements: [
{ kind: 'text', id: 'title', content: '{titleText}', fontFamily: MINCHO, fontWeight: 700,
fontSize: pt(TITLE), lineHeight: 1, letterSpacing: pt(4), color: col('ink'),
placement: at(3 * BODY, 1.5 * LEAD - TITLE / 2) },
{ kind: 'text', id: 'abridged', content: '(抄)', fontFamily: MINCHO, fontSize: pt(9),
color: col('ink'), placement: { anchor: { to: '#title', edge: 'right-of' },
offset: { x: pt(6), y: pt((TITLE - 9) / 2) } } },
{ kind: 'rule', id: 'rule', direction: 'horizontal', thickness: pt(0.6),
color: col('persimmon'), placement: { ...at(3 * BODY, 2.5 * LEAD),
size: { width: pt(4 * TITLE) } } },
{ kind: 'text', id: 'poet', content: '{attr.author}', fontFamily: MINCHO, fontSize: pt(11),
letterSpacing: pt(3), color: col('ink'),
placement: at(CHARS * BODY - 4 * 11 - 3 * 3 - 2 * BODY, 3.5 * LEAD - 11 / 2) },
] } },
};
Ogni parte è un titolo di livello 1 il cui design compone il titolo, un piccolo (抄), “selezione”, collocato subito dopo con anchor.to: '#title', un breve filetto color cachi accanto al titolo e il poeta vicino al piede della riga. Il design riserva cinque righe, e il testo comincia dopo di esse sulla stessa griglia.
#5 · Scegli un carattere che abbia i segni antichi
const title = markdown.match(/^title: "(.*)"$/m)[1];
const heads = markdown.match(/^#+ [^{\n]*/gm).join('');
await loadFonts(FONTS, markdown); // the Latin files: the colophon
await loadCjkFonts({ [MINCHO]: ['400'] }, markdown, { vertical: true });
await loadCjkFonts({ [MINCHO]: ['700'] }, heads);
await loadCjkFonts({ [GOTHIC]: ['400'] },
`${title}${heads}${markdown.match(/colophon="([^"]*)"/)[1]}一二三四五六七八九十`, { vertical: true });
La prosa di Bashō scrive le parole ripetute con l’antico segno di ripetizione 〻 (日〻, 人〻), e i testi più antichi usano anche il lungo くの字点 〳〵. Zen Old Mincho non ha né l’uno né l’altro: il canvas li prenderebbe in prestito da un carattere di sistema e il PDF disegnerebbe riquadri vuoti. Shippori Mincho, Noto Serif JP e Shippori Mincho B1 li hanno entrambi, quindi le poesie sono composte in Shippori Mincho (Chinese, Japanese and Korean fonts). Il testo di Aozora conserva anche le note del curatore sulle grafie antiche, とら{え|(へ)}て, che stampano il kana atteso accanto a quello scritto da Bashō.
La ricetta completa
// ═══ Postext Cookbook · Nº 119 · Haiku and tanka set vertically ═══════════════════ // https://postext.dev/en/cookbook/haiku-and-tanka // Code: MIT · Text: 芭蕉『おくのほそ道』, 啄木『一握の砂』, Aozora Bunko (PD) · Pictures: none // Fonts: Shippori Mincho, Noto Sans JP (SIL OFL 1.1) · Needs postext ≥ 1.25.0 import { buildDocument, withLoadedFonts, renderPageToCanvas, loadVerticalAlternates, } from 'https://esm.sh/postext'; import { renderToPdf, decompressWoff2 } from 'https://esm.sh/postext-pdf'; const LANG = 'en'; // @lang: the language of the colophon; the poems are Japanese in both const RECIPE = 'haiku-and-tanka'; // ─── 1 · Design ───────────────────────────────────────────────────────────── // #region palette: ink, one persimmon, a soft poetry stock const palette = { ink: '#22201d', // the poems persimmon: '#b5512c', // 柿: the part titles' rule and the ornaments muted: '#6a645c', // the hashira, the folios, the colophon paper: '#fbf8f1', }; const col = (id) => ({ hex: palette[id], model: 'hex', paletteId: id }); const colorPalette = [ ...Object.entries(palette).map(([id, hex]) => ({ id, name: id, value: { hex, model: 'hex' } })), { id: 'main-color', name: 'defaults', value: { hex: palette.persimmon, model: 'hex' } }, ]; // #endregion // Shippori Mincho: it has the 〻 of 日〻 and 人〻, which Zen Old Mincho lacks. const [MINCHO, GOTHIC] = ['Shippori Mincho', 'Noto Sans JP']; const [BODY, LEAD, CHARS, LINES] = [10, 19, 36, 14]; // pt, pt: 36字 × 14行, a 1.9 em pitch const lines = (n) => pt(n * LEAD); // #region answer: a haiku on one line three characters down, a tanka in three, 地付き names // A haiku is a paragraph of one line, so a style sets where it starts: three characters down // from the head of the line. Takuboku's tanka keep his three lines in a :::verse block, two // down; 曾良 signs his haiku raised five characters from the foot (地から五字上げ). const paragraphStyles = [ { id: 'haiku', indent: em(3), firstLineIndent: em(0), marginTop: pt(0), marginBottom: pt(0) }, // A poem's style gives its indent and the space under the poem: one blank line. { id: 'tanka', indent: em(2), marginTop: pt(0), marginBottom: pt(LEAD) }, { id: 'by', textAlign: 'end', endIndent: em(5), firstLineIndent: em(0) }, // The ornament between groups of poems, in the middle of its line, with a blank line after // it to match the one the group before it leaves. { id: 'ornament', textAlign: 'center', firstLineIndent: em(0), color: col('persimmon'), marginBottom: pt(LEAD) }, ]; // :::paragraphs{style="haiku"} :::paragraphs{style="by"} // 夏草や兵どもが夢の跡 曾良 // ::: ::: // #endregion // #region tanka: a stanza a tanka, each kept on one page // The tanka of a group are one :::verse block, each a stanza of three lines with a blank // line between: a line of verse a line of Markdown, one blank line of the grid between two // tanka. keepStanzas=3 keeps a stanza of three lines whole, so a tanka is never cut at the // foot of a page: it moves on to the next. // :::verse{style="tanka" keepStanzas=3} // 東海の小島の磯の白砂に // われ泣きぬれて // 蟹とたはむる // // 頬につたふ // … // ::: // #endregion // #region places: the place names take two lines, spaced to three characters // The place names over the prose take two lines (2行取り), four characters down, and a // two-character name is spaced out to three (字取り: 平泉 → 平 泉), so they all end level. const place = { level: 2, fontFamily: MINCHO, fontWeight: 700, fontSize: pt(11), lineSpan: 2, indent: em(4), jidori: 3, }; // #endregion // #region part: each part opens a page with its title, (抄) and the poet at the foot // A design on a vertical page is laid out in the flow frame: x runs down the column from // the head of the type area, y across the page leftwards from its right edge. const at = (down, across) => ({ anchor: { to: 'container', edge: 'top-left' }, offset: { x: pt(down), y: pt(across) } }); const TITLE = 18; // pt const part = { level: 1, breakBefore: { enabled: true, parity: 'any' }, // the next page, either side advancedDesign: { enabled: true, minHeight: lines(5), slot: { elements: [ { kind: 'text', id: 'title', content: '{titleText}', fontFamily: MINCHO, fontWeight: 700, fontSize: pt(TITLE), lineHeight: 1, letterSpacing: pt(4), color: col('ink'), placement: at(3 * BODY, 1.5 * LEAD - TITLE / 2) }, { kind: 'text', id: 'abridged', content: '(抄)', fontFamily: MINCHO, fontSize: pt(9), color: col('ink'), placement: { anchor: { to: '#title', edge: 'right-of' }, offset: { x: pt(6), y: pt((TITLE - 9) / 2) } } }, { kind: 'rule', id: 'rule', direction: 'horizontal', thickness: pt(0.6), color: col('persimmon'), placement: { ...at(3 * BODY, 2.5 * LEAD), size: { width: pt(4 * TITLE) } } }, { kind: 'text', id: 'poet', content: '{attr.author}', fontFamily: MINCHO, fontSize: pt(11), letterSpacing: pt(3), color: col('ink'), placement: at(CHARS * BODY - 4 * 11 - 3 * 3 - 2 * BODY, 3.5 * LEAD - 11 / 2) }, ] } }, }; // #endregion // #region furniture: the book's title down the fore-edge, the folio below it const foreEdge = (id, content, parity, edge, y, extra = {}) => ({ kind: 'text', id, content, parity, pages: 'body', writingMode: 'vertical-rl', fontFamily: GOTHIC, fontSize: pt(7), letterSpacing: pt(1), color: col('muted'), overflow: 'clip', placement: { anchor: { to: 'outer', edge }, offset: { y: em(y) } }, ...extra, }); const header = { elements: [ foreEdge('book', '{title}', 'even', 'top', 3), foreEdge('part', '{chapterTitle}', 'odd', 'top', 3), foreEdge('folio', '{pageNumber}', 'all', 'bottom', -3, { pages: 'all' }), ] }; const none = { elements: [] }; // The first part's opening page carries the colophon across the foot. const first = { id: 'first', footer: { elements: [{ kind: 'text', id: 'colophon', content: '{attr.colophon}', pages: 'opener', fontFamily: GOTHIC, fontSize: pt(5.5), lineHeight: 1.45, color: col('muted'), overflow: 'wrap', align: 'center', placement: { anchor: { to: 'page', edge: 'bottom' }, offset: { y: mm(-7) }, size: { width: mm(100) } } }] } }; // #endregion const config = () => ({ locale: 'ja', // written out, never LANG (gotcha: ja-locale-tag) colorPalette, page: { sizePreset: 'custom', width: mm(127), height: mm(188), dpi: 150, // 四六判 backgroundColor: col('paper'), margins: { top: mm(32), bottom: mm(24), left: mm(15), right: mm(17), mirror: true }, pageNumbering: { format: 'japanese-informal' }, }, layout: { layoutType: 'single', writingMode: 'vertical-rl' }, cjk: { grid: { enabled: true, charsPerLine: CHARS, linesPerPage: LINES } }, bodyText: { fontFamily: MINCHO, fontSize: pt(BODY), lineHeight: pt(LEAD), color: col('ink'), boldColor: col('ink'), italicColor: col('ink'), referenceColor: col('ink'), textAlign: 'justify', firstLineIndent: em(1), indentAfterHeading: true, }, headings: { fontFamily: MINCHO, color: col('ink'), levels: [part, place] }, headingStyles: [first], paragraphStyles, header, footer: none, }); // ─── 2 · Content ──────────────────────────────────────────────────────────── const markdown = String.raw`---Esempio Markdown · 123 righe · content.en.md
title: "芭蕉と啄木" subtitle: "俳句と短歌" --- # おくのほそ道 {style="first" author="松尾芭蕉" colophon="Matsuo Bashō, おくのほそ道 (The Narrow Road to the Deep North, 1702), selections, after Sugiura Shōichirō’s 1957 edition; Ishikawa Takuboku, 一握の砂 (A Handful of Sand, 1910), eleven tanka. Text: Aozora Bunko 61619 and 816, public domain. Set in Shippori Mincho and Noto Sans JP (SIL OFL)."} ## 冒頭 {月日|つきひ}は{百代|はくだい}の{過客|くわかく}にして、{行|ゆき}かふ{年|とし}も{又|また}{旅人|たびびと}{也|なり}。{舟|ふね}の{上|うへ}に生涯をうかべ馬の口とら{え|(へ)}て{老|おい}をむかふる{物|もの}は、{日〻|ひび}{旅|たび}にして{旅|たび}を{栖|すみか}とす。古人も多く旅に死せるあり。予もいづれの年よりか、{片雲|へんうん}の風にさそはれて、漂泊の思ひやまず海濱にさすらへ、{去年|こぞ}の秋{江上|かうじやう}の{破屋|はをく}に{蜘|くも}の古巣をはらひて、やゝ年も{暮|くれ}春{立|たて}る霞の空に白川の關こえんと、そゞろ{神|がみ}の物につきて心をくるはせ、{道祖神|だうそじん}のまねきにあひて{取|とる}もの手につかず、もゝ{引|ひき}の{破|やぶれ}をつゞり{笠|かさ}の{緒|を}{付|つけ}か{え|(へ)}て、三里に灸す{ゆ|(う)}るより松嶋の月{先|まづ}心にかゝりて、{住|すめ}る{方|かた}は人に讓り{杉風|さんぷう}が{別墅|べつしよ}に移るに、 :::paragraphs{style="haiku"} 草の戸も{住替|すみかは}る{代|よ}ぞひなの家 ::: {面八句|おもてはちく}を{庵|いほり}の柱に{懸置|かけおく}。 ## 旅立 :::paragraphs{style="haiku"} {行|ゆく}春や鳥{啼|なき}{魚|うを}の目は{泪|なみだ} ::: ## 平泉 三代の{榮耀|えいえう}{一睡|いつすゐ}の{中|うち}にして、{大門|だいもん}の跡は一里こなたに{有|あり}。{秀衡|ひでひら}が跡は田野に{成|なり}て、金鷄山のみ形を殘す。{先|まづ}{高舘|たかだち}にのぼれば、北上川南部より流るゝ{大河|たいが}也。衣川は和泉が{城|じやう}をめぐりて、高舘の下にて大河に{落入|おちいる}。{康衡|やすひら}等が旧跡は、衣が關を{隔|へだて}て南部口をさし堅め、{夷|えぞ}をふせぐとみえたり。{偖|さて}も義臣すぐつて{此城|このしろ}にこもり、功名一時の{叢|くさむら}となる。「國破れて山河あり、{城|じやう}春にして草青みたり」と笠{打敷|うちしき}て時のうつるまで泪を落し侍りぬ。 :::paragraphs{style="haiku"} {夏草|なつくさ}や{兵|つはもの}どもが夢の跡 {卯|う}の{花|はな}に{兼房|かねふさ}みゆる{白毛|しらが}かな ::: :::paragraphs{style="by"} 曾良 ::: ## 立石寺 山形領に{立石寺|りふしやくじ}と{云|いふ}山寺あり。{慈覺大師|じかくだいし}の開基にして、{殊|ことに}清閑の地也。一見すべきよし、人〻のすゝむるに{依|よつ}て、尾花澤よりとつて返し、{其|その}間七里ばかり也。日いまだ{暮|くれ}ず。{麓|ふもと}の坊に宿かり{置|おき}て、山上の堂にのぼる。岩に{巖|いはほ}を{重|かさね}て山とし、{松柏|しようはく}{年旧|としふり}、{土石|どせき}{老|おい}て苔{滑|なめらか}に、岩上の院〻{扉|とびら}を{閉|とぢ}て物の音きこえず。{岸|きし}をめぐり岩を{這|はひ}て{佛閣|ぶつかく}を拜し、{佳景|かけい}{寂莫|じやくまく}として心すみ{行|ゆく}のみおぼゆ。 :::paragraphs{style="haiku"} {閑|しづか}さや岩にしみ{入|いる}蝉の聲 ::: ## 最上川 :::paragraphs{style="haiku"} 五月雨をあつめて早し最上川 ::: ## 越後路 :::paragraphs{style="haiku"} 文月や六日も常の夜には似ず 荒海や佐渡によこたふ{天河|あまのがは} ::: ## 大垣 :::paragraphs{style="haiku"} 蛤のふたみにわかれ{行|ゆく}秋ぞ ::: # 一握の砂 {author="石川啄木"} :::verse{style="tanka" keepStanzas=3} {東海|とうかい}の{小島|こじま}の{磯|いそ}の{白砂|しらすな}に われ{泣|な}きぬれて {蟹|かに}とたはむる {頬|ほ}につたふ なみだのごはず {一握|いちあく}の砂を{示|しめ}しし人を忘れず いのちなき砂のかなしさよ さらさらと {握|にぎ}れば指のあひだより落つ たはむれに母を{背負|せお}ひて そのあまり{軽|かろ}きに泣きて 三歩あゆまず はたらけど はたらけど{猶|なほ}わが{生活|くらし}楽にならざり ぢっと手を見る ::: :::paragraphs{style="ornament"} * ::: :::verse{style="tanka" keepStanzas=3} {不来方|こずかた}のお城の草に寝ころびて 空に吸はれし {十五|じふご}の心 ふるさとの{訛|なまり}なつかし {停車場|ていしやば}の人ごみの中に そを{聴|き}きにゆく 石をもて追はるるごとく ふるさとを{出|い}でしかなしみ 消ゆる時なし やはらかに柳あをめる {北上|きたかみ}の{岸辺|きしべ}目に見ゆ 泣けとごとくに ふるさとの山に向ひて 言ふことなし ふるさとの山はありがたきかな ::: :::paragraphs{style="ornament"} * ::: :::verse{style="tanka" keepStanzas=3} {函館|はこだて}の{青柳町|あをやぎちやう}こそかなしけれ 友の{恋歌|こひうた} 矢ぐるまの花 :::`; // content.<lang>.md: the same Japanese text in both // ─── 3 · Fonts ────────────────────────────────────────────────────────────── const FONTS = { 'Shippori Mincho': ['400', '700'], // the poems and the prose; the titles 'Noto Sans JP': ['400'], // the hashira, the folios and the colophon }; // ─── 4 · Build & show ─────────────────────────────────────────────────────── // #region voices: each face loads the files that hold the characters it sets const title = markdown.match(/^title: "(.*)"$/m)[1]; const heads = markdown.match(/^#+ [^{\n]*/gm).join(''); await loadFonts(FONTS, markdown); // the Latin files: the colophon await loadCjkFonts({ [MINCHO]: ['400'] }, markdown, { vertical: true }); await loadCjkFonts({ [MINCHO]: ['700'] }, heads); await loadCjkFonts({ [GOTHIC]: ['400'] }, `${title}${heads}${markdown.match(/colophon="([^"]*)"/)[1]}一二三四五六七八九十`, { vertical: true }); // #endregion const doc = await withLoadedFonts(() => buildDocument({ markdown }, config()), { ...kitFonts(FONTS), text: markdown }); showBook(doc, { title: t({ en: 'Haiku and tanka set vertically', es: 'Haikus y tankas compuestos en vertical' }) }); offerPdf(() => renderToPdf(doc, { fontProvider: cjkPdfProvider }), `${RECIPE}.pdf`);Kit · core, fonts, viewer, pdf, cjk: uguale in ogni ricetta · 458 righe
// ─── Kit ── helpers shared by every Cookbook recipe · postext.dev/cookbook ───── // ─── Kit · core v1 ── the same in every recipe · postext.dev/cookbook function mm(value) { return { value, unit: 'mm' }; } function pt(value) { return { value, unit: 'pt' }; } function em(value) { return { value, unit: 'em' }; } /** The sample language's string: t({ en: 'Figure', es: 'Figura' }). */ function t(strings) { return strings[LANG] ?? Object.values(strings)[0]; } /** A file in this recipe's assets folder, served from the Postext repo by jsDelivr. */ function asset(file) { return `https://cdn.jsdelivr.net/gh/drnachio/postext@main/cookbook/${RECIPE}/assets/${file}`; } // ─── Kit · fonts v3 ── the same in every recipe · postext.dev/cookbook // Postext loads the faces a config asks for before layout (prepareFonts, // buildDocumentWithFonts) and asks the kit for the files: Fontsource's, the // files the PDF embeds too. /** The options of buildDocumentWithFonts / prepareFonts / withLoadedFonts: * the Fontsource resolver, and the faces of FONTS loaded with the ones the * config names. FONTS = { 'Family Name': ['400', '400i', '700'] }. */ function kitFonts(FONTS = {}) { const faces = Object.entries(FONTS).flatMap(([family, specs]) => specs.map((spec) => ({ family, weight: parseInt(spec, 10), style: spec.endsWith('i') ? 'italic' : 'normal' }))); return { resolve: fontsourceResolver, faces }; } /** A face's Fontsource files, in a fixed order: latin, then latin-ext and greek * when `text` needs them and the family ships them (kitSubsetsFor), each with * its unicode-range. Null for a weight or slant Fontsource does not ship. */ async function fontsourceResolver(family, weight, style, { text = '' } = {}) { const id = fontsourceId(family); const meta = await fontsourceMeta(family); if (meta && !(meta.weights.includes(weight) && meta.styles.includes(style))) return null; kitStatus('Loading fonts…'); const at = await fontsourceAt(id); return ['latin', ...kitSubsetsFor(text, meta)].map((subset) => ({ source: `${at}files/${id}-${subset}-${weight}-${style}.woff2`, unicodeRange: kitRanges()[subset], })); } /** The unicode-range of each Fontsource file the kit loads (a function: the * kit is inlined after the pen's code, which runs before a const would be set). */ function kitRanges() { return { latin: 'U+0000-00FF,U+0131,U+0152-0153,U+02BB-02BC,U+02C6,U+02DA,U+02DC,U+0304,U+0308,U+0329,' + 'U+2000-206F,U+20AC,U+2122,U+2191,U+2193,U+2212,U+2215,U+FEFF,U+FFFD', 'latin-ext': 'U+0100-02BA,U+02BD-02C5,U+02C7-02CC,U+02CE-02D7,U+02DD-02FF,U+0304,U+0308,U+0329,' + 'U+1D00-1DBF,U+1E00-1E9F,U+1EF2-1EFF,U+2020,U+20A0-20AB,U+20AD-20C0,U+2113,U+2C60-2C7F,U+A720-A7FF', greek: 'U+0370-03FF', }; } /** For the cjk, arabic and comics blocks, which add their own files: the * faces of `faces` = { 'Family Name': ['400', '400i', '700'] }. `text` is the sample: * č ł † α χ also load latin-ext and greek files (kitSubsetsFor). With * `optional`, a face Fontsource does not ship is skipped instead of failing. * The files are added once all have loaded, in the order asked (latin, then * latin-ext, then greek), whatever order they arrive in: the last one added * wins a character two files hold. Resolves to the number of faces added. */ async function loadFonts(faces, text = '', { optional = false } = {}) { kitStatus('Loading fonts…'); const ranges = kitRanges(); const jobs = []; for (const [family, specs] of Object.entries(faces)) { const id = fontsourceId(family); const todo = [...new Set(specs)].map((spec) => [parseInt(spec, 10), spec.endsWith('i') ? 'italic' : 'normal']) .filter(([weight, style]) => !hasFace(family, weight, style)); // before any await const at = fontsourceAt(id); const meta = optional || /[^\0-ÿ]/u.test(text) ? await fontsourceMeta(family) : null; const subsets = ['latin', ...kitSubsetsFor(text, meta)]; for (const [weight, style] of todo) { if (optional && !(meta?.weights.includes(weight) && meta.styles.includes(style))) continue; for (const subset of subsets) { const url = `${await at}files/${id}-${subset}-${weight}-${style}.woff2`; const face = new FontFace(family, `url(${url}) format('woff2')`, { weight: String(weight), style, unicodeRange: ranges[subset] }); jobs.push(face.load().catch(() => { if (subset === 'latin' && !optional) throw new Error(`Fontsource has no ${family} ${weight} ${style}`); })); } } } const ready = await Promise.all(jobs).catch((error) => { kitFail(error); throw error; }); return ready.filter((face) => face && document.fonts.add(face)).length; } /** A loaded FontFace covers this family, weight and style (fonts.check() would * also say yes for families nobody declared). */ function hasFace(family, weight, style) { for (const face of document.fonts) { if (face.status !== 'loaded' || face.style !== style) continue; if (face.family.replace(/^["']|["']$/g, '') !== family) continue; const [low, high = low] = face.weight.split(' ').map(Number); if (weight >= low && weight <= high) return true; } return false; } /** The files beyond latin `text` needs that `meta`'s family ships. */ function kitSubsetsFor(text, meta) { return [[/[Ā-˿ᴀ-ᶿḀ-ỿ†ℓⱠ-Ɀ꜠-ꟿ]/u, 'latin-ext'], [/[Ͱ-Ͽ]/u, 'greek']] .filter(([re, x]) => re.test(text) && meta?.subsets?.includes(x)).map(([, x]) => x); } /** Fontsource's id for a family: 'Source Serif 4' → 'source-serif-4'. */ function fontsourceId(family) { return family.toLowerCase().replace(/\s+/g, '-'); } /** A package's folder at the one version @5 names now (#766). */ function fontsourceAt(id, u = `https://cdn.jsdelivr.net/npm/@fontsource/${id}@`) { return (fontsourceAt.c ??= {})[id] ??= fetch(u + '5/package.json').then((r) => r.json()) .then((p) => p.version || 5, () => 5).then((v) => `${u}${v}/`); } /** The family's Fontsource metadata (weights, styles, subsets), or null. */ function fontsourceMeta(family) { fontsourceMeta.cache ??= new Map(); const id = fontsourceId(family); if (!fontsourceMeta.cache.has(id)) { fontsourceMeta.cache.set(id, fetch(`https://api.fontsource.org/v1/fonts/${id}`) .then((res) => (res.ok ? res.json() : null), () => null)); } return fontsourceMeta.cache.get(id); } // ─── Kit · viewer v2 ── the same in every recipe · postext.dev/cookbook /** The pages as spreads on a dark desk, page 1 alone, then verso | recto, * each painted when it scrolls near. Other options go to renderPageToCanvas. */ function showPages(docs, { title, width = 460, ...render } = {}) { const root = viewer(title); const pages = [docs].flat().flatMap((doc) => doc.pages.map((page) => ({ doc, page, n: (doc.pageIndexOffset ?? 0) + page.index }))); const spreads = []; let verso = null; for (const p of pages) { if (p.n % 2 === 1) { if (verso) spreads.push([verso, null]); verso = p; } else { spreads.push([verso, p]); verso = null; } } if (verso) spreads.push([verso, null]); const density = Math.min(window.devicePixelRatio || 1, 2); showPages.painter?.disconnect(); const painter = new IntersectionObserver((entries) => { for (const { isIntersecting, target } of entries) { if (!isIntersecting) continue; painter.unobserve(target); const { doc, page } = target.postext; renderPageToCanvas(page, doc, target, { ...render, scale: (width * density) / page.width }); } }, { rootMargin: '800px' }); showPages.painter = painter; root.replaceChildren(...spreads.map((pair) => { const spread = document.createElement('div'); spread.className = 'pt-spread'; for (const p of pair) { const figure = document.createElement('figure'); if (p) { const label = p.page.pageLabel || String(p.n + 1); const canvas = document.createElement('canvas'); canvas.postext = p; canvas.style.aspectRatio = `${p.page.width} / ${p.page.height}`; canvas.setAttribute('role', 'img'); canvas.setAttribute('aria-label', `Page ${label}`); const folio = document.createElement('figcaption'); folio.textContent = label; figure.append(canvas, folio); painter.observe(canvas); } else figure.className = 'pt-blank'; spread.append(figure); } return spread; })); kitStatus(`${pages.length} ${pages.length === 1 ? 'page' : 'pages'}`); document.documentElement.dataset.postext = 'ready'; return pages.length; } /** The desk, the bar and the error reporting, created once. */ function viewer(title) { if (!document.getElementById('pt-kit')) { document.head.insertAdjacentHTML('beforeend', `<style id="pt-kit"> :root { color-scheme: dark; } body { margin: 0; background: #0e1014; color: #b9bcc4; font: 13px/1.45 system-ui, sans-serif; } #pt-bar { position: sticky; top: 0; z-index: 1; display: flex; flex-wrap: wrap; align-items: center; gap: 6px 16px; padding: 10px 16px; background: rgb(14 16 20 / .92); backdrop-filter: blur(6px); border-bottom: 1px solid #23262d; } #pt-bar strong { color: #f4f1ea; font-weight: 600; } #pt-actions { display: flex; gap: 12px; margin-left: auto; } #pt-actions a, #pt-actions button { color: #d8a21a; font: inherit; background: none; border: 0; padding: 0; cursor: pointer; } #pages { display: grid; justify-items: center; gap: 48px; padding: 32px 16px 72px; } .pt-spread { display: flex; } .pt-spread figure { margin: 0; width: min(460px, 44vw); } .pt-spread canvas { display: block; width: 100%; background: #fff; box-shadow: 0 1px 2px rgb(0 0 0 / .5), 0 22px 44px -16px rgb(0 0 0 / .8); } .pt-spread figure:first-child canvas { box-shadow: inset -14px 0 14px -14px rgb(0 0 0 / .18), 0 1px 2px rgb(0 0 0 / .5), 0 22px 44px -16px rgb(0 0 0 / .8); } .pt-spread figcaption { margin-top: 10px; text-align: center; font: 600 10px/1 system-ui, sans-serif; letter-spacing: .18em; text-transform: uppercase; color: #6c7079; } .pt-blank { visibility: hidden; } @media (max-width: 760px) { .pt-spread { flex-direction: column; gap: 32px; } .pt-spread figure { width: min(460px, 92vw); } .pt-blank { display: none; } } </style>`); document.body.insertAdjacentHTML('afterbegin', '<header id="pt-bar"><strong id="pt-title"></strong><span id="pt-status" role="status"></span><span id="pt-actions"></span></header>'); document.getElementById('pt-title').textContent = document.title || 'Postext'; addEventListener('error', (event) => kitFail(event.error ?? event.message)); addEventListener('unhandledrejection', (event) => kitFail(event.reason)); } if (title) document.getElementById('pt-title').textContent = title; return document.getElementById('pages') ?? document.body.appendChild(Object.assign(document.createElement('main'), { id: 'pages' })); } function kitStatus(text) { viewer(); document.getElementById('pt-status').textContent = text; } function kitFail(error) { document.documentElement.dataset.postext = 'error'; kitStatus(`Error: ${error?.message ?? error}`); } // ─── Kit · pdf v3 ── the same in every recipe that exports a PDF /** The Fontsource files the screen used, as TrueType, with their range and * place: the nearest weight the family ships, upright with no italic; * latin, then what its letters need (kitSubsetsFor). */ async function fontsourceProvider(family, weight, style, request) { const id = fontsourceId(family); const meta = await fontsourceMeta(family); const weights = meta?.weights?.length ? meta.weights : [400, 700]; const w = weights.reduce((a, b) => (Math.abs(b - weight) < Math.abs(a - weight) ? b : a)); const s = style === 'italic' && meta && !meta.styles.includes('italic') ? 'normal' : style; const text = String.fromCodePoint(...(request?.codePoints ?? [])); const files = await Promise.all(['latin', ...kitSubsetsFor(text, meta)].map(async (subset, order) => { const res = await fetch(`${await fontsourceAt(id)}files/${id}-${subset}-${w}-${s}.woff2`); if (!res.ok) throw new Error(`Fontsource has no ${family} ${w} ${s} ${subset}`); return Object.assign(await decompressWoff2(new Uint8Array(await res.arrayBuffer())), { unicodeRange: kitRanges()[subset], order }); })); return files.length === 1 ? files[0] : files; } /** A "Build the PDF" button; then "Open the PDF" (a new tab: CodePen's frame * shows no PDFs) and a download link. */ function offerPdf(makePdf, filename) { viewer(); const button = Object.assign(document.createElement('button'), { type: 'button', textContent: 'Build the PDF' }); button.dataset.postextPdf = filename; button.addEventListener('click', async () => { button.disabled = true; button.textContent = 'Building the PDF…'; try { const bytes = await makePdf(); const url = URL.createObjectURL(new Blob([bytes], { type: 'application/pdf' })); const size = `${Math.max(1, Math.round(bytes.length / 1024))} KB`; button.replaceWith( Object.assign(document.createElement('a'), { href: url, target: '_blank', rel: 'noopener', textContent: 'Open the PDF ↗' }), Object.assign(document.createElement('a'), { href: url, download: filename, textContent: `Download ${filename} · ${size}` })); } catch (error) { button.disabled = false; button.textContent = 'Build the PDF'; kitFail(error); } }); document.getElementById('pt-actions').append(button); } // ─── Kit · cjk v2 ── Chinese, Japanese and Korean books · postext.dev/cookbook // Fontsource ships a CJK family as about a hundred files per weight, each // declared in its stylesheet with the unicode-range it covers. The screen // loads the files the sample touches; the PDF gets the same files for the // characters its pages set in each face, and embeds each as a subset. // A book bound on the right (vertical text) is shown with its spreads // mirrored: page 1 alone on the left of the spine, then [3 | 2]. /** The files of a Fontsource face, read from its stylesheet: { url, range, * ranges }, the last declared first (the order the browser tries them in). */ function cjkSlices(family, weight, style) { cjkSlices.cache ??= new Map(); const id = fontsourceId(family); const css = `${id}/${weight}${style === 'italic' ? '-italic' : ''}.css`; if (!cjkSlices.cache.has(css)) { let at; cjkSlices.cache.set(css, fontsourceAt(id).then((a) => fetch(at = a + css.slice(id.length + 1))) .then((res) => { if (!res.ok) throw new Error(`Fontsource has no ${family} ${weight} ${style} (${res.status})`); return res.text(); }) .then((text) => [...text.matchAll(/@font-face\s*{([^}]*)}/g)].map(([, rule]) => { const range = /unicode-range:\s*([^;]+);/.exec(rule)?.[1].trim() ?? 'U+0-10FFFF'; const ranges = range.split(',').map((part) => { const [lo, hi = lo] = part.trim().slice(2).split('-'); return [parseInt(lo, 16), parseInt(hi, 16)]; }); return { url: new URL(/url\(([^)]+?\.woff2)\)/.exec(rule)[1], at).href, range, ranges }; }).reverse())); } return cjkSlices.cache.get(css); } /** The file of `slices` the screen sets code point `cp` in, if any: the * last one loadCjkFonts adds whose range holds it. A numbered file that * repeats a letter of latin is added after latin, and wins it. */ function cjkSliceFor(slices, cp) { const holds = (slice) => slice.ranges.some(([lo, hi]) => cp >= lo && cp <= hi); return slices.reduce((last, slice) => (holds(slice) ? slice : last), undefined); } /** Whether Fontsource serves `family` as a Chinese, Japanese or Korean * family (its subsets name the script). Fails when the API does not * answer: a CJK face taken for a Latin one would paint in a system face. */ async function isCjkFamily(family) { const meta = await fontsourceMeta(family); if (!meta) throw new Error(`api.fontsource.org did not describe ${family}: reload to try again`); return !!meta.subsets?.some((subset) => /^(chinese|japanese|korean)/.test(subset)); } /** faces = { 'Noto Serif TC': ['400', '700'] }, as for loadFonts: the * whole FONTS object may be passed, its other families are left to * loadFonts. Adds one FontFace per file of each CJK face with its * unicodeRange, then loads the files `text` touches. `text` is what the * faces set: the sample for the text face; a book in several voices calls * it once per voice (loadCjkFonts({ 'LXGW WenKai TC': ['400'] }, quotes)), * so the heading and quotation faces fetch and check only their own * characters. Fails when a character of `text` is in no file of a face. * List every weight the pages use: a weight left to the engine's later round * gets the latin file only. With { vertical: true } it also loads each * family's vertical forms (brackets, quotes, pause marks) for the canvas, * which needs loadVerticalAlternates imported from postext. Resolves to * the number of files loaded. */ async function loadCjkFonts(faces, text, { vertical = false } = {}) { kitStatus('Loading fonts…'); let loaded = 0; try { if (vertical && typeof loadVerticalAlternates !== 'function') { throw new Error('loadCjkFonts(…, { vertical: true }) needs loadVerticalAlternates imported from postext'); } for (const [family, specs] of Object.entries(faces)) { if (!(await isCjkFamily(family))) continue; const twin = []; for (const spec of new Set(specs)) { const weight = parseInt(spec, 10); const style = spec.endsWith('i') ? 'italic' : 'normal'; const slices = await cjkSlices(family, weight, style); const missing = [...new Set(text)].filter((ch) => /\S/.test(ch) && !cjkSliceFor(slices, ch.codePointAt(0))); if (missing.length) { throw new Error(`${family} ${spec} has no file for ${missing.slice(0, 12).join(' ')}: ` + `give each face the text it sets (loadCjkFonts({ '${family}': ['${spec}'] }, text))`); } for (const slice of slices) { document.fonts.add(new FontFace(family, `url(${slice.url}) format('woff2')`, { weight: String(weight), style, unicodeRange: slice.range })); twin.push({ source: slice.url, weight: String(weight), style, unicodeRange: slice.range }); } const font = `${style === 'italic' ? 'italic ' : ''}${weight} 16px "${family}"`; loaded += (await document.fonts.load(font, text)).length; if (!document.fonts.check(font, text)) throw new Error(`${family} ${spec} did not load for the sample`); } // The same files under a twin name with the `vert` feature on: the // canvas paints the punctuation of vertical lines with it. if (vertical && twin.length) await loadVerticalAlternates(family, twin); } } catch (error) { kitFail(error); throw error; } return loaded; } /** The PDF font provider for recipes with CJK faces: a family whose * Fontsource subsets are Chinese, Japanese or Korean gets the files the * screen set its pages' characters in (`request.codePoints`), each marked * with its unicode-range and its place in the order loadCjkFonts added * them: postext-pdf sets a character two files hold in the one added * last, as the browser does. Any other family gets the latin file * fontsourceProvider fetches (the "pdf" block) and, when the face sets * letters only latin-ext has, that file too. */ async function cjkPdfProvider(family, weight, style, request) { if (!(await isCjkFamily(family))) return cjkLatinPdfFiles(family, weight, style, request); const meta = await fontsourceMeta(family); const weights = meta.weights?.length ? meta.weights : [400, 700]; const w = weights.reduce((a, b) => (Math.abs(b - weight) < Math.abs(a - weight) ? b : a)); const s = style === 'italic' && !meta.styles.includes('italic') ? 'normal' : style; const slices = await cjkSlices(family, w, s); const picked = new Set(); for (const cp of request?.codePoints ?? []) { const slice = cjkSliceFor(slices, cp); if (slice) picked.add(slice); } if (!picked.size) picked.add(slices[0]); return Promise.all(slices.map(async (slice, order) => { if (!picked.has(slice)) return null; const res = await fetch(slice.url); if (!res.ok) throw new Error(`Fontsource file ${slice.url} (${res.status})`); const bytes = await decompressWoff2(new Uint8Array(await res.arrayBuffer())); return Object.assign(bytes, { unicodeRange: slice.range, order }); })).then((files) => files.filter(Boolean)); } /** A Latin family set next to the CJK faces: its latin file, then its * latin-ext file when the face sets letters only latin-ext has (ō ū in * Hepburn rōmaji, ǎ in pinyin), the file loadFonts adds on screen for * them, each marked with its unicode-range and its place in that order: * the PDF sets a character in the file the browser took it from. A face * Fontsource ships without latin-ext, or whose file does not come, gets * latin alone, and the PDF names the letters it lacks. */ async function cjkLatinPdfFiles(family, weight, style, request) { const meta = await fontsourceMeta(family); const beyond = [...(request?.codePoints ?? [])].some(cjkLatinExtOnly); if (!beyond || !meta?.subsets?.includes('latin-ext')) return fontsourceProvider(family, weight, style); const weights = meta.weights?.length ? meta.weights : [400, 700]; const w = weights.reduce((a, b) => (Math.abs(b - weight) < Math.abs(a - weight) ? b : a)); const s = style === 'italic' && !meta.styles.includes('italic') ? 'normal' : style; const id = fontsourceId(family); const url = `${await fontsourceAt(id)}files/${id}-latin-ext-${w}-${s}.woff2`; const [latin, ext] = await Promise.all([fontsourceProvider(family, weight, style), fetch(url) .then(async (res) => (res.ok ? decompressWoff2(new Uint8Array(await res.arrayBuffer())) : null), () => null)]); const ranges = kitRanges(); return ext ? [Object.assign(latin, { unicodeRange: ranges.latin, order: 0 }), Object.assign(ext, { unicodeRange: ranges['latin-ext'], order: 1 })] : latin; } /** Whether code point `cp` is in Fontsource's latin-ext file and not in * its latin file: Latin Extended-A and -B, IPA, the spacing modifiers and * Latin Extended Additional (loadFonts's test for latin-ext), less the * few latin holds too (ı Œ œ ʻ ʼ ˆ ˚ ˜). */ function cjkLatinExtOnly(cp) { if (!((cp >= 0x100 && cp <= 0x2ff) || (cp >= 0x1e00 && cp <= 0x1eff))) return false; return ![0x131, 0x152, 0x153, 0x2bb, 0x2bc, 0x2c6, 0x2da, 0x2dc].includes(cp); } /** showPages for a book bound on either edge. A right-bound book (the * document says so: doc.binding is 'right' for page.binding 'right' and * for vertical text) lies on the desk as it opens: page 1 alone on the * left of the spine, then [3 | 2], the spine shade on each page's inner * edge. `binding` ('left' | 'right') overrides the document's. */ function showBook(docs, { binding, ...options } = {}) { const count = showPages(docs, options); const right = (binding ?? [docs].flat()[0]?.binding) === 'right'; if (!document.getElementById('pt-kit-cjk')) { // The pages keep direction ltr: a canvas draws text in the direction its // element inherits, and under rtl each run would end where the engine // starts it, its brackets mirrored. document.head.insertAdjacentHTML('beforeend', `<style id="pt-kit-cjk"> .pt-spread[dir="rtl"] canvas { direction: ltr; } .pt-spread[dir="rtl"] figure:first-child canvas { box-shadow: inset 14px 0 14px -14px rgb(0 0 0 / .18), 0 1px 2px rgb(0 0 0 / .5), 0 22px 44px -16px rgb(0 0 0 / .8); } </style>`); } // Each pair stays [verso, recto] in the page; right to left, the verso // sits on the right. Phones stack the pages in reading order either way. for (const spread of document.querySelectorAll('#pages > .pt-spread')) spread.dir = right ? 'rtl' : 'ltr'; document.getElementById('pages').dataset.binding = right ? 'right' : 'left'; return count; } // ─── /Kit ───────────────────────────────────────────────────────────────────────
Lo script.js composto funziona così com’è: incollalo nello script modulo di qualsiasi pagina, oppure apri la ricetta su CodePen. Cartella della ricetta su GitHub ↗ (si apre in una nuova scheda)
Varianti
#Spazia le tre frasi dell’haiku
Le antologie scolastiche a volte mettono uno spazio ideografico tra i gruppi di 5, 7 e 5 suoni, per chi impara la forma; lo spazio è un carattere del testo.
-{夏草|なつくさ}や{兵|つはもの}どもが夢の跡
+{夏草|なつくさ}や {兵|つはもの}どもが 夢の跡#Lascia spezzare un tanka lungo
Senza keepStanzas, un tanka può cominciare al piede di una pagina e proseguire al verso come consentono le regole su vedove e orfane, come farebbe una fitta antologia di mille poesie.
-:::verse{style="tanka" keepStanzas=3}
+:::verse{style="tanka"}Errori frequenti
Errore frequente
Assegna a un testo giapponese il tag 'ja', mai zh-Hans o LANG
Le edizioni di una ricetta sono en ed es, ma un esempio giapponese è giapponese in entrambe: `locale: LANG` gli darebbe il tag inglese o spagnolo, e un tag cinese lo comporrebbe con le regole cinesi (punteggiatura Kaiming, kana piccoli liberi di aprire una riga, 图 per 図, forme cinesi dei glifi nel PDF). Da postext 1.30 il tag è anche la lingua usata per lo shaping del testo (misura, disegno e incorporamento), quindi qualunque tag diverso da 'ja' dà forme dei glifi diverse da quelle giapponesi (quelle cinesi con un tag cinese) e altri a capo. Scrivi 'ja': sceglie la regione Giappone (divisione in righe e punteggiatura JLReq, segni d’enfasi a sesamo, spaziatura dei furigana, etichette 図 e 表) e disattiva la sillabazione. Il lint fa fallire un testo con kana sotto un tag zh o ko. Divisione in righe del giapponese (kinsoku) →
Errore frequente
I caratteri cinesi si caricano a fette, tramite il blocco cjk
Fontsource serve una famiglia cinese, giapponese o coreana come un centinaio di file per peso, ognuno dei quali copre un intervallo di caratteri. loadFonts scarica solo il file latin, così a schermo i caratteri Han vengono da un font di sistema e sono misurati male, e fontsourceProvider passa al PDF quel file latin, che li stampa come riquadri vuoti. Elenca il blocco cjk del kit, chiama loadCjkFonts(FONTS, markdown) dopo loadFonts (una volta per voce tipografica, con il testo che compone, quando il libro usa più caratteri CJK) e passa a renderToPdf fontProvider: cjkPdfProvider: entrambi prendono i file che contengono i caratteri del testo. Font cinesi, giapponesi e coreani →
Errore frequente
Un libro rilegato a destra mostra le doppie pagine con showBook
In un libro rilegato a destra (testo arabo, ebraico o persiano, cinese verticale, o page.binding 'right') la pagina 1 resta il recto, ma sta a sinistra del dorso, e le coppie si leggono [3 | 2]. showPages dispone ogni libro come rilegato a sinistra; showBook del blocco book (il blocco cjk porta la stessa funzione) legge doc.binding e rispecchia le coppie. capture.hero indica comunque una doppia pagina in ordine di lettura, [verso, recto]: [2, 3]. Libri rilegati a destra →
Errore frequente
Un intervallo di Fontsource può indicare caratteri che il suo file non ha
Fontsource assegna a ogni file un unicode-range, e loadCjkFonts carica i file i cui intervalli coprono l’esempio, ma un intervallo può dichiarare più di quanto contiene il file. Il frammento di Zen Old Mincho per U+3028–303F non ha 〻 né i segni di ripetizione lunghi 〳〴〵, e il carattere non ha nemmeno le vocali con macron ō ū ā; il file latin-ext di Shippori Mincho B1 ha una manciata di caratteri e nessuno di essi è ō, ū o ā. Mentre il pen gira non fallisce nulla: a schermo quei caratteri vengono da un font di sistema e sono misurati con esso, e il PDF stampa il riquadro .notdef del font, che solo la verifica C25 segnala in seguito. Cerca un segno raro o una parola in rōmaji nel font prima di scegliere il carattere (fontTools sul file di Fontsource), e componila in uno che ce l’abbia: Shippori Mincho B1 e Noto Serif JP hanno 〻 e 〳〴〵, Noto Serif JP e Noto Sans JP le vocali con macron. Font cinesi, giapponesi e coreani →
Crediti
- Ricetta
- Ignacio Ferro
- Testo
- 松尾芭蕉『おくのほそ道』 (The Narrow Road to the Deep North, 1702), seven sections, the editor’s notes left out; Aozora Bunko card 61619, from 「芭蕉 おくのほそ道」 (Iwanami, 1975) after 杉浦正一郎’s Iwanami Bunko edition (1957), input 砂場清隆, proofreading 木下聡, converted with aozora.py · Matsuo Bashō; Sugiura Shōichirō (editor, 1911–1957); Aozora Bunko volunteers · pubblico dominio
- 石川啄木『一握の砂』 (A Handful of Sand, 1910), eleven tanka; Aozora Bunko card 816, converted with aozora.py · Ishikawa Takuboku; Aozora Bunko volunteers · pubblico dominio
- Font
- Shippori Mincho (SIL OFL 1.1) · Noto Sans JP (SIL OFL 1.1)
- Codice
- MIT, come Postext
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