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Receita número 30

Receitas · Capítulo 5 · Estrutura do livro

Antologia com assinaturas de autor

Três ensaios sobre caminhar cujos títulos levam autor, ano e revista: a abertura imprime os três; os cabeços das páginas pares e o sumário, só o autor.

Nesta página
  • Amostra em inglês: ainda sem edição em português
  • Refile 135 × 180 mm
  • 1 coluna
  • Spectral 10/14
  • Gloock
  • Hanken Grotesk
  • 9 páginas
  • Nível
  • Postext 1.19.1
  • Diagramado em 29 ms
  • 180 linhas de código

Em poucas palavras

Um livrinho de três ensaios sobre caminhar. O autor e o ano de cada ensaio são digitados uma vez e depois aparecem onde o livro precisa deles, como no sumário.

O que você vai compor

Nove páginas de Afoot, uma antologia de bolso com três ensaios sobre caminhar, de Hazlitt (1822), Thoreau (1862) e Stevenson (1876). Uma pintura de uma charneca ao entardecer ocupa a capa, um JPEG gerado com modelos de difusão. O sumário dá a cada ensaio um numeral vermelho-ferrugem, um título em Gloock, uma linha de pontos espaçados até a sua página e, embaixo, o nome do autor em itálico cor de urze. Cada ensaio abre com o seu numeral e o seu título, uma assinatura em maiúsculas espaçadas e uma linha com a revista e o ano da primeira publicação. As páginas pares levam o nome do autor, as ímpares o título do ensaio. O título de cada ensaio carrega o autor, o ano e a procedência como atributos, e a abertura, os cabeços e o sumário os imprimem a partir dali, então um quarto ensaio não exige nenhuma mudança na configuração.

Esta receita responde a

  • Como acrescento um sumário que se atualiza sozinho (pontilhados, números de página, autores, linhas de parte)?
  • Como acrescento a uma abertura uma linha de autor, uma linha fina ou um primeiro parágrafo com capitular?
  • Como configuro os cabeços: título do livro na página esquerda, título do capítulo na direita e fólio do lado de fora?

A resposta curta

script.js · linhas 43–63no código completo
// Each essay's heading carries its credits, and every {attr.…} below reads them:
//   # Walking {author="Henry David Thoreau" year="1862" source="The Atlantic Monthly"}
// (a value cannot hold { or }, and one with " goes in single quotes; gotcha: attr-values)
// 1 · The opener: inside a heading's design, {attr.author} is that heading's attribute.
const byline = [
  text('byline', '{attr.author}', { ...label, fontSize: pt(8), letterSpacing: pt(1.6),
    color: col('heather') }, below('title', 5)),
  text('dateline', '{attr.source}, {attr.year}', { fontFamily: 'Spectral', italic: true,
    fontSize: pt(9.5), color: col('muted'), align: 'left' }, below('byline', 1.2)),
];
// 2 · The verso running head (head() is in the running-heads region): in the page header,
//     {attr.author} is the attribute of the essay the page belongs to.
const versoAuthor = head('verso-author', '{attr.author}', 'even',
  at('page', 'top-left', MARGIN.outer + HEAD.gap, HEAD.y));
// 3 · The contents: toc.subtitle prints the attribute it names as a line under each title.
//     'author' and italic are the defaults; attr is written out so it can become 'source'.
const authorLine = { enabled: true, attr: 'author', fontFamily: 'Spectral', fontSize: pt(10),
  color: col('heather') };
// Hooked up below: byline → the opener, versoAuthor → header, authorLine → toc.subtitle.
// A heading without author="…" gets an empty byline and running head and no line in the
// contents, and the build gives no warning: check every heading.

Ingredientes

Tipografia
Spectral, Gloock, Hanken Grotesk (SIL OFL 1.1)
Materiais
  • cover-1200.jpg
  • The cover: a heath and hills at dusk, a painting (Generated With Diffusion Models, original)

Preparo

#1 · Numere os ensaios e rebaixe o texto

script.js · linhas 67–85no código completo
const opener = { enabled: true,
  // The hairline ends 7 mm above the foot of this reserve, so the text starts on the same grid
  // line under every opener whose title fits on one line (SINK = 14 holds a two-line title).
  minHeight: pt(SINK * LEAD),
  slot: { elements: [
    // {number} prints numberingTemplate '{1:I}': I, II, III. {numberRoman} would print
    // nothing here: it is filled on part pages only (gotcha: heading-number-placeholders).
    text('number', '{number}', { ...gloock, fontSize: pt(34), lineHeight: 1, color: col('rust') },
      at('container', 'top-left', 0, 8)),
    text('title', '{titleText}', { ...gloock, fontSize: pt(26), lineHeight: 1.08,
      color: col('ink') }, below('number', 3, { width: 'fill' })),
    ...byline,
    { kind: 'rule', id: 'rule', thickness: pt(0.5), color: col('rule'),
      placement: below('dateline', 6) }, // a horizontal rule runs to the column's edge
  ] } };
const essays = { level: 1, numberingTemplate: '{1:I}', advancedDesign: opener,
  marginBottom: pt(0), // the heading's default margin would add to minHeight
  // Restated (gotcha: headings-drop-h1-break); the cover and contents styles inherit it too.
  breakBefore: { enabled: true, parity: 'any' } }; // 'any': each piece opens on the next page

O numberingTemplate: '{1:I}' do nível numera os ensaios I, II e III, e {number} imprime o numeral acima do título (span e design avançado). minHeight reserva 12 linhas de 14 pt e o fio fino termina 7 mm acima disso, então, sob um título de uma linha, o texto começa a 79 mm da borda superior em todas as aberturas. Uma segunda linha de título em 26 pt acrescenta 9,9 mm e empurra o texto uma linha da grade para baixo; com SINK = 14, títulos de uma e de duas linhas começam o texto na mesma linha. marginBottom: pt(0) impede que a margem padrão do título se some à reserva.

#2 · Deixe o sumário se preencher sozinho

script.js · linhas 89–101no código completo
const ENTRY = 15; // pt: the essay titles in the contents
const MIDDLE = 0.3125; // em: how far Chrome's textBaseline 'middle' sits above Gloock's baseline
const contents = { // passed to the config as `toc`
  // 1.4.1 centres an entry's number 0.3 × the entry size above its baseline (gotcha:
  // toc-number-baseline): at 0.3 × 15 ÷ 0.3125 = 14.4 pt a Gloock numeral stands on it.
  levels: [{ level: 1, fontFamily: 'Gloock', fontSize: pt(ENTRY), color: col('ink'),
    numberFontSize: pt((0.3 * ENTRY) / MIDDLE), numberFontWeight: 400, // Gloock has one weight
    numberColor: col('rust'), numberWidth: mm(8), numberGap: mm(3), marginBottom: pt(LEAD) }],
  pageNumber: { fontFamily: 'Hanken Grotesk', fontSize: pt(8.5), fontWeight: 600,
    color: col('muted'), width: mm(6) }, // the leader dots take this face and colour too
  leader: { char: '. ', gap: mm(2) }, // spaced dots, right-aligned so they line up
  subtitle: authorLine,
};

:::toc no Markdown imprime uma entrada por título listado: número, título, linha de pontos, rótulo da página e, por meio de subtitle, o autor. buildDocument diagrama o livro de novo até os rótulos de página pararem de mudar, então um ensaio renomeado ou mais longo atualiza o sumário (sumário). O Postext 1.4.1 coloca o centro do número de uma entrada 0,3 × o corpo da entrada acima da linha de base, e o Chrome coloca o centro da Gloock 0,3125 em acima da linha de base dela, então um numeral de 0,3 × 15 ÷ 0,3125 = 14,4 pt fica apoiado na linha de base do título de 15 pt; um de 12 pt sobe 0,3 mm. Um livro com partes também ganha uma linha para cada :::part, desenhada por toc.parts.design, como em Partes em cores.

#3 · Autor na página par, ensaio na ímpar

script.js · linhas 105–121no código completo
// Each head: the label face, the pages of its parity, never an opener (pages: 'body'), where
// the byline names the author. A function declaration, so the answer above can call it.
function head(id, content, parity, placement, look = {}) {
  return { ...text(id, content, { ...label, fontSize: pt(7.5), letterSpacing: pt(1.3),
    color: col('muted'), ...look }, placement), parity, pages: 'body' };
}
const folio = { color: col('ink') };
const header = { elements: [
  head('verso-folio', '{pageNumber}', 'even', at('page', 'top-left', MARGIN.outer, HEAD.y), folio),
  versoAuthor,
  head('recto-title', '{chapterTitle}', 'odd',
    at('page', 'top-right', -(MARGIN.outer + HEAD.gap), HEAD.y), { align: 'right' }),
  head('recto-folio', '{pageNumber}', 'odd', at('page', 'top-right', -MARGIN.outer, HEAD.y),
    { ...folio, align: 'right' }),
] };
const footer = { elements: [{ ...head('drop-folio', '{pageNumber}', 'all', // an opener's folio
  at('container', 'top', 0, 9), { ...folio, align: 'center' }), pages: 'opener' }] };

Cada cabeço é ancorado à página, a 11 mm da borda superior, e parity escolhe o lado: o fólio se alinha com a borda externa do texto e o nome ou o título fica 7 mm mais para dentro. O pages: 'body' em head() mantém os cabeços fora das aberturas, onde a assinatura já nomeia o autor, e o pages: 'opener' do rodapé imprime ali um fólio no pé (elementos de texto). {chapterTitle} imprime o título do ensaio sem o numeral.

#4 · Deixe a capa e o sumário fora da contagem

script.js · linhas 125–148no código completo
// Unnumbered, so the first essay is I; unlisted; and with no running heads or folio. They
// inherit the level's page break, 'any' (gotcha: style-inherits-break).
const bare = { numbered: false, toc: false, header: { elements: [] }, footer: { elements: [] } };
const cover = { enabled: true, slot: { elements: [
  { kind: 'image', id: 'art', resourceId: 'cover',
    placement: { ...at('bleed', 'top-left'), size: { width: 'fill', height: 'fill' } } },
  text('title', '{titleText}', { ...gloock, fontSize: pt(80), lineHeight: 1, color: col('ink') },
    at('page', 'top-left', MARGIN.inner, 22)), // page 1 is a recto: the inner margin is left
  text('subtitle', '{subtitle}', { fontFamily: 'Spectral', italic: true, fontSize: pt(14),
    color: col('ink'), align: 'left' }, below('title', 1)),
  text('authors', '{attr.authors}', { ...label, fontSize: pt(8.5), letterSpacing: pt(2),
    color: col('heather') }, below('subtitle', 5)),
  text('imprint', '{attr.imprint}', { ...label, fontSize: pt(7.5), letterSpacing: pt(1.8),
    color: col('paper') }, at('page', 'bottom-left', MARGIN.inner, -12)),
] } };
// span: 'page' in a one-column book: a design kept in the column is clipped at the column's top
// and bottom edges, which would leave bands of paper above and below the dusk.
const coverStyle = { id: 'cover', ...bare, span: 'page', advancedDesign: cover };
const contentsOpener = { enabled: true, slot: { elements: [ // {title}, {subtitle}: frontmatter
  text('kicker', '{title} · {subtitle}', { ...label, fontSize: pt(8), letterSpacing: pt(1.6),
    color: col('heather') }, at('container', 'top-left', 0, 8)),
  text('title', '{titleText}', { ...gloock, fontSize: pt(26), color: col('ink') },
    below('kicker', 2.5)),
] } };

Com numbered: false, a capa e o sumário não avançam o contador, então Hazlitt é o I, e toc: false os mantém fora da lista (estilos de título). Os dois estilos herdam o breakBefore do nível, com paridade 'any', e é por isso que o sumário vem logo depois da capa, na página 2, sem um :::pagebreak. O estilo da capa ocupa a página inteira num livro de uma coluna porque um design mantido na coluna é recortado nas bordas superior e inferior da coluna, o que deixaria 20 mm de papel acima da paisagem.

#5 · Escreva cada cor por extenso com o seu vínculo à paleta

script.js · linhas 13–27no código completo
const palette = {
  ink: '#241f26', // text: a plum-tinted near-black
  paper: '#f7f2e8', // the page
  heather: '#6b4468', // the bylines and the authors in the contents
  rust: '#a4502a', // the essay numbers
  rule: '#d5cabd', // hairlines
  muted: '#6d6570', // running heads, datelines, page numbers in the contents
};
// A design element paints the hex written beside its paletteId (gotcha: palette-skips-designs).
const col = (id) => ({ hex: palette[id], model: 'hex', paletteId: id });
const colorPalette = [
  ...Object.entries(palette).map(([id, hex]) => ({ id, name: id, value: { hex, model: 'hex' } })),
  // The engine's defaults link to 'main-color': point it at the ink, so nothing prints blue.
  { id: 'main-color', name: 'ink (defaults)', value: { hex: palette.ink, model: 'hex' } },
];

Na 1.4.1, colorPalette chega aos estilos de texto mas não aos elementos de design, então col() escreve o hex de cada cor ao lado do seu paletteId: as assinaturas, os cabeços e a capa pintam esse hex. Apontar main-color para a cor da tinta cobre todos os valores padrão que a configuração não redefine, que de outro modo sairiam no azul do motor, #295AA3.

A receita completa

Sandbox
// ═══ Postext Cookbook · Nº 030 · Anthology with bylines ═══════════════════════════════
// https://postext.dev/en/cookbook/anthology-with-bylines
// Code: MIT · Text: Hazlitt, Thoreau, Stevenson (public domain) · Cover: diffusion models
// Fonts: Spectral, Gloock, Hanken Grotesk (SIL OFL 1.1) · Needs postext ≥ 1.4.1
import { buildDocument, renderPageToCanvas, clearMeasurementCache, registerResourceImage }
  from 'https://esm.sh/postext';

const LANG = 'en'; // @lang: the language of the sample document ('en' | 'es')
const RECIPE = 'anthology-with-bylines';

// ─── 1 · Design ─────────────────────────────────────────────────────────────
// #region palette: heather for the credits, rust for the numbers, plum ink on warm paper
const palette = {
  ink: '#241f26', // text: a plum-tinted near-black
  paper: '#f7f2e8', // the page
  heather: '#6b4468', // the bylines and the authors in the contents
  rust: '#a4502a', // the essay numbers
  rule: '#d5cabd', // hairlines
  muted: '#6d6570', // running heads, datelines, page numbers in the contents
};
// A design element paints the hex written beside its paletteId (gotcha: palette-skips-designs).
const col = (id) => ({ hex: palette[id], model: 'hex', paletteId: id });
const colorPalette = [
  ...Object.entries(palette).map(([id, hex]) => ({ id, name: id, value: { hex, model: 'hex' } })),
  // The engine's defaults link to 'main-color': point it at the ink, so nothing prints blue.
  { id: 'main-color', name: 'ink (defaults)', value: { hex: palette.ink, model: 'hex' } },
];
// #endregion
const TRIM = { width: 135, height: 180 }; // a pocket book, 3 : 4
const MARGIN = { top: 20, bottom: 22, inner: 19, outer: 15 }; // mirrored
const LEAD = 14; // body leading in pt: the baseline grid
const SINK = 12; // grid lines an essay opener reserves above its first line of text
const HEAD = { y: 11, gap: 7 }; // running heads: mm from the top edge, folio to words
const label = { fontFamily: 'Hanken Grotesk', fontWeight: 600, textTransform: 'uppercase',
  align: 'left' }; // design text is centred by default
// One weight, no italic; 'wrap' breaks a long title (gotcha: overflow-ellipsis-default).
const gloock = { fontFamily: 'Gloock', overflow: 'wrap', align: 'left' };
const at = (to, edge, x = 0, y = 0) => ({ anchor: { to, edge }, offset: { x: mm(x), y: mm(y) } });
const below = (id, y, size) => ({ ...at(`#${id}`, 'below', 0, y), ...(size && { size }) });
const text = (id, content, look, placement) => ({ kind: 'text', id, content, ...look, placement });

// #region answer: one set of heading attributes, read in three places
// Each essay's heading carries its credits, and every {attr.…} below reads them:
//   # Walking {author="Henry David Thoreau" year="1862" source="The Atlantic Monthly"}
// (a value cannot hold { or }, and one with " goes in single quotes; gotcha: attr-values)
// 1 · The opener: inside a heading's design, {attr.author} is that heading's attribute.
const byline = [
  text('byline', '{attr.author}', { ...label, fontSize: pt(8), letterSpacing: pt(1.6),
    color: col('heather') }, below('title', 5)),
  text('dateline', '{attr.source}, {attr.year}', { fontFamily: 'Spectral', italic: true,
    fontSize: pt(9.5), color: col('muted'), align: 'left' }, below('byline', 1.2)),
];
// 2 · The verso running head (head() is in the running-heads region): in the page header,
//     {attr.author} is the attribute of the essay the page belongs to.
const versoAuthor = head('verso-author', '{attr.author}', 'even',
  at('page', 'top-left', MARGIN.outer + HEAD.gap, HEAD.y));
// 3 · The contents: toc.subtitle prints the attribute it names as a line under each title.
//     'author' and italic are the defaults; attr is written out so it can become 'source'.
const authorLine = { enabled: true, attr: 'author', fontFamily: 'Spectral', fontSize: pt(10),
  color: col('heather') };
// Hooked up below: byline → the opener, versoAuthor → header, authorLine → toc.subtitle.
// A heading without author="…" gets an empty byline and running head and no line in the
// contents, and the build gives no warning: check every heading.
// #endregion

// #region opener: the essay's number and title, then the byline, over a sunk first line
const opener = { enabled: true,
  // The hairline ends 7 mm above the foot of this reserve, so the text starts on the same grid
  // line under every opener whose title fits on one line (SINK = 14 holds a two-line title).
  minHeight: pt(SINK * LEAD),
  slot: { elements: [
    // {number} prints numberingTemplate '{1:I}': I, II, III. {numberRoman} would print
    // nothing here: it is filled on part pages only (gotcha: heading-number-placeholders).
    text('number', '{number}', { ...gloock, fontSize: pt(34), lineHeight: 1, color: col('rust') },
      at('container', 'top-left', 0, 8)),
    text('title', '{titleText}', { ...gloock, fontSize: pt(26), lineHeight: 1.08,
      color: col('ink') }, below('number', 3, { width: 'fill' })),
    ...byline,
    { kind: 'rule', id: 'rule', thickness: pt(0.5), color: col('rule'),
      placement: below('dateline', 6) }, // a horizontal rule runs to the column's edge
  ] } };
const essays = { level: 1, numberingTemplate: '{1:I}', advancedDesign: opener,
  marginBottom: pt(0), // the heading's default margin would add to minHeight
  // Restated (gotcha: headings-drop-h1-break); the cover and contents styles inherit it too.
  breakBefore: { enabled: true, parity: 'any' } }; // 'any': each piece opens on the next page
// #endregion

// #region contents: the essays' numbers, titles, leaders and page labels, from the headings
const ENTRY = 15; // pt: the essay titles in the contents
const MIDDLE = 0.3125; // em: how far Chrome's textBaseline 'middle' sits above Gloock's baseline
const contents = { // passed to the config as `toc`
  // 1.4.1 centres an entry's number 0.3 × the entry size above its baseline (gotcha:
  // toc-number-baseline): at 0.3 × 15 ÷ 0.3125 = 14.4 pt a Gloock numeral stands on it.
  levels: [{ level: 1, fontFamily: 'Gloock', fontSize: pt(ENTRY), color: col('ink'),
    numberFontSize: pt((0.3 * ENTRY) / MIDDLE), numberFontWeight: 400, // Gloock has one weight
    numberColor: col('rust'), numberWidth: mm(8), numberGap: mm(3), marginBottom: pt(LEAD) }],
  pageNumber: { fontFamily: 'Hanken Grotesk', fontSize: pt(8.5), fontWeight: 600,
    color: col('muted'), width: mm(6) }, // the leader dots take this face and colour too
  leader: { char: '. ', gap: mm(2) }, // spaced dots, right-aligned so they line up
  subtitle: authorLine,
};
// #endregion

// #region running-heads: author on the verso, essay title on the recto, folios outside
// Each head: the label face, the pages of its parity, never an opener (pages: 'body'), where
// the byline names the author. A function declaration, so the answer above can call it.
function head(id, content, parity, placement, look = {}) {
  return { ...text(id, content, { ...label, fontSize: pt(7.5), letterSpacing: pt(1.3),
    color: col('muted'), ...look }, placement), parity, pages: 'body' };
}
const folio = { color: col('ink') };
const header = { elements: [
  head('verso-folio', '{pageNumber}', 'even', at('page', 'top-left', MARGIN.outer, HEAD.y), folio),
  versoAuthor,
  head('recto-title', '{chapterTitle}', 'odd',
    at('page', 'top-right', -(MARGIN.outer + HEAD.gap), HEAD.y), { align: 'right' }),
  head('recto-folio', '{pageNumber}', 'odd', at('page', 'top-right', -MARGIN.outer, HEAD.y),
    { ...folio, align: 'right' }),
] };
const footer = { elements: [{ ...head('drop-folio', '{pageNumber}', 'all', // an opener's folio
  at('container', 'top', 0, 9), { ...folio, align: 'center' }), pages: 'opener' }] };
// #endregion

// #region front: the cover and the contents page, two headings kept out of the count
// Unnumbered, so the first essay is I; unlisted; and with no running heads or folio. They
// inherit the level's page break, 'any' (gotcha: style-inherits-break).
const bare = { numbered: false, toc: false, header: { elements: [] }, footer: { elements: [] } };
const cover = { enabled: true, slot: { elements: [
  { kind: 'image', id: 'art', resourceId: 'cover',
    placement: { ...at('bleed', 'top-left'), size: { width: 'fill', height: 'fill' } } },
  text('title', '{titleText}', { ...gloock, fontSize: pt(80), lineHeight: 1, color: col('ink') },
    at('page', 'top-left', MARGIN.inner, 22)), // page 1 is a recto: the inner margin is left
  text('subtitle', '{subtitle}', { fontFamily: 'Spectral', italic: true, fontSize: pt(14),
    color: col('ink'), align: 'left' }, below('title', 1)),
  text('authors', '{attr.authors}', { ...label, fontSize: pt(8.5), letterSpacing: pt(2),
    color: col('heather') }, below('subtitle', 5)),
  text('imprint', '{attr.imprint}', { ...label, fontSize: pt(7.5), letterSpacing: pt(1.8),
    color: col('paper') }, at('page', 'bottom-left', MARGIN.inner, -12)),
] } };
// span: 'page' in a one-column book: a design kept in the column is clipped at the column's top
// and bottom edges, which would leave bands of paper above and below the dusk.
const coverStyle = { id: 'cover', ...bare, span: 'page', advancedDesign: cover };
const contentsOpener = { enabled: true, slot: { elements: [ // {title}, {subtitle}: frontmatter
  text('kicker', '{title} · {subtitle}', { ...label, fontSize: pt(8), letterSpacing: pt(1.6),
    color: col('heather') }, at('container', 'top-left', 0, 8)),
  text('title', '{titleText}', { ...gloock, fontSize: pt(26), color: col('ink') },
    below('kicker', 2.5)),
] } };
// #endregion

const config = () => ({ // a factory: the engine caches resolved configs per object
  colorPalette,
  page: { sizePreset: 'custom', width: mm(TRIM.width), height: mm(TRIM.height), dpi: 150,
    backgroundColor: col('paper'), margins: { top: mm(MARGIN.top), bottom: mm(MARGIN.bottom),
      left: mm(MARGIN.inner), right: mm(MARGIN.outer), mirror: true } }, // left = inner
  layout: { layoutType: 'single' },
  bodyText: { fontFamily: 'Spectral', fontSize: pt(10), lineHeight: pt(LEAD), color: col('ink'),
    boldColor: col('ink'), italicColor: col('ink'), referenceColor: col('ink'),
    firstLineIndent: mm(4), indentAfterHeading: false,
    minWordSpacing: 0.7, maxWordSpacing: 1.6, // tighter than the 0.6–2 defaults
    maxRuntTracking: 0 }, // tracking 1.4.1 never paints (gotcha: runt-tracking-unpainted)
  // The hidden heading line is still measured, in this face; otherwise the build needs Open Sans.
  headings: { fontFamily: 'Gloock', fontWeight: 400, levels: [essays] },
  headingStyles: [coverStyle, { id: 'contents', ...bare, advancedDesign: contentsOpener }],
  toc: contents,
  // Quoted verse, one paragraph per line (a paragraph keeps no line breaks, and 1.4.1 prints a
  // Markdown blockquote in a fixed #666666 grey); 'runon' resumes the sentence after it.
  paragraphStyles: [{ id: 'verse', firstLineIndent: mm(8), textAlign: 'left' },
    { id: 'runon', firstLineIndent: pt(0) },
    // In the note, under a :::space: a style's margins do not count inside a box (gotcha:
    // box-paragraph-margins). It takes the note body's indent, 0.
    { id: 'colophon', fontSize: pt(7.5), lineHeight: pt(10.5), color: col('muted') }],
  calloutStyles: [{ id: 'note', placement: 'fixed', backgroundEnabled: false, // the page foot
    stripe: { enabled: true, side: 'top', width: pt(0.5), color: col('rule') },
    padding: { top: mm(3), right: pt(0), bottom: pt(0), left: pt(0) },
    titleStyle: { ...label, fontSize: pt(7.5), letterSpacing: pt(1.5), color: col('heather') },
    body: { fontSize: pt(9), lineHeight: pt(12.5), firstLineIndent: pt(0) } }],
  header, footer,
});

// #region art: the cover, a painting: a JPEG in assets/ cut to the trim's 3 : 4
// The design's image element names the resource by id; loadImage() below registers the file
// under its fileId. A bitmap is declared at its pixels.
const resources = [{ id: 'cover', typeId: 'figure', kind: 'bitmap', createdAt: 0, updatedAt: 0,
  bitmap: { fileId: 'cover-1200.jpg', format: 'jpeg', width: 1200, height: 1600 },
  altText: 'Heath and hills at dusk under a pale apricot sky, a low sun on the horizon, three '
    + 'trees on a ridge and a footpath winding up from the foot of the page through the '
    + 'heather.' }];
// #endregion

// ─── 2 · Content ────────────────────────────────────────────────────────────
const markdown = String.raw`---
Amostra em Markdown · 67 linhas · content.en.mdtitle: "Afoot" subtitle: "Three essays on walking" --- # Afoot {style="cover" authors="Hazlitt · Thoreau · Stevenson" imprint="The Fieldpath Library"} # Contents {style="contents"} :::toc :::callout{type="note" title="A note on the texts"} Each of these essays was first printed in a magazine, two in London and the third in Boston. Hazlitt’s appeared in *The New Monthly Magazine* in January 1822. Thoreau worked his up from a lecture he first gave in 1851, and *The Atlantic Monthly* printed it in June 1862, a month after his death. Stevenson’s came out in *The Cornhill Magazine* in 1876, and in its second paragraph he quotes Hazlitt by name. Each essay starts at its first line and stops well short of its last, in its author’s own spelling; […] marks a cut within a paragraph. :::space{lines=1} :::paragraphs{style="colophon"} Set in Spectral, Gloock and Hanken Grotesk (SIL Open Font License). The essays are in the public domain, from Project Gutenberg eBooks #3020, #1022 and #386; this note is CC BY 4.0; the cover is a painting. ::: ::: # On Going a Journey {author="William Hazlitt" year="1822" source="The New Monthly Magazine"} One of the pleasantest things in the world is going a journey; but I like to go by myself. I can enjoy society in a room; but out of doors, nature is company enough for me. I am then never less alone than when alone. :::paragraphs{style="verse"} *The fields his study, nature was his book.* ::: I cannot see the wit of walking and talking at the same time. When I am in the country I wish to vegetate like the country. I am not for criticising hedge-rows and black cattle. I go out of town in order to forget the town and all that is in it. There are those who for this purpose go to watering-places, and carry the metropolis with them. I like more elbow-room and fewer encumbrances. I like solitude, when I give myself up to it, for the sake of solitude; nor do I ask for :::paragraphs{style="verse"} *A friend in my retreat,* *Whom I may whisper solitude is sweet.* ::: The soul of a journey is liberty, perfect liberty, to think, feel, do, just as one pleases. We go a journey chiefly to be free of all impediments and of all inconveniences; to leave ourselves behind much more to get rid of others. It is because I want a little breathing-space to muse on indifferent matters, where Contemplation :::paragraphs{style="verse"} *May plume her feathers and let grow her wings,* *That in the various bustle of resort* *Were all too ruffled, and sometimes impair’d,* ::: :::paragraphs{style="runon"} that I absent myself from the town for a while, without feeling at a loss the moment I am left by myself. Instead of a friend in a postchaise or in a Tilbury, to exchange good things with, and vary the same stale topics over again, for once let me have a truce with impertinence. Give me the clear blue sky over my head, and the green turf beneath my feet, a winding road before me, and a three hours’ march to dinner—and then to thinking! It is hard if I cannot start some game on these lone heaths. I laugh, I run, I leap, I sing for joy. […] ::: # Walking {author="Henry David Thoreau" year="1862" source="The Atlantic Monthly"} I wish to speak a word for Nature, for absolute Freedom and Wildness, as contrasted with a freedom and culture merely civil,—to regard man as an inhabitant, or a part and parcel of Nature, rather than a member of society. I wish to make an extreme statement, if so I may make an emphatic one, for there are enough champions of civilization: the minister and the school committee and every one of you will take care of that. I have met with but one or two persons in the course of my life who understood the art of Walking, that is, of taking walks—who had a genius, so to speak, for sauntering, which word is beautifully derived “from idle people who roved about the country, in the Middle Ages, and asked charity, under pretense of going à la Sainte Terre,” to the Holy Land, till the children exclaimed, “There goes a Sainte-Terrer,” a Saunterer, a Holy-Lander. They who never go to the Holy Land in their walks, as they pretend, are indeed mere idlers and vagabonds; but they who do go there are saunterers in the good sense, such as I mean. Some, however, would derive the word from sans terre without land or a home, which, therefore, in the good sense, will mean, having no particular home, but equally at home everywhere. For this is the secret of successful sauntering. He who sits still in a house all the time may be the greatest vagrant of all; but the saunterer, in the good sense, is no more vagrant than the meandering river, which is all the while sedulously seeking the shortest course to the sea. But I prefer the first, which, indeed, is the most probable derivation. For every walk is a sort of crusade, preached by some Peter the Hermit in us, to go forth and reconquer this Holy Land from the hands of the Infidels. It is true, we are but faint-hearted crusaders, even the walkers, nowadays, who undertake no persevering, never-ending enterprises. Our expeditions are but tours, and come round again at evening to the old hearth-side from which we set out. Half the walk is but retracing our steps. We should go forth on the shortest walk, perchance, in the spirit of undying adventure, never to return,—prepared to send back our embalmed hearts only as relics to our desolate kingdoms. If you are ready to leave father and mother, and brother and sister, and wife and child and friends, and never see them again,—if you have paid your debts, and made your will, and settled all your affairs, and are a free man; then you are ready for a walk. To come down to my own experience, my companion and I, for I sometimes have a companion, take pleasure in fancying ourselves knights of a new, or rather an old, order—not Equestrians or Chevaliers, not Ritters or Riders, but Walkers, a still more ancient and honorable class, I trust. The chivalric and heroic spirit which once belonged to the Rider seems now to reside in, or perchance to have subsided into, the Walker—not the Knight, but Walker Errant. He is a sort of fourth estate, outside of Church and State and People. We have felt that we almost alone hereabouts practiced this noble art; though, to tell the truth, at least if their own assertions are to be received, most of my townsmen would fain walk sometimes, as I do, but they cannot. No wealth can buy the requisite leisure, freedom, and independence which are the capital in this profession. It comes only by the grace of God. It requires a direct dispensation from Heaven to become a walker. You must be born into the family of the Walkers. Ambulator nascitur, non fit. Some of my townsmen, it is true, can remember and have described to me some walks which they took ten years ago, in which they were so blessed as to lose themselves for half an hour in the woods; but I know very well that they have confined themselves to the highway ever since, whatever pretensions they may make to belong to this select class. No doubt they were elevated for a moment as by the reminiscence of a previous state of existence, when even they were foresters and outlaws. # Walking Tours {author="Robert Louis Stevenson" year="1876" source="The Cornhill Magazine"} It must not be imagined that a walking tour, as some would have us fancy, is merely a better or worse way of seeing the country. There are many ways of seeing landscape quite as good; and none more vivid, in spite of canting dilettantes, than from a railway train. But landscape on a walking tour is quite accessory. He who is indeed of the brotherhood does not voyage in quest of the picturesque, but of certain jolly humours—of the hope and spirit with which the march begins at morning, and the peace and spiritual repletion of the evening’s rest. He cannot tell whether he puts his knapsack on, or takes it off, with more delight. […] Now, to be properly enjoyed, a walking tour should be gone upon alone. If you go in a company, or even in pairs, it is no longer a walking tour in anything but name; it is something else and more in the nature of a picnic. A walking tour should be gone upon alone, because freedom is of the essence; because you should be able to stop and go on, and follow this way or that, as the freak takes you; and because you must have your own pace, and neither trot alongside a champion walker, nor mince in time with a girl. And then you must be open to all impressions and let your thoughts take colour from what you see. You should be as a pipe for any wind to play upon. “I cannot see the wit,” says Hazlitt, “of walking and talking at the same time. When I am in the country I wish to vegetate like the country,”—which is the gist of all that can be said upon the matter. There should be no cackle of voices at your elbow, to jar on the meditative silence of the morning. And so long as a man is reasoning he cannot surrender himself to that fine intoxication that comes of much motion in the open air, that begins in a sort of dazzle and sluggishness of the brain, and ends in a peace that passes comprehension.
`; // content.<lang>.md, inlined by the Cookbook // ─── 3 · Fonts ────────────────────────────────────────────────────────────── const FONTS = { // text, display and label faces (gotcha: fonts-first) Spectral: ['400', '400i'], Gloock: ['400'], 'Hanken Grotesk': ['600'] }; // ─── 4 · Build & show ─────────────────────────────────────────────────────── await loadImage('cover-1200.jpg', asset('cover-1200.jpg')); await loadFonts(FONTS, markdown); const doc = await buildWithFonts(() => buildDocument({ markdown, resources }, config()), markdown); showPages(doc, { title: t({ en: 'Anthology with bylines', es: 'Antología con firmas de autor' }) });
Kit · core, fonts, viewer, images: igual em todas as receitas · 271 linhas// ─── Kit ── helpers shared by every Cookbook recipe · postext.dev/cookbook ───── // ─── Kit · core v1 ── the same in every recipe · postext.dev/cookbook function mm(value) { return { value, unit: 'mm' }; } function pt(value) { return { value, unit: 'pt' }; } function em(value) { return { value, unit: 'em' }; } /** The sample language's string: t({ en: 'Figure', es: 'Figura' }). */ function t(strings) { return strings[LANG] ?? Object.values(strings)[0]; } /** A file in this recipe's assets folder, served from the Postext repo by jsDelivr. */ function asset(file) { return `https://cdn.jsdelivr.net/gh/drnachio/postext@main/cookbook/${RECIPE}/assets/${file}`; } // ─── Kit · fonts v2 ── the same in every recipe · postext.dev/cookbook // Postext measures with the loaded faces and caches the widths: load every face // before the first build, from Fontsource, the files the PDF embeds too. /** faces = { 'Family Name': ['400', '400i', '700'] }. `text` is the sample: * č ł † α χ also load latin-ext and greek files (kitSubsetsFor). With * `optional`, a face Fontsource does not ship is skipped instead of failing. * Resolves to the number of faces added. */ async function loadFonts(faces, text = '', { optional = false } = {}) { kitStatus('Loading fonts…'); const ranges = { latin: 'U+0000-00FF,U+0131,U+0152-0153,U+02BB-02BC,U+02C6,U+02DA,U+02DC,U+0304,U+0308,U+0329,' + 'U+2000-206F,U+20AC,U+2122,U+2191,U+2193,U+2212,U+2215,U+FEFF,U+FFFD', 'latin-ext': 'U+0100-02BA,U+02BD-02C5,U+02C7-02CC,U+02CE-02D7,U+02DD-02FF,U+0304,U+0308,U+0329,' + 'U+1D00-1DBF,U+1E00-1E9F,U+1EF2-1EFF,U+2020,U+20A0-20AB,U+20AD-20C0,U+2113,U+2C60-2C7F,U+A720-A7FF', greek: 'U+0370-03FF', }; const jobs = []; let added = 0; for (const [family, specs] of Object.entries(faces)) { const id = fontsourceId(family); const todo = [...new Set(specs)].map((spec) => [parseInt(spec, 10), spec.endsWith('i') ? 'italic' : 'normal']) .filter(([weight, style]) => !hasFace(family, weight, style)); // before any await const meta = optional || /[^\0-ÿ]/u.test(text) ? await fontsourceMeta(family) : null; const subsets = ['latin', ...kitSubsetsFor(text, meta)]; for (const [weight, style] of todo) { if (optional && !(meta?.weights.includes(weight) && meta.styles.includes(style))) continue; for (const subset of subsets) { const url = `https://cdn.jsdelivr.net/npm/@fontsource/${id}@5/files/${id}-${subset}-${weight}-${style}.woff2`; const face = new FontFace(family, `url(${url}) format('woff2')`, { weight: String(weight), style, unicodeRange: ranges[subset] }); jobs.push(face.load().then((ready) => { document.fonts.add(ready); added++; }, () => { if (subset === 'latin' && !optional) throw new Error(`Fontsource has no ${family} ${weight} ${style}`); })); } } } await Promise.all(jobs).catch((error) => { kitFail(error); throw error; }); return added; } /** Runs `build` and loads any face the pages use that FONTS missed (a regular * one with a warning), then clears the measurement cache and builds again. */ async function buildWithFonts(build, text = '') { const tried = new Set(); for (let round = 0; round < 3; round++) { kitStatus('Laying out…'); await new Promise(requestAnimationFrame); // let the status paint first const result = await Promise.resolve().then(build).catch((error) => { kitFail(error); throw error; }); const wanted = { base: {}, variants: {} }; for (const { font, base } of [result].flat().flatMap(fontStringsOf)) { const { family, weight, style } = parseFont(font); const key = `${family}|${weight}|${style}`; if (tried.has(key) || hasFace(family, weight, style)) continue; tried.add(key); (wanted[base ? 'base' : 'variants'][family] ??= []).push(`${weight}${style === 'italic' ? 'i' : ''}`); } if (Object.keys(wanted.base).length) { console.warn(`[cookbook] FONTS does not list ${JSON.stringify(wanted.base)}: loading them.`); } const added = await loadFonts(wanted.base, text) + await loadFonts(wanted.variants, text, { optional: true }); if (added === 0) return result; clearMeasurementCache(); } throw new Error('The fonts did not settle after three builds.'); } /** Every font string of the layout; `base` marks a block's own face. */ function fontStringsOf(doc) { const found = new Map(); const walk = (node) => { if (!node || typeof node !== 'object') return; if (Array.isArray(node)) { node.forEach(walk); return; } for (const [key, value] of Object.entries(node)) { if (typeof value === 'string' && /fontString$/i.test(key)) { found.set(value, found.get(value) || key === 'fontString'); } else if (value && typeof value === 'object') walk(value); } }; walk(doc.pages); walk(doc.blocks); return [...found].map(([font, base]) => ({ font, base })); } /** '700 37.5px Open Sans' / 'italic 400 13px "Source Serif 4"' → { family, weight, style }. * A string with no weight ('95.8px Young Serif', from a design text) is 400. */ function parseFont(font) { const m = /^(?:(italic|oblique)\s+)?(?:small-caps\s+)?(?:(\d+|bold|normal)\s+)?[\d.]+px\s+(.+)$/.exec(font.trim()); if (!m) throw new Error(`Unexpected font string: ${font}`); const weight = m[2] === 'bold' ? 700 : !m[2] || m[2] === 'normal' ? 400 : Number(m[2]); return { family: m[3].replace(/^["']|["']$/g, ''), weight, style: m[1] ? 'italic' : 'normal' }; } /** A loaded FontFace covers this family, weight and style (fonts.check() would * also say yes for families nobody declared). */ function hasFace(family, weight, style) { for (const face of document.fonts) { if (face.status !== 'loaded' || face.style !== style) continue; if (face.family.replace(/^["']|["']$/g, '') !== family) continue; const [low, high = low] = face.weight.split(' ').map(Number); if (weight >= low && weight <= high) return true; } return false; } /** The files beyond latin `text` needs that `meta`'s family ships. */ function kitSubsetsFor(text, meta) { return [[/[Ā-˿ᴀ-ᶿḀ-ỿ†ℓⱠ-Ɀ꜠-ꟿ]/u, 'latin-ext'], [/[Ͱ-Ͽ]/u, 'greek']] .filter(([re, x]) => re.test(text) && meta?.subsets?.includes(x)).map(([, x]) => x); } /** Fontsource's id for a family: 'Source Serif 4' → 'source-serif-4'. */ function fontsourceId(family) { return family.toLowerCase().replace(/\s+/g, '-'); } /** The family's Fontsource metadata (weights, styles, subsets), or null. */ function fontsourceMeta(family) { fontsourceMeta.cache ??= new Map(); const id = fontsourceId(family); if (!fontsourceMeta.cache.has(id)) { fontsourceMeta.cache.set(id, fetch(`https://api.fontsource.org/v1/fonts/${id}`) .then((res) => (res.ok ? res.json() : null), () => null)); } return fontsourceMeta.cache.get(id); } // ─── Kit · viewer v1 ── the same in every recipe · postext.dev/cookbook /** The pages as spreads on a dark desk, page 1 alone, then verso | recto, * each painted when it scrolls near. */ function showPages(docs, { title, width = 460 } = {}) { const root = viewer(title); const pages = [docs].flat().flatMap((doc) => doc.pages.map((page) => ({ doc, page, n: (doc.pageIndexOffset ?? 0) + page.index }))); const spreads = []; let verso = null; for (const p of pages) { if (p.n % 2 === 1) { if (verso) spreads.push([verso, null]); verso = p; } else { spreads.push([verso, p]); verso = null; } } if (verso) spreads.push([verso, null]); const density = Math.min(window.devicePixelRatio || 1, 2); showPages.painter?.disconnect(); const painter = new IntersectionObserver((entries) => { for (const { isIntersecting, target } of entries) { if (!isIntersecting) continue; painter.unobserve(target); const { doc, page } = target.postext; renderPageToCanvas(page, doc, target, { scale: (width * density) / page.width }); } }, { rootMargin: '800px' }); showPages.painter = painter; root.replaceChildren(...spreads.map((pair) => { const spread = document.createElement('div'); spread.className = 'pt-spread'; for (const p of pair) { const figure = document.createElement('figure'); if (p) { const label = p.page.pageLabel || String(p.n + 1); const canvas = document.createElement('canvas'); canvas.postext = p; canvas.style.aspectRatio = `${p.page.width} / ${p.page.height}`; canvas.setAttribute('role', 'img'); canvas.setAttribute('aria-label', `Page ${label}`); const folio = document.createElement('figcaption'); folio.textContent = label; figure.append(canvas, folio); painter.observe(canvas); } else figure.className = 'pt-blank'; spread.append(figure); } return spread; })); kitStatus(`${pages.length} ${pages.length === 1 ? 'page' : 'pages'}`); document.documentElement.dataset.postext = 'ready'; return pages.length; } /** The desk, the bar and the error reporting, created once. */ function viewer(title) { if (!document.getElementById('pt-kit')) { document.head.insertAdjacentHTML('beforeend', `<style id="pt-kit"> :root { color-scheme: dark; } body { margin: 0; background: #0e1014; color: #b9bcc4; font: 13px/1.45 system-ui, sans-serif; } #pt-bar { position: sticky; top: 0; z-index: 1; display: flex; flex-wrap: wrap; align-items: center; gap: 6px 16px; padding: 10px 16px; background: rgb(14 16 20 / .92); backdrop-filter: blur(6px); border-bottom: 1px solid #23262d; } #pt-bar strong { color: #f4f1ea; font-weight: 600; } #pt-actions { display: flex; gap: 12px; margin-left: auto; } #pt-actions a, #pt-actions button { color: #d8a21a; font: inherit; background: none; border: 0; padding: 0; cursor: pointer; } #pages { display: grid; justify-items: center; gap: 48px; padding: 32px 16px 72px; } .pt-spread { display: flex; } .pt-spread figure { margin: 0; width: min(460px, 44vw); } .pt-spread canvas { display: block; width: 100%; background: #fff; box-shadow: 0 1px 2px rgb(0 0 0 / .5), 0 22px 44px -16px rgb(0 0 0 / .8); } .pt-spread figure:first-child canvas { box-shadow: inset -14px 0 14px -14px rgb(0 0 0 / .18), 0 1px 2px rgb(0 0 0 / .5), 0 22px 44px -16px rgb(0 0 0 / .8); } .pt-spread figcaption { margin-top: 10px; text-align: center; font: 600 10px/1 system-ui, sans-serif; letter-spacing: .18em; text-transform: uppercase; color: #6c7079; } .pt-blank { visibility: hidden; } @media (max-width: 760px) { .pt-spread { flex-direction: column; gap: 32px; } .pt-spread figure { width: min(460px, 92vw); } .pt-blank { display: none; } } </style>`); document.body.insertAdjacentHTML('afterbegin', '<header id="pt-bar"><strong id="pt-title"></strong><span id="pt-status" role="status"></span><span id="pt-actions"></span></header>'); document.getElementById('pt-title').textContent = document.title || 'Postext'; addEventListener('error', (event) => kitFail(event.error ?? event.message)); addEventListener('unhandledrejection', (event) => kitFail(event.reason)); } if (title) document.getElementById('pt-title').textContent = title; return document.getElementById('pages') ?? document.body.appendChild(Object.assign(document.createElement('main'), { id: 'pages' })); } function kitStatus(text) { viewer(); document.getElementById('pt-status').textContent = text; } function kitFail(error) { document.documentElement.dataset.postext = 'error'; kitStatus(`Error: ${error?.message ?? error}`); } // ─── Kit · images v1 ── recipes with pictures · postext.dev/cookbook /** Registers a photo or PNG for the canvas and keeps its bytes for the PDF. * fetch → ImageBitmap never taints the canvas (a plain cross-origin <img> would). */ async function loadImage(fileId, url) { const res = await fetch(url); if (!res.ok) throw new Error(`Image not found (${res.status}): ${url}`); const bytes = new Uint8Array(await res.arrayBuffer()); registerResourceImage(fileId, await createImageBitmap(new Blob([bytes]))); (loadImage.bytes ??= new Map()).set(fileId, bytes); } /** Registers SVG markup (drawn in code, or fetched) as a vector image. */ async function loadSvg(fileId, svg) { const img = new Image(); img.src = `data:image/svg+xml;charset=utf-8,${encodeURIComponent(svg)}`; await img.decode(); registerResourceImage(fileId, img); (loadImage.bytes ??= new Map()).set(fileId, new TextEncoder().encode(svg)); } /** renderToPdf({ resourceBytes: imageBytes }) */ function imageBytes(fileId) { return loadImage.bytes?.get(fileId); } /** renderToHtml({ resourceImageUrl: imageUrl }) */ function imageUrl(fileId) { const bytes = imageBytes(fileId); if (!bytes) return undefined; imageUrl.urls ??= new Map(); if (!imageUrl.urls.has(fileId)) { const type = /\.svg$/i.test(fileId) ? 'image/svg+xml' : /\.png$/i.test(fileId) ? 'image/png' : 'image/jpeg'; imageUrl.urls.set(fileId, URL.createObjectURL(new Blob([bytes], { type }))); } return imageUrl.urls.get(fileId); } // ─── /Kit ───────────────────────────────────────────────────────────────────────

O script.js montado funciona como está: cole-o como script de módulo em qualquer página ou abra a receita no CodePen. Pasta da receita no GitHub ↗ (abre em uma nova aba)

Variações

#Indique onde cada ensaio saiu primeiro

toc.subtitle imprime qualquer atributo do título, então o mesmo Markdown pode listar, sob cada título, a revista em que o ensaio saiu pela primeira vez.

-const authorLine = { enabled: true, attr: 'author', fontFamily: 'Spectral', fontSize: pt(10),
+const authorLine = { enabled: true, attr: 'source', fontFamily: 'Spectral', fontSize: pt(10),

#Ponha o título do livro na página par

Muitos livros põem o próprio título na página par e o do capítulo na ímpar; {title} o lê do frontmatter do Markdown e imprime AFOOT.

-const versoAuthor = head('verso-author', '{attr.author}', 'even',
+const versoAuthor = head('verso-author', '{title}', 'even',

#Abra cada ensaio numa página ímpar

Com a paridade 'odd', Stevenson passa para a página 9, depois de uma página 8 em branco. Os dois estilos dos elementos pré-textuais precisam então de um 'any' próprio; senão, o sumário herda 'odd' e abre na página 3, depois de uma página par em branco.

-  breakBefore: { enabled: true, parity: 'any' } }; // 'any': each piece opens on the next page
+  breakBefore: { enabled: true, parity: 'odd' } };
-const bare = { numbered: false, toc: false, header: { elements: [] }, footer: { elements: [] } };
+const bare = { numbered: false, toc: false, breakBefore: { enabled: true, parity: 'any' },
+  header: { elements: [] }, footer: { elements: [] } };

Erros comuns

Erro comum

Valores de atributo: sem { ou }; aspas simples se tiver "

Um valor de atributo termina na chave de fechamento, por isso não pode conter { nem }. Um valor que contém aspas duplas vai entre aspas simples; o cifrão não causa problema. Atributos de título →

Erro comum

Qualquer objeto headings desativa a quebra de página do H1

Por padrão, um H1 salta para uma página ímpar (always-odd), mas passar qualquer objeto headings redefine esse padrão, então os capítulos ficam emendados e span: 'page' não faz nada. Declare de novo headings.levels[0].breakBefore: { enabled: true, parity } em toda configuração. Capítulos que abrem em página ímpar →

Erro comum

Um estilo de título herda a quebra de página do seu nível

Uma entrada de headingStyles recebe do seu nível de título todos os campos que não define, inclusive breakBefore. Um sumário ou um colofão com estilo sobre um H1 depois de um :::pagebreak herda a paridade 'odd' e cai depois de uma página em branco. Dê a esse estilo breakBefore: { enabled: false }. Estilos de título →

Erro comum

Os números do sumário ficam um pouco acima da linha de base da entrada

No postext 1.4.1, :::toc pinta o número de cada entrada centralizado na linha, e não sobre a linha de base do texto, então os números de capítulo ficam um pouco altos ao lado dos títulos, cerca de 0,7 mm junto a um título de 16 pt, qualquer que seja a fonte ou o tamanho. Ainda não há opção de toc que os desloque, então confira o sumário em tamanho real antes de imprimir. Sumário →

Erro comum

{number}/{chapterNumber} imprimem o número do H1; {numberRoman} só nas partes

{number} e {chapterNumber} imprimem o número já formatado do título, mas {numberRoman}, {numberDecimal} e as outras variantes numéricas só são preenchidas nas páginas de parte. Formate o número do capítulo no seu numberingTemplate ({1:I}) ou passe-o como atributo. Títulos numerados →

Erro comum

Uma paleta trocada não chega aos elementos de design nem à cor das referências

postext 1.4.1 aplica colorPalette aos estilos de texto (corpo, títulos, listas, legendas, tabelas, boxes), mas não aos elementos de cabeçalhos, rodapés, aberturas e páginas de parte, nem a bodyText.referenceColor: eles mantêm o hex escrito ao lado do seu paletteId. Se você trocar a paleta, para uma edição de tela escura ou para mudar as cores, reescreva cada cor vinculada a partir de colorPalette antes de compor. Paleta de cores semântica →

Erro comum

As margens de um estilo de parágrafo não contam dentro de um boxe

No postext 1.4.1, um contêiner :::paragraphs dentro de um :::callout ignora o marginTop e o marginBottom do seu estilo, então uma linha em letra miúda sob o texto de uma nota fica colada a ele. Dê ao estilo um lineHeight maior, que abre espaço acima da primeira linha, ou tire essa linha do boxe. Estilos de parágrafo →

Erro comum

O ajuste de linhas curtas pode apertar um tracking que nunca é pintado

No postext 1.4.1, quando um parágrafo termina numa linha curta, a diagramação o compõe com uma linha a menos: primeiro aperta o espaçamento entre palavras, depois aplica até maxRuntTracking milésimos de em de tracking negativo. Os renderizadores de canvas e PDF só pintam tracking acima de zero, então o parágrafo sai impresso sem ele: as linhas justificadas perdem essa diferença nos espaços entre palavras, que ficam esmagados, e a última linha pode passar da medida e ser cortada na borda da coluna. Defina bodyText.maxRuntTracking: 0, que mantém o ajuste pelo espaçamento entre palavras, e reescreva os parágrafos que voltarem a terminar numa linha curta. Viúvas, órfãs e linhas curtas →

Erro comum

Carregue todas as fontes antes do layout

O motor de layout mede o texto com as fontes que o navegador carregou e guarda as larguras em cache, então uma fonte que chega depois da primeira composição deixa quebras de linha erradas e um PDF que não corresponde mais à tela. Carregue antes todos os pesos e estilos e chame clearMeasurementCache() antes de recompor quando alguma chegar atrasada. Fontes antes da diagramação →

Erro comum

O excesso de texto de design é 'ellipsis-end' por padrão

Um elemento de texto de design que não cabe na sua largura termina em reticências por padrão. Use overflow: 'wrap' nos títulos que devem passar para mais linhas. Textos, fios e caixas nos designs de página →

  • Hazlitt cita versos no meio das frases. Um parágrafo não guarda quebras de linha, então cada verso é um parágrafo próprio dentro de um contêiner :::paragraphs{style="verse"}, e a frase que continua depois dele vai num estilo runon, sem recuo. Uma citação em bloco do Markdown sairia num itálico cinza fixo, #666666, com o recuo de primeira linha do corpo e sem recuo lateral, e nenhuma configuração muda isso na 1.4.1.
  • Um atributo que falta num título não imprime nada e não gera aviso. Sem author="…", a assinatura e o cabeço par de um ensaio saem vazios, e a linha dele sob o título some do sumário.
  • Os 14,4 pt do passo 2 valem só para a Gloock. Para outra fonte, descubra a que altura acima da linha de base o Chrome põe o centro dela: measureText('I').alphabeticBaseline com textBaseline = 'middle' devolve esse valor, com o sinal trocado, em pixels. Depois defina numberFontSize como 0,3 × o corpo da entrada dividido por essa distância em em (a da Hanken Grotesk é 0,2675 em).

Créditos

Texto
Imagens
  • The cover: a heath and hills at dusk, a painting · Generated With Diffusion Models · original
Fontes
Spectral (SIL OFL 1.1) · Gloock (SIL OFL 1.1) · Hanken Grotesk (SIL OFL 1.1)
Sandbox