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Recepta número 125

Receptari · Capítol 5 · Estructura del llibre

Un article de recerca japonès citat segons la SIST 02

Una nota de recerca japonesa en A4 a dues columnes: citacions [@clau] numerades (1), (2, 3) segons la SIST 02, una llista 参考文献 en japonès, notes, 表1 i 図1.

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Provada amb Postext 1.16.1
Requereix ≥ 1.16.1 · postext-pdf ≥ 1.16.1
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Actualitzada el 5 d’oct. del 2026
Codi MIT · Text CC BY 4.0
  • Mostra en castellà: encara no hi ha edició en català
  • Format 210 × 297 mm
  • 2 columnes, espai entre columnes de 6,3 mm
  • Noto Serif JP 9/15,5
  • Noto Sans JP
  • Shippori Mincho B1
  • 2 pàgines
  • Nivell
  • Postext 1.16.1
  • Compost en 20 ms
  • 177 línies de codi

En poques paraules

Un article breu d'una revista científica japonesa. L'autor escriu un codi per a cada font; Postext les numera per ordre de citació i compon la llista de referències com la demanen les revistes científiques japoneses.

Què compondràs

Dues pàgines d'una nota de recerca, 号数活字の三つの系列 («Les tres sèries de cossos gōsū»), d'una revista inventada sobre tipus i composició, compostes com componen les seves revistes les societats acadèmiques japoneses: A4, dues columnes de 25 caràcters per 45 línies de Noto Serif JP de 9 pt, i el títol en Shippori Mincho B1 sobre la banda verda de la revista. Les citacions segueixen la SIST 02, la guia de referències de les revistes japoneses de ciència i tecnologia. Cada obra es numera per l'ordre en què se cita per primera vegada, (1), (2, 3), i la llista sota 参考文献 dona els noms japonesos amb el cognom davant, el lloc abans de l'editorial i l'any al final. Una taula dels nou cossos, una figura que els dibuixa a escala i dues notes a peu de pàgina porten rètols japonesos. L'article xinès citat segons la GB/T 7714 n'és l'equivalent en xinès.

Aquesta recepta respon a

  • Com cito obres i componc la bibliografia en APA, IEEE o un altre estil de cita?
  • Com componc les notes d'un llibre japonès: (1) al final del capítol, al peu de la pàgina o al costat del text a la doble pàgina?

La resposta curta

script.js · línies 32–45al codi complet
// Register the engine once, before the first build. SIST 02, the standard Japanese science
// and technology journals cite to, numbers works in the order they are first cited; the
// ja-JP locale writes the list's words and joins authors with と and ほか. The document's
// own locale 'ja' gives the notes their Japanese defaults: at the foot of the column,
// numbered per page, a superscript marker and a rule a third of the column.
registerCitationEngine(createCiteprocEngine({ styles: STYLES, locales: LOCALES }));
const citations = {
  style: 'sist02',
  locale: 'ja-JP',
  bibliography: { fontSize: em(8 / BODY), lineHeight: pt(13), entrySpacing: pt(1),
    labelWidth: em(2.2) }, // turnovers under the text of the entry, past the (n)
};
const footnotes = { fontSize: pt(7.5), lineHeight: pt(11.5), color: col('ink'),
  separator: { color: col('rule') } }; // placement, numbering and marker: the 'ja' defaults

Ingredients

Tipografia
Noto Serif JP, Noto Sans JP, Shippori Mincho B1 (SIL OFL 1.1)
Recursos
  • Figure 1, the three series of type sizes, drawn in code to scale (Postext Cookbook, CC BY 4.0)

Elaboració

#1 · L'estil, la locale i les notes

El codi és la resposta curta de més amunt. postext-citeproc porta la SIST 02 com a 'sist02' i la locale CSL ja-JP, que escriu en japonès els termes de la llista i, en una citació narrativa, uneix dos autors japonesos amb と i més de dos amb ほか (Cites). Al text, [@kawada1949; @suzuki2015] imprimeix (2, 3), i 高橋[@takahashi2012]が posa el número després del nom, 高橋(8)が. L'estil es distingeix de la GB/T 7714 xinesa per la crida: la SIST 02 posa el número entre parèntesis a la línia, i la GB/T 7714, entre claudàtors i volat. Les notes no necessiten res: locale: 'ja' dona a un document horitzontal notes al peu de la columna, numerades des d'1 a cada pàgina, amb la crida volada i un filet d'un terç de la columna.

#2 · Les referències en un bloc CSL-YAML

Les obres van al final del Markdown dins :::references{format=csl-yaml}, el format que Zotero exporta com a CSL YAML (Citar). Els noms japonesos entren com a family i given, {family: 鈴木, given: 広光}, i la SIST 02 els imprimeix junts, 鈴木広光, mentre que Kornicki conserva la coma: Kornicki, Peter. Una col·lecció va a collection-title i surt entre parèntesis després de l'any. Els dos articles de 日本印刷学会誌 donen el volum, el número i les pàgines com a vol. 49, no. 2, p. 76–80. Totes les obres són reals, i les seves fitxes es poden comprovar a CiNii.

Pàgina 24: les entrades (3) a (9), amb el cognom japonès davant, el lloc abans de l'editorial i l'any al final.

#3 · El títol sobre la banda de la revista

script.js · línies 49–71al codi complet
const BAND = 78; // mm from the trim's top: the title sits on the journal's green
const at = (id, y) => ({ anchor: { to: `#${id}`, edge: 'below' }, offset: { y: mm(y) },
  size: { width: mm(AREA) } });
const line = (id, content, family, size, color, placement, extra) => ({ kind: 'text', id,
  content, fontFamily: family, fontSize: pt(size), color: col(color), align: 'center',
  overflow: 'wrap', placement, ...extra });
const top = (y) => ({ anchor: { to: 'container', edge: 'top-left' }, offset: { y: mm(y) },
  size: { width: mm(AREA) } });
const masthead = { enabled: true, minHeight: pt(10 * PITCH), slot: { elements: [
  { kind: 'box', id: 'band', style: { backgroundColor: col('green') },
    placement: { anchor: { to: 'page', edge: 'top-left' },
      size: { width: 'fill', height: mm(BAND) } } },
  line('journal', '活字と組版の研究', GOTHIC, 13, 'paper', top(-13), { fontWeight: 700,
    align: 'left', letterSpacing: pt(2) }),
  line('issue', '第12巻 第2号(2026)', GOTHIC, 8, 'mist', top(-12), { align: 'right' }),
  line('kind', '{attr.kind}', GOTHIC, 8, 'mist', top(2), { fontWeight: 700,
    letterSpacing: pt(2) }),
  line('title', '{titleText}', TITLE, 20, 'paper', at('kind', 3), { fontWeight: 700,
    lineHeight: 1.45 }),
  line('english', '{attr.english}', MINCHO, 8.5, 'mist', at('title', 3)),
  line('author', '{attr.authors}', MINCHO, 11, 'ink', top(BAND - 16)),
  line('affiliation', '{attr.affiliation}', MINCHO, 8, 'muted', at('author', 1.5)),
] } };

El bloc de títol és el disseny de l'H1, un estil de títol que travessa les dues columnes. La banda és una caixa ancorada al tall. L'etiqueta, el títol i la traducció anglesa hi van a sobre, cadascun sota l'anterior, de manera que un títol de tres línies empeny cap avall la línia anglesa. L'autora i la seva filiació surten d'atributs del títol i van sota la banda.

#4 · El resum i les seves etiquetes

script.js · línies 75–82al codi complet
const calloutStyles = [{ id: 'abstract', span: 'page', backgroundEnabled: false,
  stripe: { enabled: true, side: 'top', width: pt(1.5), color: col('green') },
  padding: { top: mm(2.5), bottom: mm(2.5), left: em(2), right: em(2) },
  marginTop: pt(0), marginBottom: pt(PITCH),
  body: { fontFamily: MINCHO, fontSize: pt(8.5), lineHeight: pt(14), firstLineIndent: pt(0),
    textAlign: 'justify' } }];
const chipStyles = [{ id: 'label', fontFamily: GOTHIC, bold: true, color: col('green'),
  backgroundEnabled: false, borderWidth: pt(0), paddingX: em(0), gap: em(1) }];

El resum és un recuadre a tota l'amplada sota una franja superior verda, i les etiquetes són xips en gòtica negreta del color de la revista. Un espai ideogràfic després de cada etiqueta, escrit al Markdown, separa 要 旨 del text.

#5 · 表1 i 図1 on se citen

script.js · línies 276–298al codi complet
const SIZES = `号数\t旧号数(pt)\t新号数(pt)\t系列
初号\t42\t42\t初号系
一号\t27.5\t26.25\t一号系
二号\t21\t21\t初号系
三号\t16\t15.75\t三号系
四号\t13.75\t13.125\t一号系
五号\t10.5\t10.5\t初号系
六号\t8\t7.875\t三号系
七号\t5.25\t5.25\t初号系
八号\t4\t3.9375\t三号系`;
const SERIES = [[42, 21, 10.5, 5.25], [27.5, 13.75], [16, 8, 4]]; // old values, pt
const resources = [
  { id: 'tbl:sizes', typeId: 'table', kind: 'table', createdAt: 0, updatedAt: 0,
    placement: { position: 'here' },
    caption: '号数活字の大きさ。新号数はJIS Z 8305(1962)による',
    table: { model: { ...parseTSV(SIZES), headerRowCount: 1, columnWidths: [16, 28, 28, 28] } } },
  { id: 'fig:series', typeId: 'figure', kind: 'svg', createdAt: 0, updatedAt: 0,
    placement: { position: 'here' },
    caption: '号数活字の三つの系列。上から初号系、一号系、三号系。正方形は旧号数の大きさを実寸で示す',
    altText: 'Three rows of squares drawn to scale: 42, 21, 10.5 and 5.25 pt; 27.5 and 13.75 pt; '
      + '16, 8 and 4 pt. Each square is half the one before it.',
    svg: { fileId: 'series.svg', width: 790, height: 520 } },
];

defaultResourceTypes('ja') dona 図 i 表. L'article els numera seguits, 表1 i 図1, no per capítol, així que la plantilla és '{n}'. Tots dos van a 'here', sota el paràgraf que els cita, dins de la columna. Els quadrats de la figura es dibuixen a la mida del tipus que representen, de 42 pt per al 初号 a 4 pt per al 八号, i a la pàgina es veu com cada pas redueix la mida a la meitat.

La recepta completa

Sandbox
// ═══ Postext Cookbook · Nº 125 · A Japanese research paper cited to SIST 02 ═══════════
// https://postext.dev/en/cookbook/sist02-research-paper
// Code: MIT · Text: original (CC BY 4.0) · Pictures: drawn in code
// Fonts: Noto Serif JP, Noto Sans JP, Shippori Mincho B1 (SIL OFL 1.1) · Needs postext ≥ 1.16.1
import {
  buildDocument, renderPageToCanvas, clearMeasurementCache, registerCitationEngine,
  defaultResourceTypes, parseTSV, registerResourceImage,
} from 'https://esm.sh/postext';
import { renderToPdf, decompressWoff2 } from 'https://esm.sh/postext-pdf';
import { createCiteprocEngine, STYLES, LOCALES } from 'https://esm.sh/postext-citeproc';

const LANG = 'es'; // @lang: the language of the frame; the paper is Japanese in both
const RECIPE = 'sist02-research-paper';

// ─── 1 · Design ─────────────────────────────────────────────────────────────
// #region palette: black text, one deep green for the journal, its rules and its labels
const palette = {
  ink: '#1b1d1c', green: '#1f5a46', mist: '#cfe0d8', rule: '#a7b3ad', muted: '#5d6662',
  paper: '#ffffff',
};
const col = (id) => ({ hex: palette[id], model: 'hex', paletteId: id });
const colorPalette = Object.entries({ ...palette, 'main-color': palette.green })
  .map(([id, hex]) => ({ id, name: id, value: { hex, model: 'hex' } }));
// #endregion
const [MINCHO, GOTHIC, TITLE] = ['Noto Serif JP', 'Noto Sans JP', 'Shippori Mincho B1'];
const [BODY, PITCH] = [9, 15.5]; // pt: 9 pt text on a 15.5 pt line
const [CHARS, LINES] = [25, 45]; // characters to a column's line, lines to a column
const PT = 25.4 / 72; // mm in a point
const AREA = (2 * CHARS + 2) * BODY * PT; // mm: two columns and a 2-em gutter, 165

// #region answer: SIST 02 in Japanese: numbered citations, the list under 参考文献
// Register the engine once, before the first build. SIST 02, the standard Japanese science
// and technology journals cite to, numbers works in the order they are first cited; the
// ja-JP locale writes the list's words and joins authors with と and ほか. The document's
// own locale 'ja' gives the notes their Japanese defaults: at the foot of the column,
// numbered per page, a superscript marker and a rule a third of the column.
registerCitationEngine(createCiteprocEngine({ styles: STYLES, locales: LOCALES }));
const citations = {
  style: 'sist02',
  locale: 'ja-JP',
  bibliography: { fontSize: em(8 / BODY), lineHeight: pt(13), entrySpacing: pt(1),
    labelWidth: em(2.2) }, // turnovers under the text of the entry, past the (n)
};
const footnotes = { fontSize: pt(7.5), lineHeight: pt(11.5), color: col('ink'),
  separator: { color: col('rule') } }; // placement, numbering and marker: the 'ja' defaults
// #endregion

// #region masthead: the journal, the paper's kind, its title and English title on a band
const BAND = 78; // mm from the trim's top: the title sits on the journal's green
const at = (id, y) => ({ anchor: { to: `#${id}`, edge: 'below' }, offset: { y: mm(y) },
  size: { width: mm(AREA) } });
const line = (id, content, family, size, color, placement, extra) => ({ kind: 'text', id,
  content, fontFamily: family, fontSize: pt(size), color: col(color), align: 'center',
  overflow: 'wrap', placement, ...extra });
const top = (y) => ({ anchor: { to: 'container', edge: 'top-left' }, offset: { y: mm(y) },
  size: { width: mm(AREA) } });
const masthead = { enabled: true, minHeight: pt(10 * PITCH), slot: { elements: [
  { kind: 'box', id: 'band', style: { backgroundColor: col('green') },
    placement: { anchor: { to: 'page', edge: 'top-left' },
      size: { width: 'fill', height: mm(BAND) } } },
  line('journal', '活字と組版の研究', GOTHIC, 13, 'paper', top(-13), { fontWeight: 700,
    align: 'left', letterSpacing: pt(2) }),
  line('issue', '第12巻 第2号(2026)', GOTHIC, 8, 'mist', top(-12), { align: 'right' }),
  line('kind', '{attr.kind}', GOTHIC, 8, 'mist', top(2), { fontWeight: 700,
    letterSpacing: pt(2) }),
  line('title', '{titleText}', TITLE, 20, 'paper', at('kind', 3), { fontWeight: 700,
    lineHeight: 1.45 }),
  line('english', '{attr.english}', MINCHO, 8.5, 'mist', at('title', 3)),
  line('author', '{attr.authors}', MINCHO, 11, 'ink', top(BAND - 16)),
  line('affiliation', '{attr.affiliation}', MINCHO, 8, 'muted', at('author', 1.5)),
] } };
// #endregion

// #region abstract: across both columns, its labels in gothic the colour of the journal
const calloutStyles = [{ id: 'abstract', span: 'page', backgroundEnabled: false,
  stripe: { enabled: true, side: 'top', width: pt(1.5), color: col('green') },
  padding: { top: mm(2.5), bottom: mm(2.5), left: em(2), right: em(2) },
  marginTop: pt(0), marginBottom: pt(PITCH),
  body: { fontFamily: MINCHO, fontSize: pt(8.5), lineHeight: pt(14), firstLineIndent: pt(0),
    textAlign: 'justify' } }];
const chipStyles = [{ id: 'label', fontFamily: GOTHIC, bold: true, color: col('green'),
  backgroundEnabled: false, borderWidth: pt(0), paddingX: em(0), gap: em(1) }];
// #endregion

// Running heads on the body pages: the journal on the verso, the author on the recto.
const head = (id, content, parity, edge, x, extra) => ({ kind: 'text', id, content, parity,
  pages: 'body', fontFamily: GOTHIC, fontSize: pt(7.5), color: col('muted'),
  align: edge.endsWith('left') ? 'left' : 'right', placement: { anchor: { to: 'container',
    edge }, offset: { x: mm(x), y: mm(14) } }, ...extra });
const folio = { fontWeight: 700, color: col('green') };
const header = { elements: [
  head('v-folio', '{pageNumber}', 'even', 'top-left', 0, folio),
  head('v-head', '活字と組版の研究 第12巻 第2号', 'even', 'top-left', 9),
  head('r-head', '森川:号数活字の三つの系列', 'odd', 'top-right', -9),
  head('r-folio', '{pageNumber}', 'odd', 'top-right', 0, folio),
] };

const config = () => ({ // a factory: the engine caches resolved configs per object
  locale: 'ja', // written out, never LANG (gotcha: ja-locale-tag)
  resourceTypes: defaultResourceTypes('ja').map((type) => ({ ...type,
    numberingTemplate: '{n}' })), // 図1, 表1: a paper numbers through, not by chapter
  colorPalette,
  citations,
  footnotes,
  page: { sizePreset: 'custom', width: mm(210), height: mm(297), dpi: 150, // A4
    pageNumbering: { startAt: 23 },
    margins: { top: mm(24), bottom: mm(20), left: mm(18), right: mm(18), mirror: true } },
  layout: { layoutType: 'double', gutterWidth: pt(2 * BODY) },
  cjk: { grid: { enabled: true, charsPerLine: CHARS, linesPerPage: LINES } },
  bodyText: { fontFamily: MINCHO, fontSize: pt(BODY), lineHeight: pt(PITCH), color: col('ink'),
    boldColor: col('ink'), italicColor: col('ink'), referenceColor: col('ink'),
    referenceBold: false, textAlign: 'justify', firstLineIndent: em(1), indentAfterHeading: true },
  headings: { fontFamily: GOTHIC, fontWeight: 700, color: col('ink'),
    balancing: { enabled: false }, // heads stay on the grid
    levels: [
      { level: 1, breakBefore: { enabled: true, parity: 'any' } }, // headings-drop-h1-break
      { level: 2, numberingTemplate: '{2}.', numberSeparator: ' ', fontSize: pt(10),
        lineSpan: 2 }, // 2行取り: 1. はじめに on two lines of the grid
    ] },
  headingStyles: [
    { id: 'article', numbered: false, span: 'page', advancedDesign: masthead },
    { id: 'references', numbered: false },
  ],
  calloutStyles,
  chipStyles,
  tableStyle: { rules: 'horizontal', borderColor: col('rule'), borderWidth: pt(0.5),
    headerBackground: col('green'), headerColor: col('paper'), headerFontFamily: GOTHIC,
    bodyFontFamily: MINCHO, bodyFontSize: pt(8), bodyColor: col('ink'), cellPadding: mm(1) },
  captionStyle: { fontFamily: GOTHIC, fontSize: pt(7.5), color: col('ink'), labelBold: true,
    labelColor: col('green') }, // 表1 …, the ja default
  paragraphStyles: [{ id: 'colophon', fontFamily: GOTHIC, fontSize: pt(6.5), lineHeight: pt(9),
    color: col('muted'), firstLineIndent: pt(0), textAlign: 'left', marginTop: pt(PITCH) }],
  header,
  footer: { elements: [] },
});

// ─── 2 · Content ────────────────────────────────────────────────────────────
const markdown = String.raw`---
Mostra en Markdown · 134 línies · content.es.mdtitle: "号数活字の三つの系列" --- # 号数活字の三つの系列:\\近代日本の活字の大きさはどう決められたか {style="article" kind="研究ノート" authors="森川 啓" affiliation="架空大学 文学部" english="Three Series of Gōsū Type Sizes: How the Sizes of Modern Japanese Type Were Set"} :::callout{type="abstract"} :chip[要 旨]{style="label"} 明治初期に日本で鋳造が始まった金属活字は、初号から八号までの九つの大きさを「号数」で呼び分けた。本稿では、号数活字の大きさが倍と半分の関係で結ばれた三つの系列からなることを示し、その構造が組版の実務に何をもたらしたかを整理する。また、1962年に日本工業規格が号数をポイントの値で定め直した経緯と、いまも五号に当たる10.5ポイントが和文の標準の大きさとして残っている理由を考察する。 :chip[キーワード]{style="label"} 号数活字、ポイント、明朝体、東京築地活版製造所、JIS Z 8305 ::: ## はじめに 日本語の活字印刷は、近世初期の古活字版のように早くから試みられてきたが[@kornicki1998]、出版の主流となったのは明治に入って金属活字が鋳造されてからである[@kawada1949; @suzuki2015]。その活字の大きさは、いまのようなポイントではなく、「号数」という独自の単位で呼ばれていた。 号数活字の名前は、組版や印刷の歴史を扱う文献にたびたび現れる[@yahagi1976; @komiyama2009]。しかし、九つの大きさがどのような関係で並んでいるのかは、個々の数値ほどには知られていない。本稿では、号数の大きさを系列ごとに整理し、その構造が組版に与えた影響を考える[^term]。 ## 号数活字の成立 号数の体系は、1869年に長崎で本木昌造らが上海の美華書館の技術者から活字鋳造を学んだことに始まるとされる。その後、平野富二が東京築地活版製造所を設け、号数活字は同所の製品として全国に広まった[@itakura2006]。同所の活字見本は、近代日本の書体と字形を知るための基本資料となっている[@fukawa2005]。 ## 三つの系列 号数活字の大きさを[@tbl:sizes]に示す。九つの大きさは、互いに倍と半分の関係で結ばれた三つの系列に分けられる。初号・二号・五号・七号の系列、一号・四号の系列、三号・六号・八号の系列である([@fig:series])。 ::resource{id="tbl:sizes"} この構造には実務上の利点があった。五号の本文に七号のルビを付けると、ルビの大きさはちょうど本文の半分になる。また、二号の文字一つは五号の文字二つ分の幅に当たるので、見出しの字数を本文の字数に換算して版面を割り付けやすい。号数の名前は、大きさの序列というより、この倍数関係を前提とした組版の道具立てだったといえる。 ::resource{id="fig:series"} ## ポイントへの移行 東京築地活版製造所は、1903年にアメリカ式のポイント制による活字を売り出した。それでも号数活字は長く使われ続け、1962年の日本工業規格JIS Z 8305「活字の基準寸法」は、号数をポイントの値で定め直した。この「新号数」では、一号・三号・四号・六号・八号の値が旧来のものからわずかに変わっている[^jis]。 活字の製造方法の変遷については高橋[@takahashi2012]が、近代印刷の導入期の資料については水野[@mizuno2016]が概観している。 ## おわりに 金属活字が使われなくなったいまも、号数の名残は身近に残っている。和文のワープロソフトが本文の既定の大きさとする10.5ポイントは、五号の値そのものである。号数活字の三つの系列は、日本語の組版が長く拠り所としてきた寸法の体系であった。 ## 参考文献 {style="references"} :::bibliography{title=""} [^term]: 本稿でいう「活字」は、鉛合金で鋳造した金属活字を指す。 [^jis]: 旧号数の値は東京築地活版製造所の製品による。関東の印刷所の多くは、規格の制定後も旧号数の活字を使い続けた。 :::paragraphs{style="colophon"} Artículo de muestra escrito para el Recetario de Postext. La revista, su autora y su universidad son ficticias; las obras citadas son reales. Compuesto en Noto Serif JP, Noto Sans JP y Shippori Mincho B1 (SIL OFL). Texto: CC BY 4.0. ::: :::references{format=csl-yaml} - id: suzuki2015 type: book language: ja author: [{family: 鈴木, given: 広光}] title: 日本語活字印刷史 publisher: 名古屋大学出版会 publisher-place: 名古屋 issued: 2015 - id: yahagi1976 type: book language: ja author: [{family: 矢作, given: 勝美}] title: 明朝活字:その歴史と現状 publisher: 平凡社 publisher-place: 東京 issued: 1976 - id: komiyama2009 type: book language: ja author: [{family: 小宮山, given: 博史}] title: 日本語活字ものがたり:草創期の人と書体 publisher: 誠文堂新光社 publisher-place: 東京 collection-title: 文字と組版ライブラリ issued: 2009 - id: itakura2006 type: book language: ja author: [{family: 板倉, given: 雅宣}] title: 活版印刷発達史:東京築地活版製造所の果たした役割 publisher: 印刷朝陽会 publisher-place: 東京 issued: 2006 - id: fukawa2005 type: book language: ja author: [{family: 府川, given: 充男}] title: 聚珍録:圖説=近世・近代日本〈文字-印刷〉文化史 publisher: 三省堂 publisher-place: 東京 issued: 2005 - id: kawada1949 type: book language: ja author: [{family: 川田, given: 久長}] title: 活版印刷史:日本活版印刷史の研究 publisher: 印刷学会出版部 publisher-place: 東京 issued: 1949 - id: kornicki1998 type: book language: en author: [{family: Kornicki, given: Peter}] title: "The book in Japan: a cultural history from the beginnings to the nineteenth century" publisher: Brill publisher-place: Leiden issued: 1998 - id: takahashi2012 type: article-journal language: ja author: [{family: 高橋, given: 恭介}] title: 「活字」の技術変遷から見た印刷の歴史 container-title: 日本印刷学会誌 volume: 49 issue: 2 page: 76-80 issued: 2012 DOI: 10.11413/nig.49.076 - id: mizuno2016 type: article-journal language: ja author: [{family: 水野, given: 雅生}] title: 日本近代印刷事始 container-title: 日本印刷学会誌 volume: 53 issue: 2 page: 104-108 issued: 2016 DOI: 10.11413/nig.53.104 :::
`; // content.<lang>.md: the same Japanese paper in both // #region resources: the table of sizes, and the three series drawn to scale const SIZES = `号数\t旧号数(pt)\t新号数(pt)\t系列 初号\t42\t42\t初号系 一号\t27.5\t26.25\t一号系 二号\t21\t21\t初号系 三号\t16\t15.75\t三号系 四号\t13.75\t13.125\t一号系 五号\t10.5\t10.5\t初号系 六号\t8\t7.875\t三号系 七号\t5.25\t5.25\t初号系 八号\t4\t3.9375\t三号系`; const SERIES = [[42, 21, 10.5, 5.25], [27.5, 13.75], [16, 8, 4]]; // old values, pt const resources = [ { id: 'tbl:sizes', typeId: 'table', kind: 'table', createdAt: 0, updatedAt: 0, placement: { position: 'here' }, caption: '号数活字の大きさ。新号数はJIS Z 8305(1962)による', table: { model: { ...parseTSV(SIZES), headerRowCount: 1, columnWidths: [16, 28, 28, 28] } } }, { id: 'fig:series', typeId: 'figure', kind: 'svg', createdAt: 0, updatedAt: 0, placement: { position: 'here' }, caption: '号数活字の三つの系列。上から初号系、一号系、三号系。正方形は旧号数の大きさを実寸で示す', altText: 'Three rows of squares drawn to scale: 42, 21, 10.5 and 5.25 pt; 27.5 and 13.75 pt; ' + '16, 8 and 4 pt. Each square is half the one before it.', svg: { fileId: 'series.svg', width: 790, height: 520 } }, ]; // #endregion // #region art: squares at their size in points, labelled in the gothic's latin file async function labelFace() { const url = 'https://cdn.jsdelivr.net/npm/@fontsource/noto-sans-jp@5/files/' + 'noto-sans-jp-latin-400-normal.woff2'; const bytes = new Uint8Array(await (await fetch(url)).arrayBuffer()); let bin = ''; for (let i = 0; i < bytes.length; i += 8192) { bin += String.fromCharCode(...bytes.subarray(i, i + 8192)); } return `@font-face{font-family:L;src:url(data:font/woff2;base64,${btoa(bin)}) format('woff2')}` + `text{font-family:L;font-size:2.4px;text-anchor:middle;fill:${palette.muted}}`; } function seriesArt(style) { let out = ''; SERIES.forEach((row, r) => { let x = 2; const base = [17, 33, 47][r]; // mm: the squares of a row stand on one line for (const size of row) { const s = size * PT; // a square as wide as the type body out += `<rect x="${x}" y="${base - s}" width="${s}" height="${s}" fill="${palette.mist}" ` + `stroke="${palette.green}" stroke-width=".25"/><text x="${x + s / 2}" y="${base + 3}">` + `${size}</text>`; x += s + 4; } }); return `<svg xmlns="http://www.w3.org/2000/svg" width="790" height="520" viewBox="0 0 79 52">` + `<style>${style}</style>${out}</svg>`; } // #endregion // ─── 3 · Fonts ────────────────────────────────────────────────────────────── const FONTS = { // every face the pages use, loaded before the build (gotcha: fonts-first) 'Noto Serif JP': ['400'], // 明朝: text, abstract, notes, references, author 'Noto Sans JP': ['400', '700'], // ゴシック: journal, heads, labels, captions, table head 'Shippori Mincho B1': ['700'], // the title, a display mincho }; // ─── 4 · Build & show ─────────────────────────────────────────────────────── // Each voice loads the files of what it sets (gotcha: cjk-fonts-slices); the text face also // gets the words SIST 02 adds to the list. const all = (re) => (markdown.match(re) ?? []).join(''); const gothic = `${all(/^#+ .*$/gm)}${all(/:chip\[[^\]]*\]/g)}${SIZES}` + `${resources.map((r) => r.caption).join('')}活字と組版の研究第巻号森川:三つの系列0123456789`; await loadFonts(FONTS, markdown); await loadCjkFonts({ [MINCHO]: FONTS[MINCHO] }, `${markdown}${SIZES}ほかと編巻号頁`); await loadCjkFonts({ [GOTHIC]: FONTS[GOTHIC] }, gothic); await loadCjkFonts({ [TITLE]: FONTS[TITLE] }, all(/^# .*$/gm)); await loadSvg('series.svg', seriesArt(await labelFace())); const doc = await buildWithFonts(() => buildDocument({ markdown, resources }, config()), markdown); showPages(doc, { title: t({ en: 'A Japanese paper cited to SIST 02', es: 'Un artículo japonés citado según SIST 02' }) }); offerPdf(() => renderToPdf(doc, { fontProvider: cjkPdfProvider, resourceBytes: imageBytes }), `${RECIPE}.pdf`);
Kit · core, fonts, viewer, pdf, images, cjk: igual a totes les receptes · 488 línies// ─── Kit ── helpers shared by every Cookbook recipe · postext.dev/cookbook ───── // ─── Kit · core v1 ── the same in every recipe · postext.dev/cookbook ───────── function mm(value) { return { value, unit: 'mm' }; } function pt(value) { return { value, unit: 'pt' }; } function em(value) { return { value, unit: 'em' }; } /** The sample language's string: t({ en: 'Figure', es: 'Figura' }). */ function t(strings) { return strings[LANG] ?? Object.values(strings)[0]; } /** A file in this recipe's assets folder, served from the Postext repo by jsDelivr. */ function asset(file) { return `https://cdn.jsdelivr.net/gh/drnachio/postext@main/cookbook/${RECIPE}/assets/${file}`; } // ─── Kit · fonts v1 ── the same in every recipe · postext.dev/cookbook ──────── // Postext measures text with the faces the browser has loaded, and caches the // widths, so every face must be ready before the first build. Faces come from // Fontsource: the same static files the PDF embeds, so screen and PDF agree. /** faces = { 'Family Name': ['400', '400i', '700'] }. `text` is the sample: * letters beyond Latin-1 (č, ł, ő…) also load the latin-ext files. With * `optional`, a face Fontsource does not ship is skipped instead of failing. * Resolves to the number of faces added. */ async function loadFonts(faces, text = '', { optional = false } = {}) { kitStatus('Loading fonts…'); const ranges = { latin: 'U+0000-00FF,U+0131,U+0152-0153,U+02BB-02BC,U+02C6,U+02DA,U+02DC,U+0304,U+0308,U+0329,' + 'U+2000-206F,U+20AC,U+2122,U+2191,U+2193,U+2212,U+2215,U+FEFF,U+FFFD', 'latin-ext': 'U+0100-02BA,U+02BD-02C5,U+02C7-02CC,U+02CE-02D7,U+02DD-02FF,U+0304,U+0308,U+0329,' + 'U+1D00-1DBF,U+1E00-1E9F,U+1EF2-1EFF,U+2020,U+20A0-20AB,U+20AD-20C0,U+2113,U+2C60-2C7F,U+A720-A7FF', }; const subsets = /[Ā-˿Ḁ-ỿ]/.test(text) ? ['latin', 'latin-ext'] : ['latin']; const jobs = []; let added = 0; for (const [family, specs] of Object.entries(faces)) { const id = fontsourceId(family); const meta = optional ? await fontsourceMeta(family) : null; for (const spec of new Set(specs)) { const weight = parseInt(spec, 10); const style = spec.endsWith('i') ? 'italic' : 'normal'; if (hasFace(family, weight, style)) continue; if (optional && !(meta?.weights.includes(weight) && meta.styles.includes(style))) continue; for (const subset of subsets) { const url = `https://cdn.jsdelivr.net/npm/@fontsource/${id}@5/files/${id}-${subset}-${weight}-${style}.woff2`; const face = new FontFace(family, `url(${url}) format('woff2')`, { weight: String(weight), style, unicodeRange: ranges[subset] }); jobs.push(face.load().then((ready) => { document.fonts.add(ready); added++; }, () => { if (subset === 'latin' && !optional) throw new Error(`Fontsource has no ${family} ${weight} ${style}`); })); } } } await Promise.all(jobs).catch((error) => { kitFail(error); throw error; }); return added; } /** Runs `build` (a buildDocument or buildBundle call) and checks the faces * the pages use. A regular face missing from FONTS is loaded with a warning; * bold and italic variants are loaded when the family ships them. Then the * measurement caches are cleared and the build runs again. */ async function buildWithFonts(build, text = '') { const tried = new Set(); for (let round = 0; round < 3; round++) { kitStatus('Laying out…'); await new Promise(requestAnimationFrame); // let the status paint first const result = await Promise.resolve().then(build).catch((error) => { kitFail(error); throw error; }); const wanted = { base: {}, variants: {} }; for (const { font, base } of [result].flat().flatMap(fontStringsOf)) { const { family, weight, style } = parseFont(font); const key = `${family}|${weight}|${style}`; if (tried.has(key) || hasFace(family, weight, style)) continue; tried.add(key); (wanted[base ? 'base' : 'variants'][family] ??= []).push(`${weight}${style === 'italic' ? 'i' : ''}`); } if (Object.keys(wanted.base).length) { console.warn(`[cookbook] FONTS does not list ${JSON.stringify(wanted.base)}: loading them.`); } const added = await loadFonts(wanted.base, text) + await loadFonts(wanted.variants, text, { optional: true }); if (added === 0) return result; clearMeasurementCache(); } throw new Error('The fonts did not settle after three builds.'); } /** Every font string of the layout. `base` marks a block's own face; its * bold, italic and bold-italic variants are listed whether or not used. */ function fontStringsOf(doc) { const found = new Map(); const walk = (node) => { if (!node || typeof node !== 'object') return; if (Array.isArray(node)) { node.forEach(walk); return; } for (const [key, value] of Object.entries(node)) { if (typeof value === 'string' && /fontString$/i.test(key)) { found.set(value, found.get(value) || key === 'fontString'); } else if (value && typeof value === 'object') walk(value); } }; walk(doc.pages); walk(doc.blocks); return [...found].map(([font, base]) => ({ font, base })); } /** '700 37.5px Open Sans' / 'italic 400 13px "Source Serif 4"' → { family, weight, style }. * A string with no weight ('95.8px Young Serif', from a design text) is 400. */ function parseFont(font) { const m = /^(?:(italic|oblique)\s+)?(?:small-caps\s+)?(?:(\d+|bold|normal)\s+)?[\d.]+px\s+(.+)$/.exec(font.trim()); if (!m) throw new Error(`Unexpected font string: ${font}`); const weight = m[2] === 'bold' ? 700 : !m[2] || m[2] === 'normal' ? 400 : Number(m[2]); return { family: m[3].replace(/^["']|["']$/g, ''), weight, style: m[1] ? 'italic' : 'normal' }; } /** True when a loaded FontFace covers exactly this family, weight and style * (document.fonts.check() is also true for families nobody declared). */ function hasFace(family, weight, style) { for (const face of document.fonts) { if (face.status !== 'loaded' || face.style !== style) continue; if (face.family.replace(/^["']|["']$/g, '') !== family) continue; const [low, high = low] = face.weight.split(' ').map(Number); if (weight >= low && weight <= high) return true; } return false; } /** Fontsource's id for a family: 'Source Serif 4' → 'source-serif-4'. */ function fontsourceId(family) { return family.toLowerCase().replace(/\s+/g, '-'); } /** The weights and styles a family ships ({ weights: [400, 700], styles: ['normal', 'italic'] }), or null. */ function fontsourceMeta(family) { fontsourceMeta.cache ??= new Map(); const id = fontsourceId(family); if (!fontsourceMeta.cache.has(id)) { fontsourceMeta.cache.set(id, fetch(`https://api.fontsource.org/v1/fonts/${id}`) .then((res) => (res.ok ? res.json() : null), () => null)); } return fontsourceMeta.cache.get(id); } // ─── Kit · viewer v1 ── the same in every recipe · postext.dev/cookbook ─────── /** Shows the pages as facing spreads on a dark desk: the first page is a * recto on its own, then verso | recto pairs, as in a bound book. Pages * are painted when they scroll near the screen. */ function showPages(docs, { title, width = 460 } = {}) { const root = viewer(title); const pages = [docs].flat().flatMap((doc) => doc.pages.map((page) => ({ doc, page, n: (doc.pageIndexOffset ?? 0) + page.index }))); const spreads = []; let verso = null; for (const p of pages) { if (p.n % 2 === 1) { if (verso) spreads.push([verso, null]); verso = p; } else { spreads.push([verso, p]); verso = null; } } if (verso) spreads.push([verso, null]); const density = Math.min(window.devicePixelRatio || 1, 2); showPages.painter?.disconnect(); const painter = new IntersectionObserver((entries) => { for (const { isIntersecting, target } of entries) { if (!isIntersecting) continue; painter.unobserve(target); const { doc, page } = target.postext; renderPageToCanvas(page, doc, target, { scale: (width * density) / page.width }); } }, { rootMargin: '800px' }); showPages.painter = painter; root.replaceChildren(...spreads.map((pair) => { const spread = document.createElement('div'); spread.className = 'pt-spread'; for (const p of pair) { const figure = document.createElement('figure'); if (p) { const label = p.page.pageLabel || String(p.n + 1); const canvas = document.createElement('canvas'); canvas.postext = p; canvas.style.aspectRatio = `${p.page.width} / ${p.page.height}`; canvas.setAttribute('role', 'img'); canvas.setAttribute('aria-label', `Page ${label}`); const folio = document.createElement('figcaption'); folio.textContent = label; figure.append(canvas, folio); painter.observe(canvas); } else figure.className = 'pt-blank'; spread.append(figure); } return spread; })); kitStatus(`${pages.length} ${pages.length === 1 ? 'page' : 'pages'}`); document.documentElement.dataset.postext = 'ready'; return pages.length; } /** The desk, the bar and the error reporting, created once. */ function viewer(title) { if (!document.getElementById('pt-kit')) { document.head.insertAdjacentHTML('beforeend', `<style id="pt-kit"> :root { color-scheme: dark; } body { margin: 0; background: #0e1014; color: #b9bcc4; font: 13px/1.45 system-ui, sans-serif; } #pt-bar { position: sticky; top: 0; z-index: 1; display: flex; flex-wrap: wrap; align-items: center; gap: 6px 16px; padding: 10px 16px; background: rgb(14 16 20 / .92); backdrop-filter: blur(6px); border-bottom: 1px solid #23262d; } #pt-bar strong { color: #f4f1ea; font-weight: 600; } #pt-actions { display: flex; gap: 12px; margin-left: auto; } #pt-actions a, #pt-actions button { color: #d8a21a; font: inherit; background: none; border: 0; padding: 0; cursor: pointer; } #pages { display: grid; justify-items: center; gap: 48px; padding: 32px 16px 72px; } .pt-spread { display: flex; } .pt-spread figure { margin: 0; width: min(460px, 44vw); } .pt-spread canvas { display: block; width: 100%; background: #fff; box-shadow: 0 1px 2px rgb(0 0 0 / .5), 0 22px 44px -16px rgb(0 0 0 / .8); } .pt-spread figure:first-child canvas { box-shadow: inset -14px 0 14px -14px rgb(0 0 0 / .18), 0 1px 2px rgb(0 0 0 / .5), 0 22px 44px -16px rgb(0 0 0 / .8); } .pt-spread figcaption { margin-top: 10px; text-align: center; font: 600 10px/1 system-ui, sans-serif; letter-spacing: .18em; text-transform: uppercase; color: #6c7079; } .pt-blank { visibility: hidden; } @media (max-width: 760px) { .pt-spread { flex-direction: column; gap: 32px; } .pt-spread figure { width: min(460px, 92vw); } .pt-blank { display: none; } } </style>`); document.body.insertAdjacentHTML('afterbegin', '<header id="pt-bar"><strong id="pt-title"></strong><span id="pt-status" role="status"></span><span id="pt-actions"></span></header>'); document.getElementById('pt-title').textContent = document.title || 'Postext'; addEventListener('error', (event) => kitFail(event.error ?? event.message)); addEventListener('unhandledrejection', (event) => kitFail(event.reason)); } if (title) document.getElementById('pt-title').textContent = title; return document.getElementById('pages') ?? document.body.appendChild(Object.assign(document.createElement('main'), { id: 'pages' })); } function kitStatus(text) { viewer(); document.getElementById('pt-status').textContent = text; } function kitFail(error) { document.documentElement.dataset.postext = 'error'; kitStatus(`Error: ${error?.message ?? error}`); } // ─── Kit · pdf v1 ── the same in every recipe that exports a PDF ────────────── /** postext-pdf embeds TrueType bytes. Fetch the Fontsource file the screen * used, snapping to a weight the family ships and falling back to upright * when it has no italic: the PDF asks for every face a block could use. */ async function fontsourceProvider(family, weight, style) { const id = fontsourceId(family); const meta = await fontsourceMeta(family); const weights = meta?.weights?.length ? meta.weights : [400, 700]; const w = weights.reduce((a, b) => (Math.abs(b - weight) < Math.abs(a - weight) ? b : a)); const s = style === 'italic' && meta && !meta.styles.includes('italic') ? 'normal' : style; const res = await fetch(`https://cdn.jsdelivr.net/npm/@fontsource/${id}@5/files/${id}-latin-${w}-${s}.woff2`); if (!res.ok) throw new Error(`Fontsource has no ${family} ${w} ${s} (${res.status})`); return decompressWoff2(new Uint8Array(await res.arrayBuffer())); } /** A "Build the PDF" button in the bar. Once built: "Open the PDF" (a new * tab, since CodePen's preview frame cannot show PDFs) and a download link. */ function offerPdf(makePdf, filename) { viewer(); const button = Object.assign(document.createElement('button'), { type: 'button', textContent: 'Build the PDF' }); button.dataset.postextPdf = filename; button.addEventListener('click', async () => { button.disabled = true; button.textContent = 'Building the PDF…'; try { const bytes = await makePdf(); const url = URL.createObjectURL(new Blob([bytes], { type: 'application/pdf' })); const size = `${Math.max(1, Math.round(bytes.length / 1024))} KB`; button.replaceWith( Object.assign(document.createElement('a'), { href: url, target: '_blank', rel: 'noopener', textContent: 'Open the PDF ↗' }), Object.assign(document.createElement('a'), { href: url, download: filename, textContent: `Download ${filename} · ${size}` })); } catch (error) { button.disabled = false; button.textContent = 'Build the PDF'; kitFail(error); } }); document.getElementById('pt-actions').append(button); } // ─── Kit · images v1 ── recipes with pictures · postext.dev/cookbook ────────── /** Registers a photo or PNG for the canvas and keeps its bytes for the PDF. * fetch → ImageBitmap never taints the canvas (a plain cross-origin <img> would). */ async function loadImage(fileId, url) { const res = await fetch(url); if (!res.ok) throw new Error(`Image not found (${res.status}): ${url}`); const bytes = new Uint8Array(await res.arrayBuffer()); registerResourceImage(fileId, await createImageBitmap(new Blob([bytes]))); (loadImage.bytes ??= new Map()).set(fileId, bytes); } /** Registers SVG markup (drawn in code, or fetched) as a vector image. */ async function loadSvg(fileId, svg) { const img = new Image(); img.src = `data:image/svg+xml;charset=utf-8,${encodeURIComponent(svg)}`; await img.decode(); registerResourceImage(fileId, img); (loadImage.bytes ??= new Map()).set(fileId, new TextEncoder().encode(svg)); } /** renderToPdf({ resourceBytes: imageBytes }) */ function imageBytes(fileId) { return loadImage.bytes?.get(fileId); } /** renderToHtml({ resourceImageUrl: imageUrl }) */ function imageUrl(fileId) { const bytes = imageBytes(fileId); if (!bytes) return undefined; imageUrl.urls ??= new Map(); if (!imageUrl.urls.has(fileId)) { const type = /\.svg$/i.test(fileId) ? 'image/svg+xml' : /\.png$/i.test(fileId) ? 'image/png' : 'image/jpeg'; imageUrl.urls.set(fileId, URL.createObjectURL(new Blob([bytes], { type }))); } return imageUrl.urls.get(fileId); } // ─── Kit · cjk v1 ── Chinese, Japanese and Korean books · postext.dev/cookbook ─ // Fontsource ships a CJK family as about a hundred files per weight, each // declared in its stylesheet with the unicode-range it covers. The screen // loads the files the sample touches; the PDF gets the same files for the // characters its pages set in each face, and embeds each as a subset. // A book bound on the right (vertical text) is shown with its spreads // mirrored: page 1 alone on the left of the spine, then [3 | 2]. /** The files of a Fontsource face, read from its stylesheet: { url, range, * ranges }, the last declared first (the order the browser tries them in). */ function cjkSlices(family, weight, style) { cjkSlices.cache ??= new Map(); const id = fontsourceId(family); const css = `https://cdn.jsdelivr.net/npm/@fontsource/${id}@5/${weight}${style === 'italic' ? '-italic' : ''}.css`; if (!cjkSlices.cache.has(css)) { cjkSlices.cache.set(css, fetch(css) .then((res) => { if (!res.ok) throw new Error(`Fontsource has no ${family} ${weight} ${style} (${res.status})`); return res.text(); }) .then((text) => [...text.matchAll(/@font-face\s*{([^}]*)}/g)].map(([, rule]) => { const range = /unicode-range:\s*([^;]+);/.exec(rule)?.[1].trim() ?? 'U+0-10FFFF'; const ranges = range.split(',').map((part) => { const [lo, hi = lo] = part.trim().slice(2).split('-'); return [parseInt(lo, 16), parseInt(hi, 16)]; }); return { url: new URL(/url\(([^)]+?\.woff2)\)/.exec(rule)[1], css).href, range, ranges }; }).reverse())); } return cjkSlices.cache.get(css); } /** The file of `slices` that holds code point `cp`, if any. */ function cjkSliceFor(slices, cp) { return slices.find((slice) => slice.ranges.some(([lo, hi]) => cp >= lo && cp <= hi)); } /** Whether Fontsource serves `family` as a Chinese, Japanese or Korean * family (its subsets name the script). Fails when the API does not * answer: a CJK face taken for a Latin one would paint in a system face. */ async function isCjkFamily(family) { const meta = await fontsourceMeta(family); if (!meta) throw new Error(`api.fontsource.org did not describe ${family}: reload to try again`); return !!meta.subsets?.some((subset) => /^(chinese|japanese|korean)/.test(subset)); } /** faces = { 'Noto Serif TC': ['400', '700'] }, as for loadFonts: the * whole FONTS object may be passed, its other families are left to * loadFonts. Adds one FontFace per file of each CJK face with its * unicodeRange, then loads the files `text` touches. `text` is what the * faces set: the sample for the text face; a book in several voices calls * it once per voice (loadCjkFonts({ 'LXGW WenKai TC': ['400'] }, quotes)), * so the heading and quotation faces fetch and check only their own * characters. Fails when a character of `text` is in no file of a face. * List every weight the pages use: a weight left to buildWithFonts gets * the latin file only. With { vertical: true } it also loads each * family's vertical forms (brackets, quotes, pause marks) for the canvas, * which needs loadVerticalAlternates imported from postext. Resolves to * the number of files loaded. */ async function loadCjkFonts(faces, text, { vertical = false } = {}) { kitStatus('Loading fonts…'); let loaded = 0; try { if (vertical && typeof loadVerticalAlternates !== 'function') { throw new Error('loadCjkFonts(…, { vertical: true }) needs loadVerticalAlternates imported from postext'); } for (const [family, specs] of Object.entries(faces)) { if (!(await isCjkFamily(family))) continue; const twin = []; for (const spec of new Set(specs)) { const weight = parseInt(spec, 10); const style = spec.endsWith('i') ? 'italic' : 'normal'; const slices = await cjkSlices(family, weight, style); const missing = [...new Set(text)].filter((ch) => /\S/.test(ch) && !cjkSliceFor(slices, ch.codePointAt(0))); if (missing.length) { throw new Error(`${family} ${spec} has no file for ${missing.slice(0, 12).join(' ')}: ` + `give each face the text it sets (loadCjkFonts({ '${family}': ['${spec}'] }, text))`); } for (const slice of slices) { document.fonts.add(new FontFace(family, `url(${slice.url}) format('woff2')`, { weight: String(weight), style, unicodeRange: slice.range })); twin.push({ source: slice.url, weight: String(weight), style, unicodeRange: slice.range }); } const font = `${style === 'italic' ? 'italic ' : ''}${weight} 16px "${family}"`; loaded += (await document.fonts.load(font, text)).length; if (!document.fonts.check(font, text)) throw new Error(`${family} ${spec} did not load for the sample`); } // The same files under a twin name with the `vert` feature on: the // canvas paints the punctuation of vertical lines with it. if (vertical && twin.length) await loadVerticalAlternates(family, twin); } } catch (error) { kitFail(error); throw error; } return loaded; } /** The PDF font provider for recipes with CJK faces: a family whose * Fontsource subsets are Chinese, Japanese or Korean gets the files that * hold the characters its pages set (`request.codePoints`); any other * family gets the latin file fontsourceProvider fetches (the "pdf" block) * and, when the face sets letters only latin-ext has, that file too. */ async function cjkPdfProvider(family, weight, style, request) { if (!(await isCjkFamily(family))) return cjkLatinPdfFiles(family, weight, style, request); const meta = await fontsourceMeta(family); const weights = meta.weights?.length ? meta.weights : [400, 700]; const w = weights.reduce((a, b) => (Math.abs(b - weight) < Math.abs(a - weight) ? b : a)); const s = style === 'italic' && !meta.styles.includes('italic') ? 'normal' : style; const slices = await cjkSlices(family, w, s); const picked = new Set(); for (const cp of request?.codePoints ?? []) { const slice = cjkSliceFor(slices, cp); if (slice) picked.add(slice); } if (!picked.size) picked.add(slices[0]); return Promise.all(slices.filter((slice) => picked.has(slice)).map(async (slice) => { const res = await fetch(slice.url); if (!res.ok) throw new Error(`Fontsource file ${slice.url} (${res.status})`); return decompressWoff2(new Uint8Array(await res.arrayBuffer())); })); } /** A Latin family set next to the CJK faces: its latin file, then its * latin-ext file when the face sets letters only latin-ext has (ō ū in * Hepburn rōmaji, ǎ in pinyin), the file loadFonts adds on screen for * them. Latin comes first: postext-pdf draws a character from the first * file that has it, as the browser takes a character both files hold from * latin. A face Fontsource ships without latin-ext, or whose file does * not come, gets latin alone, and the PDF names the letters it lacks. */ async function cjkLatinPdfFiles(family, weight, style, request) { const meta = await fontsourceMeta(family); const beyond = [...(request?.codePoints ?? [])].some(cjkLatinExtOnly); if (!beyond || !meta?.subsets?.includes('latin-ext')) return fontsourceProvider(family, weight, style); const weights = meta.weights?.length ? meta.weights : [400, 700]; const w = weights.reduce((a, b) => (Math.abs(b - weight) < Math.abs(a - weight) ? b : a)); const s = style === 'italic' && !meta.styles.includes('italic') ? 'normal' : style; const id = fontsourceId(family); const url = `https://cdn.jsdelivr.net/npm/@fontsource/${id}@5/files/${id}-latin-ext-${w}-${s}.woff2`; const [latin, ext] = await Promise.all([fontsourceProvider(family, weight, style), fetch(url) .then(async (res) => (res.ok ? decompressWoff2(new Uint8Array(await res.arrayBuffer())) : null), () => null)]); return ext ? [latin, ext] : latin; } /** Whether code point `cp` is in Fontsource's latin-ext file and not in * its latin file: Latin Extended-A and -B, IPA, the spacing modifiers and * Latin Extended Additional (loadFonts's test for latin-ext), less the * few latin holds too (ı Œ œ ʻ ʼ ˆ ˚ ˜). */ function cjkLatinExtOnly(cp) { if (!((cp >= 0x100 && cp <= 0x2ff) || (cp >= 0x1e00 && cp <= 0x1eff))) return false; return ![0x131, 0x152, 0x153, 0x2bb, 0x2bc, 0x2c6, 0x2da, 0x2dc].includes(cp); } /** showPages for a book bound on either edge. A right-bound book (the * document says so: doc.binding is 'right' for page.binding 'right' and * for vertical text) lies on the desk as it opens: page 1 alone on the * left of the spine, then [3 | 2], the spine shade on each page's inner * edge. `binding` ('left' | 'right') overrides the document's. */ function showBook(docs, { binding, ...options } = {}) { const count = showPages(docs, options); const right = (binding ?? [docs].flat()[0]?.binding) === 'right'; if (!document.getElementById('pt-kit-cjk')) { // The pages keep direction ltr: a canvas draws text in the direction its // element inherits, and under rtl each run would end where the engine // starts it, its brackets mirrored. document.head.insertAdjacentHTML('beforeend', `<style id="pt-kit-cjk"> .pt-spread[dir="rtl"] canvas { direction: ltr; } .pt-spread[dir="rtl"] figure:first-child canvas { box-shadow: inset 14px 0 14px -14px rgb(0 0 0 / .18), 0 1px 2px rgb(0 0 0 / .5), 0 22px 44px -16px rgb(0 0 0 / .8); } </style>`); } // Each pair stays [verso, recto] in the page; right to left, the verso // sits on the right. Phones stack the pages in reading order either way. for (const spread of document.querySelectorAll('#pages > .pt-spread')) spread.dir = right ? 'rtl' : 'ltr'; document.getElementById('pages').dataset.binding = right ? 'right' : 'left'; return count; } // ─── /Kit ───────────────────────────────────────────────────────────────────────

L'script.js compost funciona tal com és: enganxa'l com a script de mòdul en qualsevol pàgina o obre la recepta a CodePen. Carpeta de la recepta a GitHub ↗ (s'obre en una pestanya nova)

Variants

#Números de citació volats

Moltes revistes japoneses pugen el número per sobre de la línia. marker: 'superscript' l'imprimeix volat, sense parèntesis, i deixa la llista com està.

   locale: 'ja-JP',
+  marker: 'superscript',

#Notes numerades a tot l'article

Un article de poques pàgines pot comptar les notes d'1 fins al final en lloc de fer-ho per pàgina.

-const footnotes = { fontSize: pt(7.5), lineHeight: pt(11.5), color: col('ink'),
+const footnotes = { numbering: 'document', fontSize: pt(7.5), lineHeight: pt(11.5),
+  color: col('ink'),

Errors freqüents

Error freqüent

Etiqueta un text japonès 'ja', mai zh-Hans ni LANG

Les edicions d'una recepta són en i es, però una mostra japonesa és japonesa en totes dues: `locale: LANG` l'etiquetaria com a anglès o castellà, i una etiqueta xinesa la compondria amb les regles xineses (puntuació Kaiming, kana petit lliure de començar línia, 图 en lloc de 図, formes xineses dels caràcters al PDF). Escriu 'ja': tria la regió del Japó (tall i puntuació de la JLReq, punts de sèsam, repartiment dels furigana, etiquetes 図 i 表) i desactiva la partició de mots. El lint falla un text amb kana sota una etiqueta zh o ko. Tall de línies japonès (kinsoku) →

Error freqüent

Compon el japonès amb una font japonesa

Noto Serif SC i TC tenen kana, però dibuixen els kanji amb formes xineses (直, 骨 i 角 canvien) i el kana amb un disseny xinès. Compon el text en Noto Serif JP o Shippori Mincho B1 i els títols en Noto Sans JP, carregades amb loadCjkFonts. Els fitxers japonesos de Fontsource no tenen hentaigana ni altres kana històrics (U+1B000–1B16F): loadCjkFonts hi falla i el PDF imprimeix caixes, així que escriu el kana modern o porta als recursos de la recepta una font que els tingui. Shippori Mincho tampoc no té les vocals amb macró ō i ū: compon el rōmaji amb una font llatina. Kana, kanji i rōmaji →

Error freqüent

Les fonts xineses es carreguen per fragments, amb el bloc cjk

Fontsource serveix una família xinesa, japonesa o coreana en un centenar de fitxers per pes, cadascun amb un interval de caràcters. loadFonts només baixa el fitxer latin, així que a la pantalla els caràcters xinesos surten d'una font del sistema i es mesuren malament, i fontsourceProvider lliura al PDF aquest fitxer latin, que els imprimeix com a caixes buides. Afegeix el bloc cjk del kit, crida loadCjkFonts(FONTS, markdown) després de loadFonts (una vegada per veu, amb el text que compon, si el llibre fa servir diverses fonts xineses) i passa a renderToPdf fontProvider: cjkPdfProvider: tots dos agafen els fitxers que contenen els caràcters del text. Fonts xineses, japoneses i coreanes →

Error freqüent

En una retícula de caràcters, desactiva l'equilibri de columnes

L'equilibri de columnes omple una pàgina que acaba curta (un títol que es queda amb el seu text deixa línies en blanc al peu) afegint línies de la retícula a sobre dels títols i component un paràgraf una línia més folgat. Una línia xinesa més folgada separa els seus caràcters (0,13 em en una pàgina GB/T 9704, molt per sobre de balancing.maxTracking), de manera que els caràcters surten de les columnes de la retícula i els títols de les seves línies. Una pàgina comptada en caselles acaba curta: posa headings.balancing: { enabled: false }. Retícula de caràcters →

Error freqüent

El text dins d'un SVG <img> no pot fer servir fonts web

Un SVG es dibuixa com a imatge, i una imatge no té accés a les fonts web de la pàgina, de manera que els seus rètols surten amb una font del sistema. Converteix el text en traçats, incrusta un subconjunt @font-face a l'SVG o porta els rètols al peu. Figures i taules com a recursos →

Error freqüent

Qualsevol objecte headings desactiva el salt de pàgina de l'H1

Per defecte un H1 salta a una pàgina senar (always-odd), però qualsevol objecte headings anul·la aquest valor, de manera que els capítols van seguits i span: 'page' no fa res. Torna a declarar headings.levels[0].breakBefore: { enabled: true, parity } a cada configuració. Capítols que obren en pàgina senar →

Error freqüent

Posa entre cometes cada valor del frontmatter

YAML llegeix title: 1984 com un nombre i una data com un objecte Date, i els valors que no són cadenes s'imprimeixen buits als marcadors i deixen el PDF sense títol. Posa entre cometes cada valor: title: "1984". Metadades del document →

Error freqüent

Carrega totes les fonts abans de compondre

La composició mesura el text amb les fonts que el navegador ha carregat i en desa les amplades, així que una font que arriba després de la primera composició deixa talls de línia erronis i un PDF que ja no coincideix amb la pantalla. Carrega abans tots els pesos i estils, i crida clearMeasurementCache() abans de recompondre si alguna arriba tard. Fonts abans de compondre →

  • Escriu un nom japonès com a family i given, o com un sol literal sense espai. Un nom escrit com una cadena amb un espai entre cognom i nom, com sol arribar de BibTeX (author = {夏目 漱石}), es llegeix amb el cognom davant, però un de romanitzat, Natsume Soseki, es llegeix com a nom i cognom, igual que els noms anglesos.
  • La SIST 02 inclosa no imprimeix el DOI. Si el DOI d'un article importa, posa'l al text o en una nota.

Crèdits

Text
Text original, CC BY 4.0
Imatges
  • Figure 1, the three series of type sizes, drawn in code to scale · Postext Cookbook · CC BY 4.0
Fonts
Noto Serif JP (SIL OFL 1.1) · Noto Sans JP (SIL OFL 1.1) · Shippori Mincho B1 (SIL OFL 1.1)
SandboxPDF